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Kneaded sake cup by Ogawa Bunsai

Kneaded sake cup by Ogawa Bunsai

Regular price ¥30,800
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Width: 7.0cm x 7.0cm Height: 4.5cm

Drinking in the memories of earth and fire - Nerikomi sake cup by Ogawa Bunsai VI (Kyo)

This "Kerekomi Sake Cup" by Ogawa Bunsai (Oki) VI is a small piece filled with a fundamental power, as if the clay itself is speaking to you. The clay landscape captured in a vessel about the size of a handful goes beyond mere form and gradually stimulates the senses of those who pick it up.

The brown patterns that appear to seep out from under the glaze are the result of the different clays that are kneaded into the piece fusing together during firing, creating a pattern that seems to straddle the line between chance and inevitability. The appearance, reminiscent of the earth of the past, or layers of volcanic ash, vividly conveys the beauty of the "earthly memory" that pottery possesses.

The technique of nerikomi, layered time and texture

"Nerikomi" is a pottery technique that creates patterns by intentionally mixing clays of different colors and qualities. Rather than being painted with a brush or glaze, the patterns emerge from the layers of the clay itself, so the surface scenery is both material and temporal, to the point that it can be described as a "cut-out geological layer."

In this piece, the complex patterns created by kneading the clay are infused into the surface in shades of ochre and brown, and the flow of the glaze and changes in the kiln give it a one-of-a-kind appearance. The traces of handwork become part of the design, and the charm of "born beauty" rather than "manufactured beauty" lives on.

A medley of materials in the palm of your hand

The fact that such rich textures and variations in color can be packed into the limited form of a sake cup is itself a testament to the artist's skill and aesthetic sense. The rim is slightly curved, exuding the warmth and freedom that only a handmade piece can have. The inside of the cup is covered in a deep blue glaze, and when sake is poured into it, the blue reflected on the surface of the liquid and the color of the earth on the outside shimmer like a mirror reflecting a landscape.

Although it is a small vessel that fits in the palm of your hand, when you hold it you can sense a certain "weight" and "heat," which is nothing other than the memory of earth and fire being felt on your skin.

The "use" and "storytelling" of a sake cup

This nerikomi guinomi is not simply a work of art to be admired, but a vessel that is perfected through actual use. When cold or hot sake is poured into the vessel and the warmth of your hand is transferred to the vessel, the surface of the clay changes little by little, revealing expressions that can only be seen by the viewer.

This vessel truly embodies Ogawa Bunsai's values ​​of "craft as dialogue" and "beauty that can be felt through touch," and in the act of drinking from it, the material, time, the artist's thoughts, and the user's sensibilities all blend together.

Beyond the "Green" of Bunsai VI

It is truly symbolic that Ogawa Bunsai VI, who has produced numerous works with the emerald green glaze as the "green man," has returned to the Nerikomi technique, which speaks of the "earth" itself, in this work. This is an attempt to rediscover not only the beauty of the color, but also the power of the material itself, and can be seen as a return to the traditional techniques that have been passed down and to the origins that have emerged within him.

Poetry of the Earth, the Universe in the Palm of Your Hand

A Nerikomi Sake Cup is truly a small universe. The patterns created by the clay continue to develop over time even after they have left the artist's hands, revealing a new landscape every time it is used.

When you hold this vessel in your hands while sharing a drink, a story will be born that goes beyond mere taste. The clay tells a story, the fire seals it, and the glaze illuminates it - please feel this poetic vessel in your palm.

It will be a quiet but sure drink that will fill your memory and your heart.

Purchase Information
This item will be delivered in a paper box after the purchase is made.
Please note that a wooden box is not included.
The artist has not provided a wooden box for this piece, and we do not make wooden boxes either. Therefore, we will deliver it in a special paper box.

Sixth Generation Ogawa Bunsai (Kyo) Sixth Generation Head of Bunsai Kiln
Ceramic artist, Nitten member, Kyoto Craft Artists Association member

Activity experience
・Lecturer at a culture center (Mainichi, NHK, Kyoto) for 20 years
・Open burning (with Bunsai Five)
・Formation and participation of limited liability business partnership

History of pottery
1974 Born as the eldest son of Ogawa Bunsai V, a ceramic artist in Gojozaka, Kyoto.
1999 Graduated from Kyoto University of Art and Design Graduate School, Faculty of Arts, Sculpture Course
2000 Graduated from Kyoto Prefectural Pottery Technical College, Molding Department / Selected for Kyoto Exhibition / Selected for All Kansai Art Exhibition
2001 Graduated from Kyoto Prefectural Ceramic Technical College, Specialized Course / Selected for Kyoto Exhibition / Joined the Kyoto Craft Artists Association
2002 Group exhibition "Five People Exhibition" / Graduated from the Kyoto Municipal Industrial Research Institute Ceramics Research Laboratory / Kyoto Exhibition Kusube Award / First selection at the 34th Nitten Exhibition
2003 Selected for the Kyoto Exhibition / Received the Japan New Crafts Encouragement Award at the 25th Japan New Crafts Exhibition / Joined the Japan New Craftsmen Federation Kinki Chapter / Selected for the All Kansai Art Exhibition / Selected for the 35th Nitten Exhibition
2004 Selected for the Kyoto Exhibition / Selected for the 26th Japan New Crafts Exhibition / Japan New Crafts Exhibition Kinki Exhibition Yomiuri Shimbun Osaka Head Office Award / Selected for the 36th Nitten Exhibition
2005 27th Japan New Crafts Exhibition, Tokyo Governor's Award / First solo exhibition (Kyoto Daimaru Department Store Art Salon) / Selected for the 37th Nitten Exhibition
2006 Selected for the 28th Japan New Crafts Exhibition / Yomiuri Television Award at the Japan New Crafts Exhibition Kinki Exhibition / Selected for the All Kansai Art Exhibition / Solo exhibition (Takashimaya Kyoto Art and Craft Salon) / Selected for the 38th Nitten Exhibition
2007 Selected for the Kyoto Exhibition / Selected for the 29th Japan New Crafts Exhibition / Selected for the 39th Nitten Exhibition / Submitted to the Kyoto Women's University Elementary School 50th Anniversary Ceramics Exhibition
2008 Selected for the Kyoto Exhibition / Selected for the 30th Japan New Crafts Exhibition / USE Uryuyama.Sculptors.Exhibition (Gallery Maronnier)
2009 Group exhibition "Mashu Exhibition: Winter Gathering" / Became a member of the Japan New Craftsmen Federation / Exhibited at the 31st Japan New Crafts Exhibition / Kyoto Crafts Artists Association Exhibition Association Encouragement Award / Japan New Crafts Exhibition Kinki Exhibition Yomiuri Shimbun Osaka Head Office Award / Selected for the 41st Nitten Exhibition / Solo exhibition (Kyoto Daimaru Department Store Art Salon) / USE Exhibition 2009 (Gallery Maronnier)
2010 Submitted to the 32nd Japan New Crafts Exhibition / Selected for the 42nd Nitten Exhibition
2011 Exhibited at the 8th special exhibition "Graduates of the Affiliated Elementary School - Ceramic Artists Exhibition" commemorating the 100th anniversary of the founding of Kyoto Women's University / Exhibited at the 33rd Japan New Crafts Exhibition / Received the Yomiuri TV Award at the All Kansai Art Exhibition / Exhibited at "Kyoto Ware in Search of New Frontiers: The 50-Year Journey of the Kiyomizu Ware Complex" / USE 4 (Gallery Maronnier) / Exhibited at the 65th Anniversary Kyoto Crafts Artists Association Exhibition / Solo Exhibition (Kyoto Daimaru Department Store Art Gallery)
2012 Judge of the 34th Japan New Crafts Exhibition / Kyoto City Superintendent of Education Award at the Japan New Crafts Exhibition Kinki Exhibition / USE 5 (Gallery Maronnier)
2013: Becomes the sixth generation owner of Bunsai Kiln, Kyoyaki.
Submitted to the 35th Japan New Crafts Exhibition / USE 6 (Gallery Maronnier) / Selected for the 44th Nitten Exhibition
2014 USE 7 (Gallery Maronnier) / Withdrew from the Japan New Craftsmen Federation
2015 Rinpa 400th Anniversary Exhibition of Japanese Paintings and Crafts by 200 Contemporary Artists (Kyoto Museum) / Heisei Kyomachiya x Heisei Craftsmen / USE 8 (Gallery Maronnier)
2016 Kyoto Rokuhara District "Let's all wear the sign of the logi" project nameplate creation / Japanese painting, photography and kirikane coming together in ceramics - Four-person collaborative exhibition (Porta Gallery Hana)
2017 Solo Exhibition, Daimaru Kyoto Art Gallery / USE 10 (Gallery Maronnier)
2018 Kissako - First, a cup of tea - Takumi (Porta Gallery Hana)
Climbing kiln damaged
2019 Climbing kiln restoration completed
Kyoto Exhibition: Small Universe (Porta Gallery Hana)
Celebration of the name succession ceremony for the 6th Ogawa Bunsai
2020 Kyoto Exhibition: Small Universe (Porta Gallery Hana) / Kyoto Craft Artists Association Selected Exhibition
2021 75th Anniversary Kyoto Craft Artists Association Exhibition / Solo Exhibition at Daimaru Kyoto Art Gallery

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