Vase made of auriferous clay by Yasushi Fujihira

Width 7cm x Height 21cm

A conversation with Yasushi Fujihira

The aesthetics of gold that embodies the beauty and simplicity of wabi

Among the vases created by Fujihira Yasushi, "Hana Ichirin" is a work that is especially full of poetry and elegance . The gold glaze that covers the entire slender cylindrical form has a depth that is reminiscent of iron rust, and is filled with a tasteful beauty that goes beyond mere luxury. The texture of this smoky gold beautifully expresses the aesthetics of sabi . "Hana Ichirin" exudes the very spirit of wabi-sabi. It is neither gorgeous nor lonely. And yet, it stands out for its strength and noble presence that is somehow hidden within its calmness.

A unique presence that brightens up any space

The appeal of this piece is its presence, which transforms the space wherever it is placed . It boasts outstanding beauty not only as a flower vase but also as an objet d'art. The deep navy blue that appears when you look inside the piece gives the viewer a new perspective and adds depth to the piece. The contrast between the gold of the exterior and the navy blue of the interior creates a harmony of stillness and movement that is reminiscent of the transition between day and night. This ingenious design elevates "Hana Ichirin" from a simple vase into a work of art that continues to fascinate viewers.

Elegant beauty created by Yasushi Fujihira

His works are a perfect blend of traditional Kyoto ware techniques and modern sensibilities. "Hana Ichirin" is no exception. While the overall form is simple, his attention to detail shines through in the subtle rust-like gold hue and the navy blue hidden inside. Of particular note in this piece is the depth imbued in the texture of the gold . It is not just gold as decoration, but the warmth of rust that has aged over time and the expression that evokes a sense of nostalgia speak to Fujihira's uniqueness.

Hand-twisting technique that gives shape to wabi-sabi

The production of "Hana Ichirin" does not use a potter's wheel, but is entirely hand- formed. This creates natural distortions and subtle imbalances, adding an organic warmth to the work. On the other hand, the glaze finish and the well-balanced cylindrical shape reflect advanced techniques and taste. This contrast evokes the spirit of wabi-sabi while also conveying the sophistication of contemporary design.

The Journey of Yasushi Fujihira: Inheriting Tradition and Weaving the Future

Yasushi Fujihira was born in Kyoto Prefecture in 1963 and began his career as a ceramic artist. While inheriting the traditions from his father, the renowned ceramic artist Shin Fujihira, he is also breaking new ground with his own unique sensibility. Below is a summary of his representative career history.

• 1988 : Graduated from Kyoto Prefectural Pottery Vocational Training School
• 1990 : Winner of the Mayor's Award at the "Kyoto Exhibition"
• 1991 : Received the Encouragement Award at the "Ceramics Biennale"
• 1992 : Selected for the Kyoto Craft Biennale and the Asahi Ceramic Art Exhibition

As these awards show, his work has been highly praised both at home and abroad, and has captivated many people.

A rich experience brought to you by "Hana Ichirin"

"Hana Ichirin" is a work that embodies the exquisite harmony of wabi-sabi and gorgeousness. The contrast of gold and navy blue moves the viewer, and wherever it is placed, it will weave a new story in the space. Its possibilities are endless, whether it is a vase to use in daily life or an object to decorate a space. Why not experience the artistic sensibility of Yasushi Fujihira and the depth of Japanese aesthetics through "Hana Ichirin"?

<<Toshihira Yasushi’s Pottery History>>
1963 Born in Kyoto Prefecture. Father is Shin Fujihira.
1988 Graduated from Kyoto Prefectural Pottery Vocational Training School. Selected for the Nitten Exhibition (2 more times)
1989 Kyoto Exhibition Akane Award ('90 Mayor's Award) Selected for the Japanese Ceramic Art Exhibition
1990 Selected for the Modern Asahi Craft Exhibition (four times since then)
1991 Ceramic Art Biennale Encouragement Award, All Kansai Art Exhibition Honorable Mention ('92 same award)
1992 Selected for the Kyoto Craft Biennale Selected for the Asahi Ceramic Art Exhibition
1993 Kansai Art Exhibition, 2nd Place Kansai Award
2008: Submitted to the Paramita Ceramic Art Grand Prize Exhibition