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Whale Skin Tea Bowl by Yuichi Ikai

Whale Skin Tea Bowl by Yuichi Ikai

Regular price ¥198,000
Regular price Sale price ¥198,000
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Width: 14.6cm Height: 7.6cm

Characteristics and decorative beauty of whale hides

"Hikkujira" is a traditional decoration seen on Karatsu tea bowls and sake cups, and is a technique for applying a black border to the rim . The name comes from the fact that the black border resembles whale skin, and the white and grey parts of the vessel itself resemble the belly of a whale. This black color is made using iron paint, and when the glaze is applied and then fired, the iron turns black, creating a unique and beautiful appearance.

In Yuichi Ikai's whale tea bowl, the thickness and thinness of the lines give the bowl a sense of movement, and the iron painting method varies from piece to piece. From uniform painting to those that are interrupted as they go around the rim, you can enjoy a variety of expressions.

Inside vs. Outside

One of the distinctive elements of this piece is the contrast between the inside and outside . The inside of the vessel is painted with thick, bold lines, while the outside rim is delicately painted with thin black lines. This delicacy tightens the whole piece and creates a different atmosphere between the inside and outside. This contrast gives the piece depth and gives a different impression depending on the viewing angle, maintaining its timeless beauty.

The Importance of "Change" and "Contrast"

In ceramic works in general, perfectly symmetrical shapes and uniform colors often lack depth. Therefore, by adding subtle "variations" through the application of glaze and scraping marks, life is breathed into the vessel. In this tea bowl, the flow of glaze and the scraping techniques are exquisitely combined to give the vessel a unique expression. In addition, the decoration has a good balance between gorgeousness and quietness, making it a work that you will not tire of even if you use it for a long time.

The beauty of the hill and attention to detail

The foot is also an essential element to the beauty of the piece. Ikai Yuichi's Hikujira tea bowl features a foot that shows the clay , making use of the simple texture of the clay. The transparent glaze and ash glaze layers near the rim blend beautifully, and the brown coloring from the iron in the clay gives the area around the foot a unique texture. This attention to detail balances the entire piece, and the natural overlapping of the glaze layers brings out a deeper beauty.

summary

Yuichi Ikai's "Hikkujira Tea Bowl" is a work that exquisitely harmonizes the strength and delicacy of the iron painting , the contrast between the inside and outside , and the subtle changes created by the glaze and carving techniques. The longer it is used, the more attractive it becomes, and it has a depth that gives the viewer new discoveries. These contrasts and changes create timeless beauty in tea pottery, making everyday use a richer experience.

Yuichi Ikai Biography
1963 (1963)
Born into a pottery merchant in Gojozaka, Kyoto
1983 (1983)
Graduated from Kyoto Prefectural Pottery Training School, Molding Department
1984 (1984)
・Completed ceramics training at Kyoto Municipal Industrial Research Institute
・Under the guidance of the late Mr. Uichi Shimizu, a holder of the Important Intangible Cultural Property,
June: Kihei Kiln opens (from the shop name, Kihei the Sixth)
・Studied under Uichi and Yasutaka Shimizu
1985 (1985)
・First time selected for the Japan Crafts Association Kinki Branch Exhibition (continuously selected thereafter)
・Participated in the Cheramista Exhibition
1986 (1986)
・First time selected for the Japan Traditional Crafts Exhibition
1987 (1987)
・Permitted to exhibit at the Family Exhibition, Horai-kai (Ikebukuro Seibu) and Uzuki-kai (Osaka Matsuzakaya)
・Received the Matsushita Award at the Japan Crafts Association Kinki Branch Exhibition
・Dog Exhibition: Leading the Way in Kyoto, Kyoto Daimaru
1988 (1988)
・Participation in Chabikai Kyoto Myrieme
1989 (1989)
・Founding of the Earth Children Association (named by Uichi Shimizu)
・Received the Encouragement Award at the Japan Crafts Association Kinki Branch Exhibition
1990 (1990)
・First solo exhibition at Kuroda Touen in Ginza
・Solo exhibition at Mizutama, Itabashi
1993 (1993)
・Solo exhibition at Mitsukoshi, Osaka (continues to be held)
1994 (1994)
・Certified as a regular member of the Japan Crafts Association
・Solo exhibition at Gallery Kiyomizu, Matsuyama (will continue to be held in the future)
・Received the Encouragement Award at the Saga Daikakuji Flower Ceramics Exhibition
1995 (1995)
・Solo exhibition at Daimaru, Kyoto (still held afterwards)
・Solo exhibition at Hankyu Kobe (continues to be held)
1996 (1996)
・The workshop was moved to Hiyoshicho, Nantan City, Kyoto Prefecture.
・Solo exhibition at Gallery Kurimoto, Nagaoka, Niigata (will continue to be held)
・Exhibition of Contemporary Ceramic Artists Living in Kyoto, Kyoto Daimaru
1997 (1997)
・Ceramics: Three-person Exhibition, Shinjuku Isetan (Takahiro Kondo and Masahiko Ichino)
1998 (1998)
・Kyoto Talented Artists Exhibition, Hiroshima Sogo
1999 (1999)
・Solo exhibition at Shimonoseki Daimaru
2000 (2000)
・Solo exhibition at Yu, Tokyo Palace Hotel (will continue to be held in the future)
・Solo exhibition at Rakuchu Rakugai Gallery, Kyoto Kiyomizu-yaki Complex
・Exhibited at the Tsinghua University International Ceramic Exhibition in Beijing, China
2001 (2001)
・Received the highest award, the Kinki Prize, at the 30th Kinki Exhibition of Japanese Traditional Crafts
・Solo exhibition at Tenmaya, Mihara, Hiroshima
2002 (2002)
・Solo exhibition at Kogei Ima, Ginza, Tokyo
・Solo exhibition at Mitsukoshi Main Store, Nihonbashi, Tokyo
・CRIA Exhibition, Kyoto Art Center
2003 (2003)
・Received the Shiga Prefecture Board of Education Award at the 32nd Japanese Traditional Crafts Kinki Exhibition
・Ginza Kuroda Touen Celadon Exhibition (still held)
・Solo exhibition at Meitetsu Department Store, Nagoya
・Exhibited at the Contemporary Korean-Japanese Ceramic Art Exhibition at the Kumho Museum of Art, Seoul
・Solo exhibition at Gion Konishi, Kyoto
2004 (2004)
・Appointed as a judge at the 33rd Japanese Traditional Crafts Kinki Exhibition
2005 (2005)
・Solo exhibition at Daimaru Art Gallery, Kyoto
・Specially selected for the 34th Japanese Traditional Crafts Kinki Exhibition
2006 (2006)
・Three Potters Exhibition, Kyoto Takashimaya
・Exhibited at the Contemporary Ceramic Artists Exhibition at Kobe Sogo
・Four Artists Exhibition at Nara Kintetsu
・Solo exhibition at Gallery Wada, Ishibekoji, Kyoto (will continue to be held)
・Solo exhibition at Dojima Gallery, Osaka (will continue to be held)
・Solo exhibition at Mitsukoshi Main Store Art Gallery, Nihonbashi, Tokyo
2007 (2007)
・Solo exhibition at Rokujido, Ninenzaka, Kyoto
・Solo exhibition at Keihan Department Store, Moriguchi, Osaka
・Climbing kiln construction
2008 (2008)
・Solo exhibition at Gallery Uko, Bashamichi, Yokohama
・Solo exhibition at Kintetsu Department Store, Saidaiji Temple, Nara
2009 (2009)
・Solo exhibition at Takashimaya, Kyoto
・Solo exhibition at Mitsukoshi Main Store Art Gallery, Nihonbashi, Tokyo
2010 (2010)
・Solo exhibition at Itabashi Zuigyoku (will continue to be held in the future)
2011 (2011)
・Solo exhibition at JR Osaka Mitsukoshi Isetan, Umeda, Osaka
2012 (2012)
・Solo exhibition at Rokujido, Ninenzaka, Kyoto
・Solo exhibition at Fukuoka Mitsukoshi Department Store, Hakata
・Solo exhibition at Kairo Gallery Mon, Kasama, Ibaraki
2015 (2015)
・Solo exhibition at Hankyu Umeda Main Store, Osaka Umeda (will continue to be held)
2016 (2016)
・Solo exhibition at Atelier Hiro, Yodoyabashi, Osaka (will continue to be held)
2017 (2017)
・Established a workshop again in Gojozaka, Kyoto
2018 (2018)
・Solo exhibition at Gallery Yamazaki, Ningyocho, Nihonbashi, Tokyo (will continue to be held)
2022 (2022)
・Appointed as Secretary General of the Kinki Branch of the Japan Crafts Association, a public interest incorporated association
・Appointed as director of the Japan Crafts Association, a public interest incorporated association
・Appointed as director of the Kyoto Ceramic Association, a general incorporated foundation
・Appointed as director of the general incorporated foundation KYOTO KILIN
・A pottery store that had been in business for generations on Gojozaka closes and begins renovations
2023 (2023)
・As a showroom for "Tsuboya Kibe Kiln"
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