White glaze streamline rectangular incense burner Yu Okada
White glaze streamline rectangular incense burner Yu Okada
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Width: 24.0cm x 17.0cm Height: 9.6cm
White Glazed Rectangular Streamlined Incense Burner by Okada Masaru - "A vessel that wafts incense as the surface of the water bathed in moonlight sways gently."
The incense burner creates a fragrant room
In the tea ceremony and the art of incense, incense is burned to set the mood in a room and purify it before welcoming guests. This rectangular incense burner quietly supports such time and space. The pure texture of the white glaze softly reflects the light, and the streamlined edges guide the incense smoke as if showing the way for the wind to pass.
The tranquility of white glaze
Unlike white porcelain, the white glaze has a soft milky white hue that changes color to ivory or pale snow depending on the light. A very light beige outline appears around the edge of the glaze, giving the entire piece a gentle warmth.
Served at tea and incense ceremonies
Purpose | Interest | Key points of the production |
---|---|---|
Early Autumn Sunset | A stick of sweet Japanese incense such as sandalwood or clove. The rectangular shape of the vessel evokes the horizon of the setting sun. | If you turn the lights low in the dining area, the shadows from the edges will extend onto the tatami mat, creating the long autumn shadows. |
Night Stories | The subtle sound of aloeswood can be heard, and the silver-colored twill reflects the candle flame. | The incense stand is made with black lacquer and deep rosewood, highlighting the contrast between the serenity and darkness of the white glaze. |
Incense ceremony practice session | The three incense sticks - Kyara, Rakugo and Managa - are alternated in order, and you can enjoy watching the streamlined patterns overlapping with the trailing smoke. | The incense burners and incense trays are all made of white porcelain, creating a unified "white landscape." |
History and design background
Japanese incense burners have been developed in a wide variety of ways, from the three-legged Chinese celadon incense burners to the Momoyama period Raku incense containers and the Edo period blue and white incense burners. While this work is part of that lineage, it is a timeless design that combines the simplicity of white glaze - the "strength of plainness" reminiscent of Rikyu's wabi - with the modernism of flowing lines and the abstract forms of modern ceramics. The lines and ridges of the work capture the mist and wind of Uji and Sumiyama that Okada Masaru sees every day, creating a quiet resonance between the classic and the modern.
Message from the Artist
Okada Masaru's production philosophy is "Let the wind blow slowly inside and outside the vessel," and in this incense burner, he visualized the movement of the wind with the "openness" of the tripod and the "flow" of the rectangle. The tranquility of the white glaze accentuates the fragrance of the incense, and a refreshing breeze is created in the seat every time it is burned.
Conclusion
The pale white of the white glaze, flowing lines, and the gentle rise of incense smoke - the white glaze rectangular streamline incense burner adjusts the temperature of the space the moment it is placed in the container, and adds a clear, lingering impression to the once-in-a-lifetime encounters of tea ceremonies and incense-smelling rituals. Please use it for a long time, together with seasonal incense woods and incense, and enjoy the taste of the white glaze, which deepens with time.
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We carefully package each product in a way that suits it best.
Also, delivery times vary depending on the piece (vessel, etc.).
Items that already come with a box will be shipped within 1-3 days of the order date.
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