Tanba kiln-fired vase by Nishihata Tadashi

Height: 19.2cm Width: 10.8cm Depth: 10.8cm

Tanba kiln-changed vases are vessels used in the world of tea ceremony to arrange flowers, and among these, they are works of art with a unique beauty. Kiln-changed vases are usually buried in ash during firing, and the surface is fired in a glass-like color such as black, blue, or gray through reduction firing, resulting in a distinctive appearance. This kiln-change technique creates a unique look that makes it impossible to get two pieces the same.

The charm and beauty of kiln transformation

The greatest attraction of the Tamba Kiln-Change Vase is the beauty of the kiln changes that occur during firing. The glass-like black, blue, and gray colors that appear on the surface could be described as art created by nature. The unique patterns and color changes that occur when the piece is buried in ash while firing capture the hearts of viewers, providing a beauty that never gets old. This vase is a work of art that allows you to enjoy its one-of-a-kind scenery.

The role of flower vases in the world of tea ceremony

In the world of tea ceremony, a vessel for arranging flowers is called a "hana-ire." In a tea ceremony, after the kaiseki meal, guests stand up from their seats and step onto the bench in the garden until the start of the atoza, which is called "naka-dachi." A tea ceremony that includes this naka-dachi is considered a formal tea ceremony, and while paintings and calligraphy are hung in the tokonoma alcove during the first session, flowers are displayed during the atoza. In tea ceremonies that omit naka-dachi or large tea ceremonies, a "shosho-ori" ceremony is held in which a hanging scroll and a flower vase are both displayed in the tokonoma alcove.

The presence and beauty of Tamba kiln-fired vases

Tanba kiln-fired vases have an overwhelming presence, along with the beauty of their unique kiln-fired patterns. The glass-like colors of black, blue, and gray give the entire vase a complex look that captivates the viewer. Arranging flowers in them brings out their beauty even more, creating a special atmosphere.

The idea of ​​"use is beauty" and practicality

The Tamba Kiln-Transformed Vase is a work that embodies the idea of ​​"use is beauty." By using it, you can enjoy its functionality and beauty at the same time. It will make your tea ceremony time even more special, and you will be captivated by its beauty every time you use it. While modern crafts are deviating from the idea of ​​"use is beauty," this vase is a rare work that continues to adhere to that idea.

Craftsmanship and artistry

This vase is a masterpiece that brings together the outstanding technique and artistry of a skilled craftsman. The firing technique, which makes full use of the kiln change technique and brings out the beauty of the vase to the fullest, is the result of Mr. Nishibata's many years of experience and hard work. When you hold it in your hands, you will be able to feel both the tradition and innovation of Tamba ware at the same time.

Create a special moment

Tanba kiln-painted vases will make your tea ceremony or special occasion even more special. Their unique beauty and presence will bring a special atmosphere to your tea ceremony and give you a sense of comfortable satisfaction. You will be captivated by their beauty and functionality every time you use them.

Lasting Value

This vase will continue to retain its beauty over time. The more you use it, the more its texture will improve, and you will grow to love it more and more. It is sure to become a treasured item that you can use for a long time.

The Tamba Yohen Flower Vase is a supreme work of art that perfectly combines the traditions of Tamba ware with modern techniques. Its calm beauty and presence will make your tea ceremony experience even more special. It also combines beauty as an objet d'art with practicality, allowing you to enjoy its charm in any situation. 14

Masashi Nishibata Biography

Born on February 24, 1948. Started making pottery in 1969. 1976. Hyogo Prefectural Exhibition Encouragement Award. 1986. Selected for the Japan Traditional Crafts Exhibition for the first time. 1988. Selected for the Japan Traditional Crafts Exhibition, Japan Traditional Crafts Exhibition, Japan Crafts Association President's Award. 1989. Selected for the Japan Ceramic Art Exhibition, Handon no Kai, Nogawa Memorial Award. 1991. Selected for the Japan Traditional Crafts Exhibition, Selected for the Japan Ceramic Art Exhibition, Grand Prize at the Tea Ceremony Forms Exhibition. 1992. Selected for the Japan Traditional Crafts Exhibition, Tea Ceremony Forms Exhibition, Excellence Award, Hyogo Prefecture Emerging Artist Encouragement Award. Invited to exhibit at the NHK-sponsored Paris-Japanese Ceramics Now 100 Selections, Excellence Award at the Tea Ceremony Forms Exhibition. 1993. Selected for the Japan Traditional Crafts Exhibition, Solo Exhibition at Sogo Hiroshima Store, Kyoto Chemin. 1994. Selected for the Japan Traditional Crafts Exhibition, Solo Exhibition at Nihonbashi Mitsukoshi Main Store. 1995. Selected for the Japan Traditional Crafts Exhibition, Solo Exhibition at Sogo Hiroshima Store. 1996. Selected for the Japan Traditional Crafts Exhibition. Awarded the Excellence Award at the Tea Ceremony Art Exhibition, solo exhibition at Nihonbashi Mitsukoshi Main Store
1997 Encouragement Award at the Tea Ceremony Art Exhibition 1998 Selected for the Japanese Traditional Crafts Exhibition Solo exhibition at Mitsukoshi Nihonbashi Selected for the Japanese Traditional Crafts Exhibition 2000 Solo exhibition at Mitsukoshi Nihonbashi Solo exhibition at Mitsukoshi Fukuoka 2001 Selected for the Japanese Traditional Crafts Exhibition at Gallery Dojima 2002 Solo exhibition at Mitsukoshi Nihonbashi Solo exhibition at Gallery Dojima 2003 Solo exhibition at Santa Fe Touchingston, USA 2004 Father and son exhibition at Sogo Hiroshima store Grand Prize at the Tea Ceremony Art Exhibition 2005 Exhibited at Akashi City Museum of Culture and Hyogo Ceramics Exhibition Purchased Akadobedai, Hyogo Ceramic Art Museum Solo exhibition at Gallery Dojima Mitsukoshi Nihonbashi 2006 Grand Prize at the Tea Ceremony Art Exhibition Selected for the Japanese Traditional Crafts Exhibition at the Museum of Fine Arts, Boston and the Japan Society Gallery of New York Solo exhibition at Takashimaya Yokohama Touchingston, USA Father and son exhibition at Takashimaya Matsuyama 2007 Toshun-kai Exhibition, Sogo Yokohama Encouragement Award at the Tea Ceremony Art Exhibition Selected for the Japanese Traditional Crafts Exhibition 2008 Selected for the Japanese Traditional Crafts Exhibition Solo Exhibition, Yokohama Takashimaya Mitsukoshi Main Store, Santa Fe, Touchingston, USA Toshun-kai Exhibition, Funabashi Seibu Sogo Hiroshima Invited to exhibit at the Japanese Ceramics Exhibition 2009 Solo Exhibition, Gallery Dojima, Sendai Mitsukoshi 2010 Sogo Kobe Exhibited at the Musee Tomo Grand Prize Exhibition, Contemporary Tea Solo Exhibition, Yokohama Takashimaya Touchingston, USA, Santa Fe, 2011 Invited to exhibit at the Japanese Ceramics Exhibition Solo Exhibition, Joan B. Marvis, New York, USA Invited to exhibit at the Japanese Ceramics Exhibition 2013 Exhibited at the Musee Tomo "Contemporary Famous Bowls" Solo Exhibition, Mitsukoshi Main Store, Santa Fe, USA Miyazaki Gallery, Sogo Kobe Chiba Sogo 2014 Solo Exhibition Solo Exhibition, Mitsukoshi Main Store, Santa Fe, USA 2015 Received the Hyogo Prefecture Cultural Award in 2016. Exhibited at Higashihiroshima City Museum of Art for Ceramics that Color Our Lives - Food Wares. Exhibited at Joan B. Marvis' 40th Anniversary Exhibition in 2017, New York, USA.
Solo Exhibition at Nihonbashi Mitsukoshi Main Store in 2018