Skip to product information
1 of 8

Green Tea Bowl by Bunsai Ogawa

Green Tea Bowl by Bunsai Ogawa

Regular price ¥242,000
Regular price Sale price ¥242,000
Sale Sold out
Taxes included. Shipping calculated at checkout.

Width: 13.0cm x 13.0cm Height: 9.0cm

Deep Indigo, Embraced by Green - Green Tea Bowl by the 6th Ogawa Bunsai (Kyo)

This "Emerald Green Tea Bowl" by Ogawa Bunsai (Oki) VI is a striking piece that contrasts the soft emerald green glaze on the outside with the deep indigo hidden inside. The outside of the bowl is bright as if basking in the sunlight, with a gentle green running through it, exuding a freshness like young leaves swaying in the breeze. However, once you peer inside, you will see a deep indigo with the tranquility and depth of the sea at night, drawing the viewer's heart deep inside - it is as if day and night, the outside world and the inside, movement and stillness coexist in one bowl.


Deep Indigo - The Universe Hidden Within

The indigo glaze applied to the inside of this tea bowl is not simply "blue." The deep, heavy, yet somehow clear indigo color is reminiscent of the quiet surface of water, a lake reflecting the night sky, or the depths of space. If you pick it up and peer into it, you will feel as if you are being drawn in, as if you were gazing into the bottomless depths of the ocean.

The subtle nuances that emerge from the light and shade of the glaze capture the light and reveal countless expressions. Sometimes taking on hues of dull blue, other times ultramarine, lapis lazuli, or indigo-black ink, the ware exudes a tranquil atmosphere and invites you into a moment of introspection during the tea ceremony.

This deep indigo echoes the green of the matcha, bringing out the color of the tea even more vividly. The sight of the brewed tea floating in an indigo space is like a drop of jade in space, providing a highly poetic experience both visually and spiritually.


The boundary between green and indigo, the fluctuation of consciousness

The green glaze on the outside is the culmination of the "beauty of green" that Bunsai VI has been exploring for many years. The subtle fluctuations and shading created by the flow of the glaze, and the subtle changes in the kiln caused by firing, appear on the surface of the vessel as if reflecting a natural landscape.

The gradation from the green exterior to the indigo interior gives the impression of a "boundary of consciousness" that goes beyond mere color expression. This composition, designed to lead the viewer's gaze from outside to inside, from reality to introspection, is like a "guiding vessel" that invites viewers to reexamine their own minds through a cup of tea.

This fusion of aesthetic beauty and spirituality has artistic value that goes beyond mere craftsmanship, and poses new questions about the role of tea bowls in the modern world.


Memories of Fire and Water - Another Face Seen from a High Place

Of note are the traces of firing that appear on the foot. The indigo glaze flows onto the foot and drips like water, reminiscent of liquid flickering in the flames, reminding us of the primal charm of ceramics, the "art of earth." The uneven appearance of the foot, which is unique to handmade products, is imprinted with the constant interplay between the glaze and the fire as it changes in the kiln.


The Resonance of Green and Indigo - A Symbol of Peace and Harmony

While inheriting the spirit of the Bunsai Kiln that has been passed down for generations, he continues to create pottery with a strong will to "make things that he thinks are beautiful with all his might in order to eliminate conflict." The way in which two colors, such as this piece, blend together in one vessel, a gentle green and a deep indigo, can be said to embody the idea of ​​"harmony."

Green and blue - both colors that symbolize nature - are fused together with the help of fire to achieve harmony within a single piece of pottery. This is also an expression of Bunsai Kiln's belief that beauty is created through the coexistence of different things, not through conflict.


To grasp the abyss hidden in everyday life

This "Suiran Tea Bowl" is not just beautiful, but also a vessel that brings a moment of profound depth into the everyday. Take it in your hands, make tea, and let your own shadow be reflected in the depths of the indigo blue - this experience will surely bring a luxurious moment of introspection to those of us living in the modern age.

In this single bowl, woven with emerald and indigo, natural scenery, spiritual depth, and a prayer for peace are condensed - this is the true essence of the art of Ogawa Bunsai VI, and the meaning of holding this piece of pottery.

We hope you enjoy spending time facing beauty, tranquility, and the depths of your soul through this one-of-a-kind "Cuilan Tea Bowl."

The 6th generation head of Bunsai Kiln, Ogawa Bunsai (Kou)
Ceramic artist, Nitten member, Kyoto Craft Artists Association member

Activity experience
・Culture center lecturer (Mainichi, NHK, Kyoto) for 20 years
・Open burning (with Bunsai Godai)
・Formation and participation of limited liability business partnership

Ceramic history
Born in 1974 as the eldest son of Ogawa Bunsai 5, a ceramic artist from Gojozaka, Kyoto.
1999 Graduated from Kyoto University of Art and Design, Faculty of Arts, Sculpture Course
2000 Graduated from Kyoto Prefectural Pottery Technical College Molding Course / Selected for Kyoto Exhibition / Selected for All Kansai Art Exhibition
2001 Graduated from Kyoto Prefectural Ceramic Technical College / Selected for Kyoto Exhibition / Joined the Kyoto Crafts and Artists Association
2002 Group exhibition "5-person exhibition" / Graduated from the Kyoto Municipal Industrial Research Institute Ceramics Research Laboratory / Kyoto Exhibition Kusube Award / First time selected for the 34th Nitten Exhibition
2003 Selected for the Kyoto Exhibition / Received the Japan New Crafts Encouragement Award at the 25th Japan New Crafts Exhibition / Joined the Japan New Craftsmen Association Kinki Chapter / Selected for the All Kansai Art Exhibition / Selected for the 35th Nitten Exhibition
2004 Selected for the Kyoto Exhibition / Selected for the 26th Japan New Crafts Exhibition / Won the Yomiuri Shimbun Osaka Headquarters Award at the Japan New Crafts Exhibition Kinki Exhibition / Selected for the 36th Nitten Exhibition
2005 27th Japan New Crafts Exhibition, Tokyo Governor's Award / First solo exhibition (Kyoto Daimaru Department Store Art Salon) / Selected for the 37th Nitten Exhibition
2006 Selected for the 28th Japan New Crafts Exhibition / Yomiuri Television Award at the Japan New Crafts Exhibition Kinki Exhibition / Selected for the All Kansai Art Exhibition / Solo Exhibition (Takashimaya Kyoto Store Art and Craft Salon) / Selected for the 38th Nitten Exhibition
2007 Selected for the Kyoto Exhibition / Selected for the 29th Japan New Crafts Exhibition / Selected for the 39th Nitten Exhibition / Submitted to the Kyoto Women's University Elementary School 50th Anniversary Ceramics Exhibition
2008 Selected for the Kyoto Exhibition / Selected for the 30th Japan New Crafts Exhibition / USE Uryuyama.Sculptors.Exhibition (Gallery Maronnier)
2009 Group exhibition "Mashu Exhibition: Winter Gathering" / Became a member of the Japan New Craftsmen's Association / Exhibited at the 31st Japan New Crafts Exhibition / Kyoto Crafts Artists Association Exhibition Association Encouragement Award / Japan New Crafts Exhibition Kinki Exhibition Yomiuri Shimbun Osaka Head Office Award / Selected for the 41st Nitten Exhibition / Solo exhibition (Kyoto Daimaru Department Store Art Salon) / USE Exhibition 2009 (Gallery Maronnier)
2010: Exhibited at the 32nd Japan New Crafts Exhibition / Selected for the 42nd Nitten Exhibition
2011 Exhibited at the 8th special exhibition "Graduates of the Affiliated Elementary School - Ceramic Artists Exhibition" commemorating the 100th anniversary of the founding of Kyoto Women's University / Exhibited at the 33rd Japan New Crafts Exhibition / Won the Yomiuri TV Award at the All Kansai Art Exhibition / Exhibited at "Kyoto Pottery Seeking New Horizons: The 50-Year Journey of Kiyomizu-yaki Danchi" / USE 4 (Gallery Maronnier) / Exhibited at the 65th Anniversary Kyoto Crafts and Artists Association Exhibition / Solo Exhibition (Kyoto Daimaru Department Store Art Gallery)
2012: Judge for the 34th Japan New Crafts Exhibition / Kyoto City Superintendent of Education Award for the Japan New Crafts Exhibition Kinki Exhibition / USE 5 (Gallery Maronnier)
2013: Becomes the sixth generation master of Bunsai Kiln, Kyoyaki.
Exhibited at the 35th Japan New Crafts Exhibition / USE 6 (Gallery Maronnier) / Selected for the 44th Nitten Exhibition
2014 USE 7 (Gallery Maronnier) / Withdrew from the Japan New Craftsmen Association
2015 Rinpa 400th Anniversary Exhibition of Japanese Paintings and Crafts by 200 Contemporary Artists (Kyoto Museum) / Heisei Kyo-machiya x Heisei Craftsmen / USE 8 (Gallery Maronnier)
2016 Kyoto Rokuhara District "Let's all wear the logi sign" project nameplate creation / Japanese painting, photography, and kirikane coming together in pottery Four-person collaboration exhibition (Porta Gallery Hana)
2017 Solo Exhibition Daimaru Kyoto Art Gallery / USE 10 (Gallery Maronnier)
2018 Kissako - First, have a cup of tea - Takumi (Porta Gallery Hana)
Climbing kiln damaged
2019 Climbing kiln restoration completed
Kyoto Exhibition: Small Universe (Porta Gallery Hana)
Celebration of the name succession ceremony for the 6th Ogawa Bunsai
2020 Kyoto Exhibition: Small Universe (Porta Gallery Hana) / Kyoto Crafts and Arts Artists Association Selection Exhibition
2021 75th Anniversary Kyoto Crafts Artists Association Exhibition / Solo Exhibition Daimaru Kyoto Art Gallery

View full details
  • [I will send it to you quickly and carefully]

    We carefully package each product in a way that suits it best.

    Also, delivery times vary depending on the piece (vessel, etc.).

    Items that already come with a box will be shipped within 1-3 days of the order date.

    For items that require a box to be made after your order, it will take approximately 30 days for production to be completed and then shipped.

    In either case, once we have confirmed your order, we will contact you by email to inform you of the delivery date.

  • [Requests when purchasing pottery]

    Even products that look the same may differ slightly in color, shape, size, etc.
    The way the glaze is used, the power of the kiln, the firing method, the season, and the humidity also affect the appearance of the pottery.
    Please understand the individuality of each piece of pottery and enjoy the unique warmth of handmade.