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Green Flower Vase by Ogawa Bunsai

Green Flower Vase by Ogawa Bunsai

Regular price ¥88,000
Regular price Sale price ¥88,000
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Width: 9.5cm x 9.5cm Height: 20.0cm

"Emerald Green Flower Vase"
-Written by Bunsai Ogawa (6th generation)

Modest, yet with a definite presence. This "Emerald Flower Vase" by Ogawa Bunsai (Oki) VI has the power to naturally draw the viewer's gaze and to place it at the quiet center of the space. The clean contrast between the green glaze and the white base gives it a sacredness, like the pillars of a temple, and even without flowers in it, it gives the impression of being a completed work of beauty. The green glaze flowing from the top is the crystallization of the colors that Ogawa Bunsai has been exploring for many years. This deep, clear green is not just decorative, but contains within it universal messages that strike people's hearts beyond time and thought, such as "peace," "rebirth," and "the breath of life." The glossy glaze surface reflects the light gently, and its appearance changes depending on the viewing angle, making it seem almost like a living thing. Meanwhile, the base at the bottom is white clay with a fine, slightly rough texture. While preserving the natural texture of the clay, the piece is deliberately left unglazed, preserving the "tranquility" of the material. The clear boundary between the glaze and the base gives the piece a sense of tension, while the overall form is slightly soft and rounded, creating an exquisite design that exudes a sense of "softness."


A beautiful design where modernity and tradition coexist

At first glance, the shape of this piece gives a modern and minimalist impression, but behind it lies the technique and spirit of Bunsai Kiln, which has been handed down for over 150 years in Gojozaka, Kyoto. The history of Bunsai Kiln dates back to 1847. The first generation, Ogawa Bunsai (Bunsuke), traveled around the pottery regions of Japan, mastered kiln construction techniques in Arita, Hizen, and opened a kiln in Kaseyama, Kizugawa City, Kyoto Prefecture. He was recognized by the Ichijo family, was given the character "sai" and the family crest, and took on the name Bunsai. After that, after the Meiji Restoration, he moved his kiln to Gojozaka and continued to make pottery in the heart of Kyoto, the pottery capital. The sixth generation, Ogawa Bunsai (Oki), has inherited the spirit of his predecessors, but has also aimed to create works that are conscious of "use and beauty" and blend naturally into modern spaces. He studied sculpture at graduate school, and while pursuing a sophisticated balance between glaze and form, he has received high praise at numerous exhibitions. In recent years, he has deepened his expression based on emerald glaze, becoming known as the "green person."


A "quiet vessel" for holding flowers

The greatest charm of this "Emerald Green Vase" is its "white space." Its modest form accentuates the outline of the flower placed inside, and even the leaves and stems blend in as if they are part of the piece. Whether you place small wildflowers inside or modern art flowers inside, it will have a strong presence, like adding a line of poetry to the space. Furthermore, the contrast of light and shadow reflected on the white clay body creates delicate changes that evoke the changing of the seasons, and the expression becomes richer with the passage of time. This single-flower vase is a vessel that will blend in with the alcove of a tea ceremony room, the living room of a modern home, or even a corner of a store, and will quietly embrace the sensibilities of the person who displays it - that is the essence of this vase.


Vessels that will carry the "Green Concept" into the future

The messages that the 6th Ogawa Bunsai puts into his works are always consistent.
"I create things that I believe to be beautiful with all my might, while praying for peace."
This sincere attitude is expressed in the emphasis on "power residing in stillness" rather than on visual brilliance. The philosophy is that the colors should be modest, the lines clean, and the shape of the vessel itself should be "embracing" to embrace people's hearts. This is exactly what resonates with the "spirit of harmony" that has been cherished in traditional Japanese crafts. The green glaze that flows through this piece is not just decorative.
It is a prayer for a world without conflict, and a hope for a future where people come together and support one another.

Purchase Information
This work will be provided in a paper box after the contract is made.
Please note that a wooden box is not included.
The artist has not provided a wooden box for this piece, and we do not make wooden boxes either. Therefore, we will deliver it in a special paper box.
The 6th generation head of Bunsai Kiln, Ogawa Bunsai (Kou)
Ceramic artist, Nitten member, Kyoto Craft Artists Association member

Activity experience
・Culture center lecturer (Mainichi, NHK, Kyoto) for 20 years
・Open burning (with Bunsai Godai)
・Formation and participation of limited liability business partnership

Ceramic history
Born in 1974 as the eldest son of Ogawa Bunsai 5, a ceramic artist from Gojozaka, Kyoto.
1999 Graduated from Kyoto University of Art and Design, Faculty of Arts, Sculpture Course
2000 Graduated from Kyoto Prefectural Pottery Technical College Molding Course / Selected for Kyoto Exhibition / Selected for All Kansai Art Exhibition
2001 Graduated from Kyoto Prefectural Ceramic Technical College / Selected for Kyoto Exhibition / Joined the Kyoto Crafts and Artists Association
2002 Group exhibition "5-person exhibition" / Graduated from the Kyoto Municipal Industrial Research Institute Ceramics Research Laboratory / Kyoto Exhibition Kusube Award / First time selected for the 34th Nitten Exhibition
2003 Selected for the Kyoto Exhibition / Received the Japan New Crafts Encouragement Award at the 25th Japan New Crafts Exhibition / Joined the Japan New Craftsmen Association Kinki Chapter / Selected for the All Kansai Art Exhibition / Selected for the 35th Nitten Exhibition
2004 Selected for the Kyoto Exhibition / Selected for the 26th Japan New Crafts Exhibition / Won the Yomiuri Shimbun Osaka Headquarters Award at the Japan New Crafts Exhibition Kinki Exhibition / Selected for the 36th Nitten Exhibition
2005 27th Japan New Crafts Exhibition, Tokyo Governor's Award / First solo exhibition (Kyoto Daimaru Department Store Art Salon) / Selected for the 37th Nitten Exhibition
2006 Selected for the 28th Japan New Crafts Exhibition / Yomiuri Television Award at the Japan New Crafts Exhibition Kinki Exhibition / Selected for the All Kansai Art Exhibition / Solo Exhibition (Takashimaya Kyoto Store Art and Craft Salon) / Selected for the 38th Nitten Exhibition
2007 Selected for the Kyoto Exhibition / Selected for the 29th Japan New Crafts Exhibition / Selected for the 39th Nitten Exhibition / Submitted to the Kyoto Women's University Elementary School 50th Anniversary Ceramics Exhibition
2008 Selected for the Kyoto Exhibition / Selected for the 30th Japan New Crafts Exhibition / USE Uryuyama.Sculptors.Exhibition (Gallery Maronnier)
2009 Group exhibition "Mashu Exhibition: Winter Gathering" / Became a member of the Japan New Craftsmen's Association / Exhibited at the 31st Japan New Crafts Exhibition / Kyoto Crafts Artists Association Exhibition Association Encouragement Award / Japan New Crafts Exhibition Kinki Exhibition Yomiuri Shimbun Osaka Head Office Award / Selected for the 41st Nitten Exhibition / Solo exhibition (Kyoto Daimaru Department Store Art Salon) / USE Exhibition 2009 (Gallery Maronnier)
2010: Exhibited at the 32nd Japan New Crafts Exhibition / Selected for the 42nd Nitten Exhibition
2011 Exhibited at the 8th special exhibition "Graduates of the Affiliated Elementary School - Ceramic Artists Exhibition" commemorating the 100th anniversary of the founding of Kyoto Women's University / Exhibited at the 33rd Japan New Crafts Exhibition / Won the Yomiuri TV Award at the All Kansai Art Exhibition / Exhibited at "Kyoto Pottery Seeking New Horizons: The 50-Year Journey of Kiyomizu-yaki Danchi" / USE 4 (Gallery Maronnier) / Exhibited at the 65th Anniversary Kyoto Crafts and Artists Association Exhibition / Solo Exhibition (Kyoto Daimaru Department Store Art Gallery)
2012: Judge for the 34th Japan New Crafts Exhibition / Kyoto City Superintendent of Education Award for the Japan New Crafts Exhibition Kinki Exhibition / USE 5 (Gallery Maronnier)
2013: Becomes the sixth generation master of Bunsai Kiln, Kyoyaki.
Exhibited at the 35th Japan New Crafts Exhibition / USE 6 (Gallery Maronnier) / Selected for the 44th Nitten Exhibition
2014 USE 7 (Gallery Maronnier) / Withdrew from the Japan New Craftsmen Association
2015 Rinpa 400th Anniversary Exhibition of Japanese Paintings and Crafts by 200 Contemporary Artists (Kyoto Museum) / Heisei Kyo-machiya x Heisei Craftsmen / USE 8 (Gallery Maronnier)
2016 Kyoto Rokuhara District "Let's all wear the logi sign" project nameplate creation / Japanese painting, photography, and kirikane coming together in pottery Four-person collaboration exhibition (Porta Gallery Hana)
2017 Solo Exhibition Daimaru Kyoto Art Gallery / USE 10 (Gallery Maronnier)
2018 Kissako - First, have a cup of tea - Takumi (Porta Gallery Hana)
Climbing kiln damaged
2019 Climbing kiln restoration completed
Kyoto Exhibition: Small Universe (Porta Gallery Hana)
Celebration of the name succession ceremony for the 6th Ogawa Bunsai
2020 Kyoto Exhibition: Small Universe (Porta Gallery Hana) / Kyoto Crafts and Arts Artists Association Selection Exhibition
2021 75th Anniversary Kyoto Crafts Artists Association Exhibition / Solo Exhibition Daimaru Kyoto Art Gallery
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