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Kneaded sake cup by Ogawa Bunsai

Kneaded sake cup by Ogawa Bunsai

Regular price ¥27,500
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Width: 8.0cm x 8.0cm Height: 5.0cm

Drinking the Earth - Nerikomi Sake Cup by the 6th Ogawa Bunsai (Kyo)

This work, "Nerikomi Sake Cup" by the 6th Ogawa Bunsai (Oki), is a masterpiece that embodies rustic charm and tranquility, as if it were a direct copy of the memory of the earth. This vessel, created by layering clay of different colors, kneading it together, carving it out, and firing it, is made using the complex and time-consuming "Nerikomi" technique, and carries the story of the clay itself that gradually draws the viewer's eyes and heart.

The layered brown flow on the pale, subdued ochre base is reminiscent of a fault line in a mountain or the strata of a field. The subtle luster of the glaze softly envelops the earth without compromising its natural look, creating a piece that exudes a sense of richness, as if holding nature itself in the palm of your hand.


What "Nerikomi" tells us - The memory of earth and the beauty of chance

Nerikomi is a decorative ceramic technique that allows the material itself to become a pattern. In this work, the patterns are created by layering and shaping several layers of clay with different properties and colors, then carving them out. Rather than painting with paint, it is like digging up layers of earth, and can be said to be an expression that inscribes the aesthetics of "time" and "geology" into the vessel.

The coarseness of the clay particles, the difference in iron content, the shrinkage and changes that occur during firing - all of these natural phenomena are contained in this sake cup by chance and necessity. The "respect for the material" that is often seen in Ogawa Bunsai's works is expressed directly through the technique of nerikomi.


Simple shape and ease of handling

The shape is very simple, and the rim has a natural sway within the nearly perfect circle, conveying the warmth that can only be achieved through handcrafting. The base is fired in its natural state, and the unglazed surface expresses the roughness of the clay, which not only looks good, but also feels appealing when you touch it in your palm.

The size and weight are well balanced, fitting comfortably in the palm of your hand, and it feels very natural in your hand. The texture changes and becomes more familiar with use, making it truly worthy of being called a "vessel that you can grow with."


Practical and poetic as a sake cup

When sake is poured into the vessel, the pale yellow interior shines faintly as the liquid ripples. The aroma of the sake, the temperature of your hand, the sound of pouring, the feel of the rim on your lips - this vessel becomes a stage that enriches the act of drinking, which is experienced through the five senses.

In particular, when you sip a drink from this vessel during a quiet moment, you will feel as if the "voice of the earth" resonates not with your ears but with your heart. This sake cup is a vessel that allows you to spend time with a part of nature, and that is the essence of this sake cup.


The sixth generation of Bunsai Ogawa’s perspective on “earth”

In the technique of nerikomi, Ogawa Bunsai does not go for color or technique, but rather sticks to the "narrative of the clay itself." The fact that Bunsai, who is famous for his green glaze expression, chooses the simple expression of nerikomi is also an expression of his sincere attitude to return to the origins of pottery, which are earth and fire.

"I create what I think is beautiful with all my might while praying for peace" - the works that are born from this belief have a "core" rather than a decorative quality. This work is quiet and warm, strong and gentle. It is a vessel that harbors such human charm.


Culture and prayers in the palm of your hand

This "Nerikomi Sake Cup" does not imitate the beauty of nature, but rather seems to invite "nature itself" into the palm of your hand. Mountains, wind, earth, fire, rain -- all of these are engraved into this small vessel.

The more you use it, the more its flavor deepens, and over time a "landscape" emerges. Please enjoy a quiet moment in your daily life with this sake cup, and a drink that makes you listen to the poetry of the earth.

Purchase Information
This work will be provided in a paper box after the contract is made.
Please note that a wooden box is not included.
The artist has not provided a wooden box for this piece, and we do not make wooden boxes either. Therefore, we will deliver it in a special paper box.

The 6th generation head of Bunsai Kiln, Ogawa Bunsai (Kou)
Ceramic artist, Nitten member, Kyoto Craft Artists Association member

Activity experience
・Culture center lecturer (Mainichi, NHK, Kyoto) for 20 years
・Open burning (with Bunsai Godai)
・Formation and participation of limited liability business partnership

Ceramic history
Born in 1974 as the eldest son of Ogawa Bunsai 5, a ceramic artist from Gojozaka, Kyoto.
1999 Graduated from Kyoto University of Art and Design, Faculty of Arts, Sculpture Course
2000 Graduated from Kyoto Prefectural Pottery Technical College Molding Course / Selected for Kyoto Exhibition / Selected for All Kansai Art Exhibition
2001 Graduated from Kyoto Prefectural Ceramic Technical College / Selected for Kyoto Exhibition / Joined the Kyoto Crafts and Artists Association
2002 Group exhibition "5-person exhibition" / Graduated from the Kyoto Municipal Industrial Research Institute Ceramics Research Laboratory / Kyoto Exhibition Kusube Award / First time selected for the 34th Nitten Exhibition
2003 Selected for the Kyoto Exhibition / Received the Japan New Crafts Encouragement Award at the 25th Japan New Crafts Exhibition / Joined the Japan New Craftsmen Association Kinki Chapter / Selected for the All Kansai Art Exhibition / Selected for the 35th Nitten Exhibition
2004 Selected for the Kyoto Exhibition / Selected for the 26th Japan New Crafts Exhibition / Won the Yomiuri Shimbun Osaka Headquarters Award at the Japan New Crafts Exhibition Kinki Exhibition / Selected for the 36th Nitten Exhibition
2005 27th Japan New Crafts Exhibition, Tokyo Governor's Award / First solo exhibition (Kyoto Daimaru Department Store Art Salon) / Selected for the 37th Nitten Exhibition
2006 Selected for the 28th Japan New Crafts Exhibition / Yomiuri Television Award at the Japan New Crafts Exhibition Kinki Exhibition / Selected for the All Kansai Art Exhibition / Solo Exhibition (Takashimaya Kyoto Store Art and Craft Salon) / Selected for the 38th Nitten Exhibition
2007 Selected for the Kyoto Exhibition / Selected for the 29th Japan New Crafts Exhibition / Selected for the 39th Nitten Exhibition / Submitted to the Kyoto Women's University Elementary School 50th Anniversary Ceramic Exhibition
2008 Selected for the Kyoto Exhibition / Selected for the 30th Japan New Crafts Exhibition / USE Uryuyama.Sculptors.Exhibition (Gallery Maronnier)
2009 Group exhibition "Mashu Exhibition: Winter Gathering" / Became a member of the Japan New Craftsmen's Association / Exhibited at the 31st Japan New Crafts Exhibition / Kyoto Crafts Artists Association Exhibition Association Encouragement Award / Japan New Crafts Exhibition Kinki Exhibition Yomiuri Shimbun Osaka Head Office Award / Selected for the 41st Nitten Exhibition / Solo exhibition (Kyoto Daimaru Department Store Art Salon) / USE Exhibition 2009 (Gallery Maronnier)
2010: Exhibited at the 32nd Japan New Crafts Exhibition / Selected for the 42nd Nitten Exhibition
2011 Exhibited at the 8th special exhibition "Graduates of the Affiliated Elementary School - Ceramic Artists Exhibition" commemorating the 100th anniversary of the founding of Kyoto Women's University / Exhibited at the 33rd Japan New Crafts Exhibition / Won the Yomiuri TV Award at the All Kansai Art Exhibition / Exhibited at "Kyoto Pottery Seeking New Horizons: The 50-Year Journey of Kiyomizu-yaki Danchi" / USE 4 (Gallery Maronnier) / Exhibited at the 65th Anniversary Kyoto Crafts and Artists Association Exhibition / Solo Exhibition (Kyoto Daimaru Department Store Art Gallery)
2012: Judge for the 34th Japan New Crafts Exhibition / Kyoto City Superintendent of Education Award for the Japan New Crafts Exhibition Kinki Exhibition / USE 5 (Gallery Maronnier)
2013: Becomes the sixth generation master of Bunsai Kiln, Kyoyaki.
Exhibited at the 35th Japan New Crafts Exhibition / USE 6 (Gallery Maronnier) / Selected for the 44th Nitten Exhibition
2014 USE 7 (Gallery Maronnier) / Withdrew from the Japan New Craftsmen Association
2015 Rinpa 400th Anniversary Exhibition of Japanese Paintings and Crafts by 200 Contemporary Artists (Kyoto Museum) / Heisei Kyo-machiya x Heisei Craftsmen / USE 8 (Gallery Maronnier)
2016 Kyoto Rokuhara District "Let's all wear the logi sign" project nameplate creation / Japanese painting, photography, and kirikane coming together in pottery Four-person collaboration exhibition (Porta Gallery Hana)
2017 Solo Exhibition Daimaru Kyoto Art Gallery / USE 10 (Gallery Maronnier)
2018 Kissako - First, have a cup of tea - Takumi (Porta Gallery Hana)
Climbing kiln damaged
2019 Climbing kiln restoration completed
Kyoto Exhibition: Small Universe (Porta Gallery Hana)
Celebration of the name succession ceremony for the 6th Ogawa Bunsai
2020 Kyoto Exhibition: Small Universe (Porta Gallery Hana) / Kyoto Crafts and Arts Artists Association Selection Exhibition
2021 75th Anniversary Kyoto Crafts Artists Association Exhibition / Solo Exhibition Daimaru Kyoto Art Gallery

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