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Kneaded sake cup by Ogawa Bunsai

Kneaded sake cup by Ogawa Bunsai

Regular price ¥27,500
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Width: 8.0cm x 8.0cm Height: 5.0cm

Drinking the Earth - Nerikomi Sake Cup by Ogawa Bunsai VI (Kyo)

This "Nerikomi Sake Cup," created by the sixth generation Ogawa Bunsai (Oki), is a masterpiece that embodies a rustic charm and tranquility, as if capturing the memory of the earth. Created using the complex and time-consuming "nerikomi" technique, which involves layering clay of different colors, kneading it together, carving it out, and firing it, this vessel carries a story of its own that slowly draws the eye and heart of the viewer.

The layered brown flow that appears on the pale, subdued ochre base is reminiscent of faults in the surface of a mountain or the strata of a field. The subtle luster of the glaze gently envelops the earth without compromising its natural texture, creating a piece that exudes the richness of nature, as if holding it in the palm of your hand.

What "Nerikomi" Tells Us - The Memories of Clay and the Beauty of Accident

Nerikomi is a ceramic technique that is both decorative and allows the material itself to become the pattern. In this piece, the patterns are created by layering and shaping multiple clays with different properties and colors, then carving them out. Rather than painting with paint, the process is like digging up layers of earth, and can be said to be an expression that inscribes the aesthetics of "time" and "geology" into the vessel.

The coarseness of the clay particles, the differences in iron content, the shrinkage and changes that occur during firing - all of these natural phenomena are contained within this sake cup in the form of both chance and inevitability. The "respect for materials" that is often seen in Ogawa Bunsai's work is expressed straightforwardly through the technique of nerikomi.

Simple shape and exquisite handling

The shape is very simple, and the rim, which has a natural undulation within the nearly perfectly circular body, conveys the warmth that can only be achieved through handwork. The base is fired in its natural state, and the unglazed surface expresses the roughness of the clay, enhancing not only the appearance but also the tactile appeal when held in the palm of your hand.

The size and weight are perfectly balanced, fitting comfortably in the palm of your hand, and it feels very natural. The texture changes and becomes more familiar with use, making it truly worthy of being called a "tableware that grows with you."

Practical and poetic as a sake cup

When sake is poured into the vessel, the slightly yellowish interior shines faintly as the liquid flickers. The aroma of the sake, the temperature of your hand, the sound of pouring, the feel of the rim on your lips - this vessel becomes a stage that allows you to enjoy the act of drinking, which is experienced through the five senses, in an even richer way.

In particular, when you sip a drink from this vessel during a quiet moment, you will feel as if the "voice of the earth" resonates not with your ears but with your heart. This sake cup is a vessel that allows you to spend time with a part of nature, and that is the essence of this sake cup.

The sixth generation Ogawa Bunsai's perspective on "earth"

In the technique of nerikomi, Ogawa Bunsai does not rely on color or technique, but rather focuses on "the story of the clay itself." Bunsai, who is famous for his green glaze, has chosen the simple expression of nerikomi, which also shows his sincere attitude of returning to the origins of pottery: earth and fire.

"I create what I believe to be beautiful with all my might, while praying for peace." The works born from this belief have a core rather than decorative qualities. This work is quiet and warm, strong and gentle. It is a vessel that embodies such human charm.

The culture and prayers that reside in the palm of your hand

This "nerikomi guinomi" does not imitate the beauty of nature, but rather seems to invite "nature itself" into the palm of your hand. Mountains, wind, earth, fire, rain -- all of these are engraved into this small vessel.

The more you use it, the more its flavor deepens, and over time, a "landscape" emerges. Please enjoy this sake cup with you in a quiet moment in your daily life, and a drink that makes you listen to the poetry of the earth.

Purchase Information
This item will be delivered in a paper box after the purchase is made.
Please note that a wooden box is not included.
The artist has not provided a wooden box for this piece, and we do not make wooden boxes either. Therefore, we will deliver it in a special paper box.

Sixth Generation Ogawa Bunsai (Kyo) Sixth Generation Head of Bunsai Kiln
Ceramic artist, Nitten member, Kyoto Craft Artists Association member

Activity experience
・Lecturer at a culture center (Mainichi, NHK, Kyoto) for 20 years
・Open burning (with Bunsai Five)
・Formation and participation of limited liability business partnership

History of pottery
1974 Born as the eldest son of Ogawa Bunsai V, a ceramic artist in Gojozaka, Kyoto.
1999 Graduated from Kyoto University of Art and Design Graduate School, Faculty of Arts, Sculpture Course
2000 Graduated from Kyoto Prefectural Pottery Technical College, Molding Department / Selected for Kyoto Exhibition / Selected for All Kansai Art Exhibition
2001 Graduated from Kyoto Prefectural Ceramic Technical College, Specialized Course / Selected for Kyoto Exhibition / Joined the Kyoto Craft Artists Association
2002 Group exhibition "Five People Exhibition" / Graduated from the Kyoto Municipal Industrial Research Institute Ceramics Research Laboratory / Kyoto Exhibition Kusube Award / First selection at the 34th Nitten Exhibition
2003 Selected for the Kyoto Exhibition / Received the Japan New Crafts Encouragement Award at the 25th Japan New Crafts Exhibition / Joined the Japan New Craftsmen Federation Kinki Chapter / Selected for the All Kansai Art Exhibition / Selected for the 35th Nitten Exhibition
2004 Selected for the Kyoto Exhibition / Selected for the 26th Japan New Crafts Exhibition / Japan New Crafts Exhibition Kinki Exhibition Yomiuri Shimbun Osaka Head Office Award / Selected for the 36th Nitten Exhibition
2005 27th Japan New Crafts Exhibition, Tokyo Governor's Award / First solo exhibition (Kyoto Daimaru Department Store Art Salon) / Selected for the 37th Nitten Exhibition
2006 Selected for the 28th Japan New Crafts Exhibition / Yomiuri Television Award at the Japan New Crafts Exhibition Kinki Exhibition / Selected for the All Kansai Art Exhibition / Solo exhibition (Takashimaya Kyoto Art and Craft Salon) / Selected for the 38th Nitten Exhibition
2007 Selected for the Kyoto Exhibition / Selected for the 29th Japan New Crafts Exhibition / Selected for the 39th Nitten Exhibition / Submitted to the Kyoto Women's University Elementary School 50th Anniversary Ceramics Exhibition
2008 Selected for the Kyoto Exhibition / Selected for the 30th Japan New Crafts Exhibition / USE Uryuyama.Sculptors.Exhibition (Gallery Maronnier)
2009 Group exhibition "Mashu Exhibition: Winter Gathering" / Became a member of the Japan New Craftsmen Federation / Exhibited at the 31st Japan New Crafts Exhibition / Kyoto Crafts Artists Association Exhibition Association Encouragement Award / Japan New Crafts Exhibition Kinki Exhibition Yomiuri Shimbun Osaka Head Office Award / Selected for the 41st Nitten Exhibition / Solo exhibition (Kyoto Daimaru Department Store Art Salon) / USE Exhibition 2009 (Gallery Maronnier)
2010 Submitted to the 32nd Japan New Crafts Exhibition / Selected for the 42nd Nitten Exhibition
2011 Exhibited at the 8th special exhibition "Graduates of the Affiliated Elementary School - Ceramic Artists Exhibition" commemorating the 100th anniversary of the founding of Kyoto Women's University / Exhibited at the 33rd Japan New Crafts Exhibition / Received the Yomiuri TV Award at the All Kansai Art Exhibition / Exhibited at "Kyoto Ware in Search of New Frontiers: The 50-Year Journey of the Kiyomizu Ware Complex" / USE 4 (Gallery Maronnier) / Exhibited at the 65th Anniversary Kyoto Crafts Artists Association Exhibition / Solo Exhibition (Kyoto Daimaru Department Store Art Gallery)
2012 Judge of the 34th Japan New Crafts Exhibition / Kyoto City Superintendent of Education Award at the Japan New Crafts Exhibition Kinki Exhibition / USE 5 (Gallery Maronnier)
2013: Becomes the sixth generation owner of Bunsai Kiln, Kyoyaki.
Submitted to the 35th Japan New Crafts Exhibition / USE 6 (Gallery Maronnier) / Selected for the 44th Nitten Exhibition
2014 USE 7 (Gallery Maronnier) / Withdrew from the Japan New Craftsmen Federation
2015 Rinpa 400th Anniversary Exhibition of Japanese Paintings and Crafts by 200 Contemporary Artists (Kyoto Museum) / Heisei Kyomachiya x Heisei Craftsmen / USE 8 (Gallery Maronnier)
2016 Kyoto Rokuhara District "Let's all wear the sign of the logi" project nameplate creation / Japanese painting, photography and kirikane coming together in ceramics - Four-person collaborative exhibition (Porta Gallery Hana)
2017 Solo Exhibition, Daimaru Kyoto Art Gallery / USE 10 (Gallery Maronnier)
2018 Kissako - First, a cup of tea - Takumi (Porta Gallery Hana)
Climbing kiln damaged
2019 Climbing kiln restoration completed
Kyoto Exhibition: Small Universe (Porta Gallery Hana)
Celebration of the name succession ceremony for the 6th Ogawa Bunsai
2020 Kyoto Exhibition: Small Universe (Porta Gallery Hana) / Kyoto Craft Artists Association Selected Exhibition
2021 75th Anniversary Kyoto Craft Artists Association Exhibition / Solo Exhibition at Daimaru Kyoto Art Gallery

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