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White glazed tea bowl Yu Okada

White glazed tea bowl Yu Okada

Regular price $1,069.00
Regular price Sale price $1,069.00
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Width: 13.4cm x 12.8cm Height: 9.0cm

White glaze tea bowl by Okada Masaru - "Light snow falls and quietly envelops the red soil of the earth."


The gentleness of white glaze and the history of the tea ceremony

White-glazed tea bowls were born in China during the Song Dynasty, and in Japan, Shino ware from the Momoyama period fostered a unique aesthetic sense. As a background color that most beautifully reflects the green of matcha, tea masters since Sen no Rikyu have found in "white" the beauty of wabi and white space, inviting quiet light into the tea ceremony. This work is a bowl that has been reinterpreted with a modern sensibility while keeping this historical flow in mind.


Soft form and design

Fluctuating rim <br data-start="280" data-end="283">The slightly distorted hexagonal ripples soften the feel on the mouth and scatter light depending on the viewing angle.

V-shaped pattern on the body <br data-start="340" data-end="343">The successive V-shaped patterns engraved on the side are reminiscent of the traces of wind blowing across mountain ridges, and the light and dark shades of the glaze create gentle shadows.

Warikoudai (high ground)
The red soil peeks out from the crescent-shaped cut into the hill, creating a powerful impression like a lump of earth peeking out from under the white snow.


Changes in scenery brought about by firing

The flames of the kiln paint a pale grey landscape on the surface of the white glaze, and black spots that appear here and there add to the atmosphere of charcoal grains on the snow. Ash naturally falls on the rim, creating a faint burnt colour. The overlapping flames and ash create a one-of-a-kind landscape that will only deepen with the passage of time.


Artist's thoughts

The scenery of Gojozaka in Kiyomizu, Kyoto and the misty mountains of Sumiyama in Uji. Mr. Okada Masaru believes in "capturing" these familiar landscapes in the form of his pottery, and he has entrusted the story of "snow, frost and earth" to the contrast between the white and red clay. The sharp lines of the V represent the wind blowing through, and the black spots represent the shadows of the trees. This is a bowl that, even in its silence, has a definite sense of breathing.


Conclusion

The white glaze tea bowl , in which the light snow-like white glaze and the warmth of the red clay resonate, shows a new scene every time you turn it in your palm, adding a clear aftertaste to the "once in a lifetime" experience of the tea ceremony. Please treasure it for a long time and enjoy the changing shadows that deepen over time.

Biography
Born in Kiyomizu-Gojo, Kyoto
After working as a trainee at the Kyoto Prefectural Pottery Training School Molding Department and the Kyoto Municipal Industrial Research Institute
Learned pottery techniques for three years under Mr. Kozo Kawashima, a member of the Sodeisha Society.
In 1987, he became independent and established a kiln in Sumiyama, Uji City.
Since 2018, he has been a judge for the Japan Traditional Crafts Kinki Exhibition.
2022 Japan Traditional Crafts Ceramics Division Exhibition, Judge

<Main winning entries>
Japanese Traditional Crafts Exhibition, Japanese Ceramic Art Exhibition
Kikuchi Biennale,
Contemporary Tea Ceremony Exhibition
Chozo Award Ceramic Art Exhibition, Ceramic Art Exhibition,
Mashiko Pottery Exhibition,
Itami International Craft Exhibition
Hagi Grand Prize Exhibition,
Kobe Biennale
Contemporary Ceramic Art Competition, etc.

<Major Awards>
1998, "I Want to Use Northern Confectionery Utensils Exhibition" (Excellent Award)
2002, Kyoto Ware, Kiyomizu Ware Exhibition (KBS Kyoto Broadcasting Award)
2003, Bonsai Pottery Exhibition (Encouragement Award)
2008, Japan Traditional Crafts Kinki Exhibition (Nikkei Newspaper Award)
2009, Otaki Hokkai Live Pottery Exhibition (NHK Broadcasting Award)
2010, Otaki Hokkai Live Pottery Exhibition (Hokkaido Shimbun Award)
2012, Kyoto Art and Craft Biennale (Grand Prize)
2013, Japan Traditional Crafts Ceramic Art Exhibition (Japan Crafts Association Award)
Kobe Biennale Contemporary Ceramic Art Exhibition (Second Prize)
2014: Invited to exhibit at the Gwangju Biennale
2016, Osaka Crafts Exhibition (Arts and Crafts Grand Prize)
2019, Osaka Crafts Exhibition (Second Prize)
2022, Arita International Ceramic Exhibition (Grand Prize, Minister of Education, Culture, Sports, Science and Technology Award), etc.

Currently, he is a regular member of the Japan Crafts Association and a member of the Ceramic Art Association.

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    Also, delivery times vary depending on the piece (vessel, etc.).

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    Even products that look the same may differ slightly in color, shape, size, etc.
    The way the glaze is used, the power of the kiln, the firing method, the season, and the humidity also affect the appearance of the pottery.
    Please understand the individuality of each piece of pottery and enjoy the unique warmth of handmade.