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Ash glaze engraved water jar by Yuichi Ikai

Ash glaze engraved water jar by Yuichi Ikai

Regular price $1,181.00
Regular price Sale price $1,181.00
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Width: 18.5cm Height: 20.9cm

This is a masterpiece that beautifully combines modern expression while respecting traditional techniques. Ikai Yuichi was born into a pottery merchant in Gojozaka, Kyoto, and studied under Shimizu Uichi, a holder of the Important Intangible Cultural Property "Iron Glazed Pottery," before establishing his own unique style. This piece is visually appealing, with its exquisite size that blends into the space no matter where it is displayed, and its beautiful ash-glazed vase. The lacquered lid is also beautiful, and it is light to hold in the hand. It does not become heavy even when filled with water, and the natural shape and elegant green color blend in with a Japanese-style room. This beauty is universal, even if you are not a practitioner of the tea ceremony.

Characteristics and techniques of ash glaze

Ash glaze is a type of glaze applied to ceramics such as tea bowls and vases, and Ikai's works are characterized by their vivid emerald green patterns and naturally occurring crazing. The ash glaze applied to this water jar has a beautiful color and a sense of weight due to the thickness of the glaze, leaving a deep impression on the viewer. You can enjoy the changing expressions over time.

Surface texture and design

The surface of this water jar has a three-dimensional feel, reminiscent of modern art, which creates a unique texture. This texture gives Ikai's work a fresh look, while at the same time giving it an overwhelming presence. The ceramic shape is not too heavy, yet its unique design leaves a strong impression in the space, and there is something new to discover from every angle.

Inheritance from the master and unique evolution

While treasuring the techniques and traditions he inherited from his master, Shimizu Uichi, Ikai adds his own sensibility to pursue new expressions. By incorporating a modern aesthetic sense into his work while using the traditional technique of ash glaze as a base, Ikai's works have a unique presence that is unlike any other. This water jar is one example of this, and continues to fascinate those who see it.

With the change of seasons

This is a work that changes its color and expression with the change of seasons. This vase is filled with colors that seem to reflect the nature of each season, such as the fresh greenery of spring and the autumn leaves. This vase, which shows different expressions depending on where it is displayed, embodies the beauty of Japan's nature and will make you feel the changing of the seasons in your room.

Yuichi Ikai's water jar combines tradition and innovation, and is a piece that truly embodies the best of modern ceramics. Its presence and beauty will make it a piece that will be loved for a long time and enjoyed by many people.

Yuichi Ikai Biography
1963 (1963)
Born into a pottery merchant in Gojozaka, Kyoto
1983 (1983)
Graduated from Kyoto Prefectural Pottery Training School, Molding Department
1984 (1984)
・Completed ceramics training at Kyoto Municipal Industrial Research Institute
・Under the guidance of the late Mr. Uichi Shimizu, a holder of the Important Intangible Cultural Property,
June: Kihei Kiln opens (from the shop name, Kihei the Sixth)
・Studied under Uichi and Yasutaka Shimizu
1985 (1985)
・First time selected for the Japan Crafts Association Kinki Branch Exhibition (continuously selected thereafter)
・Participated in the Cheramista Exhibition
1986 (1986)
・First time selected for the Japan Traditional Crafts Exhibition
1987 (1987)
・Permitted to exhibit at the Family Exhibition, Horai-kai (Ikebukuro Seibu) and Uzuki-kai (Osaka Matsuzakaya)
・Received the Matsushita Award at the Japan Crafts Association Kinki Branch Exhibition
・Dog Exhibition: Leading the Way in Kyoto, Kyoto Daimaru
1988 (1988)
・Participation in Chabikai Kyoto Myrieme
1989 (1989)
・Founding of the Earth Children Association (named by Uichi Shimizu)
・Received the Encouragement Award at the Japan Crafts Association Kinki Branch Exhibition
1990 (1990)
・First solo exhibition at Kuroda Touen in Ginza
・Solo exhibition at Mizutama, Itabashi
1993 (1993)
・Solo exhibition at Mitsukoshi, Osaka (continues to be held)
1994 (1994)
・Certified as a regular member of the Japan Crafts Association
・Solo exhibition at Gallery Kiyomizu, Matsuyama (will continue to be held in the future)
・Received the Encouragement Award at the Saga Daikakuji Flower Ceramics Exhibition
1995 (1995)
・Solo exhibition at Daimaru, Kyoto (still held afterwards)
・Solo exhibition at Hankyu Kobe (continues to be held)
1996 (1996)
・The workshop was moved to Hiyoshicho, Nantan City, Kyoto Prefecture.
・Solo exhibition at Gallery Kurimoto, Nagaoka, Niigata (will continue to be held)
・Exhibition of Contemporary Ceramic Artists Living in Kyoto, Kyoto Daimaru
1997 (1997)
・Ceramics Three-person Exhibition, Shinjuku Isetan (Takahiro Kondo and Masahiko Ichino)
1998 (1998)
・Kyoto Talented Artists Exhibition, Hiroshima Sogo
1999 (1999)
・Solo exhibition at Shimonoseki Daimaru
2000 (2000)
・Solo exhibition at Yu, Tokyo Palace Hotel (will continue to be held in the future)
・Solo exhibition at Rakuchu Rakugai Gallery, Kyoto Kiyomizu-yaki Complex
・Exhibited at the Tsinghua University International Ceramic Exhibition in Beijing, China
2001 (2001)
・Received the highest award, the Kinki Prize, at the 30th Kinki Exhibition of Japanese Traditional Crafts
・Solo exhibition at Tenmaya, Mihara, Hiroshima
2002 (2002)
・Solo exhibition at Kogei Ima, Ginza, Tokyo
・Solo exhibition at Mitsukoshi Main Store, Nihonbashi, Tokyo
・CRIA Exhibition, Kyoto Art Center
2003 (2003)
・Received the Shiga Prefecture Board of Education Award at the 32nd Japanese Traditional Crafts Kinki Exhibition
・Ginza Kuroda Touen Celadon Exhibition (still held)
・Solo exhibition at Meitetsu Department Store, Nagoya
・Exhibited at the Contemporary Korean-Japanese Ceramic Art Exhibition at the Kumho Museum of Art, Seoul
・Solo exhibition at Gion Konishi, Kyoto
2004 (2004)
・Appointed as a judge at the 33rd Japanese Traditional Crafts Kinki Exhibition
2005 (2005)
・Solo exhibition at Daimaru Art Gallery, Kyoto
・Specially selected for the 34th Japanese Traditional Crafts Kinki Exhibition
2006 (2006)
・Three Potters Exhibition, Kyoto Takashimaya
・Exhibited at the Contemporary Ceramic Artists Exhibition at Kobe Sogo
・Four Artists Exhibition at Nara Kintetsu
・Solo exhibition at Gallery Wada, Ishibekoji, Kyoto (will continue to be held)
・Solo exhibition at Dojima Gallery, Osaka (will continue to be held)
・Solo exhibition at Mitsukoshi Main Store Art Gallery, Nihonbashi, Tokyo
2007 (2007)
・Solo exhibition at Rokujido, Ninenzaka, Kyoto
・Solo exhibition at Keihan Department Store, Moriguchi, Osaka
・Climbing kiln construction
2008 (2008)
・Solo exhibition at Gallery Uko, Bashamichi, Yokohama
・Solo exhibition at Kintetsu Department Store, Saidaiji Temple, Nara
2009 (2009)
・Solo exhibition at Takashimaya, Kyoto
・Solo exhibition at Mitsukoshi Main Store Art Gallery, Nihonbashi, Tokyo
2010 (2010)
・Solo exhibition at Mizutama, Itabashi (will continue to be held in the future)
2011 (2011)
・Solo exhibition at JR Osaka Mitsukoshi Isetan, Umeda, Osaka
2012 (2012)
・Solo exhibition at Rokujido, Ninenzaka, Kyoto
・Solo exhibition at Fukuoka Mitsukoshi Department Store, Hakata
・Solo exhibition at Kairo Gallery Mon, Kasama, Ibaraki
2015 (2015)
・Solo exhibition at Hankyu Umeda Main Store, Osaka Umeda (will continue to be held)
2016 (2016)
・Solo exhibition at Atelier Hiro, Yodoyabashi, Osaka (will continue to be held)
2017 (2017)
・Established a workshop again in Gojozaka, Kyoto
2018 (2018)
・Solo exhibition at Gallery Yamazaki, Ningyocho, Nihonbashi, Tokyo (will continue to be held)
2022 (2022)
・Appointed as Secretary General of the Kinki Branch of the Japan Crafts Association, a public interest incorporated association
・Appointed as director of the Japan Crafts Association, a public interest incorporated association
・Appointed as director of the Kyoto Ceramic Association, a general incorporated foundation
・Appointed as director of the general incorporated foundation KYOTO KILIN
・A pottery store that had been in business for generations on Gojozaka closes and begins renovations
2023 (2023)
・As a showroom for "Tsuboya Kibe Kiln"

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    The way the glaze is used, the power of the kiln, the firing method, the season, and the humidity also affect the appearance of the pottery.
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