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Tenmoku incense burner by Okada Yu

Tenmoku incense burner by Okada Yu

Regular price $1,268.00
Regular price Sale price $1,268.00
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Width: 11.2cm Height: 13.0cm

Tenmoku-yū incense burner by Okada Masaru - "Scattering stardust in the pitch-black air, the tripod lets the moonlight shine through - a small burner that gives off the scent of the breath of the night."

1. Overview of the work

The iron glaze, developed in a reducing flame, emits a faint silver-blue light from deep within the black lapis lazuli. The stepped cuts on the body and lid evoke the rhythm of night clouds over six mountain ridges, and the pale pink flames running along these ridges add warmth to the darkness. The lid knob rises like a slender tower, quietly suggesting the path along which incense smoke rises. The tips of the tripod legs cast shadows on the table, creating a floating sensation, as if incense clouds are rising from beneath the vessel.

2. Shape and Design

The lid knob is a neat, elongated, thin tube that fits comfortably under your fingertips, allowing you to adjust the charcoal inside the furnace with ease.
Six-tiered body The evenly sculpted tiers create a layered effect of light and shadow. The tiers make it easy to measure the height of the incense ash, allowing you to place the incense wood accurately.
Silver sand in Tenmoku glaze Iron crystals precipitate on the surface, scattering silver ash. When lit by candles or lanterns, it glitters quietly along with the incense smoke.
Tripod: Small, Hotei-style legs allow the table to be slightly raised. This helps prevent heat buildup and creates shadows that emphasize the mysterious beauty.


3. Scenery of Tenmoku glaze kiln changes

Silver-gray stardust : Tiny iron crystals twinkle in response to the light, reminiscent of the night sky.

Pale pink highlights : A slight reddish-purple bleeds along the ridges of the steps, bringing a warm pulse to the darkness.

Pear-skin texture : The texture that combines matte and gloss conveys a pleasant coolness to the hand.

4. A look at the production

Based on the concept of "transforming the landscape into a vessel," Okada Masaru has condensed the night sky and mountain shadows of the charcoal mine into this incense burner. The carved steps represent overlapping ridgelines, the silver sand represents twinkling starlight, and the pale pink fire represents the flames of the wood-fired kiln and the dawn light. When the incense is burned, the smoke turns into a nebula and creeps down the steps, and the shadow of the tripod reflects the phases of the moon - such a quiet story is born.

5. Conclusion

This Tenmoku-glazed incense burner evokes the depth of the night sky and the brilliance of stardust. Burning incense wood shines through the silver-gray glaze, and the flickering smoke brings a mysterious atmosphere to your seat. Please enjoy the overlapping of light and incense, which changes with each stick, for many years to come.

Biography
Born in Kiyomizu-Gojo, Kyoto
After working as a trainee at the Kyoto Prefectural Pottery Training School Molding Department and the Kyoto Municipal Industrial Research Institute
Studied pottery techniques for three years under Kozo Kawashima, a member of the Sodeisha Society
In 1987, he became independent and built a kiln in Sumiyama, Uji City.
Since 2018, he has been a judge at the Japan Traditional Crafts Kinki Exhibition.
2022 Japan Traditional Crafts Ceramics Division Exhibition, Judge

<Major selected works>
Japanese Traditional Crafts Exhibition, Japanese Ceramic Art Exhibition
Kikuchi Biennale,
Contemporary Tea Ceremony Exhibition
Chozo Prize Ceramic Art Exhibition, Ceramic Art Exhibition,
Mashiko Pottery Exhibition,
Itami International Craft Exhibition
Hagi Grand Prize Exhibition,
Kobe Biennale
Contemporary Ceramic Art Competition, etc.

<Major Awards>
1998: Northern Confectionery Tableware Exhibition (Excellent Award)
2002, Kyoto Ware and Kiyomizu Ware Exhibition (KBS Kyoto Broadcasting Award)
2003, Bonsai Pottery Exhibition (Encouragement Award)
2008, Japan Traditional Crafts Kinki Exhibition (Nikkei Shimbun Award)
2009, Otaki Hokkai Live Pottery Exhibition (NHK Broadcasting Award)
2010, Otaki Hokkai Live Pottery Exhibition (Hokkaido Shimbun Award)
2012 Kyoto Art and Craft Biennale (Grand Prize)
2013, Japan Traditional Crafts Ceramics Division Exhibition (Japan Crafts Association Award)
Kobe Biennale Contemporary Ceramic Art Exhibition (Second Prize)
2014: Invited to exhibit at the Gwangju Biennale
2016, Osaka Crafts Exhibition (Arts and Crafts Grand Prize)
2019 Osaka Crafts Exhibition (Second Prize)
2022, Arita International Ceramics Exhibition (Grand Prize, Minister of Education, Culture, Sports, Science and Technology Award), etc.

Currently, he is a full member of the Japan Crafts Association and a member of the Ceramic Art Association.
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