Width: 17cm x 15.7cm Height: 24.3cm
The "Ash-glazed Two-color Willow Flat Pot" by Yuichi Ikai is a work that features a beautiful, stable shape and a complex, tasteful combination of glazes. This flat pot has a well-balanced shape, and its simple yet powerful form exudes a quiet, stable beauty.
The beauty of white and green glaze
This vase is made with a generous layer of white glaze on the base, and a transparent green glaze on top, beautifully expressing the two-tone color scheme. The white glaze contains a lot of straw ash, similar to the glaze used in Hagi ware, and its unique whiteness gives the entire piece a soft impression. The white of this straw ash gives the piece a feeling of purity, like snow, while its thickness gives the piece a sense of weight.
Meanwhile, the green transparent glaze on top is made from the ash of common trees such as pine, oak and cedar, and its natural color creates an exquisite contrast with the white glaze. The green glaze intertwines with the white glaze, creating an expression that evokes the vitality of trees breathing in nature.
The beauty of the white and green glaze
Particular care was taken in the application of the glaze on this piece. The white glaze is cloudy because it is made from a fast-growing material like bamboo that is difficult to burn. This material retains its strength when fired, and the glaze does not melt on its own, but turns cloudy white. This cloudiness gives the piece a unique sense of depth and richness, and allows the viewer to sense the intricate handiwork involved.
A fusion of tradition and innovation
This piece by Yuichi Ikai is a perfect fusion of tradition and innovation. It is designed to meet modern aesthetic sensibilities while respecting the ancient glazing techniques. The shape of the vase is stable, yet the combination of glazes gives it a dynamic impression, perfectly balancing stillness and movement.
A vase that reflects the beauty of nature
This vase is a work of art that seems to reflect the beauty of the natural world as it is. The harmony of colors created by the white and green glazes is as if it is reflecting the scenery of the four seasons, and the entire vase feels like it is breathing life into itself. The "Ash-glazed Two-color Willow Flat Vase," which is a concentrated expression of skill and sensibility, will bring the richness and tranquility of nature to the space in which it is displayed, and will soothe the hearts of those who see it.
Yuichi Ikai Biography
1963 (1963)
Born into a pottery merchant in Gojozaka, Kyoto
1983 (1983)
Graduated from Kyoto Prefectural Pottery Training School, Molding Department
1984 (1984)
・Completed ceramics training at Kyoto Municipal Industrial Research Institute
・Under the guidance of the late Mr. Uichi Shimizu, a holder of the Important Intangible Cultural Property,
June: Kihei Kiln opens (from the shop name, Kihei the Sixth)
・Studied under Uichi and Yasutaka Shimizu
1985 (1985)
・First time selected for the Japan Crafts Association Kinki Branch Exhibition (continuously selected thereafter)
・Participated in the Cheramista Exhibition
1986 (1986)
・First time selected for the Japan Traditional Crafts Exhibition
1987 (1987)
・Permitted to exhibit at the Family Exhibition, Horai-kai (Ikebukuro Seibu) and Uzuki-kai (Osaka Matsuzakaya)
・Received the Matsushita Award at the Japan Crafts Association Kinki Branch Exhibition
・Dog Exhibition: Leading the Way in Kyoto, Kyoto Daimaru
1988 (1988)
・Participation in Chabikai Kyoto Myrieme
1989 (1989)
・Founding of the Earth Children Association (named by Uichi Shimizu)
・Received the Encouragement Award at the Japan Crafts Association Kinki Branch Exhibition
1990 (1990)
・First solo exhibition at Kuroda Touen in Ginza
・Solo exhibition at Mizutama, Itabashi
1993 (1993)
・Solo exhibition at Mitsukoshi, Osaka (continues to be held)
1994 (1994)
・Certified as a regular member of the Japan Crafts Association
・Solo exhibition at Gallery Kiyomizu, Matsuyama (will continue to be held in the future)
・Received the Encouragement Award at the Saga Daikakuji Flower Ceramics Exhibition
1995 (1995)
・Solo exhibition at Daimaru, Kyoto (still held afterwards)
・Solo exhibition at Hankyu Kobe (continues to be held)
1996 (1996)
・The workshop was moved to Hiyoshicho, Nantan City, Kyoto Prefecture.
・Solo exhibition at Gallery Kurimoto, Nagaoka, Niigata (will continue to be held)
・Exhibition of Contemporary Ceramic Artists Living in Kyoto, Kyoto Daimaru
1997 (1997)
・Ceramics Three-person Exhibition, Shinjuku Isetan (Takahiro Kondo and Masahiko Ichino)
1998 (1998)
・Kyoto Talented Artists Exhibition, Hiroshima Sogo
1999 (1999)
・Solo exhibition at Shimonoseki Daimaru
2000 (2000)
・Solo exhibition at Yu, Tokyo Palace Hotel (will continue to be held in the future)
・Solo exhibition at Rakuchu Rakugai Gallery, Kyoto Kiyomizu-yaki Complex
・Exhibited at the Tsinghua University International Ceramic Exhibition in Beijing, China
2001 (2001)
・Received the highest award, the Kinki Prize, at the 30th Kinki Exhibition of Japanese Traditional Crafts
・Solo exhibition at Tenmaya, Mihara, Hiroshima
2002 (2002)
・Solo exhibition at Kogei Ima, Ginza, Tokyo
・Solo exhibition at Mitsukoshi Main Store, Nihonbashi, Tokyo
・CRIA Exhibition, Kyoto Art Center
2003 (2003)
・Received the Shiga Prefecture Board of Education Award at the 32nd Japanese Traditional Crafts Kinki Exhibition
・Ginza Kuroda Touen Celadon Exhibition (still held)
・Solo exhibition at Meitetsu Department Store, Nagoya
・Exhibited at the Contemporary Korean-Japanese Ceramic Art Exhibition at the Kumho Museum of Art, Seoul
・Solo exhibition at Gion Konishi, Kyoto
2004 (2004)
・Appointed as a judge at the 33rd Japanese Traditional Crafts Kinki Exhibition
2005 (2005)
・Solo exhibition at Daimaru Art Gallery, Kyoto
・Specially selected for the 34th Japanese Traditional Crafts Kinki Exhibition
2006 (2006)
・Three Potters Exhibition, Kyoto Takashimaya
・Exhibited at the Contemporary Ceramic Artists Exhibition at Kobe Sogo
・Four Artists Exhibition at Nara Kintetsu
・Solo exhibition at Gallery Wada, Ishibekoji, Kyoto (will continue to be held)
・Solo exhibition at Dojima Gallery, Osaka (will continue to be held)
・Solo exhibition at Mitsukoshi Main Store Art Gallery, Nihonbashi, Tokyo
2007 (2007)
・Solo exhibition at Rokujido, Ninenzaka, Kyoto
・Solo exhibition at Keihan Department Store, Moriguchi, Osaka
・Climbing kiln construction
2008 (2008)
・Solo exhibition at Gallery Uko, Bashamichi, Yokohama
・Solo exhibition at Kintetsu Department Store, Saidaiji Temple, Nara
2009 (2009)
・Solo exhibition at Takashimaya, Kyoto
・Solo exhibition at Mitsukoshi Main Store Art Gallery, Nihonbashi, Tokyo
2010 (2010)
・Solo exhibition at Mizutama, Itabashi (will continue to be held in the future)
2011 (2011)
・Solo exhibition at JR Osaka Mitsukoshi Isetan, Umeda, Osaka
2012 (2012)
・Solo exhibition at Rokujido, Ninenzaka, Kyoto
・Solo exhibition at Fukuoka Mitsukoshi Department Store, Hakata
・Solo exhibition at Kairo Gallery Mon, Kasama, Ibaraki
2015 (2015)
・Solo exhibition at Hankyu Umeda Main Store, Osaka Umeda (will continue to be held)
2016 (2016)
・Solo exhibition at Atelier Hiro, Yodoyabashi, Osaka (will continue to be held)
2017 (2017)
・Established a workshop again in Gojozaka, Kyoto
2018 (2018)
・Solo exhibition at Gallery Yamazaki, Ningyocho, Nihonbashi, Tokyo (will continue to be held)
2022 (2022)
・Appointed as Secretary General of the Kinki Branch of the Japan Crafts Association, a public interest incorporated association
・Appointed as director of the Japan Crafts Association, a public interest incorporated association
・Appointed as director of the Kyoto Ceramic Association, a general incorporated foundation
・Appointed as director of the general incorporated foundation KYOTO KILIN
・A pottery store that had been in business for generations on Gojozaka closes and begins renovations
2023 (2023)
・As a showroom for "Tsuboya Kibe Kiln"
