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One blue porcelain wheel Masao Tagai

One blue porcelain wheel Masao Tagai

Regular price $230.00
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Width: 7.8cm x 8.2cm Height: 11cm

Celadon single flower by Masao Tagai


1. Overview of the work

This piece is a celadon vase with a pale blue reminiscent of the sky after rain - the so-called "rainy blue". After shaping on a potter's wheel, the body was deliberately crushed with bare hands and then hand-twisted to create unevenness, creating organic shadows and soft movement. The rim is left split to create a wavy shape, and the areas where the glaze was not applied thinly develop a silver-gray color, sharply tightening the world of tranquil blue. A faint milky layer is visible beneath the mirror-like glaze, revealing a deep gradation whenever the light hits it.


2. Shape and design

part Shape characteristics Aesthetic and functional effects
Mouth rim The opening is wavy and irregular. The iron frame is black. It naturally holds the flower branches and tightens the overall shape of the vessel.
Body The unevenness of the rock surface is due to the marks left by hand twisting. The light is scattered, giving the blue glaze a rich shade and depth.
bottom Irregularly shaped plateau with three slight contact points It stands stably while creating a visual sense of floating.

3. Glaze and technique

Blue color after rain
The iron powder is suppressed, and after firing at a high temperature, the "reduction drop" process is used, which switches to oxidation towards the end. This results in a clear blue without any reddish tinge, and a milky layer that gives depth.

Ice cracks and iron spots <br data-end="683" data-start="680">By making the expansion coefficients of the clay and glaze layer as close as possible, large cracks are suppressed while very fine ice cracks add shadow. Iron is reduced in the glaze pools in the recesses, turning into black spots that add an accent to the scenery.

Mirror Finish <br data-end="789" data-start="786">The surface of the glaze is re-melted by low-temperature reduction after firing, giving it a moist luster and soft reflection.


4. Aesthetic intent and historical background

Masao Tagai combines the subtle and profound celadon of Song Dynasty Longquan Kilns with the spirit of "enjoying the scenery" cultivated in Japanese tea ceremony pottery, in pursuit of works that stand out in modern spaces. The main feature of this work is that it expresses a harmony of stillness and movement by incorporating the randomness of natural stone and the fluidity of water droplets into the serenity of the neat celadon.


5. Flower arrangement and decoration

season Recommended flower materials Points to consider
spring Yamabuki and Yukiyanagi The irregular rim naturally accommodates the branching, and the blue brings out the color of the flowers.
summer Half-summer/Ginmizuhiki The cool blue color and the white underside of the leaves complement each other to enhance the summer heat.
autumn Amberjack and wild chrysanthemum The thin stems contrast with the uneven shadows, creating a rhythm of movement and stillness.
winter Kantsubaki/Nanten The red berries and safflowers stand out against the pale blue, creating a dignified atmosphere.

In the tokonoma alcove, the height can be adjusted by placing it on a black painted viewing platform or old wood board, and when slanting light hits it, the uneven scenery stands out even more.


6. Points to note when viewing

Flickering light reflected on the uneven surfaces<br data-end="1364" data-start="1361">When light shines from an angle, the reflections, like the surface of water, flicker, and the shade of the blue glaze changes from moment to moment.

The iron rim and iron dots give it a refined look . The black dots on the rim and body tighten the blue, creating a sophisticated look reminiscent of antique celadon.

Growing Scenery <br data-end="1478" data-start="1475">As the flowers bloom or time passes, a mist appears under the glaze, and the vessel changes, as if breathing along with its owner.


7. Conclusion

"Seido Ichirin" is a vessel that represents a "living landscape" where the serenity of the clear blue, the dynamism of the hand-twisted work, and the wabi of the iron rim and iron dots coexist. Simply insert a single flower into the vessel and it will breathe fresh air into the space, and the process by which the surface of the vessel changes gradually over the years will be engraved into your own story. Please use it for many years to come and enjoy the changing of the seido along with the flowers of the four seasons.

Masao Tagai Pottery History
1970 Born in Misaki, Osaka
1998 Began working in ceramics
2001 Selected for the Japanese Traditional Crafts Kinki Exhibition
2002 Asahi Ceramic Art Exhibition Kawasaki Memorial Award
2005: Won the Newcomer Award at the Kinki Exhibition of Japanese Traditional Crafts
2007: Winner of the Osaka Mayor's Award at the Osaka Crafts Exhibition
2009 Selected for the Japan Traditional Crafts Exhibition
2013 Selected for the Japan Ceramic Art Exhibition
2014 Selected for the Contemporary Tea Ceremony Exhibition Selected for the Contemporary Ceramic Art Hagi Grand Prize Exhibition Selected for the Mino Tea Bowl Exhibition
2016 Built a kiln in Misaki, Osaka Prefecture
2017 Ceramics Exhibition Selected (18, 19, 20, 22, 23, 24)
2019 Became a regular member of the Japan Crafts Association
2025 Japanese Traditional Crafts Kinki Exhibition, winner of the Nihon Keizai Shimbun Prize
the current
Regular member of the Japan Crafts Association
Regular member of the Japan Ceramic Art Association
Regular member of the Osaka Crafts Association

A conversation with Masao Tagai – High-end pottery specialty store [Amagi-do]

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    Also, delivery times vary depending on the piece (vessel, etc.).

    Items that already come with a box will be shipped within 1-3 days of the order date.

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