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Green Tea Bowl by Bunsai Ogawa

Green Tea Bowl by Bunsai Ogawa

Regular price $1,551.00
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Width: 13.0cm x 13.0cm Height: 9.0cm

Deep Indigo, Embraced by Green - Green Indigo Tea Bowl by Ogawa Bunsai VI (Kyo)

This "Emerald Blue Tea Bowl" by Ogawa Bunsai (Ko) VI is a striking piece, with a soft emerald green glaze on the exterior and a deep indigo hidden within. The exterior of the bowl is bright as if catching the sunlight, with a gentle green flowing through it, exuding a freshness like young leaves swaying in the breeze. However, once you peer inside, the tranquility and depth of the indigo spreads out like the ocean at night, drawing the viewer's heart deeper into its interior - it is as if day and night, the outside and the inside, movement and stillness coexist within a single vessel.

Deep Indigo - The Universe Hidden Within

The indigo glaze on the inside of this tea bowl is not simply blue. Its deep, heavy, yet somehow crystal clear indigo color evokes the still surface of water, a lake reflecting the night sky, or the depths of space. If you pick it up and peer into it, you will feel as if you are being drawn in, as if gazing into the bottomless depths of the ocean.

The subtle nuances that emerge from the varying shades of the glaze capture the light and reveal countless different expressions. Sometimes tinged with hues such as dark blue, sometimes ultramarine, lapis lazuli, or indigo ink, the pieces exude a tranquil atmosphere, inviting you into a moment of introspection during the tea ceremony.

This deep indigo echoes the green of the matcha, bringing out the color of the tea even more vividly. The sight of the brewed tea floating in an indigo space is like a drop of jade inhabiting the universe, creating an extremely poetic experience both visually and spiritually.

The boundary between green and indigo, the fluctuation of consciousness

The green glaze on the outside is the culmination of the "beauty of green" that Bunsai VI has been exploring for many years. The subtle fluctuations and shades created by the flow of the glaze, and the subtle changes caused by the firing process, appear on the surface of the vessel as if reflecting a natural landscape.

The gradation from green on the outside to indigo on the inside goes beyond mere color expression to convey a sense of the "boundary of consciousness." This composition, designed to lead the viewer's gaze from outside to inside, from reality to introspection, is like a "guiding vessel" that invites one to reexamine one's own mind through a cup of tea.

This fusion of aesthetic beauty and spirituality has artistic value that goes beyond mere craftsmanship, and raises new questions about the role of tea bowls in the modern era.

Memories of Fire and Water - Another Face Seen from the Hill

Of particular note are the traces of firing that appear on the base. The indigo glaze flows up to the base, dripping like water, reminiscent of a liquid flickering in the flames, reminding us of the primordial charm of ceramics, the "art of earth." The uneven appearance of the base, unique to handmade pieces, reflects the constant interplay between the glaze and the fire, which changes constantly in the kiln.

The harmony of green and indigo - a symbol of peace and harmony

While carrying on the spirit of the Bunsai kiln that has been passed down through the generations, he continues to create pottery with a strong determination to "make with all his might what he considers beautiful in order to eliminate conflict." The way in which two colors, such as this piece, blend together in one vessel - gentle green and deep indigo - can be said to embody the idea of ​​"harmony."

Green and blue—both colors symbolizing nature—are fused with the power of fire to achieve harmony within a single vessel. This is also an expression of Bunsai Kiln's belief that beauty is born from the coexistence of differences, not conflict.

To grasp the abyss hidden in everyday life

This "Emerald Blue Tea Bowl" is not just beautiful, but also brings a moment of profound depth into the everyday. Take it quietly in your hand, make tea, and let your own image be reflected in the depths of the indigo blue—this experience will surely bring a moment of luxurious introspection to those of us living in the modern age.

In this single bowl, woven with green and indigo, natural scenery, spiritual depth, and a prayer for peace are condensed—this is the true essence of the art of Ogawa Bunsai VI, and the meaning of holding this vessel.

Please enjoy this one-of-a-kind "Emerald Green Tea Bowl" as you experience beauty, tranquility, and the depths of your soul.

Sixth Generation Ogawa Bunsai (Kyo) Sixth Generation Head of Bunsai Kiln
Ceramic artist, Nitten member, Kyoto Craft Artists Association member

Activity experience
・Lecturer at a culture center (Mainichi, NHK, Kyoto) for 20 years
・Open burning (with Bunsai Five)
・Formation and participation of limited liability business partnership

History of pottery
1974 Born as the eldest son of Ogawa Bunsai V, a ceramic artist in Gojozaka, Kyoto.
1999 Graduated from Kyoto University of Art and Design Graduate School, Faculty of Arts, Sculpture Course
2000 Graduated from Kyoto Prefectural Pottery Technical College, Molding Department / Selected for Kyoto Exhibition / Selected for All Kansai Art Exhibition
2001 Graduated from Kyoto Prefectural Ceramic Technical College, Specialized Course / Selected for Kyoto Exhibition / Joined the Kyoto Craft Artists Association
2002 Group exhibition "Five People Exhibition" / Graduated from the Kyoto Municipal Industrial Research Institute Ceramics Research Laboratory / Kyoto Exhibition Kusube Award / First selection at the 34th Nitten Exhibition
2003 Selected for the Kyoto Exhibition / Received the Japan New Crafts Encouragement Award at the 25th Japan New Crafts Exhibition / Joined the Japan New Craftsmen Federation Kinki Chapter / Selected for the All Kansai Art Exhibition / Selected for the 35th Nitten Exhibition
2004 Selected for the Kyoto Exhibition / Selected for the 26th Japan New Crafts Exhibition / Japan New Crafts Exhibition Kinki Exhibition Yomiuri Shimbun Osaka Head Office Award / Selected for the 36th Nitten Exhibition
2005 27th Japan New Crafts Exhibition, Tokyo Governor's Award / First solo exhibition (Kyoto Daimaru Department Store Art Salon) / Selected for the 37th Nitten Exhibition
2006 Selected for the 28th Japan New Crafts Exhibition / Yomiuri Television Award at the Japan New Crafts Exhibition Kinki Exhibition / Selected for the All Kansai Art Exhibition / Solo exhibition (Takashimaya Kyoto Art and Craft Salon) / Selected for the 38th Nitten Exhibition
2007 Selected for the Kyoto Exhibition / Selected for the 29th Japan New Crafts Exhibition / Selected for the 39th Nitten Exhibition / Submitted to the Kyoto Women's University Elementary School 50th Anniversary Ceramics Exhibition
2008 Selected for the Kyoto Exhibition / Selected for the 30th Japan New Crafts Exhibition / USE Uryuyama.Sculptors.Exhibition (Gallery Maronnier)
2009 Group exhibition "Mashu Exhibition: Winter Gathering" / Became a member of the Japan New Craftsmen Federation / Exhibited at the 31st Japan New Crafts Exhibition / Kyoto Crafts Artists Association Exhibition Association Encouragement Award / Japan New Crafts Exhibition Kinki Exhibition Yomiuri Shimbun Osaka Head Office Award / Selected for the 41st Nitten Exhibition / Solo exhibition (Kyoto Daimaru Department Store Art Salon) / USE Exhibition 2009 (Gallery Maronnier)
2010 Submitted to the 32nd Japan New Crafts Exhibition / Selected for the 42nd Nitten Exhibition
2011 Exhibited at the 8th special exhibition "Graduates of the Affiliated Elementary School - Ceramic Artists Exhibition" commemorating the 100th anniversary of the founding of Kyoto Women's University / Exhibited at the 33rd Japan New Crafts Exhibition / Received the Yomiuri TV Award at the All Kansai Art Exhibition / Exhibited at "Kyoto Ware in Search of New Frontiers: The 50-Year Journey of the Kiyomizu Ware Complex" / USE 4 (Gallery Maronnier) / Exhibited at the 65th Anniversary Kyoto Crafts Artists Association Exhibition / Solo Exhibition (Kyoto Daimaru Department Store Art Gallery)
2012 Judge of the 34th Japan New Crafts Exhibition / Kyoto City Superintendent of Education Award at the Japan New Crafts Exhibition Kinki Exhibition / USE 5 (Gallery Maronnier)
2013: Becomes the sixth generation owner of Bunsai Kiln, Kyoyaki.
Submitted to the 35th Japan New Crafts Exhibition / USE 6 (Gallery Maronnier) / Selected for the 44th Nitten Exhibition
2014 USE 7 (Gallery Maronnier) / Withdrew from the Japan New Craftsmen Federation
2015 Rinpa 400th Anniversary Exhibition of Japanese Paintings and Crafts by 200 Contemporary Artists (Kyoto Museum) / Heisei Kyomachiya x Heisei Craftsmen / USE 8 (Gallery Maronnier)
2016 Kyoto Rokuhara District "Let's all wear the sign of the logi" project nameplate creation / Japanese painting, photography and kirikane coming together in ceramics - Four-person collaborative exhibition (Porta Gallery Hana)
2017 Solo Exhibition, Daimaru Kyoto Art Gallery / USE 10 (Gallery Maronnier)
2018 Kissako - First, a cup of tea - Takumi (Porta Gallery Hana)
Climbing kiln damaged
2019 Climbing kiln restoration completed
Kyoto Exhibition: Small Universe (Porta Gallery Hana)
Celebration of the name succession ceremony for the 6th Ogawa Bunsai
2020 Kyoto Exhibition: Small Universe (Porta Gallery Hana) / Kyoto Craft Artists Association Selected Exhibition
2021 75th Anniversary Kyoto Craft Artists Association Exhibition / Solo Exhibition at Daimaru Kyoto Art Gallery

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