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Double Dragon Vase by Ogawa Bunsai

Double Dragon Vase by Ogawa Bunsai

Regular price $1,409.00
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Width: 21.0cm x 11.0cm Height: 31.0cm

Double Dragon Flower Vase (Sousei Hanare) - Made by Ogawa Bunsai (Kō) VI

A pair of dragonflies flap their wings lightly, beautifully sculpted to spread across both shoulders, as if they have descended from time. The "Double Dragon Vase" by Ogawa Bunsai VI is a beautiful blend of realism and decoration, tradition and playfulness, and can truly be said to be a symbol of "harmony and flight." This work, which combines a bold composition that draws the viewer's eye with a delicate expression, has a unique presence even among contemporary ceramics.

Dragonflies as living forms

The greatest highlight of this piece is undoubtedly the "two dragons" decoration on both shoulders. The three-dimensional, popping-out form is more than just a design; it breathes the rhythm of life into the static material of ceramics. The feathers, decorated with intricate patterns, are at first glance geometric, yet somehow exude the warmth of something handmade, evoking the way dragonfly wings sparkle in the sunlight.

For Ogawa Bunsai, the dragonfly is no coincidence. Familiar with the works of his father, the 5th Bunsai, from an early age, the 6th generation did not inherit the signature color red, but was instead captivated by the color green. Eventually, after encountering a dragonfly, he came to use it as a symbol of his own work.

One day, a dragonfly flew into the garden and landed on her finger as if to speak to her, and the voice of her late father echoed in her heart, saying, "Use it without hesitation." From that moment on, dragonflies began to appear one after another in her works, and this work, "Double Dragon Vase," boasts a sculptural beauty that could be said to be the culmination of her work.

Elegance and humor coexist

Although the overall piece has a slender form, the balance between the waistline and the flared hem is exquisite, giving it a sense of visual stability. The pale brown texture has a rustic feel that evokes the warmth of the earth, while the white ribbon decoration in the center gives the piece a modern impression. The ribbon is engraved with a circular pattern, which can also be interpreted as suggesting themes such as "harmony" and "circle."

At first glance, the form may seem exotic, but the meticulous workmanship and texture of the materials give it a true sense of authentic Kyoto ware, and the Japanese "space" and "white space" create a harmonious whole.

Although the dragonfly wings are arranged symmetrically, each has a slightly different expression, creating a beautiful, natural, and non-mechanical sway. The impression changes from moment to moment depending on the viewing angle, creating a vivid sense of space, as if the moment "a dragonfly is about to take flight" has been captured.

The lineage of Bunsai Kiln and the challenge of the sixth generation

The background to the creation of this "Double Dragon Vase" is the long history of Bunsai Kiln. It has been over 170 years since the first generation, Ogawa Bunsuke, mastered kiln-building techniques in Kyushu and founded the company as "Bunsai" in 1847. The kiln was built in Gojozaka in 1873. Since then, the traditions of Kyoto ware have been passed down through six generations, and the techniques and spirit have been passed down to the present day.

The sixth generation, Ogawa Bunsai (Oki), studied sculpture and then thoroughly re-learned Kyoto pottery techniques, thereby challenging himself to create freer, three-dimensional forms. Without resting on his laurels, he has continued to broaden his horizons, taking on the challenge of the Nitten Exhibition and solo exhibitions, as well as creating everyday vessels and spatial objects, truly embodying the concept of "inheritance and innovation."

"While praying for peace, I will do my best to create what I believe to be beautiful."
The feelings contained in these words are embodied in this "Double Dragon Vase."

Living in connection with nature

Dragonflies have been considered auspicious creatures since ancient times as "kachimushi" (victory insects), and because they live near pure water, they are also symbols of purification and rebirth. This "Double Dragon Vase" is a work that sublimates in one form both respect for nature and a prayer for connecting people.

It exudes a tranquil elegance when placed in a Japanese-style room, and stands out as a modern object in a Western-style room.It is truly a one-of-a-kind vase that transcends space and time.

Two dragonflies unite in the shape of memories and wishes.
The "green spirit" of the sixth generation Ogawa Bunsai has taken shape and taken flight here.

Sixth Generation Ogawa Bunsai (Kyo) Sixth Generation Head of Bunsai Kiln
Ceramic artist, Nitten member, Kyoto Craft Artists Association member

Activity experience
・Lecturer at a culture center (Mainichi, NHK, Kyoto) for 20 years
・Open burning (with Bunsai Five)
・Formation and participation of limited liability business partnership

History of pottery
1974 Born as the eldest son of Ogawa Bunsai V, a ceramic artist in Gojozaka, Kyoto.
1999 Graduated from Kyoto University of Art and Design Graduate School, Faculty of Arts, Sculpture Course
2000 Graduated from Kyoto Prefectural Pottery Technical College, Molding Department / Selected for Kyoto Exhibition / Selected for All Kansai Art Exhibition
2001 Graduated from Kyoto Prefectural Ceramic Technical College, Specialized Course / Selected for Kyoto Exhibition / Joined the Kyoto Craft Artists Association
2002 Group exhibition "Five People Exhibition" / Graduated from the Kyoto Municipal Industrial Research Institute Ceramics Research Laboratory / Kyoto Exhibition Kusube Award / First selection at the 34th Nitten Exhibition
2003 Selected for the Kyoto Exhibition / Received the Japan New Crafts Encouragement Award at the 25th Japan New Crafts Exhibition / Joined the Japan New Craftsmen Federation Kinki Chapter / Selected for the All Kansai Art Exhibition / Selected for the 35th Nitten Exhibition
2004 Selected for the Kyoto Exhibition / Selected for the 26th Japan New Crafts Exhibition / Japan New Crafts Exhibition Kinki Exhibition Yomiuri Shimbun Osaka Head Office Award / Selected for the 36th Nitten Exhibition
2005 27th Japan New Crafts Exhibition, Tokyo Governor's Award / First solo exhibition (Kyoto Daimaru Department Store Art Salon) / Selected for the 37th Nitten Exhibition
2006 Selected for the 28th Japan New Crafts Exhibition / Yomiuri Television Award at the Japan New Crafts Exhibition Kinki Exhibition / Selected for the All Kansai Art Exhibition / Solo exhibition (Takashimaya Kyoto Art and Craft Salon) / Selected for the 38th Nitten Exhibition
2007 Selected for the Kyoto Exhibition / Selected for the 29th Japan New Crafts Exhibition / Selected for the 39th Nitten Exhibition / Submitted to the Kyoto Women's University Elementary School 50th Anniversary Ceramics Exhibition
2008 Selected for the Kyoto Exhibition / Selected for the 30th Japan New Crafts Exhibition / USE Uryuyama.Sculptors.Exhibition (Gallery Maronnier)
2009 Group exhibition "Mashu Exhibition: Winter Gathering" / Became a member of the Japan New Craftsmen Federation / Exhibited at the 31st Japan New Crafts Exhibition / Kyoto Crafts Artists Association Exhibition Association Encouragement Award / Japan New Crafts Exhibition Kinki Exhibition Yomiuri Shimbun Osaka Head Office Award / Selected for the 41st Nitten Exhibition / Solo exhibition (Kyoto Daimaru Department Store Art Salon) / USE Exhibition 2009 (Gallery Maronnier)
2010 Submitted to the 32nd Japan New Crafts Exhibition / Selected for the 42nd Nitten Exhibition
2011 Exhibited at the 8th special exhibition "Graduates of the Affiliated Elementary School - Ceramic Artists Exhibition" commemorating the 100th anniversary of the founding of Kyoto Women's University / Exhibited at the 33rd Japan New Crafts Exhibition / Received the Yomiuri TV Award at the All Kansai Art Exhibition / Exhibited at "Kyoto Ware in Search of New Frontiers: The 50-Year Journey of the Kiyomizu Ware Complex" / USE 4 (Gallery Maronnier) / Exhibited at the 65th Anniversary Kyoto Crafts Artists Association Exhibition / Solo Exhibition (Kyoto Daimaru Department Store Art Gallery)
2012 Judge of the 34th Japan New Crafts Exhibition / Kyoto City Superintendent of Education Award at the Japan New Crafts Exhibition Kinki Exhibition / USE 5 (Gallery Maronnier)
2013: Becomes the sixth generation owner of Bunsai Kiln, Kyoyaki.
Submitted to the 35th Japan New Crafts Exhibition / USE 6 (Gallery Maronnier) / Selected for the 44th Nitten Exhibition
2014 USE 7 (Gallery Maronnier) / Withdrew from the Japan New Craftsmen Federation
2015 Rinpa 400th Anniversary Exhibition of Japanese Paintings and Crafts by 200 Contemporary Artists (Kyoto Museum) / Heisei Kyomachiya x Heisei Craftsmen / USE 8 (Gallery Maronnier)
2016 Kyoto Rokuhara District "Let's all wear the sign of the logi" project nameplate creation / Japanese painting, photography and kirikane coming together in ceramics - Four-person collaborative exhibition (Porta Gallery Hana)
2017 Solo Exhibition, Daimaru Kyoto Art Gallery / USE 10 (Gallery Maronnier)
2018 Kissako - First, a cup of tea - Takumi (Porta Gallery Hana)
Climbing kiln damaged
2019 Climbing kiln restoration completed
Kyoto Exhibition: Small Universe (Porta Gallery Hana)
Celebration of the name succession ceremony for the 6th Ogawa Bunsai
2020 Kyoto Exhibition: Small Universe (Porta Gallery Hana) / Kyoto Craft Artists Association Selected Exhibition
2021 75th Anniversary Kyoto Craft Artists Association Exhibition / Solo Exhibition at Daimaru Kyoto Art Gallery

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