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Green Flower Vase by Ogawa Bunsai

Green Flower Vase by Ogawa Bunsai

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Width: 10.0cm x 10.0cm Height: 31.0cm

Verdant Flower Vase (Suiryoku Hanare) - by Ogawa Bunsai (the 6th generation)

The eye-catchingly transparent emerald glaze flows gracefully over the slender body, with black glaze dripping down from the bulging midsection. This "Emerald Flower Vase" is a masterpiece, with a sculptural beauty that seems to reflect the atmosphere of heaven and earth, and the expression of the glaze gives the impression of the accumulation of time. This work by Ogawa Bunsai VI is based on the lineage of traditional Kyoto ware, but is also clearly imbued with a modern aesthetic sense and the artist's own ideas, creating a tranquil yet powerful work.

Harmony of Earth and Greenery – The Poetics of Color

What characterizes this vase is, without a doubt, the depth of color of the glaze. The beautiful emerald green from the top to the middle is as clear as the color of the trees reflected in a mountain spring, and takes on various nuances depending on the angle and amount of light. Meanwhile, the black glaze gradually seeps in towards the bottom, adding a richness that evokes the quiet darkness of night.

The overlapping of these two colors evokes the continuity between the life sprouting from the earth and the sky above, creating a composition that is more than just visual decoration; it evokes a spiritual connection with nature.

Balance and philosophy of design

The shape of the vessel is reminiscent of a gourd, with a soft bulge in the middle of the body. This shape has long been considered a symbol of good fortune, representing harvest and prosperity, and is also the result of the pursuit of functional beauty as a vessel for holding water. The slender neck cuts out space, and is designed to create an even more striking presence when flowers are inserted.

The design is exquisitely balanced, never too exaggerated, but also not ordinary. The quiet form embodies the flow of time and the vibrations of the spirit.

The artist's journey as a "green man"

"I don't know why I'm drawn to green, but being surrounded by greenery just calms me down."
While his father and the fifth generation often used red glazes, the sixth generation Ogawa Bunsai (Oki) has explored green as the "main color." After studying sculpture at graduate school and training at a ceramics school and industrial testing center in Kyoto, he entered the world of Kyoto ware, and continues to create works based on the themes of "circles" and "coexistence with nature," with "peace and harmony" at the core of his work.

Verdure is a color that could be said to symbolize this. In recent years, he has become widely known as the "green person," and the green-based works he displays at his solo exhibitions continue to make a strong impression on visitors. This vase is one of the works born within this context, and it embodies his desire to connect people with nature, and with each other, through the power of green and tranquility.

A crystallization engraved in the history of Bunsai Kiln

In 1847, the founder, Ogawa Bunsuke (Bunsai), learned kiln-building techniques in Kyushu and founded the company under the name "Bunsai." After returning to Kyoto in the Meiji era, Bunsai Kiln established a kiln in Gojozaka, where the name and techniques have been passed down through six generations to this day. The techniques, glaze blends, and exquisite shapes accumulated over the years are all condensed into this "Emerald Flower Vase," conveying to the viewer the "weight of unbroken handwork."

The serenity brought by the appearance

When placed in a space, this vase has the power to change the surrounding atmosphere just by its appearance. When placed in the alcove of a Japanese-style room, it creates a mysterious world, and in a Western-style space, it exudes a unique presence like a modern objet d'art. Its compositional power is valid whether it is filled with flowers or left empty. This is proof that beauty stands on its own, transcending its purpose.

"Prayer and tranquility residing in the greenery"
This Vermilion Flower Vase, a crystallization of the aesthetics of Ogawa Bunsai VI, is a timeless work of artistic poetry born at the intersection of Kyoto ware tradition and innovation. Whether used as a piece of art to accompany your daily life or as a vessel for prayer, this piece is sure to bring profound harmony and elegance to your space.

Sixth Generation Ogawa Bunsai (Kyo) Sixth Generation Head of Bunsai Kiln
Ceramic artist, Nitten member, Kyoto Craft Artists Association member

Activity experience
・Lecturer at a culture center (Mainichi, NHK, Kyoto) for 20 years
・Open burning (with Bunsai Five)
・Formation and participation of limited liability business partnership

History of pottery
1974 Born as the eldest son of Ogawa Bunsai V, a ceramic artist in Gojozaka, Kyoto.
1999 Graduated from Kyoto University of Art and Design Graduate School, Faculty of Arts, Sculpture Course
2000 Graduated from Kyoto Prefectural Pottery Technical College, Molding Department / Selected for Kyoto Exhibition / Selected for All Kansai Art Exhibition
2001 Graduated from Kyoto Prefectural Ceramic Technical College, Specialized Course / Selected for Kyoto Exhibition / Joined the Kyoto Craft Artists Association
2002 Group exhibition "Five People Exhibition" / Graduated from the Kyoto Municipal Industrial Research Institute Ceramics Research Laboratory / Kyoto Exhibition Kusube Award / First selection at the 34th Nitten Exhibition
2003 Selected for the Kyoto Exhibition / Received the Japan New Crafts Encouragement Award at the 25th Japan New Crafts Exhibition / Joined the Japan New Craftsmen Federation Kinki Chapter / Selected for the All Kansai Art Exhibition / Selected for the 35th Nitten Exhibition
2004 Selected for the Kyoto Exhibition / Selected for the 26th Japan New Crafts Exhibition / Japan New Crafts Exhibition Kinki Exhibition Yomiuri Shimbun Osaka Head Office Award / Selected for the 36th Nitten Exhibition
2005 27th Japan New Crafts Exhibition, Tokyo Governor's Award / First solo exhibition (Kyoto Daimaru Department Store Art Salon) / Selected for the 37th Nitten Exhibition
2006 Selected for the 28th Japan New Crafts Exhibition / Yomiuri Television Award at the Japan New Crafts Exhibition Kinki Exhibition / Selected for the All Kansai Art Exhibition / Solo exhibition (Takashimaya Kyoto Art and Craft Salon) / Selected for the 38th Nitten Exhibition
2007 Selected for the Kyoto Exhibition / Selected for the 29th Japan New Crafts Exhibition / Selected for the 39th Nitten Exhibition / Submitted to the Kyoto Women's University Elementary School 50th Anniversary Ceramics Exhibition
2008 Selected for the Kyoto Exhibition / Selected for the 30th Japan New Crafts Exhibition / USE Uryuyama.Sculptors.Exhibition (Gallery Maronnier)
2009 Group exhibition "Mashu Exhibition: Winter Gathering" / Became a member of the Japan New Craftsmen Federation / Exhibited at the 31st Japan New Crafts Exhibition / Kyoto Crafts Artists Association Exhibition Association Encouragement Award / Japan New Crafts Exhibition Kinki Exhibition Yomiuri Shimbun Osaka Head Office Award / Selected for the 41st Nitten Exhibition / Solo exhibition (Kyoto Daimaru Department Store Art Salon) / USE Exhibition 2009 (Gallery Maronnier)
2010 Submitted to the 32nd Japan New Crafts Exhibition / Selected for the 42nd Nitten Exhibition
2011 Exhibited at the 8th special exhibition "Graduates of the Affiliated Elementary School - Ceramic Artists Exhibition" commemorating the 100th anniversary of the founding of Kyoto Women's University / Exhibited at the 33rd Japan New Crafts Exhibition / Received the Yomiuri TV Award at the All Kansai Art Exhibition / Exhibited at "Kyoto Ware in Search of New Frontiers: The 50-Year Journey of the Kiyomizu Ware Complex" / USE 4 (Gallery Maronnier) / Exhibited at the 65th Anniversary Kyoto Crafts Artists Association Exhibition / Solo Exhibition (Kyoto Daimaru Department Store Art Gallery)
2012 Judge of the 34th Japan New Crafts Exhibition / Kyoto City Superintendent of Education Award at the Japan New Crafts Exhibition Kinki Exhibition / USE 5 (Gallery Maronnier)
2013: Becomes the sixth generation owner of Bunsai Kiln, Kyoyaki.
Submitted to the 35th Japan New Crafts Exhibition / USE 6 (Gallery Maronnier) / Selected for the 44th Nitten Exhibition
2014 USE 7 (Gallery Maronnier) / Withdrew from the Japan New Craftsmen Federation
2015 Rinpa 400th Anniversary Exhibition of Japanese Paintings and Crafts by 200 Contemporary Artists (Kyoto Museum) / Heisei Kyomachiya x Heisei Craftsmen / USE 8 (Gallery Maronnier)
2016 Kyoto Rokuhara District "Let's all wear the sign of the logi" project nameplate creation / Japanese painting, photography and kirikane coming together in ceramics - Four-person collaborative exhibition (Porta Gallery Hana)
2017 Solo Exhibition, Daimaru Kyoto Art Gallery / USE 10 (Gallery Maronnier)
2018 Kissako - First, a cup of tea - Takumi (Porta Gallery Hana)
Climbing kiln damaged
2019 Climbing kiln restoration completed
Kyoto Exhibition: Small Universe (Porta Gallery Hana)
Celebration of the name succession ceremony for the 6th Ogawa Bunsai
2020 Kyoto Exhibition: Small Universe (Porta Gallery Hana) / Kyoto Craft Artists Association Selected Exhibition
2021 75th Anniversary Kyoto Craft Artists Association Exhibition / Solo Exhibition at Daimaru Kyoto Art Gallery

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