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Green Tea Bowl by Bunsai Ogawa

Green Tea Bowl by Bunsai Ogawa

Regular price $1,691.00
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Width: 14.0cm x 14.0cm Height: 7.0cm

Brought to life by the wind, reflecting the greenery - Green tea bowl by Ogawa Bunsai VI (Kyo)

The "Emerald Green Tea Bowl" created by Ogawa Bunsai (Oki) VI is a bowl filled with tranquility, coolness, and refined form. This piece has been finished in a form that celebrates the beauty of expanse, which could be described as "opening in the wind." While achieving the ultimate in functionality as a vessel, it also combines a sculptural form with a gaze toward nature, giving it the air of a work of art, more than just a tea ceremony implement.

Wide rim and wind-like shape

What first catches the eye about this piece are its graceful proportions, which gently widen from the rim to the body. Though it is a tea bowl, this design is not simply aesthetically pleasing; it is a "welcoming form" that beautifully combines function and sensibility. Perhaps envisioning the aroma of matcha rising and gently spreading into the space, the shape seems designed to mimic the movement of a cup of tea in conjunction with the breeze.

The lightness and stability in the hand are also impressive, and while the design has an open feel, the body tapers towards the bottom, so it fits comfortably in the hand, creating a familiar feeling as if it has been used for many years. The design, which is based on the actual experience of use, creates a comfortable sense of distance from the user, and it is clear that a delicate balance between practicality and beauty has been achieved.

The texture of green, memories of nature and time

The expression of the glaze applied to this piece truly demonstrates the essence of Ogawa Bunsai's long-standing pursuit of the color "green." While simply described as "green," it is not a single color. A multi-layered gradation of colors is created throughout the vessel, intermingling with the jade green that seems to seep from within, the deep blue-green of the glaze pools, and the iron glaze that appears on the surface of the base during firing.

Furthermore, the porcelain is adorned with fine crazing, creating a delicate appearance like ripples on the surface of water. With repeated use, tea stains and oils from hands will seep into the crazing, changing over time. The natural color of the green glaze will take on the years of its user, and the vessel itself will carry the "memory of time" - this is one of the great charms of tea ceremony utensils.

Furthermore, kiln changes, which can be considered traces of the fire used during firing, can be seen on the exposed clay surface, and natural phenomena come to life as part of the design of the vessel. It is precisely because of this "beauty beyond intention" that Bunsai's vessels are not just beautiful, but also have a living presence.

Tableware that creates the atmosphere in the tea ceremony

This tea bowl is not only a tool for preparing tea, but also a vessel that creates a space. When used in a tea room, its tranquil greenery takes on the surrounding scenery, hanging scrolls, flowers, and even the reflection of light, giving the whole space a soft, cohesive look. Even in modern living spaces, simply placing a bowl on a shelf creates a sense of space, and the greenery changes the atmosphere. The vessel does not assert itself, but resonates as part of the space. This is perhaps the great appeal shared by the works of Ogawa Bunsai VI.

Tradition and Innovation - The Spirit of Bunsai Kiln

Founded in 1847 by the first generation Ogawa Bunsai (Bunsuke), Bunsai Kiln is a prestigious pottery manufacturer that has passed down its techniques and beauty in the Gojozaka area of ​​Kyoto for over 150 years. The current head of the family, the sixth generation Ogawa Bunsai (Kyo), studied sculpture at graduate school and has developed flexible creations that transcend the traditional boundaries of "Kyoto ware" by combining traditional Kyoto ware techniques with a modern sculptural sense and a deep exploration of color. In contrast to the fifth generation's "red," the sixth generation chose "green." This was not simply a color choice; it represented a shift in the very spirituality that underlies their work. Green, as a color symbolizing peace, harmony, and connection, overlaps with prayers for "bonds between people" and "a world without conflict," and is deeply embedded in each bowl.

The green tea bowl as a symbol of "connecting harmony"

This green tea bowl truly embodies the artistic vision and spirit of Ogawa Bunsai (Oki) VI, as well as its historical background, making it a vessel that truly "connects harmony." While imitating traditional forms, the wide rim and the expression of the glaze clearly exude a modern spirit, embodying a form of beauty that transcends time. In the moment you sip a cup of tea, this bowl quietly but surely conveys its presence. When you pick it up, savor it with your eyes, and put it to your mouth, you can feel the soft green light and the human feelings that transcend time.

A bowl of poetry that embodies the passage of time

The "Emerald Tea Bowl" by Bunsai VI is not just a tea ceremony utensil, but a vessel that "exists" and can coexist with prayer, nature, time, space, and even human interaction.

A bowl born here and now will show a different expression to people decades or even centuries from now, as it ages with the time of its user. What a luxurious and quietly moving experience it is to know that such a bowl exists.

Please allow yourself to be captivated by the world of greenery embodied in this bowl and Ogawa Bunsai's unwavering aesthetic sense.

A spoonful of poetry in your everyday life.
And the moments of harmony that quietly come into your daily life.

Sixth Generation Ogawa Bunsai (Kyo) Sixth Generation Head of Bunsai Kiln
Ceramic artist, Nitten member, Kyoto Craft Artists Association member

Activity experience
・Lecturer at a culture center (Mainichi, NHK, Kyoto) for 20 years
・Open burning (with Bunsai Five)
・Formation and participation of limited liability business partnership

History of pottery
1974 Born as the eldest son of Ogawa Bunsai V, a ceramic artist in Gojozaka, Kyoto.
1999 Graduated from Kyoto University of Art and Design Graduate School, Faculty of Arts, Sculpture Course
2000 Graduated from Kyoto Prefectural Pottery Technical College, Molding Department / Selected for Kyoto Exhibition / Selected for All Kansai Art Exhibition
2001 Graduated from Kyoto Prefectural Ceramic Technical College, Specialized Course / Selected for Kyoto Exhibition / Joined the Kyoto Craft Artists Association
2002 Group exhibition "Five People Exhibition" / Graduated from the Kyoto Municipal Industrial Research Institute Ceramics Research Laboratory / Kyoto Exhibition Kusube Award / First selection at the 34th Nitten Exhibition
2003 Selected for the Kyoto Exhibition / Received the Japan New Crafts Encouragement Award at the 25th Japan New Crafts Exhibition / Joined the Japan New Craftsmen Federation Kinki Chapter / Selected for the All Kansai Art Exhibition / Selected for the 35th Nitten Exhibition
2004 Selected for the Kyoto Exhibition / Selected for the 26th Japan New Crafts Exhibition / Japan New Crafts Exhibition Kinki Exhibition Yomiuri Shimbun Osaka Head Office Award / Selected for the 36th Nitten Exhibition
2005 27th Japan New Crafts Exhibition, Tokyo Governor's Award / First solo exhibition (Kyoto Daimaru Department Store Art Salon) / Selected for the 37th Nitten Exhibition
2006 Selected for the 28th Japan New Crafts Exhibition / Yomiuri Television Award at the Japan New Crafts Exhibition Kinki Exhibition / Selected for the All Kansai Art Exhibition / Solo exhibition (Takashimaya Kyoto Art and Craft Salon) / Selected for the 38th Nitten Exhibition
2007 Selected for the Kyoto Exhibition / Selected for the 29th Japan New Crafts Exhibition / Selected for the 39th Nitten Exhibition / Submitted to the Kyoto Women's University Elementary School 50th Anniversary Ceramics Exhibition
2008 Selected for the Kyoto Exhibition / Selected for the 30th Japan New Crafts Exhibition / USE Uryuyama.Sculptors.Exhibition (Gallery Maronnier)
2009 Group exhibition "Mashu Exhibition: Winter Gathering" / Became a member of the Japan New Craftsmen Federation / Exhibited at the 31st Japan New Crafts Exhibition / Kyoto Crafts Artists Association Exhibition Association Encouragement Award / Japan New Crafts Exhibition Kinki Exhibition Yomiuri Shimbun Osaka Head Office Award / Selected for the 41st Nitten Exhibition / Solo exhibition (Kyoto Daimaru Department Store Art Salon) / USE Exhibition 2009 (Gallery Maronnier)
2010 Submitted to the 32nd Japan New Crafts Exhibition / Selected for the 42nd Nitten Exhibition
2011 Exhibited at the 8th special exhibition "Graduates of the Affiliated Elementary School - Ceramic Artists Exhibition" commemorating the 100th anniversary of the founding of Kyoto Women's University / Exhibited at the 33rd Japan New Crafts Exhibition / Received the Yomiuri TV Award at the All Kansai Art Exhibition / Exhibited at "Kyoto Ware in Search of New Frontiers: The 50-Year Journey of the Kiyomizu Ware Complex" / USE 4 (Gallery Maronnier) / Exhibited at the 65th Anniversary Kyoto Crafts Artists Association Exhibition / Solo Exhibition (Kyoto Daimaru Department Store Art Gallery)
2012 Judge of the 34th Japan New Crafts Exhibition / Kyoto City Superintendent of Education Award at the Japan New Crafts Exhibition Kinki Exhibition / USE 5 (Gallery Maronnier)
2013: Becomes the sixth generation owner of Bunsai Kiln, Kyoyaki.
Submitted to the 35th Japan New Crafts Exhibition / USE 6 (Gallery Maronnier) / Selected for the 44th Nitten Exhibition
2014 USE 7 (Gallery Maronnier) / Withdrew from the Japan New Craftsmen Federation
2015 Rinpa 400th Anniversary Exhibition of Japanese Paintings and Crafts by 200 Contemporary Artists (Kyoto Museum) / Heisei Kyomachiya x Heisei Craftsmen / USE 8 (Gallery Maronnier)
2016 Kyoto Rokuhara District "Let's all wear the sign of the logi" project nameplate creation / Japanese painting, photography and kirikane coming together in ceramics - Four-person collaborative exhibition (Porta Gallery Hana)
2017 Solo Exhibition, Daimaru Kyoto Art Gallery / USE 10 (Gallery Maronnier)
2018 Kissako - First, a cup of tea - Takumi (Porta Gallery Hana)
Climbing kiln damaged
2019 Climbing kiln restoration completed
Kyoto Exhibition: Small Universe (Porta Gallery Hana)
Celebration of the name succession ceremony for the 6th Ogawa Bunsai
2020 Kyoto Exhibition: Small Universe (Porta Gallery Hana) / Kyoto Craft Artists Association Selected Exhibition
2021 75th Anniversary Kyoto Craft Artists Association Exhibition / Solo Exhibition at Daimaru Kyoto Art Gallery

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