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Kneaded sake cup by Ogawa Bunsai

Kneaded sake cup by Ogawa Bunsai

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Width: 7.0cm x 7.0cm Height: 4.5cm

Drinking in the memories of earth and fire - Nerikomi sake cup by the 6th Ogawa Bunsai (Kyo)

This "Kneaded sake cup" by the 6th Ogawa Bunsai (Oki) is a small piece filled with a fundamental power, as if the clay itself is speaking to you. The landscape of the clay captured in a vessel about the size of a handful goes beyond a simple form and stimulates the senses of the person who picks it up.

The brown patterns that appear to seep out from under the glaze are the result of the fusion of different kneaded clays during firing, creating patterns that seem to straddle the boundary between chance and inevitability. The appearance of the patterns is reminiscent of the earth of the past, or layers of volcanic ash, and makes us feel the beauty of the "earthly memory" that pottery possesses.


The technique of kneading, layering time and texture

"Nerikomi" is a pottery technique that creates patterns by intentionally mixing clays of different colors and qualities. Rather than being painted with a brush or glaze, the patterns emerge from the layers of the clay itself, so the surface scenery is both material and temporal, to the point that it can be described as a "cut-out stratum."

In this piece, the complex patterns made by kneading the clay are infused into the surface of the vessel in shades of ochre and brown, and the flow of the glaze and changes in the kiln give it a unique look. The traces of handiwork become part of the design, and the piece exudes the charm of "born beauty" rather than "manufactured beauty."


A medley of materials in the palm of your hand

The fact that such rich textures and color variations have been packed into the limited form of a sake cup is itself a testament to the artist's skill and aesthetic sense. The rim is slightly warped, exuding the warmth and freedom that can only be found in a handmade item. The inside of the vessel is coated with a deep blue glaze, and when sake is poured into it, the blue reflected on the surface of the liquid and the color of the earth on the outside shimmer like a water mirror reflecting a landscape.

Although it is a small vessel that fits in the palm of your hand, when you hold it you sense a certain "weight" and "heat," which is none other than the memory of the earth and fire being felt on your skin.


The "use" and "storytelling" of sake cups

This Nerikomi Sake Cup is not simply a work of art to be admired, but a vessel that is completed through actual use. When you pour cold or hot sake into it and the warmth of your hand is transferred to the vessel, the surface of the clay changes little by little, and expressions that can only be seen by the viewer emerge.

This vessel truly embodies Ogawa Bunsai's values ​​of "craft as a dialogue" and "beauty that can be felt through the touch." In the act of drinking from it, the material, time, the maker's thoughts, and the user's sensibilities all blend together.


Beyond the "Green" of Bunsai VI

It is truly symbolic that the 6th Ogawa Bunsai, who has produced numerous works with the emerald green glaze as the "green man," has chosen to return to the technique of nerikomi, which speaks of the "earth" itself, in this work. It is an attempt to rediscover not only the beauty of the color, but also the power of the material itself, and can be seen as a return to the traditional techniques that have been passed down and to the origins that have arisen within himself.


Poetry of the Earth, the Universe in the Palm of Your Hand

A Nerikomi Sake Cup is truly a small universe. The patterns created by the clay continue to grow over time even after they have left the artist's hands, revealing a new landscape every time you use it.

If you hold this vessel in your hands while sharing a drink, a "story" will be born that goes beyond mere taste. The story told by the clay is sealed in by the fire and illuminated by the glaze -- please feel this poetic vessel in your palm.

It will be a quiet but sure drink that will fill your memory and your heart.

Purchase Information
This work will be provided in a paper box after the contract is made.
Please note that a wooden box is not included.
The artist has not provided a wooden box for this piece, and we do not make wooden boxes either. Therefore, we will deliver it in a special paper box.

The 6th generation head of Bunsai Kiln, Ogawa Bunsai (Kou)
Ceramic artist, Nitten member, Kyoto Craft Artists Association member

Activity experience
・Culture center lecturer (Mainichi, NHK, Kyoto) for 20 years
・Open burning (with Bunsai Godai)
・Formation and participation of limited liability business partnership

Ceramic history
Born in 1974 as the eldest son of Ogawa Bunsai 5, a ceramic artist from Gojozaka, Kyoto.
1999 Graduated from Kyoto University of Art and Design, Faculty of Arts, Sculpture Course
2000 Graduated from Kyoto Prefectural Pottery Technical College Molding Course / Selected for Kyoto Exhibition / Selected for All Kansai Art Exhibition
2001 Graduated from Kyoto Prefectural Ceramic Technical College / Selected for Kyoto Exhibition / Joined the Kyoto Crafts and Artists Association
2002 Group exhibition "5-person exhibition" / Graduated from the Kyoto Municipal Industrial Research Institute Ceramics Research Laboratory / Kyoto Exhibition Kusube Award / First time selected for the 34th Nitten Exhibition
2003 Selected for the Kyoto Exhibition / Received the Japan New Crafts Encouragement Award at the 25th Japan New Crafts Exhibition / Joined the Japan New Craftsmen Association Kinki Chapter / Selected for the All Kansai Art Exhibition / Selected for the 35th Nitten Exhibition
2004 Selected for the Kyoto Exhibition / Selected for the 26th Japan New Crafts Exhibition / Won the Yomiuri Shimbun Osaka Headquarters Award at the Japan New Crafts Exhibition Kinki Exhibition / Selected for the 36th Nitten Exhibition
2005 27th Japan New Crafts Exhibition, Tokyo Governor's Award / First solo exhibition (Kyoto Daimaru Department Store Art Salon) / Selected for the 37th Nitten Exhibition
2006 Selected for the 28th Japan New Crafts Exhibition / Yomiuri Television Award at the Japan New Crafts Exhibition Kinki Exhibition / Selected for the All Kansai Art Exhibition / Solo Exhibition (Takashimaya Kyoto Store Art and Craft Salon) / Selected for the 38th Nitten Exhibition
2007 Selected for the Kyoto Exhibition / Selected for the 29th Japan New Crafts Exhibition / Selected for the 39th Nitten Exhibition / Submitted to the Kyoto Women's University Elementary School 50th Anniversary Ceramics Exhibition
2008 Selected for the Kyoto Exhibition / Selected for the 30th Japan New Crafts Exhibition / USE Uryuyama.Sculptors.Exhibition (Gallery Maronnier)
2009 Group exhibition "Mashu Exhibition: Winter Gathering" / Became a member of the Japan New Craftsmen's Association / Exhibited at the 31st Japan New Crafts Exhibition / Kyoto Crafts Artists Association Exhibition Association Encouragement Award / Japan New Crafts Exhibition Kinki Exhibition Yomiuri Shimbun Osaka Head Office Award / Selected for the 41st Nitten Exhibition / Solo exhibition (Kyoto Daimaru Department Store Art Salon) / USE Exhibition 2009 (Gallery Maronnier)
2010: Exhibited at the 32nd Japan New Crafts Exhibition / Selected for the 42nd Nitten Exhibition
2011 Exhibited at the 8th special exhibition "Graduates of the Affiliated Elementary School - Ceramic Artists Exhibition" commemorating the 100th anniversary of the founding of Kyoto Women's University / Exhibited at the 33rd Japan New Crafts Exhibition / Won the Yomiuri TV Award at the All Kansai Art Exhibition / Exhibited at "Kyoto Pottery Seeking New Horizons: The 50-Year Journey of Kiyomizu-yaki Danchi" / USE 4 (Gallery Maronnier) / Exhibited at the 65th Anniversary Kyoto Crafts and Artists Association Exhibition / Solo Exhibition (Kyoto Daimaru Department Store Art Gallery)
2012: Judge for the 34th Japan New Crafts Exhibition / Kyoto City Superintendent of Education Award for the Japan New Crafts Exhibition Kinki Exhibition / USE 5 (Gallery Maronnier)
2013: Becomes the sixth generation master of Bunsai Kiln, Kyoyaki.
Exhibited at the 35th Japan New Crafts Exhibition / USE 6 (Gallery Maronnier) / Selected for the 44th Nitten Exhibition
2014 USE 7 (Gallery Maronnier) / Withdrew from the Japan New Craftsmen Association
2015 Rinpa 400th Anniversary Exhibition of Japanese Paintings and Crafts by 200 Contemporary Artists (Kyoto Museum) / Heisei Kyo-machiya x Heisei Craftsmen / USE 8 (Gallery Maronnier)
2016 Kyoto Rokuhara District "Let's all wear the logi sign" project nameplate creation / Japanese painting, photography, and kirikane coming together in pottery Four-person collaboration exhibition (Porta Gallery Hana)
2017 Solo Exhibition Daimaru Kyoto Art Gallery / USE 10 (Gallery Maronnier)
2018 Kissako - First, have a cup of tea - Takumi (Porta Gallery Hana)
Climbing kiln damaged
2019 Climbing kiln restoration completed
Kyoto Exhibition: Small Universe (Porta Gallery Hana)
Celebration of the name succession ceremony for the 6th Ogawa Bunsai
2020 Kyoto Exhibition: Small Universe (Porta Gallery Hana) / Kyoto Crafts and Arts Artists Association Selection Exhibition
2021 75th Anniversary Kyoto Crafts Artists Association Exhibition / Solo Exhibition Daimaru Kyoto Art Gallery
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