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Karatsu Earthen Tea Bowl Suwa Sozan

Karatsu Earthen Tea Bowl Suwa Sozan

Regular price ¥220,000
Regular price Sale price ¥220,000
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Width: 13.6cm Height: 7.3cm

This piece, "Karatsu Clay Tea Bowl," is a matcha bowl created by the fourth generation Suwa Sozan using traditional clay from Karatsu City, Saga Prefecture, making the most of the natural texture of Karatsu ware. Unlike the refined porcelain expressions represented by celadon and white porcelain, this piece brings to the forefront the simplicity and strength unique to the coarse clay known as "earthenware," as well as the warmth inherent in the material itself.

Materials and Climate - The Charm of Karatsu Clay

The clay used is natural sandy soil mined from the Kishidake mountain range in Karatsu City. Karatsu clay is extremely unique, with a rough texture and little stickiness, and after firing it develops a warm reddish-gray brown color. It contains fine iron particles and iron lumps called oniita (demon boards), which are scattered throughout the pottery, creating a unique appearance that is another attraction.

This type of clay has little plasticity and tends to crinkle easily when shaped on a potter's wheel or carved, but this is precisely why the clay's natural breath and the artist's handiwork are so clearly visible, giving the piece a rich, organic look.

Form and Function: The Fusion of Everyday Life and Tea

The shape of this piece follows the so-called well-shaped style, but its slightly higher base and firm body give it a dignified appearance. The depth of the opening and the wide rim are also designed to ensure ease of use, without interfering with the movement of the tea whisk.

Sozan truly embodies the spirit of Karatsu ware, which is said to be "eight-tenths maker, two-tenths user." This tea bowl, shaped by clay and fire, is a vessel that only becomes complete when the user pours matcha into it, picks it up, and looks at it.

Harmony between beauty and practicality: The essence of beauty in utility

The greatest appeal of Karatsu ware is that it is not primarily a display of skill or gorgeous decoration, but rather a vessel that is designed to be used. For this reason, it has been valued as a "supporting beauty" that harmonizes with other utensils at any tea ceremony and enhances the surrounding scenery.

This piece also stands out against the vibrant green of matcha, while the simple clay surface lends a sense of calm and warmth to the space. The glaze is applied very sparingly, and the faint milky sheen visible on the surface is likely a remnant of the ash that naturally appears during firing. This aesthetic attitude of accepting natural phenomena and not overly controlling them is the spirit of Karatsu ware and Sozan's creative belief.

History and Inheritance: The Background of Karatsu Ware

Karatsu ware is said to have originated in the late 16th century, when Korean potters were brought over to Japan following Toyotomi Hideyoshi's invasion of Korea, bringing with them techniques. As a result, it has a strong affinity with Korean ceramics, and its decoration and design retain a strong East Asian context. In particular, the emphasis on the earthenware matched the trend of wabi-cha tea at the time, and it was highly valued by tea masters such as Furuta Oribe and Kobori Enshu.

Furthermore, as the name "Karatsu" (meaning "crossroads of different cultures") suggests, Karatsu is a cultural sphere of exchange and fusion, and Karatsu ware, which was born there, can be said to be vessels of "acceptance and creation." This work by Suwa Sozan also respects tradition while presenting a new form of Karatsu ware that combines a modern sense of form and usability.

Conclusion: Beauty that returns to the earth

The Karatsu Earthen Tea Bowl is not just a bowl. Its existence, shaped by facing the earth and communicating with the fire, quietly speaks to us of our coexistence with nature and the preciousness of human handiwork. Suwa Sozan's careful gaze and respect for materials rooted in the Karatsu climate are condensed into this single bowl.

Karatsu ware becomes more familiar with use and its beauty deepens with age. Its simple yet tasteful appearance will quiet the hustle and bustle of modern life and bring deep peace to your daily tea time.

Biography of Suwa Sozan IV

Born in Kyoto in 1970. Father: Suwa Sozan (3rd generation) Mother: Nakamura Sotetsu (12th generation) Third daughter
1988 Graduated from Kyoto Municipal Doda High School of Art and Crafts, Department of Lacquerware
1992 Graduated from Seian Women's Junior College, Department of Art and Design, Graphic Design Course, Video Major
1996 Graduated from Kyoto Prefectural Ceramic Technical College, Department of Molding and Research
1997 Completed the Kyoto City Traditional Industry Technician Training Ceramics Course. Created ceramics with his father. Exhibited at Nakamura Sotetsu exhibitions around the country and participated in Tetsukobo.
2002: Succeeded to the name of Suwa Sozan IV
Currently, the Suwa Sozan Exhibition is being held in various locations.

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