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Green Tea Bowl by Bunsai Ogawa

Green Tea Bowl by Bunsai Ogawa

Regular price ¥264,000
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Width: 14.0cm x 14.0cm Height: 7.0cm

Containing the wind and reflecting the green - Green tea bowl by the 6th generation Ogawa Bunsai (Kyo)

The "Emerald Green Tea Bowl" created by the 6th Ogawa Bunsai (Oki) is a bowl filled with tranquility, coolness, and refinement. The piece has a beautiful, expansive shape that could be described as "opening in the wind." While being extremely functional as a vessel, it also combines a sculptural form with a gaze towards nature, giving it the air of a work of art rather than merely a tea ceremony utensil.


Wide rim and wind-like shape

What first catches the eye about this piece is the graceful proportions that gently widen from the rim to the body. Though it is a tea bowl, this form is not simply beautiful, but a "welcoming form" that perfectly combines function and sensibility. Perhaps envisioning the aroma of matcha rising and gently spreading into the space, this form seems designed to create the effect of a breeze as you take a sip of tea in the tea ceremony.

It feels light and stable when you hold it in your hand, and while it has an open shape, the body tapers towards the bottom, so it fits comfortably in your hand, giving it a familiar feel, as if it has been used for years. The design is based on the experience of use, creating a comfortable sense of distance for the user, and you can see that it has a delicate balance between practicality and beauty.


The texture of green, memories of nature and time

The expression of the glaze applied to this piece truly represents the essence of Ogawa Bunsai's long-standing exploration of the color "green." Although it is simply called "green," it is not a single color. A multi-layered gradation of colors is created throughout the vessel, as the jade color that seems to seep from within, the deep blue-green of the glaze pool, and the iron glaze that appears on the surface of the base during firing all intertwine.

Furthermore, the porcelain has fine crazing, weaving a delicate expression like ripples on the surface of water. With repeated use, the crazing will change over time as tea stains and oils from the hands seep in. The natural color of the green glaze will take on the years of its user, and the vessel itself will house the "memory of time" - this is one of the great charms of tea utensils.

In addition, kiln changes, which can be considered traces of the fire during firing, can be seen on the partially exposed clay surface, and natural phenomena come to life as part of the design of the pottery. It is because of this "beauty beyond intention" that Bunsai pottery is not only beautiful, but also has a living presence.


Tableware that creates the atmosphere in the tea ceremony

This tea bowl is not only a tool for making tea, but also a vessel that creates a space. When used in a tea room, its tranquil greenery takes in the surrounding scenery, hangings, flowers, and even the reflection of light, giving the whole room a soft and unified look. Even in modern living spaces, simply placing a bowl on a shelf creates space and the greenery changes the atmosphere. The vessel does not assert itself, but resonates as part of the space. This is perhaps the great appeal shared by the works of Ogawa Bunsai VI.


Tradition and Innovation - The Spirit of Bunsai Kiln

Bunsai Kiln was established in 1847 by the first generation Ogawa Bunsai (Bunsuke), and is a prestigious kiln that has been passing down its techniques and beauty for over 150 years in Gojozaka, Kyoto. The current head of the family, the sixth generation Ogawa Bunsai (Oki), studied sculpture at graduate school and has developed flexible creations that are not bound by the traditional framework of "Kyoto ware" by fusing the traditional techniques of Kyoto ware with a modern sculptural sense and a deep exploration of color. In contrast to the fifth generation's "red," the sixth generation chose "green." This is not just a choice of color, but also a change in the spirituality that underlies the production. Green as "a color that wishes for peace and symbolizes harmony and connection" - this feeling overlaps with prayers for "bonds between people" and "a world without conflict," and is deeply embedded in each bowl.


The green tea bowl as a symbol of "connecting harmony"

This green tea bowl can be said to be a vessel that truly "connects harmony," as it combines the artistic view and spirit of the 6th Ogawa Bunsai (Oki), as well as its historical background. While imitating traditional forms, the wide rim and the expression of the glaze clearly exude a modern breath, embodying a beauty of form that is beloved across the ages. In the moment you sip a cup of tea, this vessel quietly but surely conveys its presence. When you pick it up, taste it with your eyes, and put it to your mouth, you will certainly feel the soft green light and the feelings of people who are connected across time.


A cup of poetry that encapsulates the passage of time

The "Euryokucha Bowl" by Bunsai VI is not just a tea ceremony utensil. It is a vessel that has an existence that accepts and lives together with prayer, nature, time, space, and even conversation with other people.

A bowl born here and now will take on the years of its user and show a different expression to people decades or centuries from now. What a luxurious and quiet moving experience it is to know that such a bowl exists.

Please allow yourself to be immersed in the world of emerald green contained in this bowl and Ogawa Bunsai's unwavering aesthetic sense.

A spoonful of poetry in your everyday life.
And the moments of harmony that quietly occur in our daily lives.

The 6th generation head of Bunsai Kiln, Ogawa Bunsai (Kou)
Ceramic artist, Nitten member, Kyoto Craft Artists Association member

Activity experience
・Culture center lecturer (Mainichi, NHK, Kyoto) for 20 years
・Open burning (with Bunsai Godai)
・Formation and participation of limited liability business partnership

Ceramic history
Born in 1974 as the eldest son of Ogawa Bunsai 5, a ceramic artist from Gojozaka, Kyoto.
1999 Graduated from Kyoto University of Art and Design, Faculty of Arts, Sculpture Course
2000 Graduated from Kyoto Prefectural Pottery Technical College Molding Course / Selected for Kyoto Exhibition / Selected for All Kansai Art Exhibition
2001 Graduated from Kyoto Prefectural Ceramic Technical College / Selected for Kyoto Exhibition / Joined the Kyoto Crafts and Artists Association
2002 Group exhibition "5-person exhibition" / Graduated from the Kyoto Municipal Industrial Research Institute Ceramics Research Laboratory / Kyoto Exhibition Kusube Award / First time selected for the 34th Nitten Exhibition
2003 Selected for the Kyoto Exhibition / Received the Japan New Crafts Encouragement Award at the 25th Japan New Crafts Exhibition / Joined the Japan New Craftsmen Association Kinki Chapter / Selected for the All Kansai Art Exhibition / Selected for the 35th Nitten Exhibition
2004 Selected for the Kyoto Exhibition / Selected for the 26th Japan New Crafts Exhibition / Won the Yomiuri Shimbun Osaka Headquarters Award at the Japan New Crafts Exhibition Kinki Exhibition / Selected for the 36th Nitten Exhibition
2005 27th Japan New Crafts Exhibition, Tokyo Governor's Award / First solo exhibition (Kyoto Daimaru Department Store Art Salon) / Selected for the 37th Nitten Exhibition
2006 Selected for the 28th Japan New Crafts Exhibition / Yomiuri Television Award at the Japan New Crafts Exhibition Kinki Exhibition / Selected for the All Kansai Art Exhibition / Solo Exhibition (Takashimaya Kyoto Store Art and Craft Salon) / Selected for the 38th Nitten Exhibition
2007 Selected for the Kyoto Exhibition / Selected for the 29th Japan New Crafts Exhibition / Selected for the 39th Nitten Exhibition / Submitted to the Kyoto Women's University Elementary School 50th Anniversary Ceramics Exhibition
2008 Selected for the Kyoto Exhibition / Selected for the 30th Japan New Crafts Exhibition / USE Uryuyama.Sculptors.Exhibition (Gallery Maronnier)
2009 Group exhibition "Mashu Exhibition: Winter Gathering" / Became a member of the Japan New Craftsmen's Association / Exhibited at the 31st Japan New Crafts Exhibition / Kyoto Crafts Artists Association Exhibition Association Encouragement Award / Japan New Crafts Exhibition Kinki Exhibition Yomiuri Shimbun Osaka Head Office Award / Selected for the 41st Nitten Exhibition / Solo exhibition (Kyoto Daimaru Department Store Art Salon) / USE Exhibition 2009 (Gallery Maronnier)
2010: Exhibited at the 32nd Japan New Crafts Exhibition / Selected for the 42nd Nitten Exhibition
2011 Exhibited at the 8th special exhibition "Graduates of the Affiliated Elementary School - Ceramic Artists Exhibition" commemorating the 100th anniversary of the founding of Kyoto Women's University / Exhibited at the 33rd Japan New Crafts Exhibition / Won the Yomiuri TV Award at the All Kansai Art Exhibition / Exhibited at "Kyoto Pottery Seeking New Horizons: The 50-Year Journey of Kiyomizu-yaki Danchi" / USE 4 (Gallery Maronnier) / Exhibited at the 65th Anniversary Kyoto Crafts and Artists Association Exhibition / Solo Exhibition (Kyoto Daimaru Department Store Art Gallery)
2012: Judge for the 34th Japan New Crafts Exhibition / Kyoto City Superintendent of Education Award for the Japan New Crafts Exhibition Kinki Exhibition / USE 5 (Gallery Maronnier)
2013: Becomes the sixth generation master of Bunsai Kiln, Kyoyaki.
Exhibited at the 35th Japan New Crafts Exhibition / USE 6 (Gallery Maronnier) / Selected for the 44th Nitten Exhibition
2014 USE 7 (Gallery Maronnier) / Withdrew from the Japan New Craftsmen Association
2015 Rinpa 400th Anniversary Exhibition of Japanese Paintings and Crafts by 200 Contemporary Artists (Kyoto Museum) / Heisei Kyo-machiya x Heisei Craftsmen / USE 8 (Gallery Maronnier)
2016 Kyoto Rokuhara District "Let's all wear the logi sign" project nameplate creation / Japanese painting, photography, and kirikane coming together in pottery Four-person collaboration exhibition (Porta Gallery Hana)
2017 Solo Exhibition Daimaru Kyoto Art Gallery / USE 10 (Gallery Maronnier)
2018 Kissako - First, have a cup of tea - Takumi (Porta Gallery Hana)
Climbing kiln damaged
2019 Climbing kiln restoration completed
Kyoto Exhibition: Small Universe (Porta Gallery Hana)
Celebration of the name succession ceremony for the 6th Ogawa Bunsai
2020 Kyoto Exhibition: Small Universe (Porta Gallery Hana) / Kyoto Crafts and Arts Artists Association Selection Exhibition
2021 75th Anniversary Kyoto Crafts Artists Association Exhibition / Solo Exhibition Daimaru Kyoto Art Gallery

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