{"product_id":"16青白磁銀彩陶筥-松川和弘","title":"Blue and white porcelain silver-colored pottery Kazuhiro Matsukawa ","description":"\u003carticle class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-(--header-height)\" dir=\"auto\" data-turn-id=\"4d469a91-3085-401d-9e7a-61393046895c\" data-testid=\"conversation-turn-27\" data-scroll-anchor=\"false\" data-turn=\"user\" tabindex=\"-1\"\u003e\u003c\/article\u003e\n\u003carticle class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-69a4cc45-6ab4-83a9-9fe8-18d3c6aa2284-2\" data-testid=\"conversation-turn-28\" data-scroll-anchor=\"true\" data-turn=\"assistant\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"a646e4c6-1a71-4e8c-b1a5-77e667f7adb7\" dir=\"auto\" data-message-model-slug=\"gpt-5-2-thinking\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\"\u003e\n\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word light markdown-new-styling\"\u003e\n\n\u003cp data-start=\"0\" data-end=\"84\"\u003e Blue and white porcelain silver-glazed ceramic box by Kazuhiro Matsukawa (W: 10.1cm D: 2.5cm H: 2.2cm)\u003cbr data-start=\"40\" data-end=\"43\"\u003e -- \"A thin line of pale blue is coated with silver frost. A long, thin box quietly sharpens its movements.\" \u003c\/p\u003e\n\n\u003chr data-start=\"86\" data-end=\"89\"\u003e\n\n\u003ch2 data-section-id=\"61duog\" data-start=\"91\" data-end=\"116\"\u003e I. The ceramic box as a \"tool of lines\" - the tension created by thinness\u003c\/h2\u003e\n\n \u003cp data-start=\"118\" data-end=\"361\"\u003eBefore being a container for storage, a ceramic box is a tool that regulates the atmosphere through the action of opening and closing. This piece is characterized by its \u003cstrong data-start=\"175\" data-end=\"183\"\u003ethin and long\u003c\/strong\u003e proportions of W10.1 x D2.5 x H2.2. Because its height is kept low, the box exists as a \"line\" rather than a \"mass,\" and the moment it is placed, a line of tension runs through the space.\u003cbr data-start=\"248\" data-end=\"251\"\u003e In the tea ceremony, thick utensils are associated with stability, while thin utensils are associated with precision. The fingertips grasp the lid, gently slide it back, and the lid snaps back into place—this series of movements naturally becomes more precise and precise. The thinness itself is a mechanism for regulating the movements. \u003c\/p\u003e\n\n\u003chr data-start=\"363\" data-end=\"366\"\u003e\n\n\u003ch2 data-section-id=\"118fpkw\" data-start=\"368\" data-end=\"397\"\u003e II. Blue-and-white porcelain—a band of still water clearer than white and softer than blue\u003c\/h2\u003e\n\n\u003ch3 data-section-id=\"302uh3\" data-start=\"399\" data-end=\"419\"\u003e 2-1 Pale blue is not a color, but a quality of light\u003c\/h3\u003e\n\n \u003cp data-start=\"420\" data-end=\"559\"\u003eThe appeal of pale blue porcelain lies not in the assertive blue color, but in the way it softly absorbs and diffuses light. The pale blue of this piece evokes the image of thin ice or still water, with shadows shifting smoothly along the slight gradient of the surface.\u003cbr data-start=\"502\" data-end=\"505\"\u003e In particular, in this box, the pale blue stretches out like a long sash, creating a thin, sustained sense of stillness that naturally calms the viewer's breathing.\u003c\/p\u003e\n\n\u003ch3 data-section-id=\"1328kqw\" data-start=\"561\" data-end=\"578\"\u003e 2-2 Temperature seen at the joint line\u003c\/h3\u003e\n\n\u003cp data-start=\"579\" data-end=\"680\"\u003e The thin line at the rim of the lid and body reveals a subtle pale orange hue resulting from the firing process. It is not completely pure, but rather traces of the flame and the hands remain as a line of heat. This subtle difference brings an even deeper clarity to the pure blue-and-white porcelain. \u003c\/p\u003e\n\n\u003chr data-start=\"682\" data-end=\"685\"\u003e\n\n\u003ch2 data-section-id=\"1l8rtzu\" data-start=\"687\" data-end=\"715\"\u003e III. Ginsai—Not a mirror, but a “frosty skin,” and a punctuation mark that concludes the edge\u003c\/h2\u003e\n\n\u003ch3 data-section-id=\"paysus\" data-start=\"717\" data-end=\"743\"\u003e 3-1 Fine Sparkle: Why Silver Doesn't Disturb the Serenity\u003c\/h3\u003e\n\n \u003cp data-start=\"744\" data-end=\"879\"\u003eThe silver glaze in this piece is not a strongly reflective metallic light, but a subdued sparkle with fine grains. The light is not reflected by the surface, but is received in points and scattered softly, giving the impression of frost, light snow, or moonlight.\u003cbr data-start=\"819\" data-end=\"822\"\u003e In a thin box, a little sparkle can be excessive, but this silver glaze stays on \u003cstrong data-start=\"854\" data-end=\"862\"\u003ethe side of silence\u003c\/strong\u003e , sharpening the outline of serenity.\u003c\/p\u003e\n\n\u003ch3 data-section-id=\"10hbbqa\" data-start=\"881\" data-end=\"906\"\u003e 3-2 Compositional Trick: Giving an Edge to the Pale Blue Line\u003c\/h3\u003e\n\n\u003cp data-start=\"907\" data-end=\"1021\"\u003e The silver accents give an edge to the pale blue band, creating a small pause in the flow of the eye. If the pale blue represents a continuous sentence, the silver represents a punctuation mark.\u003cbr data-start=\"968\" data-end=\"971\"\u003e This gives the vessel a relaxed feel without feeling stretched out. The silver glaze gently supports the tension inherent in the thin, long shape. \u003c\/p\u003e\n\n\u003chr data-start=\"1023\" data-end=\"1026\"\u003e\n\n\u003ch2 data-section-id=\"18jc3bs\" data-start=\"1028\" data-end=\"1054\"\u003e IV. The view when opened: A canal-like view\u003c\/h2\u003e\n\n \u003cp data-start=\"1056\" data-end=\"1220\"\u003eWhen you remove the lid, a pale blue, narrow opening appears inside, a silent, straight line of empty space like a narrow waterway.\u003cbr data-start=\"1107\" data-end=\"1110\"\u003e When small, slender items such as small pieces of fragrant wood, incense packets, seals, or crafts are placed inside, the items are naturally aligned and the atmosphere is clear. A box not only protects its contents, but also \u003cstrong data-start=\"1176\" data-end=\"1192\"\u003eserves to arrange the appearance of the contents\u003c\/strong\u003e - this essence is expressed in the beauty of the interior. \u003c\/p\u003e\n\n\u003chr data-start=\"1222\" data-end=\"1225\"\u003e\n\n\u003ch2 data-section-id=\"13cq6q0\" data-start=\"1227\" data-end=\"1253\"\u003e V. Combination and Seasonal Feelings—The Brightness of Winter, the Thin Ice of Early Spring\u003c\/h2\u003e\n\n\u003cp data-start=\"1255\" data-end=\"1388\"\u003e The frosty shine of the silver glaze and the pale blue of the pale blue porcelain are a perfect match for the crispness of winter, the thin ice of early spring, and the clear night air of autumn. When placed on a black base, the outline of the piece stands out, and when placed on a white cloth, the purity is enhanced.\u003cbr data-start=\"1332\" data-end=\"1335\"\u003e Rather than asserting itself, it serves as \u003cstrong data-start=\"1342\" data-end=\"1350\"\u003ea focal point for the space, creating a sense of space\u003c\/strong\u003e - the dignity of the long, thin box quietly brings the entire dougu set together.\u003c\/p\u003e\n\n\u003chr data-start=\"1390\" data-end=\"1393\"\u003e\n\n \u003ch2 data-section-id=\"1huqhjm\" data-start=\"1395\" data-end=\"1401\"\u003esummary\u003c\/h2\u003e\n\n\u003cp data-start=\"1403\" data-end=\"1581\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e The Blue and White Porcelain Silver-Glazed Ceramic Box is an extremely refined small box, with thin, long lines that combine the still water of the blue and white porcelain with the frosty feel of the silver glaze. The silver glaze creates punctuation marks at the edges, while the pale blue maintains a relaxed atmosphere. Whether closed or open, the box's movements are refined and the space is clear.\u003cbr data-start=\"1526\" data-end=\"1529\"\u003e Although it is a small box, it quietly sharpens the speed of the space - a work that embodies Matsukawa Kazuhiro's unique \"design of quietness.\"\u003c\/p\u003e\n\n\u003ch3 data-section-id=\"1bs35mf\" data-start=\"1665\" data-end=\"1673\"\u003e Biography\u003c\/h3\u003e\n\n\u003cp data-start=\"1674\" data-end=\"1793\"\u003e 1977 Born in Kawachinagano, Osaka Prefecture\u003cbr data-start=\"1690\" data-end=\"1693\"\u003e 1998 Graduated from Nara College of Arts, Ceramic Art Course\u003cbr data-start=\"1713\" data-end=\"1716\"\u003e 2000 Graduated from Nara College of Arts\u003cbr data-start=\"1734\" data-end=\"1737\"\u003e 2001 Graduated from Kyoto Prefectural Pottery Technical College and studied under Takahiro Kondo\u003cbr data-start=\"1771\" data-end=\"1774\"\u003e 2006 Independent and opened a kiln in Kawachinagano City\u003c\/p\u003e\n\n\u003ch3 data-section-id=\"vx22u2\" data-start=\"1795\" data-end=\"1809\"\u003e Major solo exhibitions and exhibitions\u003c\/h3\u003e\n\n\u003cp data-start=\"1810\" data-end=\"2520\"\u003e 2007 Kyoto Prefecture Fine Arts and Crafts New Artists Selection Exhibition (Kyoto Museum)\u003cbr data-start=\"1836\" data-end=\"1839\"\u003e Two-person exhibition (Matsuzakaya Nagoya Art Gallery\/Nagoya)\u003cbr data-start=\"1862\" data-end=\"1865\"\u003e Solo exhibition (Kyoto Takashimaya Art and Craft Salon\/Kyoto) \u003cbr data-start=\"1887\" data-end=\"1890\"\u003e2008 Solo Exhibition (Campanule\/Chiba)\u003cbr data-start=\"1909\" data-end=\"1912\"\u003e Solo exhibition (Paramita Museum Small Gallery\/Mie)\u003cbr data-start=\"1938\" data-end=\"1941\"\u003e 2009 Solo Exhibition (Gallery Espace\/Nagoya)\u003cbr data-start=\"1963\" data-end=\"1966\"\u003e 2010 Solo Exhibition (Sapporo Mitsukoshi Art Gallery\/Hokkaido)\u003cbr data-start=\"1990\" data-end=\"1993\"\u003e Solo exhibition (Matsuzakaya Nagoya Art Gallery\/Nagoya)\u003cbr data-start=\"2015\" data-end=\"2018\"\u003e Solo exhibition (Alpark Tenmaya Art Gallery\/Hiroshima)\u003cbr data-start=\"2040\" data-end=\"2043\"\u003e 2011 Solo Exhibition (Ceramics Gallery Furyo\/Osaka) ('07)\u003cbr data-start=\"2069\" data-end=\"2072\"\u003e 2012 Solo Exhibition (Gallery Okumura\/Tokyo) ('07 '09)\u003cbr data-start=\"2102\" data-end=\"2105\"\u003e 2013 Solo Exhibition (Lovely Hall 20th Anniversary Event\/Osaka)\u003cbr data-start=\"2134\" data-end=\"2137\"\u003e 2014 Solo Exhibition (Tenmaya Hiroshima Hatchobori Art Gallery\/Hiroshima) ('11)\u003cbr data-start=\"2171\" data-end=\"2174\"\u003e 2016 Solo Exhibition (Tenmaya Fukuyama Art Gallery\/Hiroshima) ('08 '12)\u003cbr data-start=\"2209\" data-end=\"2212\"\u003e Three-person exhibition (Hakata Hankyu Muse\/Fukuoka)\u003cbr data-start=\"2231\" data-end=\"2234\"\u003e 2017 Solo Exhibition (Pinacotheca \/ Tokyo) ('14 '15)\u003cbr data-start=\"2261\" data-end=\"2264\"\u003e Solo exhibition (Tenmaya Okayama Art Gallery\/Okayama) ('08)\u003cbr data-start=\"2292\" data-end=\"2295\"\u003e Solo exhibition (Atelier Hiro\/Osaka) \u003cbr data-start=\"2311\" data-end=\"2314\"\u003e2018 Solo Exhibition (Nihonbashi Mitsukoshi Main Store Art Gallery\/Tokyo)\u003cbr data-start=\"2340\" data-end=\"2343\"\u003e Solo exhibition (Takashimaya Osaka Gallery NEXT\/Osaka) ('08 '11 '15)\u003cbr data-start=\"2381\" data-end=\"2384\"\u003e 2020 Solo Exhibition (Hana Asagi\/Tokyo)\u003cbr data-start=\"2400\" data-end=\"2403\"\u003e 2021 Solo Exhibition (Gallery Tachibana\/Nara) ('15 '17 '19)\u003cbr data-start=\"2437\" data-end=\"2440\"\u003e 2022 Two-person exhibition (Hana Asagi\/Tokyo)\u003cbr data-start=\"2457\" data-end=\"2460\"\u003e 2023 Two-person exhibition (Atelier Hiro\/Osaka)\u003cbr data-start=\"2479\" data-end=\"2482\"\u003e 2025 Two-person exhibition (Hana Asagi\/Tokyo)\u003cbr data-start=\"2499\" data-end=\"2502\"\u003e Solo exhibition (Midorigaoka Museum of Art\/Nara)\u003c\/p\u003e\n\n\u003ch3 data-section-id=\"1t7yy2j\" data-start=\"2522\" data-end=\"2531\"\u003e Awards\u003c\/h3\u003e\n\n\u003cp data-start=\"2532\" data-end=\"2582\"\u003e 36th Japan Traditional Crafts Kinki Exhibition (Osaka Prefecture Board of Education Award)\u003cbr data-start=\"2556\" data-end=\"2559\"\u003e 55th Japan Traditional Crafts Exhibition (Japan Crafts Association President's Award)\u003c\/p\u003e\n\n\u003ch3 data-section-id=\"33d0d0\" data-start=\"2584\" data-end=\"2601\"\u003e Public Collection\u003c\/h3\u003e\n\n\u003cp data-start=\"2602\" data-end=\"2610\"\u003e Midorigaoka Museum of Art \u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003c\/article\u003e","brand":"高級陶器の専門店【甘木道】","offers":[{"title":"Default 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