{"product_id":"14白磁銀彩陶筥-松川和弘","title":"White porcelain silver-colored ceramic box by Kazuhiro Matsukawa","description":"\u003cp data-start=\"0\" data-end=\"82\"\u003e White porcelain silver-glazed ceramic box by Kazuhiro Matsukawa (W: 7.8cm D: 3.3cm H: 2.9cm)\u003cbr data-start=\"38\" data-end=\"41\"\u003e -- \"A silver frost falls on the white silence. The thin box in my hand seals the gaps and clears the air.\" \u003c\/p\u003e\n\n\u003chr data-start=\"84\" data-end=\"87\"\u003e\n\n\u003ch2 data-section-id=\"1825qb5\" data-start=\"89\" data-end=\"106\"\u003e Ⅰ The \"small barrier\" of a ceramic box\u003c\/h2\u003e\n\n \u003cp data-start=\"108\" data-end=\"311\"\u003eA ceramic box is not only a container for storage, but also a tool that changes the air with the action of opening and closing. The moment the lid is closed, the inside becomes a single area, and the moment it is opened, the empty space is released.\u003cbr data-start=\"190\" data-end=\"193\"\u003e This piece, \"White Porcelain Silver-Decorated Ceramic Box,\" measures W7.8 x D3.3 x H2.9, small enough to fit in the palm of your hand, yet has the power to change the density of the space it is placed in. Its small size gives it a deep sense of tranquility. This box neatly crystallizes the \"universe of small things\" beloved by the tea ceremony. \u003c\/p\u003e\n\n\u003chr data-start=\"313\" data-end=\"316\"\u003e\n\n\u003ch2 data-section-id=\"1p5lhnj\" data-start=\"318\" data-end=\"344\"\u003e II. The Beauty of White Porcelain: White is the Most Ascetic and the Most Eloquent\u003c\/h2\u003e\n\n\u003ch3 data-section-id=\"1l804kr\" data-start=\"346\" data-end=\"365\"\u003e 2-1 White is not a color, but a vessel of light\u003c\/h3\u003e\n\n\u003cp data-start=\"366\" data-end=\"542\"\u003e The white in this piece is not simply uniform. The porcelain surface softly diffuses the light, and the shadows shift smoothly along the slight gradient of the surface, creating a tranquil depth. \u003cbr data-start=\"439\" data-end=\"442\"\u003eBecause white porcelain has less information, the precision of the shape and the tension of the skin are what express the expression. Kazuhiro Matsukawa's white porcelain does not treat white as colorless, but rather as \u003cstrong data-start=\"502\" data-end=\"516\"\u003ea material that designs the quality of light\u003c\/strong\u003e , and it harbors a rich density within its silence.\u003c\/p\u003e\n\n\u003ch3 data-section-id=\"u9xc4f\" data-start=\"544\" data-end=\"568\"\u003e 2-2 Single line at the joint: Tightens the silence\u003c\/h3\u003e\n\n\u003cp data-start=\"569\" data-end=\"661\"\u003e The thin line that runs between the lid and the body tightens the outline of the vessel and gives it a sense of tension. The smaller the box, the more effective this line is. Even when closed, it creates a complete appearance, and the act of opening and closing it becomes natural and careful. \u003c\/p\u003e\n\n\u003chr data-start=\"663\" data-end=\"666\"\u003e\n\n\u003ch2 data-section-id=\"16smwfo\" data-start=\"668\" data-end=\"695\"\u003e III. Ginsai - Not a mirror but a frosted surface, catching the light in points\u003c\/h2\u003e\n\n\u003ch3 data-section-id=\"17x7q0p\" data-start=\"697\" data-end=\"722\"\u003e 3-1 Fine sparkle: Why silver doesn't look flashy\u003c\/h3\u003e\n\n \u003cp data-start=\"723\" data-end=\"881\"\u003eThe silver glaze applied to the lid (or part of the lid) is not a sparkling, mirror-like reflective silver, but rather a subdued shine with fine grains. Rather than reflecting light from a surface, it receives it in points and scatters it softly.\u003cbr data-start=\"812\" data-end=\"815\"\u003e The impression is of frost, light snow, moonlight - \u003cstrong data-start=\"830\" data-end=\"842\"\u003ea cold, transparent glow\u003c\/strong\u003e . The silver is placed not to break the silence of the white porcelain, but rather to outline its tranquil contours.\u003c\/p\u003e\n\n\u003ch3 data-section-id=\"1urej9n\" data-start=\"883\" data-end=\"906\"\u003e 3-2 Dialogue between White and Silver: Purity becomes two-tiered\u003c\/h3\u003e\n\n\u003cp data-start=\"907\" data-end=\"1043\"\u003e If white porcelain is \"air,\" then silver glaze is light. By overlapping the two, the purity deepens two layers. Where white alone would be too complete, the silver adds a slight tension and temperature difference, making the vessel's expression even more poetic.\u003cbr data-start=\"993\" data-end=\"996\"\u003e Gin is not the main character, but rather the \"opponent\" who highlights Shiro's silence. This relationship determines the quality of this work. \u003c\/p\u003e\n\n\u003chr data-start=\"1045\" data-end=\"1048\"\u003e\n\n\u003ch2 data-section-id=\"eotf0h\" data-start=\"1050\" data-end=\"1077\"\u003e IV. The view inside – the “pale light blue” that appears when opened\u003c\/h2\u003e\n\n \u003cp data-start=\"1079\" data-end=\"1282\"\u003eWhen you remove the lid, the inside is revealed to have a pale blue tint. In contrast to the cold light created by the white and silver exterior, the inside is soft, like the surface of still water.\u003cbr data-start=\"1145\" data-end=\"1148\"\u003e The interior color purifies and defines the contents it contains. Fragrance pieces, incense packets, sugar candy, seals, small ornaments—all of these will quietly stand out against this pale background. The box not only protects its contents, but \u003cstrong data-start=\"1240\" data-end=\"1255\"\u003ealso shapes their appearance\u003c\/strong\u003e . This quality is enhanced by the interior scenery. \u003c\/p\u003e\n\n\u003chr data-start=\"1284\" data-end=\"1287\"\u003e\n\n\u003ch2 data-section-id=\"1y28zfs\" data-start=\"1289\" data-end=\"1315\"\u003e V. Combination and Seasonal Feelings - The Brightness of Winter, the Thin Ice of Early Spring\u003c\/h2\u003e\n\n\u003cp data-start=\"1317\" data-end=\"1479\"\u003e The combination of white porcelain and silver glaze is a perfect match for the crispness of winter, the thin ice of early spring, and the clear night air of autumn. Placing it on a black base accentuates its contours, while placing it on a white cloth enhances its purity. \u003cbr data-start=\"1388\" data-end=\"1391\"\u003eAmong the props, it does not make a flashy statement, but rather acts as \u003cstrong data-start=\"1410\" data-end=\"1419\"\u003ethe center of the blank space\u003c\/strong\u003e , tightening the atmosphere. The smaller the box, the more likely it is to absorb the surrounding atmosphere and become the main character - this work certainly has that power. \u003c\/p\u003e\n\n\u003chr data-start=\"1481\" data-end=\"1484\"\u003e\n\n\u003ch2 data-section-id=\"1huqhjm\" data-start=\"1486\" data-end=\"1492\"\u003e summary\u003c\/h2\u003e\n\n\u003cp data-start=\"1494\" data-end=\"1664\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e The white porcelain and silver glitter ceramic box combines the ascetic silence of the white porcelain with the frosty sparkle of the silver glitter, creating a feeling of purity in the palm of your hand. When closed, the white and silver clarify the space, and when opened, the faint light liberates the space and even brings to mind the presence of the contents.\u003cbr data-start=\"1609\" data-end=\"1612\"\u003e Small and neat, yet with the power to transform a space, this work is a culmination of Matsukawa Kazuhiro's unique \"design of tranquility.\"\u003c\/p\u003e\n\n\u003ch3 data-section-id=\"1bs35mf\" data-start=\"1665\" data-end=\"1673\"\u003e Biography\u003c\/h3\u003e\n\n\u003cp data-start=\"1674\" data-end=\"1793\"\u003e 1977 Born in Kawachinagano, Osaka Prefecture\u003cbr data-start=\"1690\" data-end=\"1693\"\u003e 1998 Graduated from Nara College of Arts, Ceramic Art Course\u003cbr data-start=\"1713\" data-end=\"1716\"\u003e 2000 Graduated from Nara College of Arts\u003cbr data-start=\"1734\" data-end=\"1737\"\u003e 2001 Graduated from Kyoto Prefectural Pottery Technical College and studied under Takahiro Kondo \u003cbr data-start=\"1771\" data-end=\"1774\"\u003e2006 Independent and opened a kiln in Kawachinagano City\u003c\/p\u003e\n\n\u003ch3 data-section-id=\"vx22u2\" data-start=\"1795\" data-end=\"1809\"\u003e Major solo exhibitions and exhibitions\u003c\/h3\u003e\n\n\u003cp data-start=\"1810\" data-end=\"2520\"\u003e 2007 Kyoto Prefecture Fine Arts and Crafts New Artists Selection Exhibition (Kyoto Museum)\u003cbr data-start=\"1836\" data-end=\"1839\"\u003e Two-person exhibition (Matsuzakaya Nagoya Art Gallery\/Nagoya)\u003cbr data-start=\"1862\" data-end=\"1865\"\u003e Solo exhibition (Kyoto Takashimaya Art and Craft Salon\/Kyoto)\u003cbr data-start=\"1887\" data-end=\"1890\"\u003e 2008 Solo Exhibition (Campanule\/Chiba)\u003cbr data-start=\"1909\" data-end=\"1912\"\u003e Solo exhibition (Paramita Museum Small Gallery\/Mie)\u003cbr data-start=\"1938\" data-end=\"1941\"\u003e 2009 Solo Exhibition (Gallery Espace\/Nagoya)\u003cbr data-start=\"1963\" data-end=\"1966\"\u003e 2010 Solo Exhibition (Sapporo Mitsukoshi Art Gallery\/Hokkaido)\u003cbr data-start=\"1990\" data-end=\"1993\"\u003e Solo exhibition (Matsuzakaya Nagoya Art Gallery\/Nagoya)\u003cbr data-start=\"2015\" data-end=\"2018\"\u003e Solo exhibition (Alpark Tenmaya Art Gallery\/Hiroshima)\u003cbr data-start=\"2040\" data-end=\"2043\"\u003e 2011 Solo Exhibition (Ceramics Gallery Furyo\/Osaka) ('07)\u003cbr data-start=\"2069\" data-end=\"2072\"\u003e 2012 Solo Exhibition (Gallery Okumura\/Tokyo) ('07 '09)\u003cbr data-start=\"2102\" data-end=\"2105\"\u003e 2013 Solo Exhibition (Lovely Hall 20th Anniversary Event\/Osaka)\u003cbr data-start=\"2134\" data-end=\"2137\"\u003e 2014 Solo Exhibition (Tenmaya Hiroshima Hatchobori Art Gallery\/Hiroshima) ('11) \u003cbr data-start=\"2171\" data-end=\"2174\"\u003e2016 Solo Exhibition (Tenmaya Fukuyama Art Gallery\/Hiroshima) ('08 '12)\u003cbr data-start=\"2209\" data-end=\"2212\"\u003e Three-person exhibition (Hakata Hankyu Muse\/Fukuoka)\u003cbr data-start=\"2231\" data-end=\"2234\"\u003e 2017 Solo Exhibition (Pinacotheca \/ Tokyo) ('14 '15)\u003cbr data-start=\"2261\" data-end=\"2264\"\u003e Solo exhibition (Tenmaya Okayama Art Gallery\/Okayama) ('08)\u003cbr data-start=\"2292\" data-end=\"2295\"\u003e Solo exhibition (Atelier Hiro\/Osaka)\u003cbr data-start=\"2311\" data-end=\"2314\"\u003e 2018 Solo Exhibition (Nihonbashi Mitsukoshi Main Store Art Gallery\/Tokyo)\u003cbr data-start=\"2340\" data-end=\"2343\"\u003e Solo exhibition (Takashimaya Osaka Gallery NEXT\/Osaka) ('08 '11 '15)\u003cbr data-start=\"2381\" data-end=\"2384\"\u003e 2020 Solo Exhibition (Hana Asagi\/Tokyo)\u003cbr data-start=\"2400\" data-end=\"2403\"\u003e 2021 Solo Exhibition (Gallery Tachibana\/Nara) ('15 '17 '19)\u003cbr data-start=\"2437\" data-end=\"2440\"\u003e 2022 Two-person exhibition (Hana Asagi\/Tokyo)\u003cbr data-start=\"2457\" data-end=\"2460\"\u003e 2023 Two-person exhibition (Atelier Hiro\/Osaka)\u003cbr data-start=\"2479\" data-end=\"2482\"\u003e 2025 Two-person exhibition (Hana Asagi\/Tokyo)\u003cbr data-start=\"2499\" data-end=\"2502\"\u003e Solo exhibition (Midorigaoka Museum of Art\/Nara)\u003c\/p\u003e\n\n\u003ch3 data-section-id=\"1t7yy2j\" data-start=\"2522\" data-end=\"2531\"\u003e Awards\u003c\/h3\u003e\n\n\u003cp data-start=\"2532\" data-end=\"2582\"\u003e 36th Japan Traditional Crafts Kinki Exhibition (Osaka Prefecture Board of Education Award)\u003cbr data-start=\"2556\" data-end=\"2559\"\u003e 55th Japan Traditional Crafts Exhibition (Japan Crafts Association President's Award)\u003c\/p\u003e\n\n\u003ch3 data-section-id=\"33d0d0\" data-start=\"2584\" data-end=\"2601\"\u003e Public Collection\u003c\/h3\u003e\n\n\u003cp data-start=\"2602\" data-end=\"2610\"\u003e Midorigaoka Museum of Art\u003c\/p\u003e","brand":"高級陶器の専門店【甘木道】","offers":[{"title":"Default Title","offer_id":51741574889752,"sku":null,"price":38500.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0668\/2332\/3928\/files\/amakido_atsukwa_14-01.jpg?v=1773727578","url":"https:\/\/amakido.art\/en\/products\/14%e7%99%bd%e7%a3%81%e9%8a%80%e5%bd%a9%e9%99%b6%e7%ad%a5-%e6%9d%be%e5%b7%9d%e5%92%8c%e5%bc%98","provider":"高級陶器の専門店【甘木道】","version":"1.0","type":"link"}