{"title":"All Amagimichi products","description":"\u003cp\u003eThis is a complete guide to the products handled by Amagimichi.\u003c\/p\u003e","products":[{"product_id":"茶色の壺","title":"Premium quality White Tanba matcha bowl, made by Naosaku, with signature of the head of the family","description":"\u003ch2 data-start=\"130\" data-end=\"151\"\u003e White Tanba tea bowl - Naosaku Masamoto, with a letter from the head of the family\u003c\/h2\u003e\n\n\u003cp data-start=\"153\" data-end=\"213\"\u003e \u003cstrong data-start=\"153\" data-end=\"159\"\u003eHeight\u003c\/strong\u003e 9.4cm x \u003cstrong data-start=\"168\" data-end=\"174\"\u003ediameter\u003c\/strong\u003e 15.4cm\u003cbr data-start=\"181\" data-end=\"184\"\u003e \u003cstrong data-start=\"184\" data-end=\"190\"\u003eBox\u003c\/strong\u003e : Height 13.5cm x Width 17.5cm\u003c\/p\u003e\n\n\u003chr data-start=\"215\" data-end=\"218\"\u003e\n\n\u003ch3 data-start=\"220\" data-end=\"237\"\u003e 1. The head of the school speaks of his solid status\u003c\/h3\u003e\n\n\u003cp data-start=\"239\" data-end=\"329\"\u003e This piece is accompanied by a calligraphy handwritten by the head of the tea ceremony school.\u003cbr data-start=\"265\" data-end=\"268\"\u003e The Iemoto certificate is not merely proof of provenance, but is a kind of \"spiritual appraisal\" that conveys the artist's evaluation of the work itself and their aesthetic sense.\u003c\/p\u003e\n\n\u003cp data-start=\"331\" data-end=\"449\"\u003e The head of the school's own words and handwriting quietly convey that this bowl possesses the dignity and elegance befitting a tea ceremony, and that it is worthy of being passed down for generations.\u003cbr data-start=\"403\" data-end=\"406\"\u003e The presence of the inscription elevates this work from the realm of practical use to that of artistic craftsmanship, giving it an unshakable dignity.\u003c\/p\u003e\n\n\u003chr data-start=\"451\" data-end=\"454\"\u003e\n\n\u003ch3 data-start=\"456\" data-end=\"472\"\u003e 2. The tranquil beauty of Shiratanba\u003c\/h3\u003e\n\n \u003cp data-start=\"474\" data-end=\"578\"\u003eWhen one thinks of Tamba ware, one is reminded of the strength and rustic look of iron glaze, but this piece is a rare \"white Tamba\" that uses white glaze.\u003cbr data-start=\"524\" data-end=\"527\"\u003e The soft, off-white color gently reflects the light of the tea room, making the vibrant green of the matcha look even more vibrant.\u003c\/p\u003e\n\n\u003cp data-start=\"580\" data-end=\"677\"\u003e The texture of the Tanba clay can be seen faintly on the base, and the contrast with the white glaze creates visual depth.\u003cbr data-start=\"622\" data-end=\"625\"\u003e Without going overboard with extravagance, the piece has a quiet yet definite presence that blends naturally into the space of the tea ceremony.\u003c\/p\u003e\n\n\u003chr data-start=\"679\" data-end=\"682\"\u003e\n\n\u003ch3 data-start=\"684\" data-end=\"701\"\u003e 3. The landscape of time, created by the cracks\u003c\/h3\u003e\n\n\u003cp data-start=\"703\" data-end=\"787\"\u003e The fine crazing that spreads throughout the piece is a natural pattern created by the difference in shrinkage between the glaze and the base.\u003cbr data-start=\"742\" data-end=\"745\"\u003e With repeated use, the tea ingredients slowly seep into the skin, giving it a soft, nuanced look.\u003c\/p\u003e\n\n\u003cp data-start=\"789\" data-end=\"874\"\u003e It's not dirt, but a \"scenery\" created by the accumulation of time. \u003cbr data-start=\"813\" data-end=\"816\"\u003eOver the years, the bowl will mature into a unique piece that is one of a kind in the world, as it ages with its owner - this is the joy that only Shirotanba can offer.\u003c\/p\u003e\n\n\u003chr data-start=\"876\" data-end=\"879\"\u003e\n\n\u003ch3 data-start=\"881\" data-end=\"900\"\u003e 4. Shapes created by Masamoto Naosaku's potter's wheel\u003c\/h3\u003e\n\n\u003cp data-start=\"902\" data-end=\"1005\"\u003e Masamoto Naosaku is an artist who has pursued designs that harmonize with modern tea ceremonies while cherishing the traditional earthenware of Tamba.\u003cbr data-start=\"955\" data-end=\"958\"\u003e This piece also has beautiful curves that rise smoothly from the base to the body and rim, and it fits comfortably in the palm of your hand.\u003c\/p\u003e\n\n\u003cp data-start=\"1007\" data-end=\"1080\"\u003e The stability of the potter's wheel, the thickness of the glaze, and the reduction level during firing...\u003cbr data-start=\"1035\" data-end=\"1038\"\u003e Each piece shows the uncompromising craftsmanship that guides the tea ceremony naturally and beautifully.\u003c\/p\u003e\n\n\u003chr data-start=\"1082\" data-end=\"1085\"\u003e\n\n\u003ch3 data-start=\"1087\" data-end=\"1106\"\u003e 5. A bowl that embodies \"harmony, respect, purity, and tranquility\"\u003c\/h3\u003e\n\n\u003cp data-start=\"1108\" data-end=\"1166\"\u003e The four rules of the tea ceremony are \"Harmony, Respect, Purity, and Jinja.\"\u003cbr data-start=\"1120\" data-end=\"1123\"\u003e The soft white of Shirotanba and the understated crazes seem to visually embody that spirit.\u003c\/p\u003e\n\n \u003cp data-start=\"1168\" data-end=\"1259\"\u003eThe moment you pick it up, the hustle and bustle of the outside world suddenly fades away, and your mind settles into a moment of quiet contemplation of tea.\u003cbr data-start=\"1210\" data-end=\"1213\"\u003e This tea bowl is not just a vessel for making matcha, but also provides a space for calming the mind.\u003c\/p\u003e\n\n\u003chr data-start=\"1261\" data-end=\"1264\"\u003e\n\n\u003ch3 data-start=\"1266\" data-end=\"1282\"\u003e For long-term use\u003c\/h3\u003e\n\n\u003cp data-start=\"1286\" data-end=\"1329\"\u003e After use, wash gently with water or lukewarm water and wipe dry with a soft cloth.\u003c\/p\u003e\n\n\u003cp data-start=\"1332\" data-end=\"1363\"\u003e Avoid prolonged submersion in water and ensure the product is thoroughly dried before storing.\u003c\/p\u003e\n\n\u003cp data-start=\"1366\" data-end=\"1403\"\u003e The tea stains and color changes in the crazing are proof that the piece has grown, and will add to its elegance.\u003c\/p\u003e\n\n\u003chr data-start=\"1405\" data-end=\"1408\"\u003e\n\n\u003ch3 data-start=\"1410\" data-end=\"1429\"\u003e A solid position as an art and craft\u003c\/h3\u003e\n\n\u003cp data-start=\"1431\" data-end=\"1514\"\u003e This work, which comes with a letter from the head of the family, is a highly valued bowl that goes beyond its practical use in the tea ceremony and is also a collectible item.\u003cbr data-start=\"1472\" data-end=\"1475\"\u003e The White Tamba tea bowl inherits the spirit of the ancient Tamba kilns and brings a new sense of tranquility to the modern tea ceremony.\u003c\/p\u003e\n\n \u003cp data-start=\"1516\" data-end=\"1596\"\u003ePlease feel the weight and texture with your own hands and enjoy the look that deepens over time.\u003cbr data-start=\"1556\" data-end=\"1559\"\u003e A splash of green against the quiet white will bring a special feeling to your everyday life.\u003c\/p\u003e","brand":"陶器、古美術の専門店【甘木道】","offers":[{"title":"Default Title","offer_id":44168184955160,"sku":"","price":660000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0668\/2332\/3928\/files\/IMG_5885bb.jpg?v=1712278987"},{"product_id":"丹波黒茶碗","title":" black Tatujin matcha bowl by Naosaku","description":"\u003ch3 data-start=\"0\" data-end=\"19\" class=\"\"\u003e Tanba black tea bowl - Naosaku Masamoto\u003c\/h3\u003e\n\n\u003cp data-start=\"20\" data-end=\"46\" class=\"\"\u003e \u003cem data-start=\"20\" data-end=\"44\"\u003eHeight 8.8 cm x diameter 13.8 cm\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch4 data-start=\"53\" data-end=\"69\" class=\"\"\u003e Serenity dwelling in the depths of black\u003c\/h4\u003e\n\n\u003cp data-start=\"70\" data-end=\"207\" class=\"\"\u003e The iron hidden in the clay of Tamba quietly seeps out from the jet-black glaze, reflecting soft light with a lustrous glow. Once tea is brewed, the green of the matcha emerges like a firefly in the dark night, bringing a mysterious atmosphere to the entire tea ceremony. This bowl beautifully blends the boldness of Tamba ware with the delicacy characteristic of Masamoto Naosaku.\u003c\/p\u003e\n\n\u003ch4 data-start=\"209\" data-end=\"229\" class=\"\"\u003e A \"wild landscape\" running down the torso\u003c\/h4\u003e\n\n \u003cp data-start=\"230\" data-end=\"363\" class=\"\"\u003eThe lava-like unevenness of the ash glaze that surrounds the body is a fortuitous creation created by natural ashfall in the kiln. The rough texture provides a pleasant sensation to the fingertips, and every time you hold it in your palm, you can vividly feel the presence of earth and fire. This texture, which simultaneously stimulates both the visual and tactile senses, is perhaps the greatest appeal of this piece.\u003c\/p\u003e\n\n\u003ch4 data-start=\"365\" data-end=\"387\" class=\"\"\u003e The rhythm of the wheel marks and the elegant form\u003c\/h4\u003e\n\n\u003cp data-start=\"388\" data-end=\"521\" class=\"\"\u003e The silhouette that gently widens from the base to the rim is carefully calculated to naturally accommodate the movement of the tea whisk and allow the tea to rise beautifully. The slight undulations in the chamfer of the body, designed to fit the fingers effortlessly, are a testament to the care and attention that Masamoto Naosaku has paid to the work, backed by his many years of experience.\u003c\/p\u003e\n\n\u003ch4 data-start=\"523\" data-end=\"545\" class=\"\"\u003e The lineage of Tamba ware and the pride of \"Naosaku Kiln\"\u003c\/h4\u003e\n\n \u003cp data-start=\"546\" data-end=\"686\" class=\"\"\u003eAs one of the Six Ancient Kilns, Tamba ware has been passed down since the Heian period, and with the rise of wabi-cha tea, it has produced many fine black-glazed tea bowls. Masamoto Naosaku's Naosaku Kiln is one of the oldest kilns, carrying on the spirit of this ancient pottery into the present day. The flames of the traditional climbing kiln, which fires the pieces with the reducing flame of red pine firewood, still imprint rustic scenes on the surface of the vessels.\u003c\/p\u003e\n\n\u003ch4 data-start=\"688\" data-end=\"704\" class=\"\"\u003e Creating a dignified atmosphere for your tea ceremony\u003c\/h4\u003e\n\n\u003cp data-start=\"705\" data-end=\"846\" class=\"\"\u003e The lustrous black of this piece reflects the light of the tea ceremony and the flowers in the alcove, further enhancing the atmosphere of wabi-sabi. From the moment guests pass through the nijiriguchi and enter the tea room, the black tea bowl exudes a subtle presence as the centerpiece of the tea ceremony. With each serving of tea, the flow of the tea ceremony becomes dignified and firm, quietly settling the minds of both host and guest.\u003c\/p\u003e\n\n\u003ch4 data-start=\"848\" data-end=\"868\" class=\"\"\u003e For your continued patronage\u003c\/h4\u003e\n\n \u003cp data-start=\"871\" data-end=\"917\" class=\"\"\u003eAfter use, wash gently with lukewarm water, wipe off the water with a soft cloth and dry in the shade.\u003c\/p\u003e\n\n\u003cp data-start=\"920\" data-end=\"990\" class=\"\"\u003e Please avoid soaking the piece in water for long periods of time, as tea stains can easily get into the uneven surface of the ash glaze. You can enjoy the change in appearance over time as a testament to the time you have spent with the piece. \u003c\/p\u003e\n\n\u003chr data-start=\"992\" data-end=\"995\" class=\"\"\u003e\n\n\u003cp data-start=\"997\" data-end=\"1115\" class=\"\"\u003e The memory of fire dwells deep within the black glaze, and the unique scenery created by natural ash... Every time you hold a Tanba black tea bowl by Masamoto Naosaku, it tells a story of \"fire, earth, and time.\" Please cherish it for many years to come as a companion to help you enjoy the tranquility of the tea ceremony even more deeply.\u003c\/p\u003e","brand":"陶器の専門店【甘木道】","offers":[{"title":"Default Title","offer_id":48071523893528,"sku":"001","price":88000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0668\/2332\/3928\/files\/IMG_56aa30.jpg?v=1712277607"},{"product_id":"白丹波水差","title":"White Tanba water pitcher by Naosaku","description":"\u003ch3 data-start=\"0\" data-end=\"19\" class=\"\"\u003e White Tanba water pitcher - Naosaku Masamoto\u003c\/h3\u003e\n\n\u003cp data-start=\"20\" data-end=\"46\" class=\"\"\u003e \u003cem data-start=\"20\" data-end=\"44\"\u003eHeight 21.0 cm x diameter 16.0 cm\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch4 data-start=\"53\" data-end=\"74\" class=\"\"\u003e 1. The elegant atmosphere unique to Shiratanba\u003c\/h4\u003e\n\n \u003cp data-start=\"75\" data-end=\"237\" class=\"\"\u003eThe soft milky white of the white Tanba glaze has a moist luster that seems to reflect pale moonlight. The crazing that runs across the entire surface of the vessel is a natural pattern that appears after firing, and the delicate mesh spreads out like a rich landscape. As time passes, tea stains soak into the vessel, creating mysterious brushstrokes on the milky white background. This is the true joy of a vessel that \"grows.\"\u003c\/p\u003e\n\n\u003ch4 data-start=\"239\" data-end=\"258\" class=\"\"\u003e 2. Functional beauty created by two types of lids\u003c\/h4\u003e\n\n\u003cp data-start=\"259\" data-end=\"304\" class=\"\"\u003e This piece comes with two types of lids: a white Tanba ceramic lid and a lacquered lid with a tamenuri finish.\u003c\/p\u003e\n\n\u003cp data-start=\"307\" data-end=\"386\" class=\"\"\u003e \u003cstrong data-start=\"307\" data-end=\"313\"\u003eThe ceramic lid\u003c\/strong\u003e is finished with the same white glaze as the body, creating a unified and elegant appearance. On cool summer days, the white surface evokes the calmness of the water's surface, purifying the minds of guests.\u003c\/p\u003e\n\n \u003cp data-start=\"389\" data-end=\"470\" class=\"\"\u003eThe deep lacquered \u003cstrong data-start=\"389\" data-end=\"395\"\u003elid\u003c\/strong\u003e is a striking accent color, making it a perfect supporting actor that adds elegance to the hearth season or during evening tea ceremonies. The warmth of the wood and the luster of the lacquer further enhance the soft texture of the white Tanba wood.\u003c\/p\u003e\n\n\u003cp data-start=\"472\" data-end=\"523\" class=\"\"\u003e The great appeal of this style is that by using different types, you can fully express the tastes of the seasons and the host's hospitality.\u003c\/p\u003e\n\n\u003ch4 data-start=\"525\" data-end=\"546\" class=\"\"\u003e 3. The pride and modernity of \"Naosaku Kiln\"\u003c\/h4\u003e\n\n\u003cp data-start=\"547\" data-end=\"732\" class=\"\"\u003e Masamoto Naosaku's Naosaku Kiln is one of the oldest kilns, carrying on the traditions of the ancient Tamba kilns. He has skillfully manipulated the flames of red pine firewood and the reducing environment of the climbing kiln to create pottery that is simple yet dignified. This piece, too, exudes a modern, smart look with its straight, rising body and slightly taut shoulders, while the soft wheel marks remaining on the base ensure the earthenware is still present. This pitcher embodies the contemporary Tamba ware, where tradition and innovation resonate with each other.\u003c\/p\u003e\n\n \u003ch4 data-start=\"734\" data-end=\"753\" class=\"\"\u003e4. Tolerance that supports the tea ceremony\u003c\/h4\u003e\n\n\u003cp data-start=\"754\" data-end=\"908\" class=\"\"\u003e Its imposing height of 21 cm allows it to hold a sufficient amount of water for both thin and thick tea, bringing a sense of ease to the flow of the tea ceremony. The cleanliness of the white glaze also has the effect of easing the tense atmosphere of the first session and relaxing the guests. It harmonizes with any of the floor decorations - the pale pink of cherry blossoms in spring, the cool green of maple leaves in summer, the deep crimson of maple leaves in autumn, and the snowy scenery in winter - and brings the entire tea room together with elegance.\u003c\/p\u003e\n\n\u003ch4 data-start=\"910\" data-end=\"932\" class=\"\"\u003e 5. To ensure long-lasting use\u003c\/h4\u003e\n\n\u003cp data-start=\"935\" data-end=\"985\" class=\"\"\u003e After use, wash gently with lukewarm water, wipe off any excess water with a soft cloth, and then dry thoroughly.\u003c\/p\u003e\n\n\u003cp data-start=\"988\" data-end=\"1031\" class=\"\"\u003e Avoid soaking for long periods of time or using excessive amounts of detergent to prevent unwanted moisture and oil from getting into the cracks.\u003c\/p\u003e\n\n\u003cp data-start=\"1034\" data-end=\"1084\" class=\"\"\u003e The tea stains and subtle shades of color that appear over time can be enjoyed as testament to the memories of tea ceremonies.\u003c\/p\u003e\n\n\u003chr data-start=\"1086\" data-end=\"1089\" class=\"\"\u003e\n\n \u003cp data-start=\"1091\" data-end=\"1219\" class=\"\"\u003eThe pure white of the Shirotanba teapot and the unique appearance created by the crazing ware - this water pitcher by Masamoto Naosaku is perfect for a wide range of occasions, from daily practice to formal tea ceremonies, and will add a quiet elegance to your tea room. By using two different lids, you can create a \"wabi\" (traditional Japanese vessel) that changes its appearance with the seasons.\u003c\/p\u003e","brand":"陶器の専門店【甘木道】","offers":[{"title":"Default Title","offer_id":48174050115864,"sku":"","price":350000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0668\/2332\/3928\/files\/IMG_571aa5.jpg?v=1713073938"},{"product_id":"丹波窯変芋頭水指","title":"White gourd-shaped vase by Naosaku","description":"\u003ch3 data-start=\"0\" data-end=\"31\" class=\"\"\u003e White gourd-shaped vase - Naosaku Masamoto\u003c\/h3\u003e\n\n\u003cp data-start=\"32\" data-end=\"60\" class=\"\"\u003e \u003cem data-start=\"32\" data-end=\"58\"\u003eHeight 23.0 cm x maximum diameter 18.2 cm\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch4 data-start=\"67\" data-end=\"98\" class=\"\"\u003e 1. The shape of a gourd that brings good fortune\u003c\/h4\u003e\n\n \u003cp data-start=\"99\" data-end=\"254\" class=\"\"\u003eSince ancient times, gourds, with their rounded shape and curved waists, have been cherished as auspicious objects that bring good health and prosperity to business. This work expresses this auspicious design with neat lines, and the rhythm created by the soft body and slender neck is truly light and airy. When a single flower is placed inside, the contrast between the round body enveloping the bud and the slender neck supporting the stem is striking, further enhancing the flower's dignified appearance.\u003c\/p\u003e\n\n\u003ch4 data-start=\"256\" data-end=\"274\" class=\"\"\u003e 2. The tranquility reflected in the white Tanba glaze\u003c\/h4\u003e\n\n\u003cp data-start=\"275\" data-end=\"427\" class=\"\"\u003e The traditional white Tanba glaze of the Naosaku Kiln is characterized by its elegant grayish-white hue with a slight blue tinge. After being subjected to the reducing flames of a wood-fired kiln, the surface of the vessel takes on a subtle silvery-gray or brown appearance, creating a unique look where the earthenware and glaze blend together. The delicate crazing that covers the entire vessel creates shadows depending on the angle of the light, and the more it is used, the more tea stains will seep into it, beautifully marking the passage of time.\u003c\/p\u003e\n\n\u003ch4 data-start=\"429\" data-end=\"456\" class=\"\"\u003e 3. The unique scenery depicted by kiln changes\u003c\/h4\u003e\n\n \u003cp data-start=\"457\" data-end=\"588\" class=\"\"\u003eThe fine particles of ash scattered from the shoulders to the torso and the fire marks from the firewood create a pattern reminiscent of pale craters on the moon. This is the result of the grace of \"yellow change,\" which occurs when ash accidentally falls on the piece in the kiln and fuses with the glaze. If the firing temperature, flame speed, or amount of ash are off even for a moment, it cannot be reproduced, making it a truly one-of-a-kind scene.\u003c\/p\u003e\n\n\u003ch4 data-start=\"590\" data-end=\"613\" class=\"\"\u003e 4. Masamoto Naosaku's outstanding sense of form\u003c\/h4\u003e\n\n\u003cp data-start=\"614\" data-end=\"742\" class=\"\"\u003e The smooth carving where the body transitions to the neck, and the slight opening at the rim create an exquisite balance that takes into account the placement of the flowers. The bowl has been carefully turned on the potter's wheel so that no finger marks are left, while the slight fluctuation within the roundness allows the beauty of utility to coexist with a hint of wabi.\u003c\/p\u003e\n\n\u003ch4 data-start=\"744\" data-end=\"767\" class=\"\"\u003e 5. The capacity to bring out the seasonal flowers\u003c\/h4\u003e\n\n\u003cp data-start=\"770\" data-end=\"809\" class=\"\"\u003e \u003cstrong data-start=\"770\" data-end=\"775\"\u003eSpring\u003c\/strong\u003e : The white body complements the pale pink of peaches and quince, bringing out its sensuality.\u003c\/p\u003e\n\n \u003cp data-start=\"812\" data-end=\"835\" class=\"\"\u003e\u003cstrong data-start=\"812\" data-end=\"817\"\u003eSummer\u003c\/strong\u003e : Refreshing, reflecting the coolness of green maples and bellflowers.\u003c\/p\u003e\n\n\u003cp data-start=\"838\" data-end=\"883\" class=\"\"\u003e \u003cstrong data-start=\"838\" data-end=\"843\"\u003eAutumn\u003c\/strong\u003e : Wild flowers such as lady's mantle and amber lily harmonize beautifully with the grayish tones of the mottled landscape.\u003c\/p\u003e\n\n\u003cp data-start=\"886\" data-end=\"933\" class=\"\"\u003e \u003cstrong data-start=\"886\" data-end=\"891\"\u003eWinter\u003c\/strong\u003e : If you add nandina or camellia, the red will stand out against the tranquility of the white glaze, giving the tea ceremony a refined finish.\u003c\/p\u003e\n\n\u003ch4 data-start=\"935\" data-end=\"953\" class=\"\"\u003e 6. Care and care\u003c\/h4\u003e\n\n\u003cp data-start=\"956\" data-end=\"997\" class=\"\"\u003e After use, drain the water thoroughly, wipe with a soft cloth and allow to dry thoroughly.\u003c\/p\u003e\n\n\u003cp data-start=\"1000\" data-end=\"1041\" class=\"\"\u003e Prolonged soaking or excessive use of detergents can cause the wood to absorb unnecessary moisture and oil.\u003c\/p\u003e\n\n\u003cp data-start=\"1044\" data-end=\"1085\" class=\"\"\u003e Enjoy the variations in color and tea stains that occur over time as evidence of the time you have spent with the vessel.\u003c\/p\u003e\n\n\u003chr data-start=\"1087\" data-end=\"1090\" class=\"\"\u003e\n\n \u003cp data-start=\"1092\" data-end=\"1226\" class=\"\"\u003eThis piece, which combines the charm of the gourd with the serenity of the white Tanba glaze, is a \"great supporting actor of wabi\" that elegantly brings together a space with a single flower. We hope you will add this vase, which combines the tradition of the Naosaku kiln, inherited by Masamoto Naosaku, with modern aesthetic beauty, to your tea ceremony or everyday floral arrangements, and enjoy the changing scenery with each season.\u003c\/p\u003e","brand":"陶器の専門店【甘木道】","offers":[{"title":"Default Title","offer_id":48174100250904,"sku":"","price":154000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0668\/2332\/3928\/files\/IMG_5515bb.jpg?v=1713075761"},{"product_id":"石黒釉浮徳利","title":"hibiki  Ishiguro glazed floating sake bottle, made by Naosaku","description":"\u003ch3 data-start=\"0\" data-end=\"33\" class=\"\"\u003e Ishiguro-Yu Floating Sake Bottle - Made by Masamoto Naosaku\u003c\/h3\u003e\n\n\u003cp data-start=\"34\" data-end=\"59\" class=\"\"\u003e \u003cem data-start=\"34\" data-end=\"57\"\u003eHeight 17.3 cm x diameter 9.3 cm\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch4 data-start=\"66\" data-end=\"86\" class=\"\"\u003e 1. The brilliance of the Ishiguro glaze reflects the depths of space\u003c\/h4\u003e\n\n\u003cp data-start=\"87\" data-end=\"227\" class=\"\"\u003e The black lacquer-like glaze surface is slowly enveloped by the reducing flame of the climbing kiln, giving it a mirror-like luster. With each light it fluctuates from black ink to a dull purple, softly reflecting the lights of the drinking party and the surrounding scenery. This fluctuation is the greatest attraction of Ishiguro glaze, and it evokes a deep sense of emotion hidden deep within its tranquility.\u003c\/p\u003e\n\n \u003ch4 data-start=\"229\" data-end=\"251\" class=\"\"\u003e2. The name Uki Tokkuri indicates its \"functional beauty\"\u003c\/h4\u003e\n\n\u003cp data-start=\"252\" data-end=\"395\" class=\"\"\u003e The unique shape of the cup, with a plump, upright lower body rather than a narrow one, creates a slight convection inside when sake is poured, resulting in a rich aroma. The gentle curve around the spout provides a comfortable grip, and the cup is easy to hold. At just over 17 cm tall, it is easy to store and can be used for a wide range of occasions, from evening drinks to formal parties.\u003c\/p\u003e\n\n\u003ch4 data-start=\"397\" data-end=\"418\" class=\"\"\u003e 3. The silky smoothness you can feel\u003c\/h4\u003e\n\n\u003cp data-start=\"419\" data-end=\"544\" class=\"\"\u003e When you pick it up, you'll be amazed at how smooth it feels on your fingers. This is because polishing after glazing is kept to a minimum, taking advantage of the luster created by the natural melting of the reducing flame. The iron from the clay dissolves in the glaze, giving it a moist, lustrous sheen that is luxuriously satisfying even to the touch.\u003c\/p\u003e\n\n\u003ch4 data-start=\"546\" data-end=\"570\" class=\"\"\u003e 4. Why Ishiguro glaze makes sake look beautiful\u003c\/h4\u003e\n\n \u003cp data-start=\"571\" data-end=\"702\" class=\"\"\u003eThe moment the clear sake is poured onto the jet-black surface, the liquid takes on a deep glow like a starry sky. The black background accentuates the color, viscosity, and foam of the sake, making it an excellent visual indicator for sake tasting. Furthermore, the minute irregularities on the glaze surface slow down temperature changes, which is expected to help preserve the sake's aroma and flavor for longer.\u003c\/p\u003e\n\n\u003ch4 data-start=\"704\" data-end=\"724\" class=\"\"\u003e 5. Direct production kilns linking tradition and innovation\u003c\/h4\u003e\n\n\u003cp data-start=\"725\" data-end=\"886\" class=\"\"\u003e Naosaku Kiln, led by Masamoto Naosaku, boasts one of the oldest kilns in the Tanba region, and has continued to maintain the tradition of wood-fired kilns. This piece builds on the results of research into the classic Ishiguro glaze, while pursuing a lightness that is in keeping with modern lifestyles. The eight-sided chamfered design on the body is a modern reinterpretation of the traditional \"sakusetsu\" technique, creating a visual rhythm.\u003c\/p\u003e\n\n\u003ch4 data-start=\"888\" data-end=\"905\" class=\"\"\u003e 6. Care and Nurturing\u003c\/h4\u003e\n\n \u003cp data-start=\"908\" data-end=\"952\" class=\"\"\u003eAfter use, rinse lightly with lukewarm water, wipe off moisture with a soft cloth and dry in the shade.\u003c\/p\u003e\n\n\u003cp data-start=\"955\" data-end=\"991\" class=\"\"\u003e If you use detergent, use only a small amount of neutral detergent and avoid strong abrasives.\u003c\/p\u003e\n\n\u003cp data-start=\"994\" data-end=\"1055\" class=\"\"\u003e The more you use it, the more the glaze will soften and mature into a deeper black. This change over time is the true joy of handmade pottery. \u003c\/p\u003e\n\n\u003chr data-start=\"1057\" data-end=\"1060\" class=\"\"\u003e\n\n\u003cp data-start=\"1062\" data-end=\"1195\" class=\"\"\u003e The deep luster of the Ishiguro glaze, the smoothness that clings to the palm of your hand, and the functional beauty of the floating sake bottle... This sake bottle, created by Naosaku Masamoto, will evoke a quiet emotion every time you pour sake, elevating even your ordinary evening drink to a special moment. We hope you will enjoy using it and let its flavor deepen over time.\u003c\/p\u003e","brand":"陶器の専門店【甘木道】","offers":[{"title":"Default Title","offer_id":48174930952472,"sku":"","price":154000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0668\/2332\/3928\/files\/IMG_561aa7.jpg?v=1713076828"},{"product_id":"丹波伊羅保茶盌-市野信水","title":"The Irabo matcha bowl by Shinsui Ichino","description":"\u003ch3 data-start=\"0\" data-end=\"26\" class=\"\"\u003e Tanba Irabo tea bowl - Shinsui Ichino\u003c\/h3\u003e\n\n\u003cp data-start=\"27\" data-end=\"55\" class=\"\"\u003e \u003cem data-start=\"27\" data-end=\"53\"\u003eThe epitome of \"wabi\" (wabi) created without glaze, using only clay and fire\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch4 data-start=\"62\" data-end=\"78\" class=\"\"\u003e 1. What is Irabo?\u003c\/h4\u003e\n\n \u003cp data-start=\"79\" data-end=\"233\" class=\"\"\u003eIrabo tea bowls originate from the simple Ido-style tea bowls of the late Goryeo period, and are a type of Goryeo tea bowl characterized by their rough texture and iron spots. In Japan, they have been loved by tea masters since the Momoyama period, and have been called \"Irabo\" because they found charm in their \"irritatingly rough\" texture. Ichino Shinsui is reviving that spirit in modern times using clay from Tamba.\u003c\/p\u003e\n\n\u003ch4 data-start=\"235\" data-end=\"256\" class=\"\"\u003e 2. The beauty of the clay surface without glaze\u003c\/h4\u003e\n\n\u003cp data-start=\"257\" data-end=\"430\" class=\"\"\u003e This piece is completely unglazed, and is clad only in iron-rich clay from Tamba and natural ash produced by the flames of the climbing kiln. Fine quartz grains sparkle like stardust on the surface, and black iron flecks appear here and there, adding a sophisticated accent. The roughness that is felt the moment you touch it is the \"irritated skin\" that is unique to Irabo. The breath of the clay is transmitted directly to the palm of your hand, bringing a rustic charm and warmth to the act of making tea.\u003c\/p\u003e\n\n \u003ch4 data-start=\"432\" data-end=\"455\" class=\"\"\u003e3. A design that combines elegance and rustic charm\u003c\/h4\u003e\n\n\u003cp data-start=\"456\" data-end=\"587\" class=\"\"\u003e The elegant silhouette that opens smoothly towards the rim is the result of the outstanding potter's wheel skills inherited from the founder. The base is cut slightly low and light finger marks are left on the inside, achieving both a simple taste and practicality. It provides stability when shaking the tea whisk and ample space for the tea to rise softly.\u003c\/p\u003e\n\n\u003ch4 data-start=\"589\" data-end=\"612\" class=\"\"\u003e 4. Unrelenting pursuit of clay making and firing\u003c\/h4\u003e\n\n\u003cp data-start=\"613\" data-end=\"750\" class=\"\"\u003e Shinsui Ichino collects rough clay from the mountains of Tanba and lets it rest for several years, then deliberately leaves the stone and iron in it before kneading it to bring out the coarse grain that is essential to Irabo. By firing the clay for more than three days and nights in a climbing kiln, the ash naturally dissolves and forms a thin glassy film, and the wabi-sabi aesthetic naturally settles on the surface of the pottery, even without the use of glaze.\u003c\/p\u003e\n\n\u003ch4 data-start=\"752\" data-end=\"771\" class=\"\"\u003e 5. The more you use it, the more its charm deepens\u003c\/h4\u003e\n\n \u003cp data-start=\"774\" data-end=\"824\" class=\"\"\u003e\u003cstrong data-start=\"774\" data-end=\"783\"\u003eInitial appearance\u003c\/strong\u003e : The rustic ochre color and sparkling quartz grains are refreshing, giving a sense of purity amidst the roughness.\u003c\/p\u003e\n\n\u003cp data-start=\"827\" data-end=\"874\" class=\"\"\u003e \u003cstrong data-start=\"827\" data-end=\"835\"\u003eAfter several dozen draws\u003c\/strong\u003e : The tea stains have soaked in, giving the dish a more subdued dark brown color and a more rustic look.\u003c\/p\u003e\n\n\u003cp data-start=\"877\" data-end=\"940\" class=\"\"\u003e \u003cstrong data-start=\"877\" data-end=\"888\"\u003eOver the years\u003c\/strong\u003e , the rim and inside become more moist, and a soft luster connects the roughness, transforming it into a unique ``aged appearance.''\u003c\/p\u003e\n\n\u003ch4 data-start=\"942\" data-end=\"959\" class=\"\"\u003e 6. Handling instructions\u003c\/h4\u003e\n\n\u003cp data-start=\"963\" data-end=\"993\" class=\"\"\u003e Before use, rinse lightly with water to moisten the surface.\u003c\/p\u003e\n\n\u003cp data-start=\"997\" data-end=\"1036\" class=\"\"\u003e After use, rinse thoroughly with lukewarm water, wipe dry with a cloth and allow to dry thoroughly.\u003c\/p\u003e\n\n\u003cp data-start=\"1040\" data-end=\"1081\" class=\"\"\u003e Please refrain from using detergents or soaking the product in water for long periods of time, as this may impair the natural breathing ability of the clay.\u003c\/p\u003e\n\n\u003chr data-start=\"1083\" data-end=\"1086\" class=\"\"\u003e\n\n \u003cp data-start=\"1088\" data-end=\"1204\" class=\"\"\u003eThis Tanba Irabo tea bowl is the work of Ichino Shinsui, crafted entirely from clay and fire. Its rough texture and rustic appearance bring out the vivid green of the matcha tea, bringing a quiet rustic charm to your tea ceremony. We hope you will treasure it for many years to come, and savor the beauty of its refined beauty that deepens with time.\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eHistory of pottery making\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e 1957: Born in Tachikui, Tanba as the eldest son of the founder Shinsui\u003c\/li\u003e\n\n\u003cli\u003e 1980: Started making pottery in Tamba Tachikui, selected for the Prefectural Exhibition\u003c\/li\u003e\n\n\u003cli\u003e 1983: Received the Cultural Association Award at the Prefectural Crafts and Arts Exhibition\u003c\/li\u003e\n\n\u003cli\u003e 1984: Received the Association Award at the Prefectural Crafts and Arts Exhibition and became a member of the Prefectural Crafts and Arts Artists Association.\u003c\/li\u003e\n\n\u003cli\u003e 1985: Selected for the All Kansai Art Exhibition\u003c\/li\u003e\n\n\u003cli\u003e 1986: Selected for the Japan Crafts Association Kinki Exhibition\u003c\/li\u003e\n\n\u003cli\u003e 1989: Selected for the Tea Ceremony Art Exhibition, Osaka Takashimaya Two-Person Exhibition, Japan Traditional Crafts Exhibition for the first time, Toyota Sogo Three-Person Exhibition\u003c\/li\u003e\n\n\u003cli\u003e 1990: Selected for the Japan Traditional Crafts Exhibition\u003c\/li\u003e\n\n\u003cli\u003e 1991: Selected for the Tea Ceremony Art Exhibition, Osaka Takashimaya Two-Person Exhibition, Prefectural Crafts and Arts Exhibition, Kobe Shimbun Grand Prize\u003c\/li\u003e\n\n \u003cli\u003e1992: Selected for the Ikebukuro Seibu Horaikai Exhibition, the Tea Ceremony Forms Exhibition, and the Japan Traditional Crafts Exhibition\u003c\/li\u003e\n\n\u003cli\u003e 1993: Selected for the Tea Ceremony Art Exhibition, Selected for the Japan Traditional Crafts Exhibition, Certified as a full member of the Japan Crafts Association, Received the Kobe Shimbun Grand Prize at the Prefectural Crafts and Arts Exhibition\u003c\/li\u003e\n\n\u003cli\u003e 1995: Solo exhibition at Osaka Takashimaya, selected for the Tea Ceremony Design Exhibition, selected for the Japan Traditional Crafts Exhibition\u003c\/li\u003e\n\n\u003cli\u003e 1996: Selected for Gallery Kurimoto solo exhibition and Japan Traditional Crafts Exhibition\u003c\/li\u003e\n\n\u003cli\u003e 1997: Solo exhibition at Osaka Takashimaya, selected for the Tea Ceremony Design Exhibition, solo exhibition at Mito Keisei Department Store, solo exhibition at Gallery Eikosha\u003c\/li\u003e\n\n\u003cli\u003e 1998: Solo exhibition at Gallery Kurimoto, selected for the Exhibition of Tea Ceremony Designs, solo exhibition at Daikokuya, solo exhibition at Osaka Takashimaya\u003c\/li\u003e\n\n\u003cli\u003e 1999: Selected for the Tea Ceremony Art Exhibition, Solo Exhibition at Toyota Sogo\u003c\/li\u003e\n\n\u003cli\u003e 2000: Selected for the Tea Ceremony Design Exhibition\u003c\/li\u003e\n\n\u003cli\u003e 2001: Selected for the Tea Ceremony Design Exhibition, and the 16th Japan Ceramic Art Exhibition \"Tanba Tea Caddy\"\u003c\/li\u003e\n\n\u003cli\u003e 2002: Changed his name from Katsuaki to the second generation \"Ichino Shinsui\", was selected for the Exhibition of Tea Ceremony Forms, and held the Ichino Shinsui Succession Exhibition at Osaka Takashimaya and JR Nagoya Takashimaya\u003c\/li\u003e\n\n \u003cli\u003e2003: Selected for the Tea Ceremony Art Exhibition, Japanese Ceramic Art Exhibition, Japanese Traditional Crafts Exhibition, solo exhibition at Yonago Takashimaya, Gallery Momoyama, and Kobe Daimaru\u003c\/li\u003e\n\n\u003cli\u003e 2004: Solo exhibition at Houeidou, solo exhibition at JR Nagoya Takashimaya\u003c\/li\u003e\n\n\u003cli\u003e 2005: Selected for the Tea Ceremony Art Exhibition, Selected for the Japanese Ceramic Art Exhibition, Solo exhibition at Gallery Kurimoto, Solo exhibition at Kyoto Takashimaya\u003c\/li\u003e\n\n\u003cli\u003e 2006: Solo exhibition at Yonago Takashimaya, Osaka Takashimaya, Shimonoseki Daimaru, Gallery Tsuboya\u003c\/li\u003e\n\n\u003cli\u003e 2007: Exhibited ceramics from Hyogo, selected for the Japan Traditional Crafts Exhibition, solo exhibition at JR Nagoya Takashimaya\u003c\/li\u003e\n\n\u003cli\u003e 2008: Selected for the Japan Traditional Crafts Exhibition, Gallery Kurimoto solo exhibition\u003c\/li\u003e\n\n\u003cli\u003e 2009: Solo exhibition at Osaka Takashimaya, solo exhibition at Yonago Takashimaya\u003c\/li\u003e\n\n\u003cli\u003e 2011: Selected for the Japan Traditional Crafts Exhibition\u003c\/li\u003e\n\n\u003cli\u003e 2014: Selected for the Japan Traditional Crafts Kinki Exhibition\u003c\/li\u003e\n\n\u003cli\u003e 2015: Selected for the Japan Traditional Crafts Kinki Exhibition, and the Japan Traditional Crafts Exhibition\u003c\/li\u003e\n\n\u003cli\u003e 2016: Selected for the Japan Traditional Crafts Kinki Exhibition, and the Japan Traditional Crafts Exhibition\u003c\/li\u003e\n\n\u003cli\u003e 2017: Selected for the Japan Traditional Crafts Exhibition\u003c\/li\u003e\n\n\u003cli\u003e 2018: Selected for the Japan Traditional Crafts Exhibition\u003c\/li\u003e\n\n \u003cli\u003e2022: Selected for the Japan Traditional Crafts Exhibition \u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003c!----\u003e","brand":"陶器の専門店【甘木道】","offers":[{"title":"Default Title","offer_id":48175581528344,"sku":"","price":187000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0668\/2332\/3928\/files\/IMG_524aaaa5.jpg?v=1713077143"},{"product_id":"丹波黒釉茶盌-市野信水","title":"Tanba black matcha tea bowl by Shinsui Ichino","description":"\u003ch3 class=\"\" data-end=\"20\" data-start=\"0\"\u003e Tanba black glaze tea bowl - Shinsui Ichino\u003c\/h3\u003e\n\n\u003ch4 class=\"\" data-end=\"71\" data-start=\"54\"\u003e The deep luster of the black glaze\u003c\/h4\u003e\n\n\u003cp class=\"\" data-end=\"248\" data-start=\"72\"\u003e The black glaze applied to this piece is a lustrous jet black, born from the iron-rich clay of Tamba and the reducing flames of a climbing kiln. When light hits it, subtle greens and browns flicker within the black, softly reflecting the light of the lanterns and candles in the tea room. The golden flecks scattered across the surface are a pattern known as \"goma\" (sesame seeds), created when ash melts during firing, and they add a touch of stardust to the quiet black.\u003c\/p\u003e\n\n\u003ch4 class=\"\" data-end=\"269\" data-start=\"250\"\u003e A refined design that embodies wabi\u003c\/h4\u003e\n\n \u003cp class=\"\" data-end=\"448\" data-start=\"270\"\u003eThe slightly taut waist and slightly inward-curved rim create a silhouette resembling that of a cylindrical tea bowl, calculated to allow the tea to rise richly during the tea ceremony. After being shaped on a potter's wheel, the bowl is gently pressed with the fingers to create gentle irregularities that give rhythm to the body and prevent the black glaze, which has a large amount of white space, from appearing monotonous. The mouth is slightly angular on all four sides, leaving a soft, irregular shape, giving it a simple appearance reminiscent of Rikyu's wabi-cha tea.\u003c\/p\u003e\n\n\u003ch4 class=\"\" data-end=\"471\" data-start=\"450\"\u003e The \"Tamba style\" created by rough earth and fire\u003c\/h4\u003e\n\n\u003cp class=\"\" data-end=\"623\" data-start=\"472\"\u003e The coarse clay peeking out from the side of the foot is the epitome of rustic charm, achieved by using Tanba mountain soil, which contains granite, with almost no refinement. The thick base, which remains uncarved, provides solid support for the vessel, enhancing stability when brewing matcha. The firing is carried out in a climbing kiln where firewood is continuously burned for more than three days and nights, and the flow of the flames and the falling of the ash create a unique appearance that differs from piece to piece.\u003c\/p\u003e\n\n \u003ch4 class=\"\" data-end=\"647\" data-start=\"625\"\u003eThe skills and aesthetic sense of the second generation Ichino Shinsui\u003c\/h4\u003e\n\n\u003cp class=\"\" data-end=\"777\" data-start=\"648\"\u003e Shinsui Ichino has added his own unique sensibility to the potter's wheel techniques inherited from the founder, and has explored the possibilities of the \"black glaze\" that is rare in the ancient Tamba kilns. By adjusting the amount of iron and delicately controlling the firing atmosphere, he has given the black glaze, which tends to be heavy, a sense of transparency and depth, achieving a refined look that stands out even in modern tea ceremonies.\u003c\/p\u003e\n\n\u003ch4 class=\"\" data-end=\"796\" data-start=\"779\"\u003e Functional beauty that stands out at tea ceremonies\u003c\/h4\u003e\n\n\u003cp class=\"\" data-end=\"847\" data-start=\"799\"\u003e \u003cstrong data-end=\"808\" data-start=\"799\"\u003eMatcha color\u003c\/strong\u003e : The jet-black glaze surface brings out the vivid green of the brewed matcha, delighting the eyes of your guests.\u003c\/p\u003e\n\n\u003cp class=\"\" data-end=\"897\" data-start=\"850\"\u003e \u003cstrong data-end=\"859\" data-start=\"850\"\u003eEasy to hold\u003c\/strong\u003e : The uneven surface of the bowl provides a comfortable grip for your fingers, allowing you to lift even hot bowls steadily.\u003c\/p\u003e\n\n\u003cp class=\"\" data-end=\"953\" data-start=\"900\"\u003e \u003cstrong data-end=\"908\" data-start=\"900\"\u003eSuitable for all seasons\u003c\/strong\u003e : The cylindrical shape provides excellent heat retention, making it ideal for the hearth season. It has the capacity to be used for both thin and thick tea.\u003c\/p\u003e\n\n \u003ch4 class=\"\" data-end=\"974\" data-start=\"955\"\u003eFor long-term use\u003c\/h4\u003e\n\n\u003cp class=\"\" data-end=\"1024\" data-start=\"978\"\u003e If you rinse it lightly with water before use, the tea stains will soak in evenly and create a beautiful appearance.\u003c\/p\u003e\n\n\u003cp class=\"\" data-end=\"1071\" data-start=\"1028\"\u003e After use, wash gently with lukewarm water, wipe dry with a soft cloth and dry in the shade.\u003c\/p\u003e\n\n\u003cp class=\"\" data-end=\"1124\" data-start=\"1075\"\u003e The gloss of the black glaze becomes more subdued with use, and the gold color of the sesame seeds becomes more prominent. The change over time is the real pleasure of this piece. \u003c\/p\u003e\n\n\u003chr class=\"\" data-end=\"1129\" data-start=\"1126\"\u003e\n\n\u003cp class=\"\" data-end=\"1270\" data-start=\"1131\"\u003e This Tanba black glaze tea bowl by Ichino Shinsui seems to capture the twinkling of stars in its deep jet black. Combining rustic charm with refinement, this bowl will bring a quiet sense of tension and warmth to your tea ceremony, transforming your daily tea time into an exceptional moment. We hope you will treasure it for many years to come, and enjoy the beauty of its refined beauty that deepens with time.\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eHistory of pottery making\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e 1957: Born in Tachikui, Tanba as the eldest son of the founder Shinsui\u003c\/li\u003e\n\n\u003cli\u003e 1980: Started making pottery in Tamba Tachikui, selected for the Prefectural Exhibition\u003c\/li\u003e\n\n \u003cli\u003e1983: Received the Cultural Association Award at the Prefectural Crafts and Arts Exhibition\u003c\/li\u003e\n\n\u003cli\u003e 1984: Received the Association Award at the Prefectural Crafts and Arts Exhibition and became a member of the Prefectural Crafts and Arts Artists Association.\u003c\/li\u003e\n\n\u003cli\u003e 1985: Selected for the All Kansai Art Exhibition\u003c\/li\u003e\n\n\u003cli\u003e 1986: Selected for the Japan Crafts Association Kinki Exhibition\u003c\/li\u003e\n\n\u003cli\u003e 1989: Selected for the Tea Ceremony Art Exhibition, Osaka Takashimaya Two-Person Exhibition, Japan Traditional Crafts Exhibition for the first time, Toyota Sogo Three-Person Exhibition\u003c\/li\u003e\n\n\u003cli\u003e 1990: Selected for the Japan Traditional Crafts Exhibition\u003c\/li\u003e\n\n\u003cli\u003e 1991: Selected for the Tea Ceremony Art Exhibition, Osaka Takashimaya Two-Person Exhibition, Prefectural Crafts and Arts Exhibition, Kobe Shimbun Grand Prize\u003c\/li\u003e\n\n\u003cli\u003e 1992: Selected for the Ikebukuro Seibu Horaikai Exhibition, the Tea Ceremony Forms Exhibition, and the Japan Traditional Crafts Exhibition\u003c\/li\u003e\n\n\u003cli\u003e 1993: Selected for the Tea Ceremony Art Exhibition, Selected for the Japan Traditional Crafts Exhibition, Certified as a full member of the Japan Crafts Association, Received the Kobe Shimbun Grand Prize at the Prefectural Crafts and Arts Exhibition\u003c\/li\u003e\n\n\u003cli\u003e 1995: Solo exhibition at Osaka Takashimaya, selected for the Tea Ceremony Design Exhibition, selected for the Japan Traditional Crafts Exhibition\u003c\/li\u003e\n\n\u003cli\u003e 1996: Selected for Gallery Kurimoto solo exhibition and Japan Traditional Crafts Exhibition\u003c\/li\u003e\n\n \u003cli\u003e1997: Solo exhibition at Osaka Takashimaya, selected for the Tea Ceremony Design Exhibition, solo exhibition at Mito Keisei Department Store, solo exhibition at Gallery Eikosha\u003c\/li\u003e\n\n\u003cli\u003e 1998: Solo exhibition at Gallery Kurimoto, selected for the Exhibition of Tea Ceremony Designs, solo exhibition at Daikokuya, solo exhibition at Osaka Takashimaya\u003c\/li\u003e\n\n\u003cli\u003e 1999: Selected for the Tea Ceremony Art Exhibition, Solo Exhibition at Toyota Sogo\u003c\/li\u003e\n\n\u003cli\u003e 2000: Selected for the Tea Ceremony Design Exhibition\u003c\/li\u003e\n\n\u003cli\u003e 2001: Selected for the Tea Ceremony Design Exhibition, and the 16th Japan Ceramic Art Exhibition \"Tanba Tea Caddy\"\u003c\/li\u003e\n\n\u003cli\u003e 2002: Changed his name from Katsuaki to the second generation \"Ichino Shinsui\", was selected for the Exhibition of Tea Ceremony Forms, and held the Ichino Shinsui Succession Exhibition at Osaka Takashimaya and JR Nagoya Takashimaya\u003c\/li\u003e\n\n\u003cli\u003e 2003: Selected for the Tea Ceremony Art Exhibition, Japanese Ceramic Art Exhibition, Japanese Traditional Crafts Exhibition, solo exhibition at Yonago Takashimaya, Gallery Momoyama, and Kobe Daimaru\u003c\/li\u003e\n\n\u003cli\u003e 2004: Solo exhibition at Houeidou, solo exhibition at JR Nagoya Takashimaya\u003c\/li\u003e\n\n\u003cli\u003e 2005: Selected for the Tea Ceremony Art Exhibition, Selected for the Japanese Ceramic Art Exhibition, Solo exhibition at Gallery Kurimoto, Solo exhibition at Kyoto Takashimaya\u003c\/li\u003e\n\n \u003cli\u003e2006: Solo exhibition at Yonago Takashimaya, Osaka Takashimaya, Shimonoseki Daimaru, Gallery Tsuboya\u003c\/li\u003e\n\n\u003cli\u003e 2007: Exhibited ceramics from Hyogo, selected for the Japan Traditional Crafts Exhibition, solo exhibition at JR Nagoya Takashimaya\u003c\/li\u003e\n\n\u003cli\u003e 2008: Selected for the Japan Traditional Crafts Exhibition, Gallery Kurimoto solo exhibition\u003c\/li\u003e\n\n\u003cli\u003e 2009: Solo exhibition at Osaka Takashimaya, solo exhibition at Yonago Takashimaya\u003c\/li\u003e\n\n\u003cli\u003e 2011: Selected for the Japan Traditional Crafts Exhibition\u003c\/li\u003e\n\n\u003cli\u003e 2014: Selected for the Japan Traditional Crafts Kinki Exhibition\u003c\/li\u003e\n\n\u003cli\u003e 2015: Selected for the Japan Traditional Crafts Kinki Exhibition, and the Japan Traditional Crafts Exhibition\u003c\/li\u003e\n\n\u003cli\u003e 2016: Selected for the Japan Traditional Crafts Kinki Exhibition, and the Japan Traditional Crafts Exhibition\u003c\/li\u003e\n\n\u003cli\u003e 2017: Selected for the Japan Traditional Crafts Exhibition\u003c\/li\u003e\n\n\u003cli\u003e 2018: Selected for the Japan Traditional Crafts Exhibition\u003c\/li\u003e\n\n\u003cli\u003e 2022: Selected for the Japan Traditional Crafts Exhibition \u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003c!----\u003e","brand":"陶器の専門店【甘木道】","offers":[{"title":"Default Title","offer_id":48175813394712,"sku":"","price":187000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0668\/2332\/3928\/files\/IMG_5427bb.jpg?v=1713077489"},{"product_id":"丹波茶盌-市野信水","title":"Supreme quality Tanba matcha tea bowl by Shinsui Ichino","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\n\u003ch3 data-start=\"0\" data-end=\"18\" class=\"\"\u003e Tanba Tea Bowl - Shinsui Ichino\u003c\/h3\u003e\n\n\u003ch4 data-start=\"55\" data-end=\"77\" class=\"\"\u003e 1. The clay surface reflects the origins of Tamba ware\u003c\/h4\u003e\n\n \u003cp data-start=\"78\" data-end=\"227\" class=\"\"\u003eThe rough clay from Tanba, carefully selected by Ichino Shinsui, has been kneaded to retain the granite grains and iron content. As a result, tiny quartz grains sparkle like stardust on the surface of the vessel, and iron flecks add a rustic accent. The gradation of the deep purple and pale ochre tones that the clay itself embodies quietly speaks of the beauty of wabi, or refined elegance, without relying on glazes.\u003c\/p\u003e\n\n\u003ch4 data-start=\"229\" data-end=\"251\" class=\"\"\u003e 2. The scenery of \"kiln changes\" created by the flames of a wood-fired kiln\u003c\/h4\u003e\n\n\u003cp data-start=\"252\" data-end=\"394\" class=\"\"\u003e The whitish-gray granular texture that spreads across the bottom of the body is evidence that ash from the wood that was burned in the climbing kiln for more than three days and nights naturally fell, accumulated, and melted into a glassy substance. An olive-colored ash glaze flows thickly around the rim, forming pools in places and giving it a glossy finish. Because the flow of the flame and the way the ash falls are different for each piece, no two pieces will have the same texture.\u003c\/p\u003e\n\n\u003ch4 data-start=\"396\" data-end=\"419\" class=\"\"\u003e 3. A refined design that embodies the concept of wabi-sabi\u003c\/h4\u003e\n\n \u003cp data-start=\"420\" data-end=\"564\" class=\"\"\u003eThe slightly narrowed body and gently flared rim create a form similar to that of a tub, allowing the matcha to foam up richly and presenting a beautiful appearance to the customer. After being shaped on the potter's wheel, the slight wobble that remains in the fingers brings a gentle rhythm to the handle, making it less tiring to hold even after long hours of practice.\u003c\/p\u003e\n\n\u003ch4 data-start=\"566\" data-end=\"592\" class=\"\"\u003e 4. The unique individuality of seashells\u003c\/h4\u003e\n\n\u003cp data-start=\"593\" data-end=\"725\" class=\"\"\u003e The small circular depressions that remain on the sides of the foot are traces of clam shells that supported the vessel during firing - \"kaime\" (shell marks). When ash melts into these depressions, a pale dark brown ring is created, highlighting the individuality of the piece, almost like an inscription imprinted by nature. Kaime has long been known as the \"handprint of the kiln god,\" and has been prized as a once-in-a-lifetime sight.\u003c\/p\u003e\n\n\u003ch4 data-start=\"727\" data-end=\"746\" class=\"\"\u003e 5. Functional beauty that stands out at tea ceremonies\u003c\/h4\u003e\n\n \u003cp data-start=\"749\" data-end=\"790\" class=\"\"\u003e\u003cstrong data-start=\"749\" data-end=\"758\"\u003eMatcha color\u003c\/strong\u003e : The rustic clay surface and ash glaze bring out the fresh green color of the brewed matcha.\u003c\/p\u003e\n\n\u003cp data-start=\"793\" data-end=\"840\" class=\"\"\u003e \u003cstrong data-start=\"793\" data-end=\"802\"\u003eEasy to hold\u003c\/strong\u003e : The slight unevenness of the body provides a comfortable grip for your fingers, allowing you to handle even hot bowls steadily.\u003c\/p\u003e\n\n\u003cp data-start=\"843\" data-end=\"889\" class=\"\"\u003e \u003cstrong data-start=\"843\" data-end=\"851\"\u003eSuitable for various seasons\u003c\/strong\u003e : The diameter is not too wide and it has excellent heat retention, making it useful during both hearth and brazier seasons.\u003c\/p\u003e\n\n\u003ch4 data-start=\"891\" data-end=\"909\" class=\"\"\u003e 6. The joy of growing it for years to come\u003c\/h4\u003e\n\n\u003cp data-start=\"913\" data-end=\"947\" class=\"\"\u003e When using for the first time, rinse lightly with water to moisten the surface of the vessel before serving.\u003c\/p\u003e\n\n\u003cp data-start=\"951\" data-end=\"999\" class=\"\"\u003e After use, rinse quickly with lukewarm water, wipe off any excess water with a soft cloth, and then dry thoroughly in the shade.\u003c\/p\u003e\n\n\u003cp data-start=\"1003\" data-end=\"1053\" class=\"\"\u003e Enjoy the changes that occur over time as the tea stains and ingredients from the hot water slowly seep into the clay, making it moist and richer.\u003c\/p\u003e\n\n\u003chr data-start=\"1055\" data-end=\"1058\" class=\"\"\u003e\n\n \u003cp data-start=\"1060\" data-end=\"1187\" class=\"\"\u003eA unique scene woven by the clay, which embodies the spirit of wabi-sabi, and the flames of the climbing kiln. Ichino Shinsui's Tamba tea bowl brings a quiet sense of tension and warmth to the tea ceremony, transforming a cup of matcha into an exceptional moment. Please cherish it for many years to come, and enjoy the \"Tamba scenery\" that deepens with the passage of time.\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eHistory of pottery making\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e 1957: Born in Tachikui, Tanba as the eldest son of the founder Shinsui\u003c\/li\u003e\n\n\u003cli\u003e 1980: Started making pottery in Tamba Tachikui, selected for the Prefectural Exhibition\u003c\/li\u003e\n\n\u003cli\u003e 1983: Received the Cultural Association Award at the Prefectural Crafts and Arts Exhibition\u003c\/li\u003e\n\n\u003cli\u003e 1984: Received the Association Award at the Prefectural Crafts and Arts Exhibition and became a member of the Prefectural Crafts and Arts Artists Association.\u003c\/li\u003e\n\n\u003cli\u003e 1985: Selected for the All Kansai Art Exhibition\u003c\/li\u003e\n\n\u003cli\u003e 1986: Selected for the Japan Crafts Association Kinki Exhibition\u003c\/li\u003e\n\n\u003cli\u003e 1989: Selected for the Tea Ceremony Art Exhibition, Osaka Takashimaya Two-Person Exhibition, Japan Traditional Crafts Exhibition for the first time, Toyota Sogo Three-Person Exhibition\u003c\/li\u003e\n\n\u003cli\u003e 1990: Selected for the Japan Traditional Crafts Exhibition\u003c\/li\u003e\n\n \u003cli\u003e1991: Selected for the Tea Ceremony Art Exhibition, Osaka Takashimaya Two-Person Exhibition, Prefectural Crafts and Arts Exhibition, Kobe Shimbun Grand Prize\u003c\/li\u003e\n\n\u003cli\u003e 1992: Selected for the Ikebukuro Seibu Horaikai Exhibition, the Tea Ceremony Forms Exhibition, and the Japan Traditional Crafts Exhibition\u003c\/li\u003e\n\n\u003cli\u003e 1993: Selected for the Tea Ceremony Art Exhibition, Selected for the Japan Traditional Crafts Exhibition, Certified as a full member of the Japan Crafts Association, Received the Kobe Shimbun Grand Prize at the Prefectural Crafts and Arts Exhibition\u003c\/li\u003e\n\n\u003cli\u003e 1995: Solo exhibition at Osaka Takashimaya, selected for the Tea Ceremony Design Exhibition, selected for the Japan Traditional Crafts Exhibition\u003c\/li\u003e\n\n\u003cli\u003e 1996: Selected for Gallery Kurimoto solo exhibition and Japan Traditional Crafts Exhibition\u003c\/li\u003e\n\n\u003cli\u003e 1997: Solo exhibition at Osaka Takashimaya, selected for the Tea Ceremony Design Exhibition, solo exhibition at Mito Keisei Department Store, solo exhibition at Gallery Eikosha\u003c\/li\u003e\n\n\u003cli\u003e 1998: Solo exhibition at Gallery Kurimoto, selected for the Exhibition of Tea Ceremony Designs, solo exhibition at Daikokuya, solo exhibition at Osaka Takashimaya\u003c\/li\u003e\n\n\u003cli\u003e 1999: Selected for the Tea Ceremony Art Exhibition, Solo Exhibition at Toyota Sogo\u003c\/li\u003e\n\n\u003cli\u003e 2000: Selected for the Tea Ceremony Design Exhibition\u003c\/li\u003e\n\n\u003cli\u003e 2001: Selected for the Tea Ceremony Design Exhibition, and the 16th Japan Ceramic Art Exhibition \"Tanba Tea Caddy\"\u003c\/li\u003e\n\n \u003cli\u003e2002: Changed his name from Katsuaki to the second generation \"Ichino Shinsui\", was selected for the Exhibition of Tea Ceremony Forms, and held the Ichino Shinsui Succession Exhibition at Osaka Takashimaya and JR Nagoya Takashimaya\u003c\/li\u003e\n\n\u003cli\u003e 2003: Selected for the Tea Ceremony Art Exhibition, Japanese Ceramic Art Exhibition, Japanese Traditional Crafts Exhibition, solo exhibition at Yonago Takashimaya, Gallery Momoyama, and Kobe Daimaru\u003c\/li\u003e\n\n\u003cli\u003e 2004: Solo exhibition at Houeidou, solo exhibition at JR Nagoya Takashimaya\u003c\/li\u003e\n\n\u003cli\u003e 2005: Selected for the Tea Ceremony Art Exhibition, Selected for the Japanese Ceramic Art Exhibition, Solo exhibition at Gallery Kurimoto, Solo exhibition at Kyoto Takashimaya\u003c\/li\u003e\n\n\u003cli\u003e 2006: Solo exhibition at Yonago Takashimaya, Osaka Takashimaya, Shimonoseki Daimaru, Gallery Tsuboya\u003c\/li\u003e\n\n\u003cli\u003e 2007: Exhibited ceramics from Hyogo, selected for the Japan Traditional Crafts Exhibition, solo exhibition at JR Nagoya Takashimaya\u003c\/li\u003e\n\n\u003cli\u003e 2008: Selected for the Japan Traditional Crafts Exhibition, Gallery Kurimoto solo exhibition\u003c\/li\u003e\n\n\u003cli\u003e 2009: Solo exhibition at Osaka Takashimaya, solo exhibition at Yonago Takashimaya\u003c\/li\u003e\n\n\u003cli\u003e 2011: Selected for the Japan Traditional Crafts Exhibition\u003c\/li\u003e\n\n\u003cli\u003e 2014: Selected for the Japan Traditional Crafts Kinki Exhibition\u003c\/li\u003e\n\n\u003cli\u003e 2015: Selected for the Japan Traditional Crafts Kinki Exhibition, and the Japan Traditional Crafts Exhibition\u003c\/li\u003e\n\n \u003cli\u003e2016: Selected for the Japan Traditional Crafts Kinki Exhibition, and the Japan Traditional Crafts Exhibition\u003c\/li\u003e\n\n\u003cli\u003e 2017: Selected for the Japan Traditional Crafts Exhibition\u003c\/li\u003e\n\n\u003cli\u003e 2018: Selected for the Japan Traditional Crafts Exhibition\u003c\/li\u003e\n\n\u003cli\u003e 2022: Selected for the Japan Traditional Crafts Exhibition\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"陶器の専門店【甘木道】","offers":[{"title":"Default Title","offer_id":48175817654552,"sku":"","price":187000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0668\/2332\/3928\/files\/IMG_535aa2.jpg?v=1713077719"},{"product_id":"丹波金彩窯変茶盌-正元直作","title":"Gold matcha tea bowl by Naosaku","description":"\u003ch3 data-start=\"0\" data-end=\"22\" class=\"\"\u003e Tanba gold-painted kiln-change tea bowl - Naosaku Masamoto\u003c\/h3\u003e\n\n\u003cp data-start=\"23\" data-end=\"47\" class=\"\"\u003e \u003cem data-start=\"23\" data-end=\"45\"\u003eHeight 7.2 cm x diameter 14 cm\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch4 data-start=\"54\" data-end=\"72\" class=\"\"\u003e The brilliance and emotiveness created by gold leaf\u003c\/h4\u003e\n\n\u003cp data-start=\"73\" data-end=\"225\" class=\"\"\u003e The gold leaf applied to the entire inside shimmers delicately in the soft light, casting a mysterious light that resembles moonlight reflected on the surface of the matcha tea. The gold leaf changes its faint glow with the movement of the tea whisk, creating a quiet sense of exhilaration between host and guest. The gold leaf is thin and uniform, and when you run your finger over it, you can feel the subtle unevenness, evoking the careful brushwork of Masamoto Naosaku.\u003c\/p\u003e\n\n\u003ch4 data-start=\"227\" data-end=\"247\" class=\"\"\u003e Scenery of \"heaven and earth\" depicted by kiln changes\u003c\/h4\u003e\n\n \u003cp data-start=\"248\" data-end=\"396\" class=\"\"\u003eThe exterior of the body shows dramatic changes due to wood-fired firing. The color changes from sandy gold to deep orange around the rim, the center has a metallic luster close to ink blue, and the lower body has a misty, indigo-gray glaze. The ash-covered lines that blur the boundaries between these two elements evoke the horizon before dawn, creating a dialogue with the heavens symbolized by the gold leaf.\u003c\/p\u003e\n\n\u003ch4 data-start=\"398\" data-end=\"418\" class=\"\"\u003e Rough clay from Tanba × Precision potter's wheel\u003c\/h4\u003e\n\n\u003cp data-start=\"419\" data-end=\"575\" class=\"\"\u003e Granite grains unique to Tamba remain in various places in the clay, and when the light hits them, they sparkle like tiny stardust. The base is cut slightly higher, and the wheel marks have been carefully removed, while still leaving a slight fluctuation that gently guides the handle. The shallow bowl shape, with a wide, open body, beautifully shows the way the thin tea spreads out softly, while also smoothing the movement of the tea ceremony.\u003c\/p\u003e\n\n\u003ch4 data-start=\"577\" data-end=\"593\" class=\"\"\u003e Functional beauty that stands out at tea ceremonies\u003c\/h4\u003e\n\n \u003cp data-start=\"596\" data-end=\"642\" class=\"\"\u003e\u003cstrong data-start=\"596\" data-end=\"605\"\u003eThe color of the matcha\u003c\/strong\u003e : The reflected light from the gold makes the green stand out brightly, naturally drawing the customer's attention to the inside.\u003c\/p\u003e\n\n\u003cp data-start=\"645\" data-end=\"692\" class=\"\"\u003e \u003cstrong data-start=\"645\" data-end=\"654\"\u003eHeat and cold retention\u003c\/strong\u003e : The varying thickness of the base keeps the temperature constant, making it useful in any season.\u003c\/p\u003e\n\n\u003cp data-start=\"695\" data-end=\"748\" class=\"\"\u003e \u003cstrong data-start=\"695\" data-end=\"704\"\u003eEase of use\u003c\/strong\u003e : The beveled rim makes it soft on the lips, and the gentle curve of the body fits comfortably in the palm of your hand.\u003c\/p\u003e\n\n\u003ch4 data-start=\"750\" data-end=\"767\" class=\"\"\u003e A landscape that grows with age\u003c\/h4\u003e\n\n\u003cp data-start=\"768\" data-end=\"918\" class=\"\"\u003e As the piece is repeatedly used for tea ceremonies, the gold leaf will mix with the ingredients of matcha and take on a soft, antique color. Meanwhile, the outer kiln-transformed surface will lose its luster with use, and the indigo gray areas will gain depth. The years will imprint different changes on both the glaze and the gold leaf, and the process of these changes coming together to form a one-of-a-kind landscape is the true joy of developing this piece in your own hands.\u003c\/p\u003e\n\n \u003ch4 data-start=\"920\" data-end=\"935\" class=\"\"\u003eHandling precautions\u003c\/h4\u003e\n\n\u003cp data-start=\"939\" data-end=\"973\" class=\"\"\u003e When using for the first time, please blanch the pot lightly in boiling water to allow the surface to become accustomed to the product before use.\u003c\/p\u003e\n\n\u003cp data-start=\"977\" data-end=\"1024\" class=\"\"\u003e After use, gently wash with lukewarm water, wipe off any excess water with a soft cloth, and then dry in the shade.\u003c\/p\u003e\n\n\u003cp data-start=\"1028\" data-end=\"1073\" class=\"\"\u003e Please avoid rubbing the gold leaf with a hard sponge or abrasive powder. This will help the thin gold film last longer. \u003c\/p\u003e\n\n\u003chr data-start=\"1075\" data-end=\"1078\" class=\"\"\u003e\n\n\u003cp data-start=\"1080\" data-end=\"1193\" class=\"\"\u003e Sparkling gold and earth-like kiln-changed finishes—the \"Tamba Gold-Colored Kiln-Changed Tea Bowl by Masamoto Naosaku\" is a rare bowl that combines luxury and natural beauty, bringing elegance and warmth to your tea ceremony. We hope you will treasure it for many years to come, and enjoy the story of light and shadow that deepens with time.\u003c\/p\u003e","brand":"陶器の専門店【甘木道】","offers":[{"title":"Default Title","offer_id":48176349348120,"sku":"","price":110000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0668\/2332\/3928\/files\/IMG_6199bb.jpg?v=1713080021"},{"product_id":"白丹波茶盌-正元直作","title":"kawaii matcha tea bowl, made by Naosaku","description":"\u003ch3 data-start=\"0\" data-end=\"19\" class=\"\"\u003e White Tanba tea bowl - Naosaku Masamoto\u003c\/h3\u003e\n\n\u003cp data-start=\"20\" data-end=\"46\" class=\"\"\u003e \u003cem data-start=\"20\" data-end=\"44\"\u003eHeight 8.5 cm x diameter 12.5 cm\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch4 data-start=\"53\" data-end=\"75\" class=\"\"\u003e 1. The pure beauty of the white Tanba glaze\u003c\/h4\u003e\n\n \u003cp data-start=\"76\" data-end=\"245\" class=\"\"\u003eThe white Tanba glaze that covers the outside and inside of this piece is a pale milky white with a hint of cherry blossom pink, exuding a delicate light that seems to capture the mist of early spring. Slowly fired in a reducing flame, the glaze surface has a soft, glassy luster, while still leaving a cool, pleasant sensation of tension on the fingertips. When tea is made, the fresh green of the matcha creates a striking contrast with the white glaze, quietly catching the customer's eye.\u003c\/p\u003e\n\n\u003ch4 data-start=\"247\" data-end=\"278\" class=\"\"\u003e 2. A starry landscape created by countless crazes\u003c\/h4\u003e\n\n\u003cp data-start=\"279\" data-end=\"418\" class=\"\"\u003e The fine crazing running across the surface of the vessel is a natural pattern created by the difference in shrinkage between the glaze and the clay. Iron powder peeking out here and there, like pointillism, creates an effect reminiscent of stardust twinkling in the night sky. With use, the crazing will soak in tea stains, and pale brown lines will emerge on the milky white surface, developing into a landscape unique to the owner.\u003c\/p\u003e\n\n\u003ch4 data-start=\"420\" data-end=\"440\" class=\"\"\u003e 3. A neat design that fits snugly in the palm of your hand\u003c\/h4\u003e\n\n \u003cp data-start=\"441\" data-end=\"623\" class=\"\"\u003eThe slightly bulging body and modestly narrowed rim create a form similar to a \"tube tea bowl,\" providing excellent heat retention and making it suitable for use over both a hearth and a brazier. The base is slightly raised and the base is just deep enough to allow the tea whisk to fit naturally and create a beautiful, even foam. The swaying of the body, with the traces of the potter's wheel perfectly erased, transmits a gentle rhythm to the palm, preventing fatigue even after long hours of practice.\u003c\/p\u003e\n\n\u003ch4 data-start=\"625\" data-end=\"650\" class=\"\"\u003e 4. The tradition of Masamoto Naosaku's \"Naosaku Kiln\"\u003c\/h4\u003e\n\n\u003cp data-start=\"651\" data-end=\"776\" class=\"\"\u003e Naosaku Kiln is one of the oldest kilns in the Tanba Six Ancient Kilns lineage, and continues to maintain the tradition of long firing times in climbing kilns burning red pine firewood. In this piece, a small amount of wood ash falls on the rim, lightly melting the white glaze and creating a pale pink color, giving us a glimpse of that traditional technique.\u003c\/p\u003e\n\n\u003ch4 data-start=\"778\" data-end=\"796\" class=\"\"\u003e 5. Functional beauty that shines at tea ceremonies\u003c\/h4\u003e\n\n \u003cp data-start=\"799\" data-end=\"835\" class=\"\"\u003e\u003cstrong data-start=\"799\" data-end=\"808\"\u003eMatcha color\u003c\/strong\u003e : The milky white glaze surface brings out the fresh green color of the matcha.\u003c\/p\u003e\n\n\u003cp data-start=\"838\" data-end=\"885\" class=\"\"\u003e \u003cstrong data-start=\"838\" data-end=\"845\"\u003eHeat retention\u003c\/strong\u003e : The thick clay pot slows the drop in water temperature, allowing for more leisurely tea ceremony movements.\u003c\/p\u003e\n\n\u003cp data-start=\"888\" data-end=\"941\" class=\"\"\u003e \u003cstrong data-start=\"888\" data-end=\"897\"\u003eEasy to hold\u003c\/strong\u003e : The slight tension in the body and the height of the base provide a comfortable grip for your fingers, allowing you to handle even hot bowls steadily.\u003c\/p\u003e\n\n\u003ch4 data-start=\"943\" data-end=\"961\" class=\"\"\u003e 6. The joy of growing it forever\u003c\/h4\u003e\n\n\u003cp data-start=\"965\" data-end=\"1007\" class=\"\"\u003e When using for the first time, rinse the vessel lightly with water to moisten the cracks before making tea.\u003c\/p\u003e\n\n\u003cp data-start=\"1011\" data-end=\"1063\" class=\"\"\u003e After use, wash gently with lukewarm water, wipe off any excess water with a soft cloth, and then dry thoroughly in the shade.\u003c\/p\u003e\n\n\u003cp data-start=\"1067\" data-end=\"1116\" class=\"\"\u003e Please note that prolonged soaking or excessive use of detergent can cause unnecessary moisture and oil to get into the cracks.\u003c\/p\u003e\n\n \u003cp data-start=\"1120\" data-end=\"1168\" class=\"\"\u003eThe pale brown lines and spots created by tea stains can be enjoyed as a testament to the time spent with the vessel. \u003c\/p\u003e\n\n\u003chr data-start=\"1170\" data-end=\"1173\" class=\"\"\u003e\n\n\u003cp data-start=\"1175\" data-end=\"1298\" class=\"\"\u003e The pure white of the white Tanba glaze and the starry sky-like crazing create a scene of wabi (traditional Japanese beauty). This white Tanba tea bowl by Masamoto Naosaku imparts a quiet elegance to the tea ceremony, making it a \"tableware that grows\" with you, whether you're practicing daily or celebrating a special occasion. We hope you'll treasure it for many years to come, and enjoy the beauty that deepens with time.\u003c\/p\u003e","brand":"陶器の専門店【甘木道】","offers":[{"title":"Default Title","offer_id":48176412295448,"sku":"","price":110000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0668\/2332\/3928\/files\/IMG_6345bb.jpg?v=1713080249"},{"product_id":"丹波窯変焼締花入","title":"Tanba kiln-fired flower vase by Naosaku","description":"\u003ch3 data-start=\"0\" data-end=\"22\" class=\"\"\u003e Tanba kiln-fired flower vase - Naosaku Masamoto\u003c\/h3\u003e\n\n\u003cp data-start=\"23\" data-end=\"45\" class=\"\"\u003e \u003cem data-start=\"23\" data-end=\"43\"\u003eHeight 25 cm x diameter 10 cm\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch4 data-start=\"52\" data-end=\"74\" class=\"\"\u003e 1. A unique scene created by flames\u003c\/h4\u003e\n\n \u003cp data-start=\"75\" data-end=\"233\" class=\"\"\u003eThis piece was fired in a climbing kiln for over three days and nights, and is a masterpiece of **yakishime**, colored without glaze using only wood ash. The deep green glass rising from the purple-brown base, and the silvery white crystals created by the ash that has accumulated like snow—these \"yakihen\" (kiln-changed) scenes are like a natural calligraphy woven together by chance between flame, ash, and earth, and no two pieces are the same.\u003c\/p\u003e\n\n\u003ch4 data-start=\"235\" data-end=\"257\" class=\"\"\u003e 2. Rough clay from Tanba and the skills of Masamoto Naosaku\u003c\/h4\u003e\n\n\u003cp data-start=\"258\" data-end=\"417\" class=\"\"\u003e The clay used for the vessel is rough, iron-rich soil collected from the Tanba Mountains, and the granite grains are intentionally left intact to emphasize the rustic charm. After shaping the vessel on a potter's wheel, Masamoto Naosaku gently shook the lines of the body with his fingers, creating a design that would highlight the shadows of the earth when light hits it. By slightly inclining the rim inward, the flowers placed inside are naturally stabilized, and the vessel has functional beauty that gently suppresses evaporation from the water's edge.\u003c\/p\u003e\n\n\u003ch4 data-start=\"419\" data-end=\"438\" class=\"\"\u003e 3. The capacity to bring out the flowers\u003c\/h4\u003e\n\n \u003cp data-start=\"441\" data-end=\"489\" class=\"\"\u003e\u003cstrong data-start=\"441\" data-end=\"448\"\u003eBranches\u003c\/strong\u003e : If you insert strong branches such as camellia, camellia, or plum, the vertical lines of the trunk will create a dignified and elegant look.\u003c\/p\u003e\n\n\u003cp data-start=\"492\" data-end=\"549\" class=\"\"\u003e \u003cstrong data-start=\"492\" data-end=\"499\"\u003eHerbs\u003c\/strong\u003e : When combined with slender herbs such as moss plum, daffodil, and begonia, the soft gray color accentuates their freshness.\u003c\/p\u003e\n\n\u003cp data-start=\"552\" data-end=\"610\" class=\"\"\u003e \u003cstrong data-start=\"552\" data-end=\"558\"\u003eSingle flower\u003c\/strong\u003e : The narrow design of the opening creates a picturesque space where even a single wild flower can be placed, adding a touch of wabi (traditional Japanese aesthetic) to the alcove.\u003c\/p\u003e\n\n\u003ch4 data-start=\"612\" data-end=\"632\" class=\"\"\u003e 4. The flavor deepens with time\u003c\/h4\u003e\n\n\u003cp data-start=\"633\" data-end=\"747\" class=\"\"\u003e The more you use a Yakishime vase, the more it absorbs moisture and air, and the surface becomes moist and supple. The gray surface gradually acquires a glossy finish, and the purple-brown body shows subtle color changes depending on the user's environment. We hope you will experience the joy of living with your vase over the years.\u003c\/p\u003e\n\n\u003ch4 data-start=\"749\" data-end=\"766\" class=\"\"\u003e 5. Care instructions\u003c\/h4\u003e\n\n \u003cp data-start=\"770\" data-end=\"804\" class=\"\"\u003eBefore use, rinse lightly with water to moisten the surface of the vessel and improve the lifespan of the flowers.\u003c\/p\u003e\n\n\u003cp data-start=\"808\" data-end=\"850\" class=\"\"\u003e After use, rinse the inside with a soft brush, wipe off any moisture with a dry cloth, and dry in the shade.\u003c\/p\u003e\n\n\u003cp data-start=\"854\" data-end=\"889\" class=\"\"\u003e Avoid using detergents and be careful not to interfere with the natural breathing of the ash skin. \u003c\/p\u003e\n\n\u003chr data-start=\"891\" data-end=\"894\" class=\"\"\u003e\n\n\u003cp data-start=\"896\" data-end=\"1007\" class=\"\"\u003e This piece, which combines the kiln changes accidentally created by the flames of a wood-fired kiln with the reliable technique of Masamoto Naosaku, will add a quiet elegance to the space whenever you arrange flowers in it, and enhance the colors of the seasons. Please cherish it for many years to come, and enjoy the natural beauty and wabi scenery that are unique to Tamba ware.\u003c\/p\u003e","brand":"陶器の専門店【甘木道】","offers":[{"title":"Default Title","offer_id":48176507158808,"sku":"","price":99000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0668\/2332\/3928\/files\/IMG_6257bb.jpg?v=1713080635"},{"product_id":"丹波窯変芋頭水指-正元直作","title":"美　風　道　響　夢　Tanba kiln-fired potato head water jar by Naosaku","description":"\u003ch3 data-start=\"0\" data-end=\"22\" class=\"\"\u003e Tanba kiln-fired potato-head water jar - by Masamoto Naosaku\u003c\/h3\u003e\n\n\u003cp data-start=\"23\" data-end=\"51\" class=\"\"\u003e \u003cem data-start=\"23\" data-end=\"49\"\u003eHeight 23.0 cm x maximum diameter 18.2 cm\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch4 data-start=\"58\" data-end=\"88\" class=\"\"\u003e 1. The sweet potato head shape exudes friendliness and elegance\u003c\/h4\u003e\n\n \u003cp data-start=\"89\" data-end=\"211\" class=\"\"\u003eWith a plump body reminiscent of a taro root and a narrowed opening, the soft form of the taro-head water jar brings a calming atmosphere to the tea ceremony. The perfect balance between the rounded shoulders and the firm, stable bottom gives it a dignified presence that belies its cute appearance.\u003c\/p\u003e\n\n\u003ch4 data-start=\"213\" data-end=\"231\" class=\"\"\u003e 2. The beauty of kiln changes created by flames\u003c\/h4\u003e\n\n\u003cp data-start=\"232\" data-end=\"391\" class=\"\"\u003e This piece is completely glaze-free and has been fired using the \u003cstrong data-start=\"261\" data-end=\"267\"\u003eYakishime\u003c\/strong\u003e technique, in which red pine firewood is burned in a climbing kiln for over three days and nights. The \"yaki-hen\" effect that the flames and ash have on the surface of the piece creates a blend of purple-brown, burnt brown, and moss green, with silvery crystals sparkling here and there like frost. These unique scenes are the result of a coincidence of the piece's location in the kiln, the way the ash falls, and the temperature changes of the flame.\u003c\/p\u003e\n\n\u003ch4 data-start=\"393\" data-end=\"409\" class=\"\"\u003e 3. The lineage of Nanban copies\u003c\/h4\u003e\n\n \u003cp data-start=\"410\" data-end=\"560\" class=\"\"\u003eThe Imogashira Mizujar is said to be a replica of a Nanban-yaki pot beloved by tea masters during the Momoyama period. Its simple form, which makes the most of the earthenware, and its powerfully yakishime surface are designs that are so closely associated with the tea ceremony that an ancient book describes it as \"a design beloved by connoisseurs.\" Masamoto Naosaku has inherited that spirit, using rough clay from Tamba and firing in a wood-fired kiln to bring the style of what could be called \"Japanese Nanban\" to life in the modern era.\u003c\/p\u003e\n\n\u003ch4 data-start=\"562\" data-end=\"579\" class=\"\"\u003e 4. The capacity to reflect the four seasons\u003c\/h4\u003e\n\n\u003cp data-start=\"582\" data-end=\"636\" class=\"\"\u003e \u003cstrong data-start=\"582\" data-end=\"589\"\u003eSpring\/Autumn\u003c\/strong\u003e : When combined with a pale pink camellia lid or a magnolia leaf lid, the warm earthy color gently captures the colors of the season.\u003c\/p\u003e\n\n\u003cp data-start=\"639\" data-end=\"690\" class=\"\"\u003e \u003cstrong data-start=\"639\" data-end=\"644\"\u003eSummer\u003c\/strong\u003e : When you place the included tamenuri lacquered lid on top, the cool black lacquer and the luster of the kiln-fired finish blend together to create a refreshing atmosphere.\u003c\/p\u003e\n\n\u003cp data-start=\"693\" data-end=\"734\" class=\"\"\u003e \u003cstrong data-start=\"693\" data-end=\"698\"\u003eWinter\u003c\/strong\u003e : The silver-gray color of the ash covering harmonizes with the scenery around the hearth, further enhancing the sense of wabi.\u003c\/p\u003e\n\n \u003ch4 data-start=\"736\" data-end=\"756\" class=\"\"\u003e5. Detailed design that supports the beauty of utility\u003c\/h4\u003e\n\n\u003cp data-start=\"757\" data-end=\"866\" class=\"\"\u003e The rim is thinly beveled, making it smooth to handle with a ladle. The gentle wheel marks on the body provide a stable grip, making it easy to handle. The inside is tightly fired, making it resistant to water absorption, making it durable enough for practical use at tea ceremonies.\u003c\/p\u003e\n\n\u003ch4 data-start=\"868\" data-end=\"886\" class=\"\"\u003e 6. Care and care\u003c\/h4\u003e\n\n\u003cp data-start=\"890\" data-end=\"920\" class=\"\"\u003e Before use, rinse lightly with water to moisten the surface.\u003c\/p\u003e\n\n\u003cp data-start=\"924\" data-end=\"963\" class=\"\"\u003e After use, rinse with lukewarm water, wipe dry with a soft cloth and dry in the shade.\u003c\/p\u003e\n\n\u003cp data-start=\"967\" data-end=\"1003\" class=\"\"\u003e Please avoid using detergents or soaking in water for long periods of time, and be careful not to prevent the enamel from breathing.\u003c\/p\u003e\n\n\u003chr data-start=\"1005\" data-end=\"1008\" class=\"\"\u003e\n\n \u003cp data-start=\"1010\" data-end=\"1135\" class=\"\"\u003eThe rough clay nurtured by the Tanba earth and the scenery of kiln changes accidentally created by the flames - \u003cstrong data-start=\"1046\" data-end=\"1058\"\u003ethe Tanba Kiln Change Imo-gashira Mizujar\u003c\/strong\u003e by Masamoto Naosaku is a masterpiece of tea ceremony utensils that blends tradition and innovation. Please nurture it for many years to come, changing the lid and accessories with each season, and savor the taste of wabi that deepens with the years.\u003c\/p\u003e","brand":"陶器の専門店【甘木道】","offers":[{"title":"Default Title","offer_id":48176562897176,"sku":"","price":165000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0668\/2332\/3928\/files\/IMG_6097bb.jpg?v=1720597030"},{"product_id":"丹波黒天目花入-正元直作","title":"Black Tenmoku vase by Naosaku","description":"\u003ch3 data-start=\"0\" data-end=\"21\" class=\"\"\u003e Tanba Black Tenmoku Vase - Made by Masamoto Naosaku\u003c\/h3\u003e\n\n\u003cp data-start=\"22\" data-end=\"47\" class=\"\"\u003e \u003cem data-start=\"22\" data-end=\"45\"\u003eHeight 27.5 cm x diameter 10 cm\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch4 data-start=\"54\" data-end=\"74\" class=\"\"\u003e The profound brilliance of the black Tenmoku glaze\u003c\/h4\u003e\n\n\u003cp data-start=\"75\" data-end=\"207\" class=\"\"\u003e Enveloped entirely in jet-black Tenmoku glaze, this piece fluctuates from ink to a dull purple depending on the light, softly reflecting the surrounding scenery like the surface of a calm lake. The traces of iron powder scattered across the glossy black glaze twinkle like starlight, creating a mysterious and profound world reminiscent of a beautiful nightscape.\u003c\/p\u003e\n\n\u003ch4 data-start=\"209\" data-end=\"234\" class=\"\"\u003e The refined beauty of the \"subtraction\" of the cylindrical flower vase and black glaze\u003c\/h4\u003e\n\n \u003cp data-start=\"235\" data-end=\"375\" class=\"\"\u003eThe dignified silhouette, which neatly combines a rounded waist joint in the middle with a pair of trumpet shapes on the top and bottom, is a modern re-creation of the classic \"tsutsu hana vase.\" Eliminating all unnecessary decoration, the beauty is expressed solely through the gloss of the black Tenmoku glaze and the contrast of shadows - a design that truly embodies the \"aesthetics of subtraction.\"\u003c\/p\u003e\n\n\u003ch4 data-start=\"377\" data-end=\"402\" class=\"\"\u003e Glaze control unique to Masamoto Naosaku\u003c\/h4\u003e\n\n\u003cp data-start=\"403\" data-end=\"562\" class=\"\"\u003e The color of black Tenmoku glaze changes dramatically with slight differences in firing temperature and reducing atmosphere. Based on his many years of experience, Masamoto Naosaku deliberately fluctuated the peak firing temperature slightly, allowing the glaze layer to have both a mirror-like luster and a subtle transparency. A thin area in the center of the body has been scraped away, revealing a faint hint of brown base, giving depth and breath to the jet-black world.\u003c\/p\u003e\n\n\u003ch4 data-start=\"564\" data-end=\"584\" class=\"\"\u003e The role of darkness in bringing out the beauty of flowers\u003c\/h4\u003e\n\n \u003cp data-start=\"585\" data-end=\"628\" class=\"\"\u003eThe greatest appeal of the black Tenmoku vase is the effect of darkness, which accentuates the outlines and colors of the flowers placed inside.\u003c\/p\u003e\n\n\u003cp data-start=\"631\" data-end=\"671\" class=\"\"\u003e In \u003cstrong data-start=\"631\" data-end=\"641\"\u003evibrantly colored flowers\u003c\/strong\u003e , the colors of the petals stand out vividly against the jet black background.\u003c\/p\u003e\n\n\u003cp data-start=\"674\" data-end=\"721\" class=\"\"\u003e For \u003cstrong data-start=\"674\" data-end=\"684\"\u003ewhite or pale-colored flowers\u003c\/strong\u003e , the soft shadows cast by the black glaze add depth to the flower's shape and a tranquil aftertaste.\u003c\/p\u003e\n\n\u003cp data-start=\"724\" data-end=\"783\" class=\"\"\u003e When combined with \u003cstrong data-start=\"724\" data-end=\"733\"\u003ebranches and greenery\u003c\/strong\u003e , the shadows of the leaves reflected on the glossy surface blend the vase and flowers together, creating a cool atmosphere throughout the tokonoma alcove.\u003c\/p\u003e\n\n\u003ch4 data-start=\"785\" data-end=\"803\" class=\"\"\u003e Detailed design that supports the beauty of utility\u003c\/h4\u003e\n\n \u003cp data-start=\"804\" data-end=\"927\" class=\"\"\u003eThe rim is slightly curved outwards, allowing for good flower placement and stable placement in bamboo or copper tubes. The base is not a circular base but has a slight tension, ensuring stability when placed on the floor. The central joint of the body makes a natural handle, making it easy to handle when changing the water or resetting the vase.\u003c\/p\u003e\n\n\u003ch4 data-start=\"929\" data-end=\"949\" class=\"\"\u003e For your continued patronage\u003c\/h4\u003e\n\n\u003cp data-start=\"953\" data-end=\"984\" class=\"\"\u003e Before use, pour in some water to prevent excess moisture from getting on the surface of the vessel.\u003c\/p\u003e\n\n\u003cp data-start=\"988\" data-end=\"1035\" class=\"\"\u003e Gently wipe the black glaze surface with a soft cloth, and simply rinse any noticeable water stains or fingerprints lightly with lukewarm water.\u003c\/p\u003e\n\n\u003cp data-start=\"1039\" data-end=\"1083\" class=\"\"\u003e Abrasive sponges and metal scrubbers may cause fine scratches on the glazed surface, causing it to lose its luster.\u003c\/p\u003e\n\n\u003chr data-start=\"1085\" data-end=\"1088\" class=\"\"\u003e\n\n \u003cp data-start=\"1090\" data-end=\"1250\" class=\"\"\u003eMasamoto Naosaku's \u003cstrong data-start=\"1096\" data-end=\"1107\"\u003eTanba Black Tenmoku vase\u003c\/strong\u003e is like a stage set, with subtle light and shadows in the pitch-black darkness that enhance the beauty of seasonal flowers. Its versatile design accommodates everything from simple tea ceremony flowers to single Western-style flowers, and will fill any space with a dignified tranquility whenever it is displayed. We hope you will treasure it for many years to come, and enjoy the ever-deepening luster of the black Tenmoku glaze and the interplay of the flower shadows.\u003c\/p\u003e","brand":"陶器の専門店【甘木道】","offers":[{"title":"Default Title","offer_id":48176626958616,"sku":"","price":132000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0668\/2332\/3928\/files\/IMG_6024bb.jpg?v=1713081079"},{"product_id":"白丹波茶盌","title":"White Charming tea bowl, made by Naosaku","description":"\u003ch3 data-start=\"0\" data-end=\"19\" class=\"\"\u003e White Tanba tea bowl - Naosaku Masamoto\u003c\/h3\u003e\n\n\u003cp data-start=\"20\" data-end=\"46\" class=\"\"\u003e \u003cem data-start=\"20\" data-end=\"44\"\u003eHeight 8.5 cm x diameter 14.0 cm\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch4 data-start=\"53\" data-end=\"75\" class=\"\"\u003e 1. The \"early spring haze\" reflected in the white Tanba glaze\u003c\/h4\u003e\n\n\u003cp data-start=\"76\" data-end=\"182\" class=\"\"\u003e The white Tanba glaze that covers this piece is a soft milky white, reminiscent of the light of melting snow. Behind it, the glaze has a subtle cherry blossom hue, creating a faint morning mist-like shadow. Iron powder scattered during firing shines like pointillism, creating a delicate stardust effect on the simple earthenware finish.\u003c\/p\u003e\n\n \u003ch4 data-start=\"184\" data-end=\"212\" class=\"\"\u003e2. The pale pink scenery awakened by the hot water\u003c\/h4\u003e\n\n\u003cp data-start=\"213\" data-end=\"339\" class=\"\"\u003e When lukewarm water is poured into the bowl, a faint pink hue appears softly on the surface. This occurs when the traces of copper visible in the white glaze and the iron in the clay react with each other due to the temperature. When the bowl is blanched during a tea ceremony, guests can admire the fleeting \"sign of peach\" that appears, and a quiet sense of surprise and delight fills the room.\u003c\/p\u003e\n\n\u003ch4 data-start=\"341\" data-end=\"367\" class=\"\"\u003e 3. The scenery created by the penetrating nebula\u003c\/h4\u003e\n\n\u003cp data-start=\"368\" data-end=\"460\" class=\"\"\u003e The fine crazing that runs across the surface of the bowl will absorb tea stains over time, turning it into a light brown to ink color. The more the bowl is used, the deeper the nebula pattern will become, and with the warmth of the owner's hands, a unique expression will develop.\u003c\/p\u003e\n\n\u003ch4 data-start=\"462\" data-end=\"483\" class=\"\"\u003e 4. A neat form that fits snugly in the palm of your hand\u003c\/h4\u003e\n\n \u003cp data-start=\"484\" data-end=\"637\" class=\"\"\u003eThe softly bulging body and gently tapered rim create a cylindrical shape that provides excellent heat retention, making it ideal for use in both robes and braziers. The base is modestly cut and the cup is slightly deeper, allowing the chasen tea whisk to fit naturally and creating beautiful bubbles. The swaying body, which leaves soft impressions, fits comfortably in the palm of your hand, preventing fatigue even after long hours of practice.\u003c\/p\u003e\n\n\u003ch4 data-start=\"639\" data-end=\"660\" class=\"\"\u003e 5. Masamoto Naosaku and the pride of Naosaku Kiln\u003c\/h4\u003e\n\n\u003cp data-start=\"661\" data-end=\"803\" class=\"\"\u003e Naosaku Kiln is one of the oldest kilns, carrying on the spirit of the Six Ancient Kilns of Tamba to the present day. Continuing to adhere to the climbing kiln firing method using red pine firewood, the company thoroughly strives to achieve both \"use and beauty,\" supporting the parts that are left to chance with calculation and experience. In this piece, too, the firing process is carefully controlled, with careful reading of the flow of the flame, resulting in a delicate color that captures subtle crimson and stardust within the white glaze.\u003c\/p\u003e\n\n\u003ch4 data-start=\"805\" data-end=\"825\" class=\"\"\u003e 6. Usage and care instructions\u003c\/h4\u003e\n\n \u003cp data-start=\"829\" data-end=\"863\" class=\"\"\u003e\u003cstrong data-start=\"829\" data-end=\"836\"\u003eFirst use\u003c\/strong\u003e : Lightly rinse with water to moisten the crazing before serving.\u003c\/p\u003e\n\n\u003cp data-start=\"867\" data-end=\"917\" class=\"\"\u003e \u003cstrong data-start=\"867\" data-end=\"873\"\u003eCleaning\u003c\/strong\u003e : After use, rinse gently with lukewarm water, dry with a soft cloth and dry in the shade.\u003c\/p\u003e\n\n\u003cp data-start=\"921\" data-end=\"971\" class=\"\"\u003e \u003cstrong data-start=\"921\" data-end=\"931\"\u003eThings to avoid\u003c\/strong\u003e : Using detergents, soaking in water for long periods of time, or using hard sponges will prevent the porcelain from breathing and will damage the glaze surface.\u003c\/p\u003e\n\n\u003ch4 data-start=\"973\" data-end=\"997\" class=\"\"\u003e 7. The joy of wabi deepens with the passage of time\u003c\/h4\u003e\n\n\u003cp data-start=\"998\" data-end=\"1099\" class=\"\"\u003e The purity of the white Tanba glaze, the fleeting pale pink, the nebula of indentations—all of these slowly change over the years of use. As the tea stains form lines and the glaze surface softens and settles, the tea bowl will grow into a \"partner\" that reflects the owner's spirit.\u003c\/p\u003e\n\n\u003chr data-start=\"1101\" data-end=\"1104\" class=\"\"\u003e\n\n \u003cp data-start=\"1106\" data-end=\"1222\" class=\"\"\u003eThe tranquil white of the white Tanba glaze and the subtle pink that blooms in the steam. Masamoto Naosaku's \u003cstrong data-start=\"1140\" data-end=\"1149\"\u003ewhite Tanba tea bowl\u003c\/strong\u003e adds a small surprise and a gentle aftertaste to every tea ceremony, bringing a refined finish to any tea ceremony. Please treasure it for many years to come and enjoy the unique scenery that has been nurtured by time.\u003c\/p\u003e","brand":"陶器の専門店【甘木道】","offers":[{"title":"Default Title","offer_id":48290849227032,"sku":"","price":110000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0668\/2332\/3928\/files\/IMG_6557bb.jpg?v=1713745720"},{"product_id":"ｋｉｒｉｋｏ-ｖａｓe-市野弘明","title":"Kiriko Vase Hiroaki Ichino","description":"\u003ch3 data-start=\"0\" data-end=\"25\" class=\"\"\u003e\"KIRIKO Vase by Hiroaki Ichino\"\u003c\/h3\u003e\n\n\u003cp data-start=\"26\" data-end=\"50\" class=\"\"\u003e \u003cem data-start=\"26\" data-end=\"48\"\u003eHeight: 16.5 cm Width: 14.0 cm\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch3 data-start=\"57\" data-end=\"84\"\u003e\n\n \u003cstrong\u003eI. Work Overview - An Encounter Between Pottery and Lacquerware\u003c\/strong\u003e\n\u003c\/h3\u003e\n\n\u003cp data-start=\"85\" data-end=\"273\" class=\"\"\u003e This \"KIRIKO Vase\" by Ichino Hiroaki is an extremely rare vase that combines the simple, powerful earthiness of Tamba Tachikui ware with the luster and durability cultivated by Japanese lacquerware. After firing, the ceramic body is coated with multiple layers of lacquer, and then geometric patterns similar to cut glass are carved all over the surface, resulting in a deep blue that combines the three elements of ceramic body, lacquer, and light. This masterpiece truly embodies the simultaneous progression of tradition and innovation.\u003c\/p\u003e\n\n\u003ch3 data-start=\"280\" data-end=\"307\"\u003e \u003cstrong\u003eII. Beauty of Form - Three-dimensional patterns reminiscent of star flowers\u003c\/strong\u003e\n\u003c\/h3\u003e\n\n \u003cp data-start=\"308\" data-end=\"489\" class=\"\"\u003eAs you can see, the pattern that covers the entire body is based on a hexagon and is made up of a relief of blossoming stars. This design is a transfer of cut patterns such as \"chrysanthemum connection\" and \"bamboo leaves\" used in Edo Kiriko glass onto the ceramic body, and the shadows change intricately depending on the angle of the light, evoking the twinkling of stars in the night sky. When you touch it, the fine unevenness feels pleasant on your fingertips, providing a rich experience both visually and tactilely.\u003c\/p\u003e\n\n\u003ch3 data-start=\"496\" data-end=\"526\"\u003e \u003cstrong\u003eIII. Color Expression - From Jet Black to Indigo, From Indigo to Ultramarine\u003c\/strong\u003e\n\u003c\/h3\u003e\n\n \u003cp data-start=\"527\" data-end=\"689\" class=\"\"\u003eUsing lacquer as the base layer, metallic pigments and transparent lacquer are layered alternately on top, creating a gradation from an almost black indigo color around the periphery to a pale ultramarine color around the shoulders and rim. The deep luster of the lacquer blends with the light diffusely reflected by the cut glass surface, and depending on the angle, it can appear like the deep sea or the sky before dawn - this is the greatest charm of the \"KIRIKO Vase.\"\u003c\/p\u003e\n\n\u003ch3 data-start=\"696\" data-end=\"725\"\u003e \u003cstrong\u003eIV. Explanation of techniques - Carrying on the spirit of Tamba Tachikui ware\u003c\/strong\u003e\n\u003c\/h3\u003e\n\n\u003cp data-start=\"726\" data-end=\"834\" class=\"\"\u003e Tamba Tachikui ware has a history of over 800 years and is known for the \"ash-covered\" appearance created in climbing kilns and the simple form created by a left-handed rotating potter's wheel. This piece uses clay from this traditional production area and is made using the \"pottery-based lacquerware\" technique, in which lacquer is applied after firing.\u003c\/p\u003e\n\n \u003cp data-start=\"838\" data-end=\"888\" class=\"\"\u003e\u003cstrong data-start=\"838\" data-end=\"846\"\u003eBase shaping\u003c\/strong\u003e : The piece is turned into a neat egg shape on a left-handed kick wheel, and then bisque fired and final fired to form a sturdy clay body.\u003c\/p\u003e\n\n\u003cp data-start=\"892\" data-end=\"929\" class=\"\"\u003e \u003cstrong data-start=\"892\" data-end=\"899\"\u003eLacquer coating\u003c\/strong\u003e : Transparent lacquer and ultramarine pigment are applied alternately, for a total of five layers including the undercoat and topcoat.\u003c\/p\u003e\n\n\u003cp data-start=\"933\" data-end=\"973\" class=\"\"\u003e \u003cstrong data-start=\"933\" data-end=\"941\"\u003eCarving\u003c\/strong\u003e : After drying, one side is carved with a cutting chisel, creating sharp edges for the pattern.\u003c\/p\u003e\n\n\u003cp data-start=\"977\" data-end=\"1025\" class=\"\"\u003e \u003cstrong data-start=\"977\" data-end=\"987\"\u003ePolishing and finishing\u003c\/strong\u003e : The gloss is adjusted with charcoal and deer antler powder, and finally a thin layer of raw lacquer is rubbed in to bring out the color.\u003c\/p\u003e\n\n\u003cp data-start=\"1027\" data-end=\"1085\" class=\"\"\u003e It is rare for the same artist to consistently perform both lacquering and carving, and this work demonstrates Ichino Hiroaki's unique and highly advanced multi-craftsmanship.\u003c\/p\u003e\n\n\u003ch3 data-start=\"1092\" data-end=\"1111\"\u003e \u003cstrong\u003eV. Hiroaki Ichino Artist Profile\u003c\/strong\u003e\n\u003c\/h3\u003e\n\n\u003cp data-start=\"1114\" data-end=\"1133\" class=\"\"\u003e Born in 1977 in Tanba Sasayama, Hyogo Prefecture\u003c\/p\u003e\n\n\u003cp data-start=\"1136\" data-end=\"1162\" class=\"\"\u003e 2001 Graduated from Kyoto City University of Arts, Department of Crafts, Majoring in Ceramics\u003c\/p\u003e\n\n \u003cp data-start=\"1165\" data-end=\"1197\" class=\"\"\u003eIn 2003, he returned to Tanba and inherited the family pottery business, while simultaneously self-studying lacquer art.\u003c\/p\u003e\n\n\u003cp data-start=\"1200\" data-end=\"1239\" class=\"\"\u003e 2012: Won the Grand Prize at the Hyogo Prefectural Art Exhibition for the \"Kiriko Series of Ceramic Urushi\"\u003c\/p\u003e\n\n\u003cp data-start=\"1242\" data-end=\"1333\" class=\"\"\u003e Exhibited at Maison \u0026amp; Objet in Paris in 2020 and highly praised by overseas collectors, he explores the fusion of ceramics and lacquerware, based on his belief that \"earth and tree sap (lacquer) are products of the same earth.\"\u003c\/p\u003e\n\n\u003ch3 data-start=\"1340\" data-end=\"1358\"\u003e \u003cstrong\u003eVI. The joy of use and appreciation\u003c\/strong\u003e\n\u003c\/h3\u003e\n\n\u003cp data-start=\"1361\" data-end=\"1443\" class=\"\"\u003e \u003cstrong data-start=\"1361\" data-end=\"1370\"\u003eAs a flower vase\u003c\/strong\u003e : The narrow opening is just the right size to hold a single flower or small branch. When used with white or pale purple flowers, the blue gradations are even more striking.\u003c\/p\u003e\n\n\u003cp data-start=\"1446\" data-end=\"1500\" class=\"\"\u003e \u003cstrong data-start=\"1446\" data-end=\"1455\"\u003eAs a decorative piece\u003c\/strong\u003e : When placed near a light source, the facets will shine like stardust, creating a striking accent in the space.\u003c\/p\u003e\n\n \u003cp data-start=\"1503\" data-end=\"1570\" class=\"\"\u003e\u003cstrong data-start=\"1503\" data-end=\"1511\"\u003eThe beauty of aging\u003c\/strong\u003e : The more lacquer is used, the more oxidation polymerization progresses, increasing its luster and transparency. Enjoy the changes over time as the color deepens over the course of several years or even decades.\u003c\/p\u003e\n\n\u003ch3 data-start=\"1577\" data-end=\"1594\"\u003e \u003cstrong\u003eVII. Collection value\u003c\/strong\u003e\n\u003c\/h3\u003e\n\n\u003cp data-start=\"1595\" data-end=\"1715\" class=\"\"\u003e Ceramic lacquerware can be restored and the lacquer surface can be repainted, making it an asset that can be passed down through generations.In addition, works that combine the three elements of Tamba Tachikui ware - the earthiness, lacquer art, and cut glass carving - are extremely rare on the market and have attracted attention from galleries both in Japan and abroad.\u003c\/p\u003e\n\n\u003cp data-start=\"1595\" data-end=\"1715\" class=\"\"\u003e\u003c\/p\u003e\n\n \u003cp data-start=\"1734\" data-end=\"1913\" class=\"\"\u003eThe \"KIRIKO Vase by Ichino Hiroaki\" is a one-of-a-kind work of art that crystallizes the spirit of Tamba Tachikui ware, which has a history of 800 years, and the finest Japanese lacquerware in a contemporary design. The moment you place a flower in it, or even just gaze upon it, a deep blue universe will emerge, transporting you from the ordinary to the extraordinary. We hope you will enjoy a special moment with this starry sky-like vase in your home or gallery.\u003c\/p\u003e\n\n\u003c!----\u003e","brand":"陶器の専門店【甘木道】","offers":[{"title":"Default Title","offer_id":48355743531288,"sku":"","price":66000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0668\/2332\/3928\/files\/IMG_6740cc.jpg?v=1714275686"},{"product_id":"灰釉刻文花入-市野正大","title":"Ash-glazed Pretty flower vase by Masahiro Ichino","description":"\u003ch3 data-start=\"0\" data-end=\"20\" class=\"\"\u003e \"Ash Glazed Flower Vase with Carved Patterns by Masahiro Ichino\"\u003c\/h3\u003e\n\n\u003cp data-start=\"21\" data-end=\"45\" class=\"\"\u003e \u003cem data-start=\"21\" data-end=\"43\"\u003eHeight: 12.0 cm Width: 16.8 cm\u003c\/em\u003e \u003c\/p\u003e\n\n\u003chr data-start=\"47\" data-end=\"50\" class=\"\"\u003e\n\n\u003ch4 data-start=\"52\" data-end=\"77\" class=\"\"\u003e I. Overview of the work: Serenity and spirit dwelling in ash glaze\u003c\/h4\u003e\n\n \u003cp data-start=\"78\" data-end=\"234\" class=\"\"\u003eThis is an ash-glazed vase created by Ichino Masahiro, a young and talented artist from Tamba Tachikui. The soft egg-shaped form is enveloped in a deep olive-colored glaze created by the mixture of ash and iron during long firing in a wood-fired kiln. On the surface, carvings reminiscent of lotus flowers, a symbol of purity in Buddhism, bloom quietly all around the base. \u003c\/p\u003e\n\n\u003chr data-start=\"236\" data-end=\"239\" class=\"\"\u003e\n\n\u003ch4 data-start=\"241\" data-end=\"269\" class=\"\"\u003e II. Beauty of Form: The image of the Pure Land conveyed by lotus inscriptions\u003c\/h4\u003e\n\n \u003cp data-start=\"270\" data-end=\"472\" class=\"\"\u003eThe inscription on the rising edge of the foot is a beaded pattern of lotus petals. The vitality of the lotus, which blooms purely despite the mud in the ground, has been revered since ancient times as a Buddhist metaphor for \"untainted\" and \"purity.\" A thin layer of glaze is intentionally applied to accentuate the ridges of the petals, and as the glaze flows slightly during firing, the edges of the petals glow amber - this delicate presentation is the result of Masahiro Ichino's keen observational skills and sculptural sense. \u003c\/p\u003e\n\n\u003chr data-start=\"474\" data-end=\"477\" class=\"\"\u003e\n\n\u003ch4 data-start=\"479\" data-end=\"506\" class=\"\"\u003e III. The color of ash glaze: Shades reminiscent of melted ink\u003c\/h4\u003e\n\n \u003cp data-start=\"507\" data-end=\"680\" class=\"\"\u003eAsh glaze develops its color when the lime and silica contained in wood and straw ash react with the iron contained in the clay. In this piece, the flames of the wood-fired kiln, which was fired at a slightly reducing temperature, caused a large amount of ash to fall, creating a subtle gradation of dark green, guncha, and karecha from the shoulders to the waist. Depending on the viewing angle and light source, the scene appears as if a cloud of ink was flickering, creating a deep sense of rhythm in the silence. \u003c\/p\u003e\n\n\u003chr data-start=\"682\" data-end=\"685\" class=\"\"\u003e\n\n\u003ch4 data-start=\"687\" data-end=\"715\" class=\"\"\u003e IV. Explanation of techniques: Left-handed kick wheel and engraved lines\u003c\/h4\u003e\n\n\u003cp data-start=\"719\" data-end=\"727\" class=\"\"\u003e \u003cstrong data-start=\"719\" data-end=\"725\"\u003emolding\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp data-start=\"733\" data-end=\"774\" class=\"\"\u003e The body is turned on a traditional Tanba left-handed kick wheel, and the rim is narrowed to ensure the stability of the flower holder.\u003c\/p\u003e\n\n\u003cp data-start=\"778\" data-end=\"789\" class=\"\"\u003e \u003cstrong data-start=\"778\" data-end=\"787\"\u003eCarvings and engravings\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp data-start=\"795\" data-end=\"867\" class=\"\"\u003e When the piece is half dry, the base is smoothed and a sharp knife is used to carve out successive lotus petals. Although the depth is only about 1 mm, the sharp angle creates a shadow that allows the glaze to easily accumulate.\u003c\/p\u003e\n\n \u003cp data-start=\"871\" data-end=\"880\" class=\"\"\u003e\u003cstrong data-start=\"871\" data-end=\"878\"\u003eGlazing\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp data-start=\"886\" data-end=\"947\" class=\"\"\u003e The entire piece is covered in a self-adjusting ash glaze made from a blend of wood ash, red pine ash, and straw ash. The engraved lines are quickly wiped with a brush to prevent too much glaze from building up, highlighting the outline of the petals.\u003c\/p\u003e\n\n\u003cp data-start=\"951\" data-end=\"960\" class=\"\"\u003e \u003cstrong data-start=\"951\" data-end=\"958\"\u003eHonyaki\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp data-start=\"966\" data-end=\"1017\" class=\"\"\u003e It is baked in a climbing kiln for about 60 hours at a maximum temperature of 1,300°C. Towards the end, the reduction is strengthened slightly, turning the iron into a calm green-brown color. \u003c\/p\u003e\n\n\u003chr data-start=\"1019\" data-end=\"1022\" class=\"\"\u003e\n\n\u003ch4 data-start=\"1024\" data-end=\"1044\" class=\"\"\u003e V. Masahiro Ichino: Biography and style\u003c\/h4\u003e\n\n\u003cp data-start=\"1047\" data-end=\"1091\" class=\"\"\u003e Born in Tanba Sasayama, Hyogo Prefecture \u003cstrong data-start=\"1047\" data-end=\"1056\"\u003ein 1993.\u003c\/strong\u003e He is the third generation of the Ichino family, a Tanba ware pottery manufacturer.\u003c\/p\u003e\n\n\u003cp data-start=\"1094\" data-end=\"1124\" class=\"\"\u003e Graduated from the Ceramics Course of the Department of Crafts at Osaka University of Arts \u003cstrong data-start=\"1094\" data-end=\"1103\"\u003ein 2015\u003c\/strong\u003e .\u003c\/p\u003e\n\n\u003cp data-start=\"1127\" data-end=\"1166\" class=\"\"\u003e \u003cstrong data-start=\"1127\" data-end=\"1133\"\u003eIn the same year\u003c\/strong\u003e , he returned to the family pottery business and trained in wood-fired kiln firing under the guidance of his grandfather, Hiroyuki Ichino.\u003c\/p\u003e\n\n\u003cp data-start=\"1169\" data-end=\"1197\" class=\"\"\u003e Selected for the Crafts category at the 46th Hyogo Prefectural Exhibition \u003cstrong data-start=\"1169\" data-end=\"1178\"\u003ein 2019\u003c\/strong\u003e .\u003c\/p\u003e\n\n \u003cp data-start=\"1200\" data-end=\"1250\" class=\"\"\u003e\u003cstrong data-start=\"1200\" data-end=\"1209\"\u003eIn 2023,\u003c\/strong\u003e he will hold a solo exhibition titled \"New Ash Glaze.\" His series, which combines ash glaze and engraved patterns, has attracted the attention of critics.\u003c\/p\u003e\n\n\u003cp data-start=\"1252\" data-end=\"1332\" class=\"\"\u003e Masahiro Ichino is known for his style of work that consciously designs chemical changes of the natural elements of \"earth, ash, and flame\" while working with traditional Tanba clay, adding a modern rhythm to a simple design. \u003c\/p\u003e\n\n\u003chr data-start=\"1334\" data-end=\"1337\" class=\"\"\u003e\n\n\u003ch4 data-start=\"1339\" data-end=\"1357\" class=\"\"\u003e Ⅵ. The pleasure of using and appreciating\u003c\/h4\u003e\n\n\u003cp data-start=\"1360\" data-end=\"1435\" class=\"\"\u003e \u003cstrong data-start=\"1360\" data-end=\"1369\"\u003eAs a flower vase\u003c\/strong\u003e : The opening is just under 2 cm, so it can hold a single branch or a few flowers neatly. The lotus pattern tightens the edge, making the flowers stand out more.\u003c\/p\u003e\n\n\u003cp data-start=\"1438\" data-end=\"1497\" class=\"\"\u003e \u003cstrong data-start=\"1438\" data-end=\"1447\"\u003eAs a decorative item\u003c\/strong\u003e : If placed alone on a shelf or table, the ultramarine ash glaze will reflect the light and create quiet shadows, adding a touch of wabi-sabi to the space.\u003c\/p\u003e\n\n \u003cp data-start=\"1500\" data-end=\"1581\" class=\"\"\u003e\u003cstrong data-start=\"1500\" data-end=\"1508\"\u003eChanges over time\u003c\/strong\u003e : The ash glaze becomes more lustrous the more you touch it, and the iron spots soften and blend in. Enjoy the process of it maturing into a one-of-a-kind piece through daily care. \u003c\/p\u003e\n\n\u003chr data-start=\"1583\" data-end=\"1586\" class=\"\"\u003e\n\n\u003ch4 data-start=\"1588\" data-end=\"1618\" class=\"\"\u003e VII. Collection value: The breath of Tamba that transcends generations\u003c\/h4\u003e\n\n\u003cp data-start=\"1619\" data-end=\"1735\" class=\"\"\u003e There are few examples of works that combine lotus carvings and ash glaze scenery in circulation, making this piece particularly rare even among Tamba Tachikui ware. In addition, this piece is positioned among the early representative works of Ichino Masahiro, who is emerging as a young artist, and will be a valuable benchmark for tracking his future career. \u003c\/p\u003e\n\n\u003chr data-start=\"1737\" data-end=\"1740\" class=\"\"\u003e\n\n\u003ch3 data-start=\"1742\" data-end=\"1753\" class=\"\"\u003e Conclusion\u003c\/h3\u003e\n\n \u003cp data-start=\"1754\" data-end=\"1917\" class=\"\"\u003eThe \"Ash Glazed Engraved Flower Vase by Ichino Masahiro\" is a masterpiece that combines the wisdom of earth and fire cultivated by Tamba Tachikui with the spirituality of lotus engraved patterns. The moment you put the flowers in it, or the moment you gaze upon it, the depth of the ash glaze and the purity of the lotus will resonate with each other, quietly adorning your everyday surroundings. Please bring it into your hands and enjoy the texture and spirituality that will increase with the passage of time.\u003c\/p\u003e\n\n\u003c!----\u003e","brand":"陶器の専門店【甘木道】","offers":[{"title":"Default Title","offer_id":48355750543640,"sku":"","price":44000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0668\/2332\/3928\/files\/IMG_6851cc.jpg?v=1714275912"},{"product_id":"陶漆花入-市野正大","title":"Ceramic lacquer vase by Syoudai Ichino","description":"\u003ch3 class=\"\" data-end=\"18\" data-start=\"0\"\u003e \"Ceramic lacquer vase by Masahiro Ichino\"\u003c\/h3\u003e\n\n\u003cp class=\"\" data-end=\"43\" data-start=\"19\"\u003e \u003cem data-end=\"41\" data-start=\"19\"\u003eHeight: 21.6 cm Width: 11.0 cm\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch4 class=\"\" data-end=\"84\" data-start=\"50\"\u003e I. Work Overview: The contrast between stillness and movement depicted in ceramic lacquerware\u003c\/h4\u003e\n\n \u003cp class=\"\" data-end=\"272\" data-start=\"85\"\u003eThis is a ceramic lacquerware vase created by the talented Ichino Masahiro of Tamba Tachikui. Its elegant oval form is juxtaposed with a gently sloping boundary between the deep, jet-black and red clay bases, creating a unique landscape that blends tranquility and dynamism. The robustness of the ceramic base and the lustrous lacquerware create a masterpiece that beautifully embodies the contradictory beauty of \"solid yet light\" created by Japan's two most traditional materials.\u003c\/p\u003e\n\n\u003ch4 class=\"\" data-end=\"307\" data-start=\"279\"\u003e II. Shape and Color: The beauty of blank space revealed through jet black and vermilion clay\u003c\/h4\u003e\n\n\u003cp class=\"\" data-end=\"410\" data-start=\"310\"\u003e \u003cstrong data-end=\"317\" data-start=\"310\"\u003eJet black section\u003c\/strong\u003e : The lacquer layer covering the upper half is made up of six layers of alternating clear and raw lacquer, giving it a glossy finish close to a mirror. The gloss, which reflects the light source, glides smoothly between your fingertips when you pick it up, providing an uplifting sensation both visually and tactilely.\u003c\/p\u003e\n\n \u003cp class=\"\" data-end=\"533\" data-start=\"413\"\u003e\u003cstrong data-end=\"420\" data-start=\"413\"\u003eVermilion clay section\u003c\/strong\u003e : The lower half of the vase is intentionally left exposed, revealing the reddish iron clay characteristic of Tamba, preserving the roughness and breathability of the base material. The boundary with the jet-black section is not a sharp straight line, but a gently undulating one like the ridge of a mountain, creating a quiet movement and giving rhythm to the entire vase.\u003c\/p\u003e\n\n\u003ch4 class=\"\" data-end=\"567\" data-start=\"540\"\u003e III. Technique explanation: The intricate process of fusing ceramics and lacquer\u003c\/h4\u003e\n\n\u003cp class=\"\" data-end=\"579\" data-start=\"571\"\u003e \u003cstrong data-end=\"577\" data-start=\"571\"\u003emolding\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp class=\"\" data-end=\"629\" data-start=\"585\"\u003e The body is turned on a traditional left-handed kick wheel, and the rim is slightly curved outwards to allow for good flower placement.\u003c\/p\u003e\n\n\u003cp class=\"\" data-end=\"646\" data-start=\"633\"\u003e \u003cstrong data-end=\"644\" data-start=\"633\"\u003eBisque firing and glaze firing\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp class=\"\" data-end=\"707\" data-start=\"652\"\u003e After bisque firing at approximately 900°C, the temperature is raised to 1,300°C in a climbing kiln and fired in a slightly reducing atmosphere, strengthening the clay body while ensuring the red clay color is brought out.\u003c\/p\u003e\n\n\u003cp class=\"\" data-end=\"722\" data-start=\"711\"\u003e \u003cstrong data-end=\"720\" data-start=\"711\"\u003eLacquer base treatment\u003c\/strong\u003e\u003c\/p\u003e\n\n \u003cp class=\"\" data-end=\"771\" data-start=\"728\"\u003eThe upper part of the body is sealed and primed several times with abrasive powder and raw lacquer to improve adhesion between the base and the lacquer.\u003c\/p\u003e\n\n\u003cp class=\"\" data-end=\"787\" data-start=\"775\"\u003e \u003cstrong data-end=\"785\" data-start=\"775\"\u003eLacquering and polishing\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp class=\"\" data-end=\"831\" data-start=\"793\"\u003e After each coat of clear lacquer, intermediate coat, and top coat, the lacquer is polished with charcoal to precisely control the gloss.\u003c\/p\u003e\n\n\u003cp class=\"\" data-end=\"848\" data-start=\"835\"\u003e \u003cstrong data-end=\"846\" data-start=\"835\"\u003eFreshly sown and dried\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp class=\"\" data-end=\"890\" data-start=\"854\"\u003e The pieces are dried slowly in a room while controlling the temperature and humidity, and then polished to a mirror finish.\u003c\/p\u003e\n\n\u003cp class=\"\" data-end=\"958\" data-start=\"892\"\u003e It is rare for an artist to have a thorough understanding of the procedures for both pottery and lacquerware and to be able to complete the entire process in one place, and this style speaks to Ichino Masahiro's high level of overall craftsmanship.\u003c\/p\u003e\n\n\u003ch4 class=\"\" data-end=\"995\" data-start=\"965\"\u003e IV. The philosophy of Ennengama - Entrusting \"beautiful longevity\" to clay and lacquer\u003c\/h4\u003e\n\n \u003cp class=\"\" data-end=\"1131\" data-start=\"996\"\u003eEnnengama is founded on the words \"Biien-nen\" (prolonging one's life) given to us by the head priest of Shoren-in Temple in Kyoto - \"the love of beauty extends one's life\" - and aims to reflect the spirituality that lies within \"beauty of utility\" in our works. This work also embodies the prayer for \"prolonging one's life\" that will accompany those who view and use it for a long time. \u003c\/p\u003e\n\n\u003ch4 class=\"\" data-end=\"1155\" data-start=\"1138\"\u003e\u003cbr\u003e\u003c\/h4\u003e\n\n\u003ch4 class=\"\" data-end=\"1155\" data-start=\"1138\"\u003e Ⅴ. Masahiro Ichino's biography\u003c\/h4\u003e\n\n\u003cp class=\"\" data-end=\"1192\" data-start=\"1158\"\u003e Born in Tanba Sasayama, Hyogo Prefecture in 1993. The third generation of the Ichino family, a Tanba ware pottery manufacturer.\u003c\/p\u003e\n\n\u003cp class=\"\" data-end=\"1221\" data-start=\"1195\"\u003e Graduated from the Ceramics Course of the Department of Crafts at Osaka University of Arts in 2015.\u003c\/p\u003e\n\n\u003cp class=\"\" data-end=\"1260\" data-start=\"1224\"\u003e Established Ennengama in 2016, and launched an innovative series centered on ceramic lacquerware.\u003c\/p\u003e\n\n\u003cp class=\"\" data-end=\"1283\" data-start=\"1263\"\u003e Selected for the Crafts category at the 2019 Hyogo Prefectural Exhibition.\u003c\/p\u003e\n\n\u003cp class=\"\" data-end=\"1328\" data-start=\"1286\"\u003e In 2023, he held a solo exhibition entitled \"New Frontiers in Ceramics and Lacquer,\" which received high praise from curators both in Japan and abroad.\u003c\/p\u003e\n\n \u003cp class=\"\" data-end=\"1397\" data-start=\"1330\"\u003eWhile maintaining its roots in tradition, it actively explores the fusion of different materials such as lacquer, metal, and glass, and is attracting attention as a leader pioneering new horizons for Tamba Tachikui ware. \u003c\/p\u003e\n\n\u003chr class=\"\" data-end=\"1402\" data-start=\"1399\"\u003e\n\n\u003ch4 class=\"\" data-end=\"1429\" data-start=\"1404\"\u003e VI. Use and Appreciation: Stories Residing in Flowers and Space\u003c\/h4\u003e\n\n\u003cp class=\"\" data-end=\"1515\" data-start=\"1432\"\u003e \u003cstrong data-end=\"1441\" data-start=\"1432\"\u003eAs a flower vase\u003c\/strong\u003e : The opening is just narrow enough to hold a single flower or a large arrangement of branches. The vermilion clay base brings out the green of the flowers, and the jet black part embraces the shadows, adding to the three-dimensional effect.\u003c\/p\u003e\n\n\u003cp class=\"\" data-end=\"1592\" data-start=\"1518\"\u003e \u003cstrong data-end=\"1530\" data-start=\"1518\"\u003eAs an interior decoration\u003c\/strong\u003e : It is the perfect accent for modern spaces, regardless of whether they are Japanese or Western. When a spotlight is shone on it, the lacquered surface reflects the light like a mirror, reflecting the colors of the surrounding area.\u003c\/p\u003e\n\n \u003cp class=\"\" data-end=\"1664\" data-start=\"1595\"\u003e\u003cstrong data-end=\"1603\" data-start=\"1595\"\u003eChanges over time\u003c\/strong\u003e : The lacquer will become more transparent and lustrous over time, and the red clay will acquire a tannin-like patina from the oils of hands and the environment. This piece will grow and develop over time, allowing you to enjoy it for many years to come. \u003c\/p\u003e\n\n\u003chr class=\"\" data-end=\"1669\" data-start=\"1666\"\u003e\n\n\u003ch4 class=\"\" data-end=\"1699\" data-start=\"1671\"\u003e VII. Collectible Value: The Rarity of a \"One-of-a-Kind\"\u003c\/h4\u003e\n\n\u003cp class=\"\" data-end=\"1822\" data-start=\"1700\"\u003e Large ceramic lacquerware vases are difficult to produce and maintain, and their distribution on the market is extremely limited. This work, considered a representative work from the artist's early years, could become an important benchmark for tracing the artist's history in the future. It is a highly valuable piece not only for museums and galleries, but also for private collections. \u003c\/p\u003e\n\n\u003chr class=\"\" data-end=\"1827\" data-start=\"1824\"\u003e\n\n\u003ch3 class=\"\" data-end=\"1840\" data-start=\"1829\"\u003e In conclusion\u003c\/h3\u003e\n\n \u003cp class=\"\" data-end=\"2001\" data-start=\"1841\"\u003eThe \"Ceramic Lacquer Vase by Ichino Masahiro\" is a one-of-a-kind work of art that combines the red clay of Tamba Tachikui with the deep luster of Japanese lacquerware. The moment you place the flowers in it, or when you happen to look at it, the scenery reflected in the jet black and the warmth of the crimson clay resonate, elevating your everyday space to an exceptional stage. Please take it into your hands and enjoy the texture that deepens with age and the spirit of \"beauty and longevity.\" \u003c\/p\u003e\n\n\u003cdiv class=\"mt-1 flex gap-3 empty:hidden juice:-ml-3\"\u003e\n\n\u003cdiv class=\"items-center justify-start rounded-xl p-1 flex\"\u003e\n\n\u003cdiv class=\"flex items-center\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003c!----\u003e","brand":"陶器の専門店【甘木道】","offers":[{"title":"Default Title","offer_id":48355754443032,"sku":"","price":44000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0668\/2332\/3928\/files\/IMG_7002ccjpg.jpg?v=1714276100"},{"product_id":"青瓷釉陶漆香炉-市野年成","title":"Celadon glazed ceramic lacquer incense burner by Toshinari Ichino","description":"\u003ch3 class=\"\" data-end=\"21\" data-start=\"0\"\u003e “Blue glaze ceramic lacquer incense burner Mr. Toshinari Ichino”\u003c\/h3\u003e\n\n\u003cp class=\"\" data-end=\"46\" data-start=\"22\"\u003e \u003cem data-end=\"44\" data-start=\"22\"\u003eHeight: 11.5 cm Width: 12.8 cm\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch4 class=\"\" data-end=\"83\" data-start=\"53\"\u003e I. Work Overview: A tranquil, aromatic vessel woven from celadon and lacquer\u003c\/h4\u003e\n\n \u003cp class=\"\" data-end=\"263\" data-start=\"84\"\u003eThis ceramic-lacquered incense burner was created by the talented Ichino Toshinari of Tamba Tachikui. The soft, egg-shaped body is enveloped in a pale blue-green celadon glaze reminiscent of jade. The lid, which sits on top of it, is made of red clay and then lacquered and polished to a glossy amber color, with numerous openwork holes providing a stage for the incense smoke to escape. This is a truly tranquil and mysterious incense burner, in which the four elements of **earth, glaze, lacquer, and incense** resonate with each other.\u003c\/p\u003e\n\n\u003ch4 class=\"\" data-end=\"297\" data-start=\"270\"\u003e II. Beautiful colors: The contrast between jade-colored celadon glaze and candy lacquer\u003c\/h4\u003e\n\n\u003cp class=\"\" data-end=\"413\" data-start=\"300\"\u003e \u003cstrong data-end=\"306\" data-start=\"300\"\u003eBody\u003c\/strong\u003e : The celadon glaze contains slight crazing, which is characteristic of celadon, and when exposed to light, it changes color from milky white to pale blue. When the thickly applied glaze melts, it combines with the iron in the clay to create a pale gray-green color, a mysterious hue reminiscent of the ancient Etsushu and Longquan kilns.\u003c\/p\u003e\n\n \u003cp class=\"\" data-end=\"581\" data-start=\"416\"\u003e\u003cstrong data-end=\"422\" data-start=\"416\"\u003eLid\u003c\/strong\u003e : The red clay base is coated with three coats of transparent lacquer, then repeatedly polished and rubbed to create a saturated, amber-colored luster. The openwork holes are a combination of teardrop, oval, and circular shapes, allowing the incense smoke to diffuse softly like rising drizzle. The cool tones of the celadon glaze and the warm tones of the amber lacquer complement each other, creating a harmony of varying heights both visually and tactilely.\u003c\/p\u003e\n\n\u003ch4 class=\"\" data-end=\"615\" data-start=\"588\"\u003e III. Technique explanation: The intricate process of ceramic lacquerware\u003c\/h4\u003e\n\n\u003cp class=\"\" data-end=\"631\" data-start=\"619\"\u003e \u003cstrong data-end=\"629\" data-start=\"619\"\u003eMolding and bisque firing\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp class=\"\" data-end=\"712\" data-start=\"637\"\u003e The body is turned using red clay from the local Tanba region, which is rich in iron, on a left-handed kick wheel, and a tripod cut into three \u003cem data-end=\"681\" data-start=\"677\"\u003esides\u003c\/em\u003e is attached. It is bisque fired at around 800°C to improve the adhesion of the glaze.\u003c\/p\u003e\n\n\u003cp class=\"\" data-end=\"729\" data-start=\"716\"\u003e \u003cstrong data-end=\"727\" data-start=\"716\"\u003eGlazing and firing\u003c\/strong\u003e\u003c\/p\u003e\n\n \u003cp class=\"\" data-end=\"809\" data-start=\"735\"\u003eA thick layer of celadon glaze, primarily made from wood ash, is applied and fired in a climbing kiln at 1,280°C. The reducing air current in the furnace reduces the iron, achieving the blue color characteristic of celadon.\u003c\/p\u003e\n\n\u003cp class=\"\" data-end=\"825\" data-start=\"813\"\u003e \u003cstrong data-end=\"823\" data-start=\"813\"\u003eLacquer base and coating\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp class=\"\" data-end=\"896\" data-start=\"831\"\u003e The unglazed lid is coated with abrasive powder and raw lacquer, and then alternately coated with transparent lacquer and wood-based lacquer four times in total. \u003cstrong data-end=\"876\" data-start=\"869\"\u003eCharcoal polishing\u003c\/strong\u003e is performed in between coats to ensure a smooth, mirror-like finish.\u003c\/p\u003e\n\n\u003cp class=\"\" data-end=\"911\" data-start=\"900\"\u003e \u003cstrong data-end=\"909\" data-start=\"900\"\u003eOpenwork\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp class=\"\" data-end=\"985\" data-start=\"917\"\u003e When the wood is half-dry, holes are made using an awl and a knife, and the edges are smoothed with charcoal. The hole placement, which is the result of repeated refinement, optimizes the flow rate and diffusion angle of the incense.\u003c\/p\u003e\n\n\u003ch4 class=\"\" data-end=\"1024\" data-start=\"992\"\u003e IV. Shape and Design: Three-legged Lotus Seed Motifs Directing the Dance of Incense Smoke\u003c\/h4\u003e\n\n \u003cp class=\"\" data-end=\"1212\" data-start=\"1025\"\u003eThe slightly taut body and modestly tapered rim symbolize the tranquility of celadon, like a drop of water. Meanwhile, the openwork holes in the lid feature \u003cstrong data-end=\"1097\" data-start=\"1090\"\u003ea lotus seed design\u003c\/strong\u003e reminiscent of a lotus seed. The lotus emerging from the mud and giving off a fragrant fragrance is a symbol of purity and enlightenment, and the sight of incense smoke rising from the holes is like a visualization of paradise. The shadows cast by the three legs give the entire incense burner an even lighter and more stable feel.\u003c\/p\u003e\n\n\u003ch4 class=\"\" data-end=\"1550\" data-start=\"1522\"\u003e VI. Use and Appreciation - Vessels that emit fragrance and light\u003c\/h4\u003e\n\n\u003cp class=\"\" data-end=\"1626\" data-start=\"1553\"\u003e \u003cstrong data-end=\"1563\" data-start=\"1553\"\u003e- As an incense set\u003c\/strong\u003e : When agarwood or Kyara wood is burned, the soft smoke that wafts through the openwork holes permeates the pale luster of the celadon, creating a rich moment where the senses of sight and smell intersect.\u003c\/p\u003e\n\n \u003cp class=\"\" data-end=\"1723\" data-start=\"1629\"\u003e\u003cstrong data-end=\"1641\" data-start=\"1629\"\u003eAs an interior decoration\u003c\/strong\u003e : Its minimalist appearance makes it a great addition to a Japanese-style alcove or even as a sideboard in a Western-style room. When illuminated from below with an LED light, the celadon glaze glows dimly through the gaps between the three legs, creating a mysterious and profound shadow effect.\u003c\/p\u003e\n\n\u003cp class=\"\" data-end=\"1795\" data-start=\"1726\"\u003e \u003cstrong data-end=\"1734\" data-start=\"1726\"\u003e- Changes over time\u003c\/strong\u003e : The lacquered surface becomes more transparent and lustrous over time, and the celadon glaze crazing will mature into a rich color tone as tiny particles of incense smoke soak into it.\u003c\/p\u003e\n\n\u003ch4 class=\"\" data-end=\"1833\" data-start=\"1802\"\u003e Collectible value - a rare ceramic lacquerware incense burner\u003c\/h4\u003e\n\n\u003cp class=\"\" data-end=\"1947\" data-start=\"1834\"\u003e This trinity of celadon glaze, lacquerware, and tripod design is extremely rare on the market, making it one of Toshinari's early masterpieces. It will surely be highly valued in practical arts and crafts collections for both its academic and artistic value.\u003c\/p\u003e\n\n \u003cp class=\"\" data-end=\"1947\" data-start=\"1834\"\u003eThe \"Celadon Glazed Lacquer Incense Burner for Ichino Toshinari\" is a truly exquisite piece, capturing the tranquility of jade green, the warmth of amber lacquer, and the flickering scent of incense smoke all in one vessel. Each time you burn the incense or simply gaze upon it, new shades and fragrances emerge, transporting your everyday space to a mysterious world of fragrance. Please bring it into your home and, in the spirit of \"beauty and longevity,\" slowly savor the texture that develops over time.\u003c\/p\u003e\n\n\u003c!----\u003e","brand":"陶器の専門店【甘木道】","offers":[{"title":"Default Title","offer_id":48355760308504,"sku":"","price":77000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0668\/2332\/3928\/files\/IMG_7027cc.jpg?v=1714276400"},{"product_id":"陶筥-市野年成","title":"Ceramic box by Toshinari Ichino","description":"\u003ch3 data-start=\"0\" data-end=\"16\" class=\"\"\u003e \"Ceramic box by Toshinari Ichino\"\u003c\/h3\u003e\n\n\u003cp data-start=\"17\" data-end=\"39\" class=\"\"\u003e \u003cem data-start=\"17\" data-end=\"37\"\u003eHeight: 8.8 cm Width: 8.2 cm\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch4 data-start=\"46\" data-end=\"80\" class=\"\"\u003e I. Work Overview - Tanba Modernism, where \"straight lines and curves\" resonate with each other\u003c\/h4\u003e\n\n \u003cp data-start=\"81\" data-end=\"231\" class=\"\"\u003eThis ceramic box was created by Ichino Toshinari, a leading artist of the next generation in Tamba Tachikui. The elegant cubic body is enveloped in a lustrous black glaze, and atop it is a softly contoured vermilion lid. \u003cstrong data-start=\"166\" data-end=\"178\"\u003eThe serenity created by the straight lines\u003c\/strong\u003e and \u003cstrong data-start=\"179\" data-end=\"191\"\u003ethe fluctuation contained in the curves\u003c\/strong\u003e are in balance within this piece, making it a minimalist yet powerful piece.\u003c\/p\u003e\n\n\u003ch4 data-start=\"238\" data-end=\"268\" class=\"\"\u003e II. Color and Texture: The Contrast of Jet Black Glaze and Vermilion Clay Lid\u003c\/h4\u003e\n\n\u003cp data-start=\"271\" data-end=\"283\" class=\"\"\u003e \u003cstrong data-start=\"271\" data-end=\"281\"\u003eBody (black glaze)\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp data-start=\"288\" data-end=\"398\" class=\"\"\u003e The iron-rich Tanba red clay is covered with a black glaze made from a mixture of pine ash and iron, and then fired in a climbing kiln at a reduction temperature of around 1,280°C. The flickering flame leaves brown \"runs\" everywhere, creating \u003cstrong data-start=\"366\" data-end=\"386\"\u003ea shade that is not simply black, but shifts from deep dark brown to jet black\u003c\/strong\u003e .\u003c\/p\u003e\n\n \u003cp data-start=\"401\" data-end=\"415\" class=\"\"\u003e\u003cstrong data-start=\"401\" data-end=\"413\"\u003eLid (red clay unglazed)\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp data-start=\"420\" data-end=\"513\" class=\"\"\u003e While making the most of the vermilion color of the base material, the irregularly beveled edges create an organic form that resembles solidified melted wax. The rectangular handle rising from the center is a sharp accent that echoes the straight lines of the body.\u003c\/p\u003e\n\n\u003ch4 data-start=\"520\" data-end=\"546\" class=\"\"\u003e III. Technique explanation: precise board making and high-temperature firing\u003c\/h4\u003e\n\n\u003cp data-start=\"550\" data-end=\"561\" class=\"\"\u003e \u003cstrong data-start=\"550\" data-end=\"559\"\u003ePlate making and molding\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp data-start=\"567\" data-end=\"640\" class=\"\"\u003e The clay boards are precisely cut and then joined together to prevent distortion by chamfering the corners. This is a highly difficult process that is unique to boxes, but Toshinari completes it without even the slightest error.\u003c\/p\u003e\n\n\u003cp data-start=\"644\" data-end=\"657\" class=\"\"\u003e \u003cstrong data-start=\"644\" data-end=\"655\"\u003eBisque firing and glaze\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp data-start=\"663\" data-end=\"721\" class=\"\"\u003e After bisque firing at 800°C, the inside and outside of the body are coated with black glaze. The lid is polished without any glaze, allowing the iron in the clay to oxidize and develop its color.\u003c\/p\u003e\n\n\u003cp data-start=\"725\" data-end=\"734\" class=\"\"\u003e \u003cstrong data-start=\"725\" data-end=\"732\"\u003eHonyaki\u003c\/strong\u003e\u003c\/p\u003e\n\n \u003cp data-start=\"740\" data-end=\"814\" class=\"\"\u003eThe reduction is gradually strengthened over a 30-hour period in a climbing kiln, bringing out the luster of the black glaze while vividly fixing the vermilion clay lid. The key is to adjust the temperature to take into account the difference in shrinkage at the joint.\u003c\/p\u003e\n\n\u003ch4 data-start=\"821\" data-end=\"853\" class=\"\"\u003e IV. Background of the design: Protection and storage in the \"box\"\u003c\/h4\u003e\n\n\u003cp data-start=\"854\" data-end=\"1014\" class=\"\"\u003e Since ancient times, boxes have been used to \u003cem data-start=\"869\" data-end=\"883\"\u003estore and protect precious items\u003c\/em\u003e such as incense, medicine, and sutras. The cube, which is closed on all four sides, symbolizes a \"barrier,\" keeping the contents hidden within pure while also carrying a magical significance of blocking out impurities from the outside world. While taking this traditional design into consideration, Toshinari has elevated it into a modern form using \u003cstrong data-start=\"987\" data-end=\"996\"\u003ethe contrast of yin and yang in black and vermilion\u003c\/strong\u003e .\u003c\/p\u003e\n\n\u003ch4 data-start=\"1021\" data-end=\"1054\" class=\"\"\u003e V. Uses and Pleasures - Highly Flexible Containerable Art\u003c\/h4\u003e\n\n \u003cp data-start=\"1057\" data-end=\"1100\" class=\"\"\u003e\u003cstrong data-start=\"1057\" data-end=\"1073\"\u003eJikiro (food basket) at the tea ceremony\u003c\/strong\u003e : When dried sweets are placed inside, the red lid makes the colors of the sweets stand out.\u003c\/p\u003e\n\n\u003cp data-start=\"1103\" data-end=\"1151\" class=\"\"\u003e \u003cstrong data-start=\"1103\" data-end=\"1115\"\u003eIncense box\u003c\/strong\u003e : This box contains fragrant wood or paste incense, allowing you to enjoy the changing fragrance each time you open the lid.\u003c\/p\u003e\n\n\u003cp data-start=\"1154\" data-end=\"1209\" class=\"\"\u003e \u003cstrong data-start=\"1154\" data-end=\"1172\"\u003eTrinket box\/jewelry box\u003c\/strong\u003e : The linear interior space makes it easy to organize, and the jet black glaze brings out the beauty of gold and silver jewelry.\u003c\/p\u003e\n\n\u003cp data-start=\"1212\" data-end=\"1260\" class=\"\"\u003e \u003cstrong data-start=\"1212\" data-end=\"1218\"\u003eFlower vase\u003c\/strong\u003e : When you remove the lid and place a flower spike, the small flowers are reflected in the mirror-like surface of the black glaze, creating a dignified scene. \u003c\/p\u003e\n\n\u003ch4 data-start=\"1531\" data-end=\"1564\" class=\"\"\u003e\u003cbr\u003e\u003c\/h4\u003e\n\n\u003ch4 data-start=\"1531\" data-end=\"1564\" class=\"\"\u003e Collectible value - Rareness as a usable three-dimensional object\u003c\/h4\u003e\n\n \u003cp data-start=\"1565\" data-end=\"1698\" class=\"\"\u003eBoxes, which maintain perfect parallelism of the cube while controlling the difference in shrinkage due to the thickness of the glaze, are highly difficult to produce and are therefore extremely limited in number. Furthermore, the duet of black glaze and vermilion clay is a design that could be said to be Toshinari's unique signature. As a representative \"cube box\" from the artist's early period, this piece could serve as an important benchmark for tracing his future artistic career.\u003c\/p\u003e\n\n\u003cp data-start=\"1717\" data-end=\"1864\" class=\"\"\u003e The \"Ichino Toshinari Ceramic Box\" is a tranquil piece of containerable art, woven together with the depth of Tanba clay and geometric shapes. What to store inside and where to place it - the story unfolds endlessly depending on the user's sensibilities. Please add it to your home and enjoy the shadows created by the contrast of black and vermilion, and the texture that improves with age, in your daily life.\u003c\/p\u003e\n\n\u003c!----\u003e","brand":"陶器の専門店【甘木道】","offers":[{"title":"Default Title","offer_id":48355766239512,"sku":"","price":55000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0668\/2332\/3928\/files\/IMG_7099cc.jpg?v=1714276761"},{"product_id":"白丹波茶盌-市野年成","title":"Umami Tea Bowl by Toshinari Ichino","description":"\u003cp\u003e \u003cspan\u003eHeight:\u003c\/span\u003e \u003cspan\u003e13.8cm Width: 7.4cm\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch3 data-end=\"102\" data-start=\"80\"\u003e A simple white aftertaste - White Tanba tea bowl\u003c\/h3\u003e\n\n\u003cp data-end=\"114\" data-start=\"103\"\u003e \u003cstrong data-end=\"114\" data-start=\"103\"\u003eWritten by Toshinari Ichino\u003c\/strong\u003e\u003c\/p\u003e\n\n \u003cp data-end=\"244\" data-start=\"116\"\u003eThis \"White Tamba Tea Bowl\" is a masterpiece filled with tranquility and dignity, created by Ichino Toshinari, a contemporary ceramic artist who represents Tamba Tachikui ware. At first glance, the white glaze gives an impression of modesty. However, the world that unfolds within it quietly embodies the history of Tamba ware spanning over 800 years and the Japanese aesthetic sense of coexistence with nature.\u003c\/p\u003e\n\n\u003cp data-end=\"387\" data-start=\"246\"\u003e The white glaze that covers the entire bowl is a soft milky white with subtle hints of red and gray, and the unevenness and color of the ceramic surface change like light filtering through the clouds. This expression could be called the \"poetry of kiln change,\" a combination of natural chance and the artist's intention, such as the flow of the glaze, the composition of the clay, and even the way the fire hits the bowl during wood-fired firing.\u003c\/p\u003e\n\n \u003cp data-end=\"517\" data-start=\"389\"\u003eThe compact form from the body to the base evokes the essence of Tamba ware, which values ​​practicality, while exuding a sense of modern sophistication. Ichino's white Tamba ware is highly regarded by many tea masters and pottery lovers as works that are rooted in tradition but also pursue a quiet beauty that harmonizes with everyday life.\u003c\/p\u003e\n\n\u003ch3 data-end=\"546\" data-start=\"524\"\u003e What is Shiratanba? Between simplicity and sophistication\u003c\/h3\u003e\n\n\u003cp data-end=\"661\" data-start=\"548\"\u003e \"White Tamba\" is one of the glaze tones that has developed alongside black and red Tamba in Tachikui since the Edo period. This firing method, in which ash is naturally deposited in a wood-fired kiln, brings a sense of randomness to the appearance of the glaze, and the wonder of \"ash deposition\" is considered one of the greatest charms of Tamba ware.\u003c\/p\u003e\n\n \u003cp data-end=\"772\" data-start=\"663\"\u003eEven on this tea bowl, the white glaze is applied rather thickly and has naturally pooled under gravity, creating a soft shadow with a pale milky appearance and wrinkles in some places. The subtle hints of the red clay base subtly reveal the strength of the earthy flavor that is unique to Tamba ware.\u003c\/p\u003e\n\n\u003ch3 data-end=\"794\" data-start=\"779\"\u003e Ichino Toshinari and the spirit of Tamba\u003c\/h3\u003e\n\n\u003cp data-end=\"924\" data-start=\"796\"\u003e Ichino Toshinari has his studio in Imada-cho, the heart of Tamba Tachikui ware, and while he values ​​the traditional firing method in a wood-fired kiln, he continues to explore forms and glaze tones that resonate with modern sensibilities. His approach to pottery, in which he dialogues with the materials and surrenders himself to the flames, embodies the spirit of Japanese pottery, which has always valued \"coexistence with nature.\"\u003c\/p\u003e\n\n \u003cp data-end=\"1068\" data-start=\"926\"\u003eThis white Tanba tea bowl also embodies that spirit, as a vessel that brings tranquility and comfort to your daily tea drinking without relying on excessive decoration. Its timeless yet deeply memorable design is worthy of the phrase \"beauty of utility.\" The contrast with the vibrant green color when matcha is brewed also further enhances the charm of this tea bowl.\u003c\/p\u003e\n\n\u003ch3 data-end=\"1088\" data-start=\"1075\"\u003e The history and future of Tamba ware\u003c\/h3\u003e\n\n\u003cp data-end=\"1214\" data-start=\"1090\"\u003e Tamba ware, one of the Six Ancient Kilns, has a history of over 800 years dating back to the end of the Heian period, and has supported Japan's folk pottery culture. Tamba Tachikui ware in particular is an important presence that conveys the idea of ​​finding beauty in simple, practical everyday tableware, and was designated a national traditional craft in 1978.\u003c\/p\u003e\n\n \u003cp data-end=\"1314\" data-start=\"1216\"\u003eWhile carrying such a profound tradition, Ichino Toshinari's Shirotanba ware holds new possibilities for pioneering the present. Within its quiet white, the powerful memory of the earth and a gaze gazing towards the future are subtly embedded.\u003c\/p\u003e\n\n\u003c!----\u003e","brand":"陶器の専門店【甘木道】","offers":[{"title":"Default Title","offer_id":48355771547928,"sku":"","price":198000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0668\/2332\/3928\/files\/IMG_7174cc.jpg?v=1714277078"},{"product_id":"陶漆ぐい呑-市野年成","title":"Ceramic lacquer sake cup by Toshinari Ichino","description":"\u003cp\u003e \u003cspan\u003eHeight: 6.8cm Width: 6.2cm\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch3\u003e \u003cstrong\u003eCeramic lacquer sake cups – The beauty of tradition and innovation created by Toshinari Ichino\u003c\/strong\u003e\n\u003c\/h3\u003e\n\n \u003cp\u003e\u003cstrong\u003eCharacteristics of Guinomi – A sake cup that is both fun and easy to use\u003c\/strong\u003e \u0026lt;br\u0026gt;Guinomi is a sake cup that is deeper and has a slightly larger diameter than a typical sake cup. As its name suggests, it has a moderate capacity that allows you to \"gulp\" and is often used for drinking at home or for casually enjoying sake. This ceramic lacquer guinomi also inherits the characteristics of a traditional guinomi, but Ichino Toshinari has made it even more comfortable to drink from. It is an exceptional product that is both beautiful to look at and functional.\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003eThe craftsmanship of lacquering – depth and brilliance from multiple layers\u003c\/strong\u003e \u0026lt;br\u0026gt;The greatest appeal of ceramic lacquer sake cups lies in the beauty of the lacquer applied to the pottery. The lacquer is carefully applied multiple times to create a texture with a unique luster and depth. Everything from the thickness of the paint and drying time to the polishing process is done with the utmost care. The even surface finish created by the artisan's brush strokes is almost like a work of art. The luster of the lacquer and the warmth of the pottery harmonize to provide a rich sense of satisfaction to the eyes and the touch.\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003eThe warmth of handcraft – each and every one is unique\u003c\/strong\u003e \u0026lt;br\u0026gt;The appeal of ceramic lacquer sake cups lies in the warmth that can only be achieved by hand. The warmth of the potter's hands and the gentle brushwork of the painter breathe life into each sake cup. This sake cup was completed through delicate work using the extremely rare technique of combining pottery and lacquer, and has the uniqueness that can only be achieved by handcrafting, making it a unique and valuable craft. This work, which combines tradition and innovation, will transform your everyday sake experience into something special.\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003eIchino Toshinari - A master craftsman innovating Tamba ware\u003c\/strong\u003e \u0026lt;br\u0026gt;Ichino Toshinari is a representative artist of Tamba ware, one of the Six Ancient Kilns of Japan, and the second-generation owner of Ennengama. In Imada-cho, Tamba Sasayama City, he continues to take on new challenges while inheriting the long history and traditions. As a professor at Osaka University of Arts, he is also committed to ceramics education, and has poured the best of his experience and techniques into this sake cup. Ichino Toshinari's works are appealing because they respect tradition while also being innovative and resonating with modern sensibilities.\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003eElegant design – vessels that bring out the best in sake\u003c\/strong\u003e \u0026lt;br\u0026gt;The elegant design and deep luster of the lacquer sake cups bring out the flavor of sake even more. Their graceful appearance not only brightens up your everyday dining table, but also makes a statement at special occasions and when entertaining guests. The design, which harmonizes the luxury of lacquer with the texture of ceramic, captivates the viewer and brings pride to the owner.\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003eValue as a work of art – a masterpiece to be treasured for a lifetime\u003c\/strong\u003e \u0026lt;br\u0026gt;Ceramic lacquer sake cups are rare works of art that combine traditional techniques with modern aesthetic sensibilities. Their high level of perfection and sophisticated design go beyond practical use and make them objects of appreciation. The longer they are used, the more their flavor deepens, becoming a lifelong treasure that will age with its owner. Be sure to pick up a ceramic lacquer sake cup and enjoy its one-of-a-kind charm. Your encounter with sake is sure to become a richer and more special one.\u003c\/p\u003e\n\n\u003c!----\u003e","brand":"陶器の専門店【甘木道】","offers":[{"title":"Default Title","offer_id":48355777904920,"sku":"","price":22000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0668\/2332\/3928\/files\/IMG_7210cc.jpg?v=1714277250"},{"product_id":"青瓷釉茶盌-市野年成","title":"Japanese tea ceremony Celadon glazed tea bowl by Toshinari Ichino","description":"\u003cp\u003e \u003cspan\u003eHeight:\u003c\/span\u003e \u003cspan\u003e13.8cm Width: 7.4cm\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch3\u003e \u003cstrong\u003eCeladon glaze tea bowl – A fusion of tradition and innovation created by Toshinari Ichino\u003c\/strong\u003e\n\u003c\/h3\u003e\n\n \u003cp\u003e\u003cstrong\u003eElegant Design - A Harmony of Classic and Modernity\u003c\/strong\u003e \u0026lt;br\u0026gt;This celadon-glazed tea bowl is characterized by a design that is based on the traditional beauty of classical celadon, while beautifully incorporating a modern sense. The delicate gradation from blue to dark green to dark blue is the result of skilled craftsmanship. The colors, which exude visual beauty and a sense of depth, give the tea bowl a presence as a work of art in itself.\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eThe transparency and luster of celadon glaze\u003c\/strong\u003e Celadon glaze is a glaze that has been loved since ancient times for its transparency and deep luster. This tea bowl brings out the beauty of celadon glaze to the fullest, and when you pick it up, you will be captivated by its smooth surface and transparent texture. This piece, which is both elegant and powerful, will add a special touch to any tea ceremony or everyday moment.\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003eIchino Toshinari – A Master Craftsman Representing Tamba-yaki\u003c\/strong\u003e \u0026lt;br\u0026gt;Ichino Toshinari is a representative artist of Tamba-yaki, one of the Six Ancient Kilns of Japan, and the second-generation owner of Ennengama. While respecting tradition, he continues to challenge himself with new styles and techniques, which has attracted many fans. As a professor at Osaka University of Arts, he is committed to ceramics education, contributing to the training of the next generation, while also pouring his passion into his own creations. This celadon-glazed tea bowl is a concentrated expression of his many years of experience and outstanding technique.\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003eCombining beauty and practicality\u003c\/strong\u003e The celadon-glazed tea bowl is a masterpiece that is highly valued not only as a matcha tea bowl, but also as interior décor. It can be used at tea ceremonies, and simply displaying it in your living room or study will bring dignity and calm to the space. Its elegant appearance and sophisticated design will create a special moment in your daily life, regardless of the occasion.\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003eLasting Value – A Lifetime Treasure\u003c\/strong\u003e \u0026lt;br\u0026gt;Ichino Toshinari's works all gain more character over time, making them more and more beloved. This celadon-glazed tea bowl is also a masterpiece that can be used for a long time and will become a lifelong treasure. With each use, you will discover new charms, and this tea bowl will enrich your daily life and be worthy of being loved for generations to come. The \"Celadon-glazed Tea Bowl by Ichino Toshinari\" is a superb piece that combines the beauty of classical celadon with modern sensibility. Please enjoy its beauty and ease of use in your hands. This masterpiece will transform tea time into something special and bring elegance to your space, making your life richer and more colorful.\u003c\/p\u003e\n\n\u003c!----\u003e","brand":"陶器の専門店【甘木道】","offers":[{"title":"Default Title","offer_id":48355778494744,"sku":"","price":198000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0668\/2332\/3928\/files\/IMG_7237cc.jpg?v=1714277396"},{"product_id":"天目茶盌-市野正大","title":"Black glazed tea bowl by Masahiro Ichino","description":"\u003cp\u003e\u003cspan\u003eHeight: 12.5cm Width: 6.4cm\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch3\u003e Tenmoku tea bowl by Masahiro Ichino - A crystallization of exquisite beauty and history woven with Tenmoku glaze\u003c\/h3\u003e\n\n\u003ch4\u003e A unique landscape created by the miracle of Tenmoku glaze\u003c\/h4\u003e\n\n\u003cp\u003e \"Tenmoku Tea Bowl by Ichino Masatoshi\" features a unique and beautiful landscape created by the Tenmoku glaze, which is an exquisite harmony between chance and calculation. On the surface, you can see starry sky-like spots, oil droplet patterns, and deep, radiant color changes that appear when the iron ions contained in the iron glaze react at high temperatures. No two pieces are the same, and each is a work of art that tells its own story. In particular, the beautiful reflections and luster reminiscent of a starry sky, such as those of the \"Yohen Tenmoku,\" strongly appeal to tea masters and pottery enthusiasts.\u003c\/p\u003e\n\n\u003ch4\u003e The history and cultural background of Tenmoku tea bowls\u003c\/h4\u003e\n\n \u003cp\u003eTenmoku tea bowls have their roots in iron-glazed tea bowls produced at the Jian and Jizhou kilns of the Song Dynasty in China from the 10th to 13th centuries. The first records date back to the Northern Song Dynasty, when tea culture was at its height and they were prized as black tea bowls that accentuated the beauty of white tea. In particular, the \"Jianzhan\" tea bowls fired at the Jian kiln feature beautiful patterns such as Yohen Tenmoku and Yuteki Tenmoku, and were prized not only in China but also in Japan.\u003c\/p\u003e\n\n \u003cp\u003eTenmoku tea bowls were brought to Japan by Zen monks who trained at Mount Tenmoku during the Kamakura period, and became fused with Zen philosophy to occupy an important position in tea ceremony culture. In the Muromachi period, Tenmoku tea bowls were highly valued at tea ceremonies, due in part to their popularity among Ashikaga Yoshimasa. They were gradually classified based on shape, pattern, and type of glaze, resulting in a wide variety of variations such as Yohen Tenmoku, Yuteki Tenmoku, and Konoha Tenmoku. Even today, Tenmoku tea bowls are masterpieces that are valued for their historical background and technical value.\u003c\/p\u003e\n\n\u003ch4\u003e The technical and chemical properties of Tenmoku glaze\u003c\/h4\u003e\n\n \u003cp\u003eThe black glaze that characterizes Tenmoku tea bowls develops its color when the iron-rich glaze is fired at high temperatures. When the iron content is 1-2%, the glaze has a pale color like celadon, while at 15% or more it turns deep black. Furthermore, black glazes develop color easily in both oxidation and reduction firing, making their production more stable than other glazes. The patterns in Tenmoku glaze are created when the iron crystallizes during firing, which creates distinctive decorations such as oil droplets and Yohen patterns.\u003c\/p\u003e\n\n\u003cp\u003e Furthermore, the surface of the Tenmoku glaze has a smooth and pleasant texture that feels good to the touch, and it becomes more comfortable in your hand with each use. This technique inherited the pottery techniques of the Song Dynasty in China, and has been further developed by Japanese potters. Masahiro Ichino's Tenmoku tea bowls have a modern beauty that preserves traditional techniques while adding his own unique interpretation.\u003c\/p\u003e\n\n \u003ch4\u003eShapes and types of Tenmoku tea bowls\u003c\/h4\u003e\n\n\u003cp\u003e The basic shape of a Tenmoku tea bowl is a funnel shape with a wide mouth and a small foot. There are three types of Jianzhan made in China's Jian kilns: the Tsukukou bowl, the Liekou bowl, and the Shiokou bowl, each with its own unique beauty. Meanwhile, the Jishu kilns produced unique designs such as the Konoha Tenmoku and Moji Tenmoku. Japanese Tenmoku tea bowls are based on these Chinese pottery designs, with some reflecting the characteristics of each region, such as the Shiro Tenmoku of Mino ware and the Kikuka Tenmoku of Seto ware.\u003c\/p\u003e\n\n\u003cp\u003e In particular, Yohen Tenmoku is considered the highest grade among Kenzan, and its pattern of radiating spots like the starry sky is so rare that only a few pieces remain in the world. These differences in types and the stories behind them further deepen the charm of Tenmoku tea bowls.\u003c\/p\u003e\n\n\u003ch4\u003e Craftsmanship and artistry - Features of Masahiro Ichino's work\u003c\/h4\u003e\n\n \u003cp\u003eMasahiro Ichino has established his own unique style of pottery that incorporates modern sensibilities while inheriting the traditions of Tamba Tachikui. This Tenmoku tea bowl is a masterpiece that was made with great attention to detail, from the composition of the glaze to the timing of firing. The work, which maximizes the accidental beauty created by the glaze while also taking into consideration the shape and texture, combines art and practicality.\u003c\/p\u003e\n\n\u003ch4\u003e Special vessels that add color to the tea ceremony\u003c\/h4\u003e\n\n\u003cp\u003e This Tenmoku tea bowl will make your tea ceremony experience even more special. Its deep color and pattern bring out the beauty of the tea and add a touch of elegance to your tea ceremony. Its shape fits comfortably in your hand and its moderate weight makes it comfortable to use.\u003c\/p\u003e\n\n\u003ch4\u003e Lasting Value\u003c\/h4\u003e\n\n \u003cp\u003eMasahiro Ichino's Tenmoku tea bowls are timeless pieces that will be loved for generations to come. The longer they are used, the deeper the texture becomes and the more special their presence becomes. They are treasures that can be used for a lifetime and are worthy of being passed down to the next generation.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003ch3\u003e The special joy of owning a Tenmoku tea bowl\u003c\/h3\u003e\n\n\u003cp\u003e \"Tenmoku tea bowl by Masahiro Ichino\" is a work that combines historical background, beautiful patterns, and outstanding craftsmanship. It gives a sense of the weight of history and culture, while also being practical enough to add color to your daily tea ceremony. Through this tea bowl, you can enjoy the profound charm of Tenmoku tea bowls and a special moment.\u003c\/p\u003e\n\n\u003c!----\u003e","brand":"陶器の専門店【甘木道】","offers":[{"title":"Default Title","offer_id":48355787342104,"sku":"101","price":88000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0668\/2332\/3928\/files\/IMG_7277cc.jpg?v=1714277627"},{"product_id":"天目茶盌-市野正大-1","title":"Tenmoku tea bowl by Masahiro Ichino","description":"\u003cp\u003e \u003cspan\u003eHeight: 12.5cm Width: 6.4cm\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch3\u003e Tenmoku tea bowl by Masahiro Ichino - The ultimate beauty and history of Tenmoku glaze\u003c\/h3\u003e\n\n\u003ch4\u003e A unique landscape created by the miracle of Tenmoku glaze\u003c\/h4\u003e\n\n \u003cp\u003e\"Tenmoku Tea Bowl by Ichino Masatoshi\" features a unique and beautiful landscape created by the Tenmoku glaze, which is an exquisite harmony between chance and calculation. On the surface, you can see starry sky-like spots, oil droplet patterns, and deep, radiant color changes that appear when the iron ions contained in the iron glaze react at high temperatures. No two pieces are the same, and each is a work of art that tells its own story. In particular, the beautiful reflections and luster reminiscent of a starry sky, such as those of the \"Yohen Tenmoku,\" strongly appeal to tea masters and pottery enthusiasts.\u003c\/p\u003e\n\n\u003ch4\u003e The history and cultural background of Tenmoku tea bowls\u003c\/h4\u003e\n\n \u003cp\u003eTenmoku tea bowls have their roots in iron-glazed tea bowls produced at the Jian and Jizhou kilns of the Song Dynasty in China from the 10th to 13th centuries. The first records date back to the Northern Song Dynasty, when tea culture was at its height and they were prized as black tea bowls that accentuated the beauty of white tea. In particular, the \"Jianzhan\" tea bowls fired at the Jian kiln feature beautiful patterns such as Yohen Tenmoku and Yuteki Tenmoku, and were prized not only in China but also in Japan.\u003c\/p\u003e\n\n \u003cp\u003eTenmoku tea bowls were brought to Japan by Zen monks who trained at Mount Tenmoku during the Kamakura period, and became fused with Zen philosophy to occupy an important position in tea ceremony culture. In the Muromachi period, Tenmoku tea bowls were highly valued at tea ceremonies, due in part to their popularity among Ashikaga Yoshimasa. They were gradually classified based on shape, pattern, and type of glaze, resulting in a wide variety of variations such as Yohen Tenmoku, Yuteki Tenmoku, and Konoha Tenmoku. Even today, Tenmoku tea bowls are masterpieces that are valued for their historical background and technical value.\u003c\/p\u003e\n\n\u003ch4\u003e The technical and chemical properties of Tenmoku glaze\u003c\/h4\u003e\n\n \u003cp\u003eThe black glaze that characterizes Tenmoku tea bowls develops its color when the iron-rich glaze is fired at high temperatures. When the iron content is 1-2%, the glaze has a pale color like celadon, while at 15% or more it turns deep black. Furthermore, black glazes develop color easily in both oxidation and reduction firing, making their production more stable than other glazes. The patterns in Tenmoku glaze are created when the iron crystallizes during firing, which creates distinctive decorations such as oil droplets and Yohen patterns.\u003c\/p\u003e\n\n\u003cp\u003e Furthermore, the surface of the Tenmoku glaze has a smooth and pleasant texture that feels good to the touch, and it becomes more comfortable in your hand with each use. This technique inherited the pottery techniques of the Song Dynasty in China, and has been further developed by Japanese potters. Masahiro Ichino's Tenmoku tea bowls have a modern beauty that preserves traditional techniques while adding his own unique interpretation.\u003c\/p\u003e\n\n \u003ch4\u003eShapes and types of Tenmoku tea bowls\u003c\/h4\u003e\n\n\u003cp\u003e The basic shape of a Tenmoku tea bowl is a funnel shape with a wide mouth and a small foot. There are three types of Jianzhan made in China's Jian kilns: the Tsukukou bowl, the Liekou bowl, and the Shiokou bowl, each with its own unique beauty. Meanwhile, the Jishu kilns produced unique designs such as the Konoha Tenmoku and Moji Tenmoku. Japanese Tenmoku tea bowls are based on these Chinese pottery designs, with some reflecting the characteristics of each region, such as the Shiro Tenmoku of Mino ware and the Kikuka Tenmoku of Seto ware.\u003c\/p\u003e\n\n\u003cp\u003e In particular, Yohen Tenmoku is considered the highest grade among Kenzan, and its pattern of radiating spots like the starry sky is so rare that only a few pieces remain in the world. These differences in types and the stories behind them further deepen the charm of Tenmoku tea bowls.\u003c\/p\u003e\n\n\u003ch4\u003e Craftsmanship and artistry - Features of Masahiro Ichino's work\u003c\/h4\u003e\n\n \u003cp\u003eMasahiro Ichino has established his own unique style of pottery that incorporates modern sensibilities while inheriting the traditions of Tamba Tachikui. This Tenmoku tea bowl is a masterpiece that was made with great attention to detail, from the composition of the glaze to the timing of firing. The work, which maximizes the accidental beauty created by the glaze while also taking into consideration the shape and texture, combines art and practicality.\u003c\/p\u003e\n\n\u003ch4\u003e Special vessels that add color to the tea ceremony\u003c\/h4\u003e\n\n\u003cp\u003e This Tenmoku tea bowl will make your tea ceremony experience even more special. Its deep color and pattern bring out the beauty of the tea and add a touch of elegance to your tea ceremony. Its shape fits comfortably in your hand and its moderate weight makes it comfortable to use.\u003c\/p\u003e\n\n\u003ch4\u003e Lasting Value\u003c\/h4\u003e\n\n \u003cp\u003eMasahiro Ichino's Tenmoku tea bowls are timeless pieces that will be loved for generations to come. The longer they are used, the deeper the texture becomes and the more special their presence becomes. They are treasures that can be used for a lifetime and are worthy of being passed down to the next generation.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003ch3\u003e The special joy of owning a Tenmoku tea bowl\u003c\/h3\u003e\n\n\u003cp\u003e \"Tenmoku tea bowl by Masahiro Ichino\" is a work that combines historical background, beautiful patterns, and outstanding craftsmanship. It gives a sense of the weight of history and culture, while also being practical enough to add color to your daily tea ceremony. Through this tea bowl, you can enjoy the profound charm of Tenmoku tea bowls and a special moment.\u003c\/p\u003e\n\n\u003c!----\u003e","brand":"陶器の専門店【甘木道】","offers":[{"title":"Default Title","offer_id":48355812081944,"sku":"102","price":88000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0668\/2332\/3928\/files\/IMG_7319cc.jpg?v=1714277813"},{"product_id":"灰釉花入-市野正大","title":"Sadou Splendid   Japanese vase by Masahiro Ichino","description":"\u003cp\u003e \u003cspan\u003eHeight: 18.2cm x 4.2cm Width: 20.4cm\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003ch4\u003e Deep greenery exudes Zen philosophy\u003c\/h4\u003e\n\n\u003cp\u003e \"Ash Glazed Vase by Masahiro Ichino\" is a work that features a deep green ash glaze. This green color creates a tranquil and calm atmosphere, as if expressing the philosophy of Zen. This color, which gives a sense of harmony with nature and inner peace, soothes the viewer's mind and provides a meditative moment.\u003c\/p\u003e\n\n\u003ch4\u003e Usability and design\u003c\/h4\u003e\n\n \u003cp\u003eThis ash-glazed vase features a design that is both practical and practical. It is easy to arrange flowers in, has a sense of stability, and allows you to enjoy its beauty in your daily life. Its well-balanced shape will enhance the beauty of any flower you arrange in it.\u003c\/p\u003e\n\n\u003ch4\u003e Profile of Masahiro Ichino\u003c\/h4\u003e\n\n\u003cp\u003e Masahiro Ichino was born in Tachikui, Tanba, as the grandson of Hiroyuki Ichino, and graduated from the Ceramics Course at the Department of Crafts at Osaka University of Arts. His work is a perfect fusion of tradition and modern sensibility, and is loved by many people. Masahiro Ichino works day and night with great enthusiasm on his pottery, creating new works.\u003c\/p\u003e\n\n\u003ch4\u003e Craftsmanship and artistry\u003c\/h4\u003e\n\n \u003cp\u003eMasahiro Ichino's works are produced using his many years of experience and outstanding techniques. This ash-glazed vase is also a masterpiece that shows his sophisticated techniques and high artistic quality. The moment you pick it up, you will be impressed by its intricate workmanship and high-quality finish.\u003c\/p\u003e\n\n\u003ch4\u003e Create a special moment\u003c\/h4\u003e\n\n\u003cp\u003e This ash-glazed vase will make the time you spend arranging flowers even more special. The beautiful deep green glaze and design bring out the beauty of the flowers and create a special atmosphere in the space. You will be captivated by its beauty and functionality every time you use it.\u003c\/p\u003e\n\n\u003ch4\u003e Lasting Value\u003c\/h4\u003e\n\n \u003cp\u003eMasahiro Ichino's works continue to retain their beauty even over time. This ash-glazed vase is also a masterpiece that can be used for a long time and will become a lifelong treasure. The more you use it, the more its texture will improve and you will gradually grow to love it more. It is a valuable piece that will continue to be loved by generations to come.\u003c\/p\u003e\n\n\u003cp\u003e Please enjoy the beauty and ease of use of the \"Ash Glazed Vase by Masahiro Ichino\" by having it at hand. It is a superb piece that will turn everyday moments into something special.\u003c\/p\u003e\n\n\u003c!----\u003e","brand":"陶器の専門店【甘木道】","offers":[{"title":"Default Title","offer_id":48355813556504,"sku":"","price":33000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0668\/2332\/3928\/files\/IMG_7397cc.jpg?v=1714277962"},{"product_id":"灰釉花入-市野正大-1","title":"ZEN Flowing Glazed Vase by Masahiro Ichino","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eHeight: 23.8cm Width: 12.0cm\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch3\u003e Flowing Glazed Vase by Masahiro Ichino - A supreme vase that combines the classic and the modern\u003c\/h3\u003e\n\n\u003ch4\u003e Classical meets modern\u003c\/h4\u003e\n\n \u003cp\u003e\"Flowing Glazed Vase by Ichino Masahiro\" is a masterpiece that perfectly combines classical ceramic techniques with modern sensibilities. Ichino Masahiro inherits the traditions of Tamba Tachikui while incorporating innovation to create new beauty. This vase is an exquisite intersection of past techniques and modern aesthetics, emanating a unique presence that captivates the viewer.\u003c\/p\u003e\n\n\u003ch4\u003e Flowing glaze depicts natural beauty\u003c\/h4\u003e\n\n\u003cp\u003e The greatest feature of the Flowing Glaze Vase is, as its name suggests, the pattern that the glaze creates as if it is flowing. This pattern is the product of chance, born from temperature changes during firing and the environment inside the kiln, and is like a painting created by nature. The calm color tones of the glaze give the entire vase a sense of tranquility and depth, soothing the viewer's heart.\u003c\/p\u003e\n\n\u003ch4\u003e Simple and sophisticated form\u003c\/h4\u003e\n\n \u003cp\u003eThe form of the Nagareyu Vase is characterized by a simple design that is free of unnecessary decoration. Its refined shape is beautiful from any angle, and the pure lines give the whole piece a noble look. This simplicity naturally blends in with any interior and makes a beautiful accent.\u003c\/p\u003e\n\n\u003ch4\u003e Profile of Masahiro Ichino\u003c\/h4\u003e\n\n\u003cp\u003e Masahiro Ichino was born as the grandson of Hiroyuki Ichino, a representative ceramist of Tamba Tachikui ware. After graduating from the Ceramics Course of the Department of Crafts at Osaka University of Arts, he has continued to create works that combine traditional and modern sensibilities. Through his daily pottery, he pursues new possibilities in pottery and creates works that are loved by many people.\u003c\/p\u003e\n\n\u003ch4\u003e Works of art born from master craftsmanship\u003c\/h4\u003e\n\n \u003cp\u003eMasahiro Ichino's works are renowned for their outstanding technique and meticulous craftsmanship. This flowing glaze vase has also been carefully calculated to bring out the beauty of the glaze to the fullest. Everything from the flow of the glaze, the firing temperature, and the balance of the shape have been meticulously designed, giving it the presence of a completed work of art.\u003c\/p\u003e\n\n\u003ch4\u003e A special vase that makes flowers stand out\u003c\/h4\u003e\n\n\u003cp\u003e This flowing glaze vase is the best way to arrange flowers. The beautiful patterns of the glaze bring out the natural beauty of the flowers and make the entire space elegant. It will blend in with any space, such as a tea room, living room, or entrance hall, and create a special atmosphere.\u003c\/p\u003e\n\n\u003ch4\u003e Timeless Value\u003c\/h4\u003e\n\n \u003cp\u003eMasahiro Ichino's Nagareyu Vase is a work of art with lasting value that will not lose its beauty over time. The more it is used, the deeper its texture becomes, and a special relationship develops between it and the user. It is a valuable piece that can be used for a lifetime and passed down to the next generation.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003ch3\u003e A special experience gained through the work\u003c\/h3\u003e\n\n\u003cp\u003e The \"Flowing Glazed Vase by Masahiro Ichino\" not only doubles the joy of arranging flowers, but also enriches the entire space. The beautiful glaze and refined form bring special moments to your daily life. Please enjoy the supreme beauty created by the fusion of tradition and modernity through this vase.\u003c\/p\u003e","brand":"陶器の専門店【甘木道】","offers":[{"title":"Default Title","offer_id":48355884990744,"sku":"","price":33000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0668\/2332\/3928\/files\/IMG_7428cc.jpg?v=1714278368"},{"product_id":"鉄釉花入-市野正大","title":"Iron Glazed Vase by Masahiro Ichino","description":"\u003cp\u003e \u003cspan\u003eHeight: 20.6cm Width: 12.8cm\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003ch4\u003e 1. The beautiful shine of iron glaze\u003c\/h4\u003e\n\n \u003cp\u003e\"Iron Glazed Vase by Masahiro Ichino\" is a work with a glittering iron glaze on the surface. The shine of this iron glaze is as beautiful as a starry sky, making it a masterpiece that you will want to look at forever. The beautiful shine that changes depending on the angle and intensity of the light gives the entire vase an elegant charm.\u003c\/p\u003e\n\n\u003ch4\u003e 2. User-friendly design\u003c\/h4\u003e\n\n\u003cp\u003e This iron-glazed vase features a design that is both practical and practical. It is easy to arrange flowers in, has a sense of stability, and allows you to enjoy its beauty in your daily life. Its well-balanced shape will enhance the beauty of any flower you arrange in it.\u003c\/p\u003e\n\n\u003ch4\u003e 3. Profile of Masahiro Ichino\u003c\/h4\u003e\n\n \u003cp\u003eMasahiro Ichino was born in Tachikui, Tanba, as the grandson of Hiroyuki Ichino, and graduated from the Ceramics Course at the Department of Crafts at Osaka University of Arts. His work is a perfect fusion of tradition and modern sensibility, and is loved by many people. Masahiro Ichino works day and night with great enthusiasm on his pottery.\u003c\/p\u003e\n\n\u003ch4\u003e 4. Craftsmanship and artistry\u003c\/h4\u003e\n\n\u003cp\u003e Masahiro Ichino's works are produced using his many years of experience and outstanding techniques. This iron-glazed vase is also a masterpiece that shows his sophisticated techniques and high artistic quality. The moment you pick it up, you will be impressed by its intricate workmanship and high-quality finish.\u003c\/p\u003e\n\n\u003ch4\u003e 5. Create a special moment\u003c\/h4\u003e\n\n\u003cp\u003e This iron glaze vase will make the time you spend arranging flowers even more special. The shine and design of the beautiful iron glaze will bring out the beauty of the flowers and bring a special atmosphere to the space. You will be captivated by its beauty and functionality every time you use it.\u003c\/p\u003e\n\n \u003ch4\u003e6. Lasting Value\u003c\/h4\u003e\n\n\u003cp\u003e Masahiro Ichino's works continue to retain their beauty even over time. This iron-glazed vase is also a masterpiece that can be used for a long time and will become a lifelong treasure. The more you use it, the more its texture will improve and you will gradually grow to love it more. It is a valuable piece that will continue to be loved by generations to come.\u003c\/p\u003e\n\n\u003cp\u003e Please enjoy the beauty and ease of use of the Iron Glazed Vase by Masahiro Ichino by having it at hand. It is a superb piece that will turn everyday moments into something special.\u003c\/p\u003e\n\n\u003c!----\u003e","brand":"陶器の専門店【甘木道】","offers":[{"title":"Default Title","offer_id":48355909959960,"sku":"","price":55000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0668\/2332\/3928\/files\/IMG_7481cc.jpg?v=1714278457"},{"product_id":"備前花入-市野正大","title":"Similar to Bizen　Tanba ware vase by Masahiro Ichino","description":"\u003cp\u003e \u003cspan\u003eHeight: 18.8cm Width: 13cm\u003c\/span\u003e \u003c\/p\u003e\n\n\u003cdiv class=\"flex-shrink-0 flex flex-col relative items-end\"\u003e\n\n\u003cdiv\u003e\n\n\u003cdiv class=\"pt-0\"\u003e\n\n\u003cdiv class=\"gizmo-bot-avatar flex h-8 w-8 items-center justify-center overflow-hidden rounded-full\"\u003e\n\n\u003cdiv class=\"relative p-1 rounded-sm flex items-center justify-center bg-token-main-surface-primary text-token-text-primary h-8 w-8\"\u003e\u003csvg width=\"41\" height=\"41\" 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3.35876 22.0089 3.93941 23.1034 4.85067C23.0427 4.88379 22.937 4.94215 22.8668 4.98473L14.9024 9.58517C14.7025 9.69878 14.5366 9.86356 14.4215 10.0626C14.3065 10.2616 14.2466 10.4877 14.2479 10.7175L14.2424 21.9419ZM16.071 17.9991L20.4018 15.4978L24.7325 17.9975V22.9985L20.4018 25.4983L16.071 22.9985V17.9991Z\" fill=\"currentColor\"\u003e\u003c\/path\u003e\u003c\/svg\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"group\/conversation-turn relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\n\u003cdiv class=\"flex-col gap-1 md:gap-3\"\u003e\n\n\u003cdiv class=\"flex max-w-full flex-col flex-grow\"\u003e\n\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"3d288a09-c24d-49f6-938c-1d04f367a3c1\" dir=\"auto\" class=\"min-h-8 text-message flex w-full flex-col items-end gap-2 whitespace-normal break-words text-start [.text-message+\u0026amp;]:mt-5\" data-message-model-slug=\"gpt-4o\"\u003e\n\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[3px]\"\u003e\n\n\u003cdiv class=\"markdown prose w-full break-words dark:prose-invert light\"\u003e\n\n\u003ch3\u003e Tamba ware vase \"by Masahiro Ichino\" -- a masterpiece that combines tradition and modernity\u003c\/h3\u003e\n\n\u003chr\u003e\n\n\u003ch4\u003e \u003cstrong\u003eThe elegant beauty of brown color\u003c\/strong\u003e\n\u003c\/h4\u003e\n\n \u003cp\u003eThe most distinctive feature of the \"Tamba-yaki Vase Ichino Masahiro\" is its deep brown color, reminiscent of Bizen ware. This beautiful color brings out the natural texture of the clay and gives any space a warm and calming feel. The subtle color gradations created during the firing process give each piece a unique charm. This vase is a work of art that combines nature and human skill, and will bring dignity to any space.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003ch4\u003e \u003cstrong\u003eA yakishime design that combines strength and delicacy\u003c\/strong\u003e\n\u003c\/h4\u003e\n\n \u003cp\u003eThe \"Tamba-yaki Vase\" by Ichino Masahiro stands out for its powerful form, achieved by the Yaki-shime technique. This technique involves firing the clay at high temperatures to create a hard finish, resulting in excellent durability. The powerful shape and texture bring out the simple charm of the clay while at the same time exuding a sophisticated beauty. This sturdy, long-lasting vase is a masterpiece that combines everyday practicality with artistry.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003ch4\u003e \u003cstrong\u003ePractical design that shows off your flowers\u003c\/strong\u003e\n\u003c\/h4\u003e\n\n\u003cp\u003e The \"Tamba-yaki Vase Ichino Masahiro\" features a stable shape that beautifully accentuates any flower. Its practicality makes it suitable not only for everyday use, but also for special occasions and spaces, making the time spent arranging flowers even more special. The design, which is conscious of harmony with nature, soothes the hearts of those who see it and breathes new life into the space.\u003c\/p\u003e\n\n\u003chr\u003e\n\n \u003ch4\u003e\u003cstrong\u003eThe outstanding craftsmanship of Masahiro Ichino\u003c\/strong\u003e\u003c\/h4\u003e\n\n\u003cp\u003e Masahiro Ichino was born in Tachikui, Tanba, and continues to create works that incorporate modern sensibilities while inheriting tradition. His techniques are backed by many years of experience and passion, and each piece is imbued with a soul. This vase is the culmination of Ichino's outstanding techniques, and you will be impressed by its intricate construction and high-quality finish every time you pick it up.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003ch4\u003e \u003cstrong\u003eTimeless beauty – enduring value\u003c\/strong\u003e\n\u003c\/h4\u003e\n\n\u003cp\u003e The \"Tamba-yaki Vase by Ichino Masahiro\" will not lose its beauty over time. The more it is used, the more its character deepens, and it will become a lifelong treasure that will fit into the user's life. Its unique texture and feel make it worthy of being loved for generations to come. This vase is also perfect as a gift for a special person.\u003c\/p\u003e\n\n\u003chr\u003e\n\n \u003ch3\u003e\u003cstrong\u003eBringing the Essence of Tanba-yaki into Your Life -- \"Tanba-yaki Vase by Masahiro Ichino\"\u003c\/strong\u003e\u003c\/h3\u003e\n\n\u003cp\u003e \"Tamba-yaki Vase Ichino Masahiro\" is a product of nature and tradition. Its deep brown color and powerful glaze shape will transform your daily life into something special. Please experience the beauty you can experience every time you arrange flowers in it, and the value that will be passed down through time.\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"陶器の専門店【甘木道】","offers":[{"title":"Default Title","offer_id":48356014096664,"sku":"","price":33000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0668\/2332\/3928\/files\/IMG_7528cc.jpg?v=1714278750"},{"product_id":"天目茶盌-市野正大-2","title":"Yōhen tea bowl by Masahiro Ichino","description":"\u003cp\u003e\u003cspan\u003eHeight: 12.5cm Width: 6.4cm\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch3\u003e Tenmoku tea bowl by Masahiro Ichino - A crystallization of exquisite beauty and history woven with Tenmoku glaze\u003c\/h3\u003e\n\n\u003ch4\u003e A unique landscape created by the miracle of Tenmoku glaze\u003c\/h4\u003e\n\n \u003cp\u003e\"Tenmoku Tea Bowl by Ichino Masatoshi\" features a unique and beautiful landscape created by the Tenmoku glaze, which is an exquisite harmony between chance and calculation. On the surface, you can see starry sky-like spots, oil droplet patterns, and deep, radiant color changes that appear when the iron ions contained in the iron glaze react at high temperatures. No two pieces are the same, and each is a work of art that tells its own story. In particular, the beautiful reflections and luster reminiscent of a starry sky, such as those of the \"Yohen Tenmoku,\" strongly appeal to tea masters and pottery enthusiasts.\u003c\/p\u003e\n\n\u003ch4\u003e The history and cultural background of Tenmoku tea bowls\u003c\/h4\u003e\n\n \u003cp\u003eTenmoku tea bowls have their roots in iron-glazed tea bowls produced at the Jian and Jizhou kilns of the Song Dynasty in China from the 10th to 13th centuries. The first records date back to the Northern Song Dynasty, when tea culture was at its height and they were prized as black tea bowls that accentuated the beauty of white tea. In particular, the \"Jianzhan\" tea bowls fired at the Jian kiln feature beautiful patterns such as Yohen Tenmoku and Yuteki Tenmoku, and were prized not only in China but also in Japan.\u003c\/p\u003e\n\n \u003cp\u003eTenmoku tea bowls were brought to Japan by Zen monks who trained at Mount Tenmoku during the Kamakura period, and became fused with Zen philosophy to occupy an important position in tea ceremony culture. In the Muromachi period, Tenmoku tea bowls were highly valued at tea ceremonies, due in part to their popularity among Ashikaga Yoshimasa. They were gradually classified based on shape, pattern, and type of glaze, resulting in a wide variety of variations such as Yohen Tenmoku, Yuteki Tenmoku, and Konoha Tenmoku. Even today, Tenmoku tea bowls are masterpieces that are valued for their historical background and technical value.\u003c\/p\u003e\n\n\u003ch4\u003e The technical and chemical properties of Tenmoku glaze\u003c\/h4\u003e\n\n \u003cp\u003eThe black glaze that characterizes Tenmoku tea bowls develops its color when the iron-rich glaze is fired at high temperatures. When the iron content is 1-2%, the glaze has a pale color like celadon, while at 15% or more it turns deep black. Furthermore, black glazes develop color easily in both oxidation and reduction firing, making their production more stable than other glazes. The patterns in Tenmoku glaze are created when the iron crystallizes during firing, which creates distinctive decorations such as oil droplets and Yohen patterns.\u003c\/p\u003e\n\n\u003cp\u003e Furthermore, the surface of the Tenmoku glaze has a smooth and pleasant texture that feels good to the touch, and it becomes more comfortable in your hand with each use. This technique inherited the pottery techniques of the Song Dynasty in China, and has been further developed by Japanese potters. Masahiro Ichino's Tenmoku tea bowls have a modern beauty that preserves traditional techniques while adding his own unique interpretation.\u003c\/p\u003e\n\n \u003ch4\u003eShapes and types of Tenmoku tea bowls\u003c\/h4\u003e\n\n\u003cp\u003e The basic shape of a Tenmoku tea bowl is a funnel shape with a wide mouth and a small foot. There are three types of Jianzhan made in China's Jian kilns: the Tsukukou bowl, the Liekou bowl, and the Shiokou bowl, each with its own unique beauty. Meanwhile, the Jishu kilns produced unique designs such as the Konoha Tenmoku and Moji Tenmoku. Japanese Tenmoku tea bowls are based on these Chinese pottery designs, with some reflecting the characteristics of each region, such as the Shiro Tenmoku of Mino ware and the Kikuka Tenmoku of Seto ware.\u003c\/p\u003e\n\n\u003cp\u003e In particular, Yohen Tenmoku is considered the highest grade among Kenzan, and its pattern of radiating spots like the starry sky is so rare that only a few pieces remain in the world. These differences in types and the stories behind them further deepen the charm of Tenmoku tea bowls.\u003c\/p\u003e\n\n\u003ch4\u003e Craftsmanship and artistry - Features of Masahiro Ichino's work\u003c\/h4\u003e\n\n \u003cp\u003eMasahiro Ichino has established his own unique style of pottery that incorporates modern sensibilities while inheriting the traditions of Tamba Tachikui. This Tenmoku tea bowl is a masterpiece that was made with great attention to detail, from the composition of the glaze to the timing of firing. The work, which maximizes the accidental beauty created by the glaze while also taking into consideration the shape and texture, combines art and practicality.\u003c\/p\u003e\n\n\u003ch4\u003e Special vessels that add color to the tea ceremony\u003c\/h4\u003e\n\n\u003cp\u003e This Tenmoku tea bowl will make your tea ceremony experience even more special. Its deep color and pattern bring out the beauty of the tea and add a touch of elegance to your tea ceremony. Its shape fits comfortably in your hand and its moderate weight makes it comfortable to use.\u003c\/p\u003e\n\n\u003ch4\u003e Lasting Value\u003c\/h4\u003e\n\n \u003cp\u003eMasahiro Ichino's Tenmoku tea bowls are timeless pieces that will be loved for generations to come. The longer they are used, the deeper the texture becomes and the more special their presence becomes. They are treasures that can be used for a lifetime and are worthy of being passed down to the next generation.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003ch3\u003e The special joy of owning a Tenmoku tea bowl\u003c\/h3\u003e\n\n\u003cp\u003e \"Tenmoku tea bowl by Masahiro Ichino\" is a work that combines historical background, beautiful patterns, and outstanding craftsmanship. It gives a sense of the weight of history and culture, while also being practical enough to add color to your daily tea ceremony. Through this tea bowl, you can enjoy the profound charm of Tenmoku tea bowls and a special moment.\u003c\/p\u003e\n\n\u003c!----\u003e","brand":"陶器の専門店【甘木道】","offers":[{"title":"Default Title","offer_id":48356065509656,"sku":"103","price":88000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0668\/2332\/3928\/files\/IMG_7587cc.jpg?v=1714278912"},{"product_id":"丹波瓶子-清水剛","title":"ZEN Gorgeous Bottle Takeshi Shimizu","description":"\u003cp\u003e\u003cspan\u003eHeight: 14.2cm Width: 21.8cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003ch4\u003e The tradition and deep charm of Tamba ware\u003c\/h4\u003e\n\u003cp\u003e \"Tamba Bottle by Tsuyoshi Shimizu\" is a work that inherits the tradition of Tamba ware. Tamba ware is counted as one of Japan's six ancient kilns, and is highly regarded for its deep history and techniques. This bottle, made by Tsuyoshi Shimizu, fully brings out the simple yet profound beauty of Tamba ware.\u003c\/p\u003e\n\u003ch4\u003e Unique texture created by anagama firing\u003c\/h4\u003e\n\u003cp\u003e This bottle was fired in a traditional anagama kiln. Anagama firing is a method of firing slowly over a long period of time, making the most of the power of nature. Shimizu Tsuyoshi uses this method to fire the bottle over a period of about two and a half days, at a high temperature of 1230°C. This gives the bottle a unique texture and depth.\u003c\/p\u003e\n\u003ch4\u003e Beautiful natural colors\u003c\/h4\u003e\n\u003cp\u003e Tamba bottles express the natural ash glaze and earthenware colors as they are. The natural color changes and kiln changes that occur during the firing process give the pieces even more charm and individuality. Thanks to Tsuyoshi Shimizu's skillful technique, these natural colors are beautifully harmonized, giving the entire piece depth and warmth.\u003c\/p\u003e\n\u003ch4\u003e The history and significance of the Heishi bottle\u003c\/h4\u003e\n\u003cp\u003e Bottles are vessels that have been deeply connected to Japanese culture since ancient times. Bottles, which are still used as offerings to the gods today, are mentioned in the Engishiki and trace their origins to the introduction of meibin, a sake bottle from the Song Dynasty in China. Bottles are made not only from porcelain but also from lacquerware, and the vermilion lacquered bottles made with Negoro lacquerware from the Kamakura to Muromachi periods are particularly famous. With this historical background, bottles have a special meaning as vessels that symbolize Japanese tradition and culture.\u003c\/p\u003e\n\u003ch4\u003e Craftsmanship and artistry\u003c\/h4\u003e\n\u003cp\u003e Tsuyoshi Shimizu has used his many years of experience and outstanding skills to create this Tamba bottle. It features a design that incorporates modern sensibilities while preserving traditional techniques. When you hold one in your hand, you will be impressed by its intricate craftsmanship and high-quality finish.\u003c\/p\u003e\n\u003ch4\u003e For tea ceremonies and everyday decoration\u003c\/h4\u003e\n\u003cp\u003e This Tamba bottle will make your tea ceremony even more special. It also makes a beautiful everyday decoration, bringing a special atmosphere to any space. Its simple yet striking design harmonizes with any scene, and you will be captivated by its beauty and functionality every time you use it.\u003c\/p\u003e\n\u003ch4\u003e Lasting Value\u003c\/h4\u003e\n\u003cp\u003e Tsuyoshi Shimizu's works retain their beauty over time. This Tamba bottle is also a masterpiece that can be used for a long time and will become a lifelong treasure. The more you use it, the more its texture will improve and you will gradually grow to love it more. It is a valuable piece that will continue to be loved by generations.\u003c\/p\u003e\n\u003cp\u003e Be sure to keep a Tamba bottle made by Shimizu Tsuyoshi close at hand and enjoy its beauty and ease of use. This exquisite item will transform your everyday moments into something special.\u003c\/p\u003e\n\u003cp\u003e Biography\u003cbr\u003e Born in Tachikui, Hyogo Prefecture in 1975\u003cbr\u003e 1999 Graduated from Kyoto City University of Arts, Department of Crafts, majoring in ceramics. Studied under ceramic artists Masayuki Imai and Masamasa\u003cbr\u003e 2005 - Worked at the Museum of Ceramic Art, Hyogo (until 2012)\u003cbr\u003e 2010 - 2011 Part-time lecturer at Hyogo University of Teacher Education\u003cbr\u003e 2015: Visited Canada (Owata, Vancouver) through a Ministry of Foreign Affairs program\u003cbr\u003e 2019 Lecture at the Japan-Korea Academic Symposium (Gimhae Buncheong Ceramics Museum\/Korea, '16)\u003c\/p\u003e\n\u003cp\u003e Major Exhibitions\/Open Call Exhibitions\u003cbr\u003e 2010 Biennale KUMAMOTO FINAL (Kumamoto Prefectural Museum of Art)\u003cbr\u003e 2012 Kyoto Prefectural Art and Craft New Artists Exhibition, Kyoto Art and Craft Biennale (Kyoto Museum of Art)\u003cbr\u003e 2013: Selected for the 22nd Japan Ceramic Art Exhibition ('11)\u003cbr\u003e 2014 Gwangju Biennale (Gwangju Folk Museum\/South Korea)\u003cbr\u003e 2016 Exhibition of crafts from UCCN in the field of Crafts \u0026amp; Folk Art\u003cbr\u003e (Icheon World Ceramic Center\/Korea)\u003cbr\u003e 2017 Ischawan, One World: International Artists Chawan Ren Exhibition (Rudo Makoto\/Taiwan)\u003cbr\u003e 2018 2018 TEA BOWL Exhibition of Gyeongsanam-Do (Gimhae Cultural Center\/Korea)\u003cbr\u003e 150 Years of Hyogo Pottery - From Technique and Craftsmanship to Art and Individuality (The Museum of Ceramic Art, Hyogo)\u003cbr\u003e 2019 KOGEI Art Fair KANAZAWA 2019 (THE SHARE HOTELS KUMU Kanazawa)\u003cbr\u003e 2022: Selected for the 39th Tea Ceremony Art Exhibition (Tabe Museum of Art\/Shimane) (6 times in total)\u003cbr\u003e 2023 Selected for the 10th Kikuchi Biennale (Kikuchi Kanmi Memorial Museum Tomo\/Tokyo)\u003c\/p\u003e\n\u003cp\u003e Awards\u003cbr\u003e 2010 Contemporary Ceramic Art Hagi Grand Prize Exhibition 2010 (Yamaguchi Prefectural Hagi Museum of Art, Urakami Memorial Museum) Honorable Mention\u003cbr\u003e 2011: Honorable Mention at the 57th All-Kansai Art Exhibition (Osaka Municipal Museum of Art) (2009: Same award)\u003cbr\u003e Kobe Biennale 2011 Contemporary Ceramic Art Exhibition Encouragement Award (same award in 2009)\u003cbr\u003e 2017 Hyogo Prefecture Art Encouragement Award\u003cbr\u003e 2018: Excellence Award at the 11th Contemporary Tea Ceremony Exhibition, Gold Award at the 23rd Mino Tea Bowl Exhibition\u003cbr\u003e 2019 12th Contemporary Tea Ceramics Exhibition Excellence Award 5th Geibunkyo Exhibition Kyoto City Mayor Award\u003cbr\u003e 2023 15th Contemporary Tea Ceramics Exhibition Excellence Award\u003c\/p\u003e\n\u003c!----\u003e","brand":"陶器の専門店【甘木道】","offers":[{"title":"Default Title","offer_id":48397458800920,"sku":"","price":88000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0668\/2332\/3928\/files\/IMG_0283a.jpg?v=1715780326"},{"product_id":"塩窯花入-清水剛","title":"Salt kiln vase by Takeshi Shimizu","description":"\u003cp\u003e \u003cspan\u003eHeight: 10.3cm Width: 17.1cm\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch3\u003e Shio Kiln Vase by Tsuyoshi Shimizu - A work of art that combines the beauty of blue with salt kiln techniques\u003c\/h3\u003e\n\n\u003ch3\u003e A special glow brought by vibrant blue\u003c\/h3\u003e\n\n\u003cp\u003e The \"Shiogama Vase by Tsuyoshi Shimizu\" stands out for its vibrant blue, painted with a blue pigment called gosu. The greatest appeal of this vase is the transparency and depth that is created by painting with pigment rather than glaze. It has unchanging beauty from any angle, and emanates a presence that instantly elevates any space. The blues created by Tsuyoshi Shimizu add a touch of art to everyday life.\u003c\/p\u003e\n\n\u003ch3\u003e The unique texture created by the salt kiln technique\u003c\/h3\u003e\n\n \u003cp\u003eThis vase is made using the salt kiln technique, which originated in Germany in the 13th century. This technique involves adding salt during firing, which creates a unique texture on the surface of the vessel. Tsuyoshi Shimizu uses a traditional climbing kiln to slowly fire the piece at a high temperature of over 1230°C for approximately two and a half days. The process in which the salt evaporates and creates natural patterns on the surface of the vessel is truly a miracle that combines the power of nature and the skill of a master craftsman.\u003c\/p\u003e\n\n\u003ch3\u003e The crystallization of labor and tradition in climbing kilns\u003c\/h3\u003e\n\n\u003cp\u003e Firing in a climbing kiln is a traditional technique that takes time and effort, but it also gives the work a unique texture and durability. Shimizu Tsuyoshi's salt kiln vase is characterized by its durable and beautiful finish, which is achieved through long firing times and the addition of salt. Through this process, the entire vessel takes on a unique texture, giving it a one-of-a-kind presence.\u003c\/p\u003e\n\n\u003ch3\u003e A fusion of craftsmanship and artistry\u003c\/h3\u003e\n\n \u003cp\u003eTsuyoshi Shimizu's Shiogama flower vases are crafted with exceptional skill and artistic sensibility, from the way the gosu is applied to the timing of the salt kiln firing. The aesthetic sense and careful finish that resides in the details will allow you to discover new charms every time you use them. They are works of art that are not only beautiful to look at, but also practical in terms of their texture and durability.\u003c\/p\u003e\n\n\u003ch3\u003e A presence that brings out the flowers\u003c\/h3\u003e\n\n\u003cp\u003e This Shiogama vase will enhance the beauty of any flower placed inside. Its vibrant blue and unique texture bring out the charm of the flowers and create a special atmosphere in any space it is displayed in. It blends naturally into any setting, such as a living room, entryway, or study, and serves as an art piece that elevates any space.\u003c\/p\u003e\n\n\u003ch3\u003e everlasting value\u003c\/h3\u003e\n\n \u003cp\u003eShimizu Tsuyoshi's Shiogama flower vase is a masterpiece that continues to maintain its beauty over time. The more it is used, the more its texture and flavor deepen, deepening the attachment of the owner. Not only can it be used and cherished for a lifetime, but it is also a valuable piece to be passed down to the next generation, and its appeal will continue into the future.\u003c\/p\u003e\n\n\u003cp\u003e Biography\u003cbr\u003e Born in Tachikui, Hyogo Prefecture in 1975\u003cbr\u003e 1999 Graduated from Kyoto City University of Arts, Department of Crafts, majoring in ceramics. Studied under ceramic artists Masayuki Imai and Masamasa\u003cbr\u003e 2005 - Worked at the Museum of Ceramic Art, Hyogo (until 2012)\u003cbr\u003e 2010 - 2011 Part-time lecturer at Hyogo University of Teacher Education\u003cbr\u003e 2015: Visited Canada (Owata, Vancouver) through a Ministry of Foreign Affairs program\u003cbr\u003e 2019 Lecture at the Japan-Korea Academic Symposium (Gimhae Buncheong Ceramics Museum\/Korea, '16)\u003c\/p\u003e\n\n\u003cp\u003e Major Exhibitions\/Open Call Exhibitions\u003cbr\u003e 2010 Biennale KUMAMOTO FINAL (Kumamoto Prefectural Museum of Art) \u003cbr\u003e2012 Kyoto Prefectural Art and Craft New Artists Exhibition, Kyoto Art and Craft Biennale (Kyoto Museum of Art)\u003cbr\u003e 2013: Selected for the 22nd Japan Ceramic Art Exhibition ('11)\u003cbr\u003e 2014 Gwangju Biennale (Gwangju Folk Museum\/South Korea)\u003cbr\u003e 2016 Exhibition of crafts from UCCN in the field of Crafts \u0026amp; Folk Art\u003cbr\u003e (Icheon World Ceramic Center\/Korea)\u003cbr\u003e 2017 Ischawan, One World: International Artists Chawan Ren Exhibition (Ryudo Makoto\/Taiwan)\u003cbr\u003e 2018 2018 TEA BOWL Exhibition of Gyeongsanam-Do (Gimhae Cultural Center\/Korea)\u003cbr\u003e 150 Years of Hyogo Pottery - From Technique and Craftsmanship to Art and Individuality (The Museum of Ceramic Art, Hyogo)\u003cbr\u003e 2019 KOGEI Art Fair KANAZAWA 2019 (THE SHARE HOTELS KUMU Kanazawa)\u003cbr\u003e 2022: Selected for the 39th Tea Ceremony Art Exhibition (Tabe Museum of Art\/Shimane) (6 times in total)\u003cbr\u003e 2023 Selected for the 10th Kikuchi Biennale (Kikuchi Kanmi Memorial Museum Tomo\/Tokyo)\u003c\/p\u003e\n\n\u003cp\u003e Awards\u003cbr\u003e 2010 Contemporary Ceramic Art Hagi Grand Prize Exhibition 2010 (Hagi Museum of Art, Yamaguchi Prefecture, Urakami Memorial Museum) Honorable Mention \u003cbr\u003e2011: Honorable Mention at the 57th All Kansai Art Exhibition (Osaka Municipal Museum of Fine Arts) (2009: Same award)\u003cbr\u003e Kobe Biennale 2011 Contemporary Ceramic Art Exhibition Encouragement Award (same award in 2009)\u003cbr\u003e 2017 Hyogo Prefecture Art Encouragement Award\u003cbr\u003e 2018: 11th Contemporary Tea Ceremony Exhibition, Excellence Award; 23rd Mino Tea Bowl Exhibition, Gold Award\u003cbr\u003e 2019 12th Contemporary Tea Ceramics Exhibition Excellence Award 5th Geibunkyo Exhibition Kyoto City Mayor Award\u003cbr\u003e 2023 15th Contemporary Tea Ceramics Exhibition Excellence Award\u003c\/p\u003e\n\n\u003c!----\u003e","brand":"陶器の専門店【甘木道】","offers":[{"title":"Default Title","offer_id":48398116520216,"sku":"","price":55000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0668\/2332\/3928\/files\/IMG_0401a.jpg?v=1716280867"},{"product_id":"塩窯茶盌-清水剛","title":"Blue Tea Bowl by Takeshi Shimizu","description":"\u003cp\u003e \u003cspan\u003eHeight: 11.0cm Width: 9.0cm\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch3\u003e Shiogama Tea Bowl by Tsuyoshi Shimizu - A superb masterpiece created by combining the blue of gosu and salt kiln techniques\u003c\/h3\u003e\n\n\u003ch3\u003e A tea bowl with a captivating blue glow\u003c\/h3\u003e\n\n \u003cp\u003eThe \"Shiogama Tea Bowl by Tsuyoshi Shimizu\" is a tea bowl characterized by its vivid and deep blue color. This beautiful blue color is created using gosu, a traditional blue pigment, and gives it a sense of transparency and depth that is different from glaze. Thanks to Tsuyoshi Shimizu's skillful technique, the gosu color is evenly and vividly applied throughout the bowl, capturing the hearts of those who see it. The brilliance of this blue adds a new level of color to your tea ceremony.\u003c\/p\u003e\n\n\u003ch3\u003e The unique texture created by the salt kiln technique\u003c\/h3\u003e\n\n \u003cp\u003eThis tea bowl is a masterpiece that combines nature and craftsmanship, crafted using the salt kiln technique. Originating in Germany in the 13th century, the salt kiln technique involves adding salt during firing to create a unique texture on the surface of the bowl. Tsuyoshi Shimizu practices this technique in a traditional climbing kiln, firing the bowl slowly for two and a half days at a high temperature of over 1230°C. The minute irregularities and natural texture created during this process make the salt kiln tea bowl a special piece to touch.\u003c\/p\u003e\n\n\u003ch3\u003e A fusion of traditional and modern gosu\u003c\/h3\u003e\n\n \u003cp\u003eGosu is a historic pigment passed down from ancient Chinese pottery and deeply rooted in Japanese pottery culture. By combining this traditional material with contemporary design and the salt kiln technique, Tsuyoshi Shimizu breathes new life into the Shiogama tea bowl. The vibrant blue of the gosu and the unique texture of the salt kiln technique harmonize to create a work of art in which history and innovation beautifully coexist.\u003c\/p\u003e\n\n\u003ch3\u003e Intricate craftsmanship that shows off the artisan's skills\u003c\/h3\u003e\n\n\u003cp\u003e This tea bowl embodies Tsuyoshi Shimizu's outstanding technique and aesthetic sensibility. The way the gosu is applied and the firing process in the salt kiln are meticulously crafted down to the smallest detail, and every time you pick up the tea bowl, you'll be impressed by the meticulous craftsmanship. Combining practicality and beauty, this tea bowl will create a special moment in your everyday life.\u003c\/p\u003e\n\n\u003ch3\u003e Making your tea ceremony experience special\u003c\/h3\u003e\n\n \u003cp\u003eThis Shiogama tea bowl will make your tea ceremony experience even more special and enriching. Its beautiful blue color and the texture unique to salt kilns will elevate your tea ceremony to a sophisticated space. Its easy-to-use shape and comfortable weight enhance its practicality while maintaining an exquisite balance with its beautiful appearance.\u003c\/p\u003e\n\n\u003ch3\u003e Timeless beauty and value\u003c\/h3\u003e\n\n\u003cp\u003e Shimizu Tsuyoshi's Shiogama tea bowls are works of eternal value that retain their beauty over time. The more you use them, the more their texture improves, and you develop a special relationship with them. Not only will they be cherished for a lifetime, but they will also retain their value as masterpieces worthy of being passed down to future generations.\u003c\/p\u003e\n\n\u003cp\u003e Biography\u003cbr\u003e Born in Tachikui, Hyogo Prefecture in 1975\u003cbr\u003e 1999 Graduated from Kyoto City University of Arts, Department of Crafts, majoring in ceramics. Studied under ceramic artists Masayuki Imai and Masamasa\u003cbr\u003e 2005 - Worked at the Museum of Ceramic Art, Hyogo (until 2012) \u003cbr\u003e2010 - 2011 Part-time lecturer at Hyogo University of Teacher Education\u003cbr\u003e 2015: Visited Canada (Owata, Vancouver) through a Ministry of Foreign Affairs program\u003cbr\u003e 2019 Lecture at the Japan-Korea Academic Symposium (Gimhae Buncheong Ceramics Museum\/Korea, '16)\u003c\/p\u003e\n\n\u003cp\u003e Major Exhibitions\/Open Call Exhibitions\u003cbr\u003e 2010 Biennale KUMAMOTO FINAL (Kumamoto Prefectural Museum of Art)\u003cbr\u003e 2012 Kyoto Prefectural Art and Craft New Artists Exhibition, Kyoto Art and Craft Biennale (Kyoto Museum of Art)\u003cbr\u003e 2013: Selected for the 22nd Japan Ceramic Art Exhibition ('11)\u003cbr\u003e 2014 Gwangju Biennale (Gwangju Folk Museum\/South Korea)\u003cbr\u003e 2016 Exhibition of crafts from UCCN in the field of Crafts \u0026amp; Folk Art\u003cbr\u003e (Icheon World Ceramic Center\/Korea)\u003cbr\u003e 2017 Ischawan, One World: International Artists Chawan Ren Exhibition (Ryudo Makoto\/Taiwan)\u003cbr\u003e 2018 2018 TEA BOWL Exhibition of Gyeongsanam-Do (Gimhae Cultural Center\/Korea)\u003cbr\u003e 150 Years of Hyogo Pottery - From Technique and Craftsmanship to Art and Individuality (The Museum of Ceramic Art, Hyogo) \u003cbr\u003e2019 KOGEI Art Fair KANAZAWA 2019 (THE SHARE HOTELS KUMU Kanazawa)\u003cbr\u003e 2022: Selected for the 39th Tea Ceremony Art Exhibition (Tabe Museum of Art\/Shimane) (6 times in total)\u003cbr\u003e 2023 Selected for the 10th Kikuchi Biennale (Kikuchi Kanmi Memorial Museum Tomo\/Tokyo)\u003c\/p\u003e\n\n\u003cp\u003e Awards\u003cbr\u003e 2010 Contemporary Ceramic Art Hagi Grand Prize Exhibition 2010 (Yamaguchi Prefectural Hagi Museum of Art, Urakami Memorial Museum) Honorable Mention\u003cbr\u003e 2011: Honorable Mention at the 57th All-Kansai Art Exhibition (Osaka Municipal Museum of Art) (2009: Same award)\u003cbr\u003e Kobe Biennale 2011 Contemporary Ceramic Art Exhibition Encouragement Award (same award in 2009)\u003cbr\u003e 2017 Hyogo Prefecture Art Encouragement Award\u003cbr\u003e 2018: 11th Contemporary Tea Ceremony Exhibition, Excellence Award; 23rd Mino Tea Bowl Exhibition, Gold Award\u003cbr\u003e 2019 12th Contemporary Tea Ceramics Exhibition Excellence Award 5th Geibunkyo Exhibition Kyoto City Mayor Award\u003cbr\u003e 2023 15th Contemporary Tea Ceramics Exhibition Excellence Award\u003c\/p\u003e\n\n\u003c!----\u003e","brand":"陶器の専門店【甘木道】","offers":[{"title":"Default Title","offer_id":48398195360024,"sku":"","price":110000.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0668\/2332\/3928\/files\/IMG_0438a.jpg?v=1716553994"},{"product_id":"丹波茶盌-清水剛","title":"Stunning Tea Bowl by Takeshi Shimizu","description":"\u003cp\u003e \u003cspan\u003eHeight: 12.4cm Width: 8.8cm\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch3\u003e Tamba Tea Bowl \"Made by Shimizu Tsuyoshi\" - A masterpiece that combines the art of nature and the skill of a master craftsman\u003c\/h3\u003e\n\n\u003ch3\u003e \u003cstrong\u003eThe unique beauty created by kiln changes\u003c\/strong\u003e\n\u003c\/h3\u003e\n\n \u003cp\u003eThe greatest feature of the \"Tamba Tea Bowl by Tsuyoshi Shimizu\" is the unique appearance created by the kiln changes. The natural patterns and color changes that occur during firing give the entire tea bowl a rich expression, exuding a beauty that is almost like a work of art painted by nature. The kiln changes, with no two bowls having the same pattern, elevate this tea bowl into a one-of-a-kind masterpiece. Tamba ware made by Tsuyoshi Shimizu is a piece that fully embodies the beauty of nature and the tradition of pottery.\u003c\/p\u003e\n\n\u003ch3\u003e \u003cstrong\u003eOutstanding craftsmanship and artistry\u003c\/strong\u003e\n\u003c\/h3\u003e\n\n \u003cp\u003eMr. Tsuyoshi Shimizu has used his many years of experience and meticulous techniques to create new appeal for Tamba ware. This tea bowl was created using various kiln-changing techniques that utilize natural materials such as pine ash, while maintaining an exquisite balance in the firing process. Its intricate and smooth construction not only meets the practical needs of the tea ceremony, but also captivates the viewer with its artistic quality. Every time you pick it up, you will be able to experience the charm of Mr. Tsuyoshi Shimizu's outstanding skill.\u003c\/p\u003e\n\n\u003ch3\u003e \u003cstrong\u003eCreating a special tea ceremony moment\u003c\/strong\u003e\n\u003c\/h3\u003e\n\n\u003cp\u003e This Tamba tea bowl has the power to transform your tea ceremony into something truly special. The beautiful scenery created by the kiln changes and the exquisite feel bring a sense of satisfaction and harmony to your tea ceremony. Its presence enhances the entire space of the tea room, creating a special moment every time you use it.\u003c\/p\u003e\n\n \u003ch3\u003e\u003cstrong\u003eLasting value and growing attachment\u003c\/strong\u003e\u003c\/h3\u003e\n\n\u003cp\u003e The beauty and texture of Tsuyoshi Shimizu's works deepen with the passage of time, becoming an integral part of the user's life. This Tamba tea bowl is a valuable masterpiece that will be treasured and loved for generations to come. Through daily use, the attachment that grows with the bowl will gradually turn it into an irreplaceable possession.\u003c\/p\u003e\n\n\u003ch3\u003e \u003cstrong\u003eEnjoy the art of tea ceremony with a Tamba tea bowl made by Tsuyoshi Shimizu\u003c\/strong\u003e\n\u003c\/h3\u003e\n\n\u003cp\u003e The \"Tamba Tea Bowl by Tsuyoshi Shimizu\" is a supreme work that combines the power of nature with the skill of a master craftsman. Its beauty and functionality will transform your daily tea ceremony into something truly special. Be sure to get this masterpiece in your hands and enjoy the one-of-a-kind beauty and joy that Tamba ware brings.\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003eA Tamba tea bowl perfect for those seeking a special moment. Experience the true essence of the tea ceremony through this exquisite item.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e Biography\u003cbr\u003e Born in Tachikui, Hyogo Prefecture in 1975\u003cbr\u003e 1999 Graduated from Kyoto City University of Arts, Department of Crafts, majoring in ceramics. Studied under ceramic artists Masayuki Imai and Masamasa\u003cbr\u003e 2005 - Worked at the Museum of Ceramic Art, Hyogo (until 2012)\u003cbr\u003e 2010 - 2011 Part-time lecturer at Hyogo University of Teacher Education\u003cbr\u003e 2015: Visited Canada (Owata, Vancouver) through a Ministry of Foreign Affairs program\u003cbr\u003e 2019 Lecture at the Japan-Korea Academic Symposium (Gimhae Buncheong Ceramics Museum\/Korea, '16)\u003c\/p\u003e\n\n\u003cp\u003e Major Exhibitions\/Open Call Exhibitions\u003cbr\u003e 2010 Biennale KUMAMOTO FINAL (Kumamoto Prefectural Museum of Art)\u003cbr\u003e 2012 Kyoto Prefectural Art and Craft New Artists Exhibition, Kyoto Art and Craft Biennale (Kyoto Museum of Art)\u003cbr\u003e 2013: Selected for the 22nd Japan Ceramic Art Exhibition ('11)\u003cbr\u003e 2014 Gwangju Biennale (Gwangju Folk Museum\/South Korea) \u003cbr\u003e2016 Exhibition of crafts from UCCN in the field of Crafts \u0026amp; Folk Art\u003cbr\u003e (Icheon World Ceramic Center\/Korea)\u003cbr\u003e 2017 Ischawan, One World: International Artists Chawan Ren Exhibition (Ryudo Makoto\/Taiwan)\u003cbr\u003e 2018 2018 TEA BOWL Exhibition of Gyeongsanam-Do (Gimhae Cultural Center\/Korea)\u003cbr\u003e 150 Years of Hyogo Pottery - From Technique and Craftsmanship to Art and Individuality (The Museum of Ceramic Art, Hyogo)\u003cbr\u003e 2019 KOGEI Art Fair KANAZAWA 2019 (THE SHARE HOTELS KUMU Kanazawa)\u003cbr\u003e 2022: Selected for the 39th Tea Ceremony Art Exhibition (Tabe Museum of Art\/Shimane) (6 times in total)\u003cbr\u003e 2023 Selected for the 10th Kikuchi Biennale (Kikuchi Kanmi Memorial Museum Tomo\/Tokyo)\u003c\/p\u003e\n\n\u003cp\u003e Awards\u003cbr\u003e 2010 Contemporary Ceramic Art Hagi Grand Prize Exhibition 2010 (Yamaguchi Prefectural Hagi Museum of Art, Urakami Memorial Museum) Honorable Mention\u003cbr\u003e 2011: Honorable Mention at the 57th All-Kansai Art Exhibition (Osaka Municipal Museum of Art) (2009: Same award)\u003cbr\u003e Kobe Biennale 2011 Contemporary Ceramic Art Exhibition Encouragement Award (same award in 2009)\u003cbr\u003e 2017 Hyogo Prefecture Art Encouragement Award \u003cbr\u003e2018: 11th Contemporary Tea Ceremony Exhibition, Excellence Award; 23rd Mino Tea Bowl Exhibition, Gold Award\u003cbr\u003e 2019 12th Contemporary Tea Ceramics Exhibition Excellence Award 5th Geibunkyo Exhibition Kyoto City Mayor Award\u003cbr\u003e 2023 15th Contemporary Tea Ceramics Exhibition Excellence Award\u003c\/p\u003e\n\n\u003c!----\u003e","brand":"陶器の専門店【甘木道】","offers":[{"title":"Default Title","offer_id":48398315651352,"sku":"","price":110000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0668\/2332\/3928\/files\/IMG_0315a.jpg?v=1722979569"},{"product_id":"白丹波茶盌-清水剛","title":"White Elegant Tea Bowl by Takeshi Shimizu","description":"\u003cp\u003e \u003cspan\u003eHeight: 12.7cm Width: 9.5cm\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch3\u003e The rare beauty of Shiratanba\u003c\/h3\u003e\n\n\u003cp\u003e The \"White Tanba Tea Bowl by Tsuyoshi Shimizu\" stands out for its rare white color. White Tanba was created in the mid-to-late Edo period, when iron-rich soil was the norm in Japan, making it extremely difficult to produce white pottery. Tsuyoshi Shimizu has inherited the tradition of White Tanba while bringing out a beauty that is suitable for the modern era.\u003c\/p\u003e\n\n\u003ch3\u003e Powder-drawing techniques\u003c\/h3\u003e\n\n \u003cp\u003eThis white Tanba tea bowl is made using a technique called kohiki, which involves applying white mud. This technique, which was developed in the late Edo period, allows for a beautiful white surface even with clay that is high in iron. The smooth white color created by the kohiki technique gives the bowl an elegant shine, bringing out the vibrant green of the matcha.\u003c\/p\u003e\n\n\u003ch3\u003e Soil that makes the most of nature's bounty\u003c\/h3\u003e\n\n\u003cp\u003e Tsuyoshi Shimizu dug up the soil himself and discovered Shirotanba clay. Shirotanba clay is fired at a high temperature of 1230°C, which brings out its unique beautiful white color and durability. Firing at this high temperature not only makes the tea bowls extremely durable and long-lasting, but also ensures that their beauty is maintained forever.\u003c\/p\u003e\n\n\u003ch3\u003e History and traditions of the Edo period\u003c\/h3\u003e\n\n \u003cp\u003eUnlike Mino ware or Shigaraki, white clay is not produced in Shirotanba, and it developed in its own way in the middle to late Edo period. This Shirotanba tea bowl was created during the Edo period, when white pottery was difficult to produce, and it is a piece that evokes the technological innovation and aesthetic sense of the time. Shimizu Tsuyoshi's Shirotanba tea bowl is a valuable piece that conveys this history and tradition to the present day.\u003c\/p\u003e\n\n\u003ch3\u003e Craftsmanship and artistry\u003c\/h3\u003e\n\n\u003cp\u003e This white Tanba tea bowl was completed thanks to the outstanding technique and artistic sensibility of Tsuyoshi Shimizu. From the selection of the clay to the powder-painting technique and firing process, every step is packed with exquisite skill. When you hold it in your hand, you can feel the high level of skill and aesthetic sense, and you will discover something new every time you use it.\u003c\/p\u003e\n\n\u003ch3\u003e Creating a special moment\u003c\/h3\u003e\n\n \u003cp\u003eThis tea bowl will make your tea ceremony even more special. The beautiful white color of the white tanba creates a special atmosphere in the tea ceremony space, providing a comfortable and satisfying feeling. You will be captivated by its beauty and functionality every time you use it. Shimizu Tsuyoshi's white tanba tea bowl will turn your tea ceremony into a special experience.\u003c\/p\u003e\n\n\u003ch3\u003e Lasting Value\u003c\/h3\u003e\n\n\u003cp\u003e Tsuyoshi Shimizu's works continue to retain their beauty over time. This white Tamba tea bowl is also a masterpiece that can be used for a long time and will become a lifelong treasure. The more you use it, the more its texture will improve and you will gradually grow to love it more. Tsuyoshi Shimizu's white Tamba tea bowl is a valuable piece that will continue to be loved by generations.\u003c\/p\u003e\n\n \u003cp\u003ePlease enjoy the beauty and ease of use of the \"White Tanba Tea Bowl by Tsuyoshi Shimizu\" by having it at hand. This exquisite item will transform your everyday tea ceremony into something special.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e Biography\u003cbr\u003e Born in Tachikui, Hyogo Prefecture in 1975\u003cbr\u003e 1999 Graduated from Kyoto City University of Arts, Department of Crafts, majoring in ceramics. Studied under ceramic artists Masayuki Imai and Masamasa\u003cbr\u003e 2005 - Worked at the Museum of Ceramic Art, Hyogo (until 2012)\u003cbr\u003e 2010 - 2011 Part-time lecturer at Hyogo University of Teacher Education\u003cbr\u003e 2015: Visited Canada (Owata, Vancouver) through a Ministry of Foreign Affairs program\u003cbr\u003e 2019 Lecture at the Japan-Korea Academic Symposium (Gimhae Buncheong Ceramics Museum\/Korea, '16)\u003c\/p\u003e\n\n\u003cp\u003e Major Exhibitions\/Open Call Exhibitions\u003cbr\u003e 2010 Biennale KUMAMOTO FINAL (Kumamoto Prefectural Museum of Art)\u003cbr\u003e 2012 Kyoto Prefectural Art and Craft New Artists Exhibition, Kyoto Art and Craft Biennale (Kyoto Museum of Art)\u003cbr\u003e 2013: Selected for the 22nd Japan Ceramic Art Exhibition ('11)\u003cbr\u003e 2014 Gwangju Biennale (Gwangju Folk Museum\/South Korea) \u003cbr\u003e2016 Exhibition of crafts from UCCN in the field of Crafts \u0026amp; Folk Art\u003cbr\u003e (Icheon World Ceramic Center\/Korea)\u003cbr\u003e 2017 Ischawan, One World: International Artists Chawan Ren Exhibition (Ryudo Makoto\/Taiwan)\u003cbr\u003e 2018 2018 TEA BOWL Exhibition of Gyeongsanam-Do (Gimhae Cultural Center\/Korea)\u003cbr\u003e 150 Years of Hyogo Pottery - From Technique and Craftsmanship to Art and Individuality (The Museum of Ceramic Art, Hyogo)\u003cbr\u003e 2019 KOGEI Art Fair KANAZAWA 2019 (THE SHARE HOTELS KUMU Kanazawa)\u003cbr\u003e 2022: Selected for the 39th Tea Ceremony Art Exhibition (Tabe Museum of Art\/Shimane) (6 times in total)\u003cbr\u003e 2023 Selected for the 10th Kikuchi Biennale (Kikuchi Kanmi Memorial Museum Tomo\/Tokyo)\u003c\/p\u003e\n\n\u003cp\u003e Awards\u003cbr\u003e 2010 Contemporary Ceramic Art Hagi Grand Prize Exhibition 2010 (Yamaguchi Prefectural Hagi Museum of Art, Urakami Memorial Museum) Honorable Mention\u003cbr\u003e 2011: Honorable Mention at the 57th All-Kansai Art Exhibition (Osaka Municipal Museum of Art) (2009: Same award)\u003cbr\u003e Kobe Biennale 2011 Contemporary Ceramic Art Exhibition Encouragement Award (same award in 2009)\u003cbr\u003e 2017 Hyogo Prefecture Art Encouragement Award \u003cbr\u003e2018: 11th Contemporary Tea Ceremony Exhibition, Excellence Award; 23rd Mino Tea Bowl Exhibition, Gold Award\u003cbr\u003e 2019 12th Contemporary Tea Ceramics Exhibition Excellence Award 5th Geibunkyo Exhibition Kyoto City Mayor Award\u003cbr\u003e 2023 15th Contemporary Tea Ceramics Exhibition Excellence Award\u003c\/p\u003e\n\n\u003c!----\u003e","brand":"陶器の専門店【甘木道】","offers":[{"title":"Default Title","offer_id":48398455570712,"sku":"","price":88000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0668\/2332\/3928\/files\/IMG_0451a.jpg?v=1718931426"},{"product_id":"刷毛目丹波茶盌-北村圭水","title":"Brushed  tea bowl by Keisen KItamura","description":"\u003cp\u003e \u003cspan\u003eHeight: 7.0cm Width: 15.5cm x 14.8cm\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan\u003eSame box Height: 10.5cm Width: 18.0cm×18.0cm\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch3\u003e \u003cstrong\u003eBrushed Tanba Tea Bowl \"by Kitamura Keisen\" - A Masterpiece that Harmonizes Tradition and Natural Beauty\u003c\/strong\u003e\n\u003c\/h3\u003e\n\n\u003ch4\u003e \u003cstrong\u003eThe unique beauty of brush strokes\u003c\/strong\u003e\n\u003c\/h4\u003e\n\n\u003cp\u003e The greatest appeal of the \"Brushed Tamba Tea Bowl by Kitamura Keisen\" is the beauty of its \"brush marks,\" which look as if white cosmetic clay has been wiped away with a brush. The evenly applied white clay on the inside contrasts with the shading of the brush strokes on the outside, giving each bowl a different look. This contrasting design gives the bowl depth as a whole and draws the viewer's eye. The different textures of the brush marks on the inside and outside give this piece a unique charm.\u003c\/p\u003e\n\n\u003ch4\u003e \u003cstrong\u003eCarrying on the traditions of the Joseon Dynasty\u003c\/strong\u003e\n\u003c\/h4\u003e\n\n \u003cp\u003eThe roots of brushed tea bowls date back to the early Joseon Dynasty, when they were fired at the foot of Mt. Gyeryong near Gongju, South Chungcheong Province. This piece inherits that history and tradition while adding a modern sensibility. Crafted by Kitamura Keisen, this tea bowl pays homage to ancient techniques while pursuing new beauty, making it a work deeply rooted in Japanese tea ceremony culture.\u003c\/p\u003e\n\n\u003ch4\u003e \u003cstrong\u003eA shape that fits comfortably in your hand and a natural texture\u003c\/strong\u003e\n\u003c\/h4\u003e\n\n\u003cp\u003e This tea bowl's slightly curved shape is designed to fit comfortably in the hand. Its size is suitable for everyday use, and it combines practicality with beauty. The \"stickiness\" on the surface of the bowl is a result of chance in the kiln and is not an intentional distortion. This naturally occurring texture gives the piece a warmth and unique character.\u003c\/p\u003e\n\n\u003ch4\u003e \u003cstrong\u003eUnique works born from the artisan's techniques and kiln changes\u003c\/strong\u003e\n\u003c\/h4\u003e\n\n \u003cp\u003eKitamura Keisen's outstanding technique is particularly evident in the expression of brush marks. The subtle shading and line expression that can only be achieved through handcrafting create a special feeling that no two pieces are alike. Furthermore, the changes that occur by chance in the kiln breathe life into this tea bowl, beautifully expressing the harmony between the power of nature and the skill of the artisan.\u003c\/p\u003e\n\n\u003ch3\u003e \u003cstrong\u003e\"Brushed Tamba Tea Bowl\" - a fusion of Tamba tradition and modern sensibility\u003c\/strong\u003e\n\u003c\/h3\u003e\n\n\u003cp\u003e Kitamura Keisen's \"Brushed Tamba Tea Bowl\" is a work that beautifully combines traditional techniques with a modern aesthetic sense. It can be used not only at tea ceremonies, but also as an interior decoration that adds a touch of color to any space. Its warm design and practicality will make your tea ceremony an even more special experience.\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003eBe sure to keep this \"Brushed Tamba Tea Bowl by Kitamura Keisen\" close at hand and enjoy the charm that combines the tradition of Tamba ware with the beauty of nature. This is an exceptional piece that will add a special touch to your daily tea ceremony.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eKeisen Kiln: Keisen Kitamura Biography\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e Born in Tachikui, Tanba, Hyogo Prefecture in 1955. Graduated from Sasayama Homei High School. He studied under his father, the first Keisen, but was drawn to the nearby Mita celadon (a closed kiln at the end of the Taisho period) from an early age, and began to try firing celadon himself.\u003cbr\u003e After his father passed away in 1979, he became the second generation Keisen and devoted himself to both Tamba Tachikui ware (mainly firing unglazed, ash-glazed, and white ceramic tea ware and various utensils for daily use) and celadon ware.\u003cbr\u003e In 1992, he participated in the 5th Overseas Ceramic Art Journey sponsored by the Hyogo Prefectural Ceramic Art Museum in Kobe, visiting ancient kilns and museums in southern China (Quanzhou, Xiamen, Guangzhou, etc.) for research purposes.\u003cbr\u003e In 1993, he held a solo exhibition at the Hyogo Prefectural Ceramic Art Museum, where he gained attention as a unique talent in Tamba Tachikui ware. \u003cbr\u003eIn 1994, his Ido tea bowl was selected for the 11th Tea Ceremony Art Exhibition (sponsored by the Agency for Cultural Affairs and others) hosted by the Tanabe Museum of Art.\u003cbr\u003e In 1995, his Tamba Hakeme Ash-glazed Tea Bowl won the Encouragement Award at the 12th Tea Ceremony Design Exhibition sponsored by the Tanabe Museum of Art. His Tamba Hakeme Ash-glazed Tea Bowl was also selected for the 42nd Japan Traditional Crafts Exhibition and won the Matsushita Award.\u003cbr\u003e In 1996, his Tamba Hakeme Ash-glazed Tea Bowl was selected for the 13th Tea Ceremony Design Exhibition sponsored by the Tanabe Museum of Art. With the cooperation of the Osaka Prefecture Japan-China Friendship Association, he visited the Longquan Kiln in Zhejiang Province and deepened his connections with local celadon experts.\u003cbr\u003e His Tamba Hakeme Ash-glazed Tea Bowl was selected for the 4th Tanko Biennale Tea Ceremony Art Exhibition in 1996.\u003cbr\u003e In 1997, his Tamba Hakeme Ash-glazed Tea Bowl was selected for the 14th Tea Ceremony Design Exhibition sponsored by the Tanabe Museum of Art.\u003cbr\u003e With the cooperation of the Osaka Prefecture Japan-China Friendship Association, participants visited the Longquan Kiln in Zhejiang Province, toured the national-level ancient kiln site, and deepened their interactions with celadon experts.\u003cbr\u003e Solo exhibition at Tobu Department Store. \u003cbr\u003eIn 1998, his Tamba Hakeme Ash-glazed Tea Bowl was selected for the 15th Tea Ceremony Art Exhibition sponsored by the Tanabe Museum of Art. His Tamba Hakeme Ash-glazed Tea Bowl was also selected for the 5th Tanko Biennale '98 Tea Ceremony Art Exhibition.\u003cbr\u003e 1999: Selected for the 16th Tea Ceremony Design Exhibition sponsored by the Tanabe Museum of Art with his Tamba Hakeme Ash Glaze Tea Bowl\u003cbr\u003e In 2000, his Tamba Hakeme Ash-glazed Tea Bowl was selected for the 17th Tea Ceremony Design Exhibition sponsored by the Tanabe Museum of Art.\u003cbr\u003e In 2001, his Tanba persimmon tea bowl was selected for the 18th Tea Ceremony Art Exhibition, sponsored by the Tanabe Museum of Art.\u003cbr\u003e 2002 Participated in the opening ceremony of the Longquan Celadon Exhibition in Beijing\u003cbr\u003e 2003 Solo exhibition at Gallery \"Aoyama\"\u003cbr\u003e In 2004, his Tamba Hakeme Ash-glazed Tea Bowl was selected for the 21st Tea Ceremony Design Exhibition sponsored by the Tanabe Museum of Art.\u003cbr\u003e In 2005, his Tanba Kohiki tea bowl was selected for the 22nd Tea Ceremony Design Exhibition sponsored by the Tanabe Museum of Art.\u003cbr\u003e In 2006, his Tanba black glaze tea bowl was selected for the 23rd Tea Ceremony Design Exhibition sponsored by the Tanabe Museum of Art.\u003cbr\u003e In 2007, his Tanba black glaze tea bowl was selected for the 24th Tea Ceremony Design Exhibition sponsored by the Tanabe Museum of Art.\u003cbr\u003e 2008 Solo exhibition at Uchiyama Gallery in Sasayama \u003cbr\u003eIn 2009, his Tanba Kohiki tea bowl was selected for the 26th Tea Ceremony Design Exhibition sponsored by the Tanabe Museum of Art.\u003cbr\u003e In 2010, his Tamba Tsutsuga tea bowl was selected for the 27th Tea Ceremony Art Exhibition sponsored by the Tanabe Museum of Art.\u003cbr\u003e 2015 Vice-chairman of the Climbing Kiln Restoration Executive Committee (2014)\u003cbr\u003e 2018: Participated in a bamboo firing study in the oldest climbing kiln\u003cbr\u003e 2019 Hyogo Prefecture Skill Award\u003c\/p\u003e\n\n\u003c!----\u003e","brand":"陶器の専門店【甘木道】","offers":[{"title":"Default Title","offer_id":48438747136280,"sku":"","price":88000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0668\/2332\/3928\/files\/IMG_0353a.jpg?v=1716554204"},{"product_id":"伊羅保茶碗-北村圭水","title":"Irabo tea bowl by Keisen KItamura","description":"\u003cp\u003e \u003cspan\u003eHeight: 8.5cm Width: 16.3cm x 16.0cm\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eSame box Height: 12.8cm Width: 18.5cm×18.5cm\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch3\u003e \u003cstrong\u003eIrabo Tea Bowl \"By Kitamura Keisen\" - A Masterpiece that Embraces the Essence of Wabicha\u003c\/strong\u003e\n\u003c\/h3\u003e\n\n\u003ch4\u003e \u003cstrong\u003eLarge and eye-catching shape\u003c\/strong\u003e\n\u003c\/h4\u003e\n\n \u003cp\u003eThe \"Irabo Tea Bowl by Kitamura Keisen\" is characterized by its dynamic and deep rise. The silhouette that extends in a powerful straight line from the high base brings a unique presence to the tea ceremony. This large shape not only looks powerful, but also fits comfortably in the hand. From the moment you pick up the tea bowl, its majestic design stimulates your senses.\u003c\/p\u003e\n\n\u003ch4\u003e \u003cstrong\u003eThe history and origin of Irabo tea bowls\u003c\/strong\u003e\n\u003c\/h4\u003e\n\n \u003cp\u003eIrabo tea bowls are traditional tea bowls deeply connected to Japan's wabi tea culture. Their origins date back to Goryeo tea bowls from the Momoyama to early Edo periods, and are based on tea bowls made on the Korean Peninsula during the Joseon Dynasty. They are characterized by a rough texture due to the clay and glaze, and this rough texture gives them a sense of \"irritation,\" hence the name \"Irabo.\" They were commissioned by Japanese tea masters and have been treasured as tools symbolizing the spirit of wabi.\u003c\/p\u003e\n\n\u003ch4\u003e \u003cstrong\u003eHighlights - The texture of the plum blossom bark on the base and the glaze\u003c\/strong\u003e\n\u003c\/h4\u003e\n\n\u003cp\u003e This Irabo tea bowl is particularly outstanding for the texture of its base, known as Kairagi. The natural scenery that emerges during firing gives the entire bowl a rich look that captivates the viewer. The subtle color variations and texture created by the glaze are also the charms of something that can only be achieved by hand.\u003c\/p\u003e\n\n \u003ch4\u003e\u003cstrong\u003eKitamura Keisen - A master craftsman who combines tradition and innovation\u003c\/strong\u003e\u003c\/h4\u003e\n\n\u003cp\u003e Kitamura Keisen is an artist known in the Japanese ceramics world for his works that combine tradition and innovation. While respecting traditional techniques, he skillfully incorporates modern sensibilities, earning him the support of many tea masters and ceramics enthusiasts. This Irabo tea bowl fully demonstrates Kitamura Keisen's refined aesthetic sense and outstanding technique.\u003c\/p\u003e\n\n\u003ch4\u003e \u003cstrong\u003eA special experience of wabicha tea\u003c\/strong\u003e\n\u003c\/h4\u003e\n\n\u003cp\u003e The \"Irabo Tea Bowl by Kitamura Keisen\" will make your time with the Japanese wabi tea ceremony even more special. This tea bowl, with its simple yet profound design and natural beauty in harmony, will bring a special atmosphere to your tea ceremony. Every time you taste a cup of matcha, you will be captivated by its beauty and functionality, providing you with a comfortable moment.\u003c\/p\u003e\n\n\u003ch3\u003e \u003cstrong\u003eA one-of-a-kind \"Irabo tea bowl\" in your hands\u003c\/strong\u003e\n\u003c\/h3\u003e\n\n \u003cp\u003eKitamura Keisen's \"Irabo Tea Bowl\" is a masterpiece that beautifully combines the spirit of wabi with the beauty of nature. Please pick up this tea bowl and experience its charm, which adds elegance and a special presence to your tea ceremony. You can enjoy Japanese tea culture and history in your daily tea ceremony.\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eKeisen Kiln: Keisen Kitamura Biography\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e Born in Tachikui, Tanba, Hyogo Prefecture in 1955. Graduated from Sasayama Homei High School. He studied under his father, the first Keisen, but was drawn to the nearby Mita celadon (a closed kiln at the end of the Taisho period) from an early age, and began to try firing celadon himself.\u003cbr\u003e After his father passed away in 1979, as the second generation Keisen, he devoted himself to both Tamba Tachikui ware (mainly firing unglazed, ash-glazed, and white ceramic tea ware and various utensils for daily use) and celadon ware.\u003cbr\u003e In 1992, he participated in the 5th Overseas Ceramic Art Journey sponsored by the Hyogo Prefectural Ceramic Art Museum in Kobe, visiting ancient kilns and museums in southern China (Quanzhou, Xiamen, Guangzhou, etc.) for research purposes. \u003cbr\u003eIn 1993, he held a solo exhibition at the Hyogo Prefectural Ceramic Art Museum, where he gained attention as a unique talent in Tamba Tachikui ware.\u003cbr\u003e In 1994, his Ido tea bowl was selected for the 11th Tea Ceremony Art Exhibition (sponsored by the Agency for Cultural Affairs and others) hosted by the Tanabe Museum of Art.\u003cbr\u003e In 1995, his Tamba Hakeme Ash-glazed Tea Bowl won the Encouragement Award at the 12th Tea Ceremony Design Exhibition sponsored by the Tanabe Museum of Art. His Tamba Hakeme Ash-glazed Tea Bowl was also selected for the 42nd Japan Traditional Crafts Exhibition and won the Matsushita Award.\u003cbr\u003e In 1996, his Tamba Hakeme Ash-glazed Tea Bowl was selected for the 13th Tea Ceremony Design Exhibition sponsored by the Tanabe Museum of Art. With the cooperation of the Osaka Prefecture Japan-China Friendship Association, he visited the Longquan Kiln in Zhejiang Province and deepened his connections with local celadon experts.\u003cbr\u003e His Tamba Hakeme Ash-glazed Tea Bowl was selected for the 4th Tanko Biennale Tea Ceremony Art Exhibition in 1996.\u003cbr\u003e In 1997, his Tamba Hakeme Ash-glazed Tea Bowl was selected for the 14th Tea Ceremony Design Exhibition sponsored by the Tanabe Museum of Art.\u003cbr\u003e With the cooperation of the Osaka Prefecture Japan-China Friendship Association, participants visited the Longquan Kiln in Zhejiang Province, toured the national-level ancient kiln site, and deepened their interactions with celadon experts. \u003cbr\u003eSolo exhibition at Tobu Department Store.\u003cbr\u003e In 1998, his Tamba Hakeme Ash-glazed Tea Bowl was selected for the 15th Tea Ceremony Art Exhibition sponsored by the Tanabe Museum of Art. His Tamba Hakeme Ash-glazed Tea Bowl was also selected for the 5th Tanko Biennale '98 Tea Ceremony Art Exhibition.\u003cbr\u003e 1999: Selected for the 16th Tea Ceremony Design Exhibition sponsored by the Tanabe Museum of Art with his Tamba Hakeme Ash Glaze Tea Bowl\u003cbr\u003e In 2000, his Tamba Hakeme Ash-glazed Tea Bowl was selected for the 17th Tea Ceremony Design Exhibition sponsored by the Tanabe Museum of Art.\u003cbr\u003e In 2001, his Tanba persimmon tea bowl was selected for the 18th Tea Ceremony Art Exhibition, sponsored by the Tanabe Museum of Art.\u003cbr\u003e 2002 Participated in the opening ceremony of the Longquan Celadon Exhibition in Beijing\u003cbr\u003e 2003 Solo exhibition at Gallery \"Aoyama\"\u003cbr\u003e In 2004, his Tamba Hakeme Ash-glazed Tea Bowl was selected for the 21st Tea Ceremony Design Exhibition sponsored by the Tanabe Museum of Art.\u003cbr\u003e In 2005, his Tanba Kohiki tea bowl was selected for the 22nd Tea Ceremony Design Exhibition sponsored by the Tanabe Museum of Art.\u003cbr\u003e In 2006, his Tanba black glaze tea bowl was selected for the 23rd Tea Ceremony Design Exhibition sponsored by the Tanabe Museum of Art.\u003cbr\u003e In 2007, his Tanba black glaze tea bowl was selected for the 24th Tea Ceremony Design Exhibition sponsored by the Tanabe Museum of Art. \u003cbr\u003e2008 Solo exhibition at Uchiyama Gallery in Sasayama\u003cbr\u003e In 2009, his Tanba Kohiki tea bowl was selected for the 26th Tea Ceremony Design Exhibition sponsored by the Tanabe Museum of Art.\u003cbr\u003e In 2010, his Tamba Tsutsugaki tea bowl was selected for the 27th Tea Ceremony Design Exhibition sponsored by the Tanabe Museum of Art.\u003cbr\u003e 2015 Vice-chairman of the Climbing Kiln Restoration Executive Committee (2014)\u003cbr\u003e 2018: Participated in a bamboo firing study in the oldest climbing kiln\u003cbr\u003e 2019 Hyogo Prefecture Skill Award\u003c\/p\u003e\n\n\u003c!----\u003e","brand":"陶器の専門店【甘木道】","offers":[{"title":"Default Title","offer_id":48438822142232,"sku":"","price":88000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0668\/2332\/3928\/files\/IMG_0371a.jpg?v=1716549682"},{"product_id":"窯変煎茶急須-宝瓶-大西誠一","title":"Kiln-transformed Sencha teapot (Hohin) by Seiichi Onishi","description":"\u003cp\u003e \u003cspan\u003eHeight: 8.5cm Width: 12.5cm x 10.5cm\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eSame box Height: 11.5cm Width: 13.4cm×13.4cm\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch3\u003e \u003cstrong\u003eKiln-transformed Sencha Teapot (Hobin) – A masterpiece created by Seiichi Onishi's craftsmanship and nature\u003c\/strong\u003e\n\u003c\/h3\u003e\n\n \u003cp\u003e\u003cstrong\u003eClimbing kiln firing: a combination of tradition and master craftsmanship\u003c\/strong\u003e Onishi Seiichi is a master craftsman with a particularly distinctive production method among the many Tamba ware kilns. He is particular about firing all of his pieces in traditional climbing kilns, which take three days and nights using split red pine logs as fuel. This long firing period allows the pieces to take on the power of nature and gives them a unique texture and expression. The longer the piece is used, the more a dark tinge known as \"used patina\" appears, further deepening its appeal, making it an exceptional piece that can be cherished for many years.\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003eWhat is Yakishime Kiln-hen – a technique inheriting the traditions of Tamba ware\u003c\/strong\u003e \u0026lt;br\u0026gt;Yakishime Kiln-hen is a finishing process that does not use any glazes and is done using the traditional techniques that are unique to Tamba ware. Onishi Seiichi uses a climbing kiln that is unique to Tamba and has been in use since the early Edo period, and fires the pieces using the power of split red pine logs. No bisque is performed during this process, and by applying split pine logs directly to the piece, the pieces are imbued with changes in color and pattern that occur naturally during firing, a process known as \"kiln-hen\". The beauty of the brown colors and patterns created by kiln-hen is one of a kind, and they have the feel of works of art created by nature.\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003eThe beauty of the brown color created by the kiln change\u003c\/strong\u003e The greatest attraction of the \"Kiln Change Sencha Teapot (Hōbin)\" is the beauty of its brown color. The changes in color and pattern created by the power of nature create a deep brown gradation that gives a sense of the warmth of the earth. The unique kiln change patterns bring new discoveries to the user and provide a beautiful expression that never gets old. The brown color created by the kiln change goes beyond its function as a tea utensil and has value as a work of art that can be enjoyed as a decorative item.\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003eFunctional beauty and ease of use for sencha tea\u003c\/strong\u003e \u0026lt;br\u0026gt;This teapot is designed to bring out the maximum aroma and flavor of sencha tea. The wide mouth allows the tea leaves to easily spread out, bringing out the full delicate aroma. A fine filter is installed inside to firmly catch the tea leaves and brew clear tea. Tea flows smoothly from the spout, and the handle has been carefully designed for easy grip, so it fits comfortably in the hand of the user.\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003eHighly practical for everyday use,\u003c\/strong\u003e the \"Kiln-Transformed Sencha Teapot (Houhin)\" is versatile enough to handle a wide range of teas, including not only Sencha but also Houjicha and Genmaicha. Its simple and sophisticated design blends in with any table setting, whether Japanese or Western, and is useful for everyday use as well as for special occasions. Its sturdy construction can withstand everyday use and can be used for a long time.\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003eA teapot that provides a spiritually enriching moment\u003c\/strong\u003e \u0026lt;br\u0026gt;Tea brewed in this teapot is not just a drink, but provides a spiritually enriching moment with every cup. You can enjoy a quiet moment away from the hustle and bustle of everyday life while admiring the beautiful patterns of the kiln transformation. It will be a special tool to heal yourself and spend luxurious time during your busy days. The \"Kiln-Transformed Sencha Teapot (Houbin)\" created by Onishi Seiichi is a one-of-a-kind masterpiece created by nature and craftsmanship. Please enjoy its beauty and functionality at your fingertips. It will turn your daily tea time into something special, making your daily life richer and more colorful. You will surely be pleased with its ease of use and the charm of the kiln transformation.\u003c\/p\u003e\n\n\u003c!----\u003e","brand":"陶器の専門店【甘木道】","offers":[{"title":"Default Title","offer_id":48442121978136,"sku":"","price":33000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0668\/2332\/3928\/files\/IMG_0189a.jpg?v=1722980053"},{"product_id":"窯変丹波黒釉抹茶碗-大西誠一","title":"ZEN Kiln-fired matcha bowl by Seiichi Onishi","description":"\u003cp\u003e \u003cspan\u003eHeight: 7.3cm Width: 14.0cm x 13.5cm\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eBox Height: 12.5cm Width: 16.5cm x 16.5cm\u003c\/span\u003e\u003c\/p\u003e\n\n \u003ch3\u003e\u003cstrong\u003eKiln-fired matcha bowls – A fusion of tradition and innovation by Seiichi Onishi\u003c\/strong\u003e\u003c\/h3\u003e\n\n\u003cp\u003e \u003cstrong\u003eA one-of-a-kind piece created in a traditional climbing kiln\u003c\/strong\u003e Onishi Seiichi is the only artist among the many Tamba ware kilns who continues to insist on firing all of his pieces in a climbing kiln. Using split pine logs as fuel, this matcha bowl is born from a long firing period spanning three days and nights, and is a work of art woven together by nature and the skill of a master craftsman. Over time, a dark glow known as \"used patina\" appears, and the deeper colors and textures can be enjoyed, making it a masterpiece that can be cherished for a long time.\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003eWhat is Yakishime Kiln-hen – embodying the essence of Tamba-yaki\u003c\/strong\u003e \u0026lt;br\u0026gt;Yakishime Kiln-hen is a traditional Tamba-yaki technique that refers to the natural changes that occur when ware is fired without glaze in a climbing kiln that uses split red pine logs as fuel. The changes in pattern and color that occur through this kiln-hen are formed by the flames, ash and temperature inside the kiln, resulting in one-of-a-kind pieces where no two pieces are the same. This technique, which pursues the original beauty of Tamba-yaki, symbolizes the very tradition of Tamba that has continued since the early Edo period.\u003c\/p\u003e\n\n \u003cp\u003eThe \"Kiln-Changed Yakishime Matcha Bowl\", \u003cstrong\u003ethe culmination of two generations of skills\u003c\/strong\u003e , is a special piece that Seiichi Onishi made by firing a matcha bowl made by his father in a climbing kiln. It is a masterpiece that combines the skills and aesthetic sense of two generations of father and son, and is a combination of tradition and innovation that have been passed down along with the history of Tamba ware. It is a piece that fully conveys the deep love for pottery that the Onishi family is proud of, and the craftsmanship of the artisans.\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eThe beauty of kiln transformation - mysterious colors and patterns\u003c\/strong\u003e \u0026lt;br\u0026gt;The greatest feature of this matcha bowl is the complex and deep colors and patterns created by the kiln transformation. The changes that occur naturally during firing bring elegance and mystery to the black glaze, and since no two pieces have the same pattern, it is truly a special piece that is one of a kind in the world. By holding this matcha bowl in your hands, you can enjoy the beauty created by the energy of the earth and the power of nature.\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003eDesigned for ease of use\u003c\/strong\u003e \u0026lt;br\u0026gt;With the outstanding technique of Seiichi Onishi, this matcha bowl is not only beautiful to look at, but is also easy to use. The shape fits comfortably in the hand and has just the right weight, providing a comfortable feel when mixing matcha. In addition, the whisk is designed to move smoothly, making it easy to mix smooth matcha with beautiful bubbles.\u003c\/p\u003e\n\n\u003cp\u003e The \"Kiln-Changed Yakishime Matcha Bowl\" is a \u003cstrong\u003emasterpiece that embodies the spirit of the tea ceremony\u003c\/strong\u003e and symbolizes the basic spirit of tea ceremony, \"Wakeiseijaku (harmony, respect, purity, tranquility)\". Through this matcha bowl, you can calm your mind and enjoy time at one with nature. With a cup of matcha, you will be able to enjoy a quiet moment away from the hustle and bustle of everyday life.\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003eA matcha bowl that embodies the tradition and pride of the Onishi family\u003c\/strong\u003e \u0026lt;br\u0026gt;This matcha bowl, which is imbued with the skills and spirit of two generations of parents and children, is the pride of the Onishi family. The artisanal skills that have been passed down along with its history give pride and joy to its owner, and it is a special item that makes you realize its value every time you use it. It is the pinnacle of Tamba ware, where nature and artisanal skills are fused together. Please enjoy its unique beauty and the attachment that grows with each use. This matcha bowl, which evokes the tradition of Japanese pottery and the spirit of the tea ceremony, will turn your everyday moments into something special.\u003c\/p\u003e\n\n\u003c!----\u003e","brand":"陶器の専門店【甘木道】","offers":[{"title":"Default Title","offer_id":48442122535192,"sku":"","price":77000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0668\/2332\/3928\/files\/IMG_0426a.jpg?v=1722979864"},{"product_id":"赤土部窯変五合入お銚子-大西誠一","title":"Akadobe kiln-changed 5-go sake cup by Seiichi Onishi","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eHeight: 21.5cm Width: 7.5cm x 8.0cm\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eBox Height: 24.5cm Width: 12.5cm x 12.5cm\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e About Tanba-yaki red clay kiln change\u003c\/p\u003e\n\n\u003cp\u003e The history of Tamba is long and is said to have originated in the Kamakura period.\u003cbr\u003e The anagama era ended in the Edo period, and then changed into the climbing kiln era, which continues to this day.\u003c\/p\u003e\n\n\u003cp\u003e Akadobe ware is fired in these climbing kilns and is always featured in old books introducing Ko-Tamba ware, representing works from Ko-Tamba (before the Meiji period).\u003c\/p\u003e\n\n\u003cp\u003e If it were possible to recreate the beautifully fired red clay pottery of the past in Tamba today, it would undoubtedly become an Important Intangible Cultural Property of Japan, something that has never been achieved since the beginning of Tamba ware. It would be so valuable that it would undoubtedly become such a property.\u003c\/p\u003e\n\n \u003cp\u003eSeiichi Onishi is also working hard every day to get even a little closer to this standard. Among the many Tanba ware kilns, he is the only one that fires all of his pieces in a climbing kiln (made from split pine wood) for about three days and nights.\u003c\/p\u003e\n\n\u003cp\u003e The works fired in the climbing kiln include Akadobe and Shirotanba.\u003cbr\u003e The Akadobe variety is characterized by its reddish base color, with a strong, astringent flavor.\u003cbr\u003e Shiratanba ware has become popular in recent years as it has a natural color that can be achieved simply by applying white mud.\u003c\/p\u003e\n\n\u003cp\u003e If you use this piece for a long time, it will eventually develop a \"used\" character (a darkening) and change to a very nice color.\u003c\/p\u003e\n\n\u003cp\u003e Yakishime kiln-hen seeks out the ancient kilns that are the origin of Tamba ware, and only uses climbing kilns unique to Tamba, whose shapes and firing methods have been passed down since the early Edo period.\u003cbr\u003e In this climbing kiln, split red pine logs are used as fuel for firing. \u003cbr\u003eNo glazes are used, and the piece is not bisque fired. Instead, the piece is fired by placing split pine logs directly against the piece. The force of the burning pine logs brings about various changes in the piece, which is called kiln change.\u003c\/p\u003e\n\n\u003ch3\u003e Red clay kiln-transformed 5-go sake cup\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eAkadobe\u003c\/strong\u003e : This refers to the type of clay used in the piece. Red clay has been used since ancient times in Japanese pottery, and has a unique texture and color. Tanba clay is rich in iron, and when fired, the iron in the clay turns red due to the formation of iron oxide.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eYohen\u003c\/strong\u003e : Yohen refers to the natural change in color and pattern that occurs during the firing process in a kiln. This gives each piece of pottery a unique character.\u003c\/li\u003e\n\n\u003cli\u003e \n\u003cstrong\u003eGogoiri\u003c\/strong\u003e : Gogo is a unit of volume and refers to approximately 900ml (just under 1 liter). A Gogoiri choshi is a size that is especially used when enjoying sake.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eOchoshi\u003c\/strong\u003e : A choshi is a vessel for pouring sake. It is traditionally used during banquets and ceremonies.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e This choshi is characterized by the warm color of the red clay and the natural patterns created by the kiln transformation. It is a work that reflects Seiichi Onishi's outstanding technique and unique aesthetic sense, and you can appreciate its value not only by using it but also by appreciating it.\u003c\/p\u003e","brand":"陶器の専門店【甘木道】","offers":[{"title":"Default Title","offer_id":48442134724888,"sku":"","price":30000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0668\/2332\/3928\/files\/IMG_0225a.jpg?v=1715494179"},{"product_id":"黒赤抹茶盌-市野秀作","title":"Tanba ash-glazed tea bowl by Syusaku Ichino","description":"\u003ch3 data-start=\"0\" data-end=\"20\" class=\"\"\u003e Tanba ash-glazed tea bowl — Ichino Shusaku\u003c\/h3\u003e\n\n\u003cp data-start=\"21\" data-end=\"58\" class=\"\"\u003e (Height 7.8 cm x diameter 12.5 cm\/12.0 cm, with original box)\u003c\/p\u003e\n\n \u003cp data-start=\"60\" data-end=\"244\" class=\"\"\u003eIchino Shusaku, a young and talented third-generation potter at Shozangama, approaches his pottery with a modest yet deeply held passion. He continues the traditional spirit of Tamba ware while pioneering new forms and glaze colors. This piece is an ash-glazed tea bowl that Ichino fired in a wood-fired kiln. The intricately blended ash and iron glazes transform in layers into deep black-brown, dull gray, indigo purple, scarlet, and ivory white, creating a landscape reminiscent of an abstract painting, moment by moment, painted by flame.\u003c\/p\u003e\n\n\u003ch3 data-start=\"251\" data-end=\"280\"\u003e \u003cstrong\u003e1. The wonder of glaze tones - improvised gradations created by ash glaze\u003c\/strong\u003e\n\u003c\/h3\u003e\n\n \u003cp data-start=\"281\" data-end=\"464\" class=\"\"\u003eThe iron-rich clay body brings out the natural flavor of Tamba, and is then coated with ash and iron glazes before being fired for over 10 hours in a wood-fired kiln with a strong reducing effect. Meticulous temperature control induces kiln changes, resulting in a bold interplay of milky white streaks from ash flowing down and deep red and purple colors created by the seeping iron. The soot-black shadows that appear from the rim to the body are the exact traces of the flames enveloping the tea bowl. The hue changes every moment depending on the viewing angle and the intensity of the light, ensuring that guests at the tea ceremony will never tire of the sight.\u003c\/p\u003e\n\n\u003ch3 data-start=\"466\" data-end=\"489\"\u003e \u003cstrong\u003e2. Sculptural beauty - soft ridges created by hand twisting\u003c\/strong\u003e\n\u003c\/h3\u003e\n\n\u003cp data-start=\"490\" data-end=\"626\" class=\"\"\u003e After shaping on the potter's wheel, the inside and outside are lightly pushed out with the fingers, leaving uneven textures that make the tea feel familiar in the hand while also offering a variety of different looks. The rim is slightly open, creating an exquisite line that allows tea to flow smoothly onto the tongue when sipped. The base is cut low, allowing the red clay characteristic of Tamba to peek through, tightening the overall rich glaze.\u003c\/p\u003e\n\n \u003ch3 data-start=\"628\" data-end=\"650\"\u003e\u003cstrong\u003e3. Tradition and Innovation - The Challenge of the Third Generation of Shozo Kiln\u003c\/strong\u003e\u003c\/h3\u003e\n\n\u003cp data-start=\"651\" data-end=\"806\" class=\"\"\u003e While continuing the classic \"ash glaze x reducing flame\" technique established by the first Ichino Shozo, Ichino Shusaku is exploring the dramatic kiln changes that result from thick glaze application and rapid cooling. He combines the simple yet powerful texture of Tamba ware with a modern sense of color and abstract expression. His approach breathes new life into the classic format of the tea bowl - a true expression of the spirit of \"Shu-Ha-Ri.\"\u003c\/p\u003e\n\n\u003ch3 data-start=\"808\" data-end=\"832\"\u003e \u003cstrong\u003e4. Spirituality - The inner flame entrusted to the silent creator\u003c\/strong\u003e\n\u003c\/h3\u003e\n\n\u003cp data-start=\"833\" data-end=\"969\" class=\"\"\u003e Ichino is usually a quiet man, but when he talks about his work, his gaze is as hot as the flames of a wood-fired kiln, and that passion is burned into this piece. The white from where the ash has flowed symbolizes \"white space,\" the crimson symbolizes \"hidden passion,\" and the soot-black color symbolizes \"the silence inside the kiln,\" and the viewer is evoked by the \"time of the flame\" - this bowl is truly the embodiment of a dialogue between the heart and the flame.\u003c\/p\u003e\n\n \u003ch3 data-start=\"971\" data-end=\"994\"\u003e\u003cstrong\u003e5. Functional beauty - A beautiful view at the tea ceremony and practicality\u003c\/strong\u003e\u003c\/h3\u003e\n\n\u003cp data-start=\"995\" data-end=\"1133\" class=\"\"\u003e The bulge of the body fits comfortably in the hand, and the thickness of the glaze provides ample heat retention. The pale cream-colored glaze on the inside of the body brings out the green of the matcha, creating a more dramatic \"scene\" when brewed. The box contains an inscription handwritten by Ichino, making it suitable for tea ceremonies as well as for personal collections.\u003c\/p\u003e\n\n\u003ch4 data-start=\"1140\" data-end=\"1155\"\u003e Mr. Shusaku Ichino's biography (excerpt)\u003c\/h4\u003e\n\n\u003cp data-start=\"1158\" data-end=\"1180\" class=\"\"\u003e Born in Tamba Tachikui \u003cstrong data-start=\"1158\" data-end=\"1167\"\u003ein 1986\u003c\/strong\u003e .\u003c\/p\u003e\n\n\u003cp data-start=\"1183\" data-end=\"1211\" class=\"\"\u003e Graduated from Kyoto Prefectural Pottery Technical College \u003cstrong data-start=\"1183\" data-end=\"1192\"\u003ein 2010\u003c\/strong\u003e .\u003c\/p\u003e\n\n\u003cp data-start=\"1214\" data-end=\"1263\" class=\"\"\u003e \u003cstrong data-start=\"1214\" data-end=\"1223\"\u003eIn 2011,\u003c\/strong\u003e he was selected for the first time at the 40th Japan Traditional Crafts Kinki Exhibition (since 2012, 2013, 2015, etc.).\u003c\/p\u003e\n\n\u003cp data-start=\"1266\" data-end=\"1299\" class=\"\"\u003e \u003cstrong data-start=\"1266\" data-end=\"1275\"\u003eIn 2012,\u003c\/strong\u003e he was selected for the 29th Tanabe Museum of Art's \"Tea Ceremony Art Exhibition.\"\u003c\/p\u003e\n\n \u003cp data-start=\"1302\" data-end=\"1323\" class=\"\"\u003e\u003cstrong data-start=\"1302\" data-end=\"1311\"\u003eIn 2014,\u003c\/strong\u003e he received the Encouragement Award at the same exhibition.\u003c\/p\u003e\n\n\u003cp data-start=\"1326\" data-end=\"1381\" class=\"\"\u003e \u003cstrong data-start=\"1326\" data-end=\"1335\"\u003eIn 2015,\u003c\/strong\u003e he was selected for the 23rd Japan Ceramic Art Exhibition, received the Excellence Award at the Tanabe Museum of Art, was selected for the 8th Contemporary Tea Ceremony Exhibition, and was selected for the Japan Traditional Crafts Exhibition.\u003c\/p\u003e\n\n\u003cp data-start=\"1384\" data-end=\"1422\" class=\"\"\u003e \u003cstrong data-start=\"1384\" data-end=\"1393\"\u003e2017\u003c\/strong\u003e Japan Crafts Association Kinki Branch Director's Award\/Selected for the 64th Japan Traditional Crafts Exhibition.\u003c\/p\u003e\n\n\u003cp data-start=\"1425\" data-end=\"1461\" class=\"\"\u003e Selected for the 38th Tabe Museum of Art Hidemi Award\/Kasama Ceramic Art Grand Prize Exhibition \u003cstrong data-start=\"1425\" data-end=\"1434\"\u003ein 2021\u003c\/strong\u003e .\u003c\/p\u003e\n\n\u003cp data-start=\"1464\" data-end=\"1503\" class=\"\"\u003e Received the Japan Traditional Crafts Kinki Award at the 51st Japan Traditional Crafts Kinki Exhibition \u003cstrong data-start=\"1464\" data-end=\"1473\"\u003ein 2022\u003c\/strong\u003e .\u003c\/p\u003e\n\n\u003cp data-start=\"1506\" data-end=\"1549\" class=\"\"\u003e He has held numerous solo exhibitions at Abeno Harukas, Shinjuku Keio Department Store, Kyoto Takashimaya, Nagoya Mitsukoshi, Daimaru Kobe, and others.\u003c\/p\u003e\n\n\u003cp data-start=\"1552\" data-end=\"1568\" class=\"\"\u003e \u003cstrong\u003eRegular member of the Japan Kogei Association\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003ch3 data-start=\"1575\" data-end=\"1583\" class=\"\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\n \u003cp data-start=\"1584\" data-end=\"1696\" class=\"\"\u003eThis work, born from the trinity of the Tanba earth, the flames of the wood-fired kiln, and the quiet passion of Ichino Shusaku, is a bowl that brings a \"lingering feeling of embers\" to the tea ceremony. Please enjoy the flickering colors of the ash glaze and the warmth that can only be achieved by hand-twisting it in the palm of your hand.\u003c\/p\u003e\n\n\u003c!----\u003e","brand":"陶器の専門店【甘木道】","offers":[{"title":"Default Title","offer_id":48442918011160,"sku":"","price":88000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0668\/2332\/3928\/files\/IMG_0409a.jpg?v=1716281061"},{"product_id":"ぐい呑み-褐色-市野元和","title":"Strong Sake cup by Genwa Ichino","description":"\u003cp\u003e \u003cspan\u003eHeight: 5.8cm Width: 6.5cm x 7.0cm\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eSame box Height: 10.1cm Width: 10.3cm×10.3cm\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch4\u003e The warmth and outstanding technique of the artist\u003c\/h4\u003e\n\n \u003cp\u003eIchino Motokazu is a ceramic artist who greets us with a warm smile every time we visit. His personality is reflected in his work, which is full of exquisite pieces that give a sense of warmth and beauty every time you pick them up. The \"Tamba Sake Cup\" we are introducing this time is a particularly attractive piece that was carefully selected from the finest pieces chosen to be added to our lineup.\u003c\/p\u003e\n\n\u003ch4\u003e Profile of Motokazu Ichino\u003c\/h4\u003e\n\n\u003cp\u003e Ichino Motokazu is a well-known ceramic artist who is a full member of the Japan Crafts Council and a professor at the Department of Art and Design at Kobe Design University. Born in 1956, Ichino graduated from Kwansei Gakuin University and has continued to create works that pursue innovation while inheriting the traditions of Tamba ware. In 1991, he won the Takamatsunomiya Memorial Award at the Japan Traditional Crafts Exhibition, and his works have been purchased by the Agency for Cultural Affairs, earning him high praise both at home and abroad.\u003c\/p\u003e\n\n \u003ch4\u003eThe natural art of kiln transformation\u003c\/h4\u003e\n\n\u003cp\u003e The appeal of the \"Tamba Sake Cup\" is the scenery of the kiln changes that occur naturally during firing. The patterns and colors born from the dialogue between the clay and the flame are not the same for any two cups. The combination of Ichino Motokazu's outstanding technique and the power of nature gives this sake cup a deep and unique expression. The scenery brings out the natural beauty and texture of Tamba ware to the fullest, giving the user a special impression.\u003c\/p\u003e\n\n\u003ch4\u003e The craftsmanship and essence of Tamba ware\u003c\/h4\u003e\n\n \u003cp\u003eIchino's \"Tamba Sake Cups\" are the product of decades of experience and outstanding technique. His works skillfully combine the kiln-changing technique with the texture of materials unique to Tamba ware to achieve a unique beauty. The moment you pick one up, you will be amazed by its intricate craftsmanship and high-quality finish. Ichino Motokazu's technique allows you to experience the artistry of his sake cups every time you use them.\u003c\/p\u003e\n\n\u003ch4\u003e A sake cup that will create a special moment\u003c\/h4\u003e\n\n\u003cp\u003e This sake cup will make your time enjoying sake even more special. The beautiful kiln-changing scenery and delicate design will give you a comfortable feeling from the moment you hold it in your hand, and will enhance the flavor of your sake. In any space, this sake cup will bring elegance and warmth, creating a special moment.\u003c\/p\u003e\n\n\u003ch4\u003e Value that will be loved for a long time\u003c\/h4\u003e\n\n \u003cp\u003eIchino Motokazu's \"Tamba Sake Cup\" will not lose its beauty even with the passage of time. The more you use it, the more its character will improve, and you will gradually grow to love it more and more. This sake cup, which will continue to be treasured and loved by generations to come, is a valuable work that symbolizes the tradition and innovation of Tamba ware.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e **\"Tamba Sake Cup by Ichino Motokazu\"** is a work of art that combines craftsmanship and the power of nature. Why not bring a special moment into your daily life by holding this sake cup in your hands? Please enjoy this one-of-a-kind beauty in your hands.\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e \u003cspan\u003eBiography\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"p0\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e \u003cspan\u003eBorn in Tachikui, Hyogo Prefecture in 1956\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"p0\"\u003e \u003cspan\u003eGraduated from Mita Gakuen in 1974\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"p0\"\u003e\u003cspan\u003e\u003c\/span\u003e \u003cspan\u003e1978 Graduated from Kwansei Gakuin University. Started making pottery under his father, Shozo.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp class=\"p0\"\u003e\u003cspan\u003e1991:\u003c\/span\u003e Winner of the Takamatsunomiya Memorial Award \u003cspan\u003eat the Japan Traditional Crafts Exhibition\u003c\/span\u003e \u003cspan\u003e(\u003c\/span\u003e \u003cspan\u003ethe winning work was purchased by the Agency for Cultural Affairs)\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"p0\"\u003e \u003cspan\u003e1994 Hyogo Prefecture Crafts Artists Association Grand Prize\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"p0\"\u003e \u003cspan\u003e1995 Hyogo Prefecture Art Encouragement Award\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"p0\"\u003e \u003cspan\u003e2001: Youngest participant selected for the \"Beauty of Craftsmanship\" exhibition commemorating the 50th anniversary of Japanese traditional crafts\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"p0\"\u003e \u003cspan\u003e2007 Grand Prize at the \"Tea Ceremony Art Exhibition\" at the Tanabe Museum of Art\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"p0\"\u003e \u003cspan\u003e2011: Grand Prize at the \"Tea Ceremony Art Exhibition\" at the Tanabe Museum of Art\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"p0\"\u003e \u003cspan\u003eIn 2013, he was dispatched to Aalto University in Finland as an overseas research fellow at Kobe Design University.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"p0\"\u003e \u003cspan\u003e2018 Hyogo Prefecture Cultural Award\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"p0\"\u003e \u003cspan\u003e2022 Japan Crafts Association Ceramics Division 50th Anniversary Exhibition \"Ceramics Connecting to the Future - The Power of Traditional Crafts\"\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"p0\"\u003e\u003cspan\u003e\u003c\/span\u003e \u003cspan\u003eJapanese Ceramic Art Exhibition\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e \u003cspan\u003eChina-Japan International Ceramic Art Exhibition\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e \u003cspan\u003eEncouragement Award at the \"Tea Ceremony Art Exhibition\" at the Tanabe Museum of Art\u003c\/span\u003e\u003cspan\u003e \u003cbr\u003e\u003cspan\u003eNissin Foods \"Menbachi Exhibition\" Excellence Award\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e \u003cspan\u003ePrefectural Exhibition Ito Cultural Foundation Award\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e \u003cspan\u003eThe Japan Foundation World Exhibition\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"p0\"\u003e\u003cspan\u003eFormer Professor of Art and Crafts, Kobe Design University (2007-March 2018)\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"p0\"\u003e \u003cspan\u003eRegular member of the Japan Crafts Association\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"p0\"\u003e\u003c\/p\u003e\n\n\u003cp class=\"p0\"\u003e\u003c\/p\u003e\n\n\u003cp class=\"p0\"\u003e \u003cspan\u003e\u003ca href=\"https:\/\/amakido.art\/pages\/%E4%B8%B9%E6%B3%A2%E7%AB%8B%E6%9D%AD%E7%84%BC%E3%81%AB%E3%81%A4%E3%81%84%E3%81%A6\"\u003eAbout Tamba Tachikui ware\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003c!----\u003e","brand":"陶器の専門店【甘木道】","offers":[{"title":"Default Title","offer_id":48443504984344,"sku":"","price":22000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0668\/2332\/3928\/files\/IMG_1610.jpg?v=1729865584"},{"product_id":"花入-市野元和","title":"Zen Flower Vase by Genwa Ichino","description":"\u003cp\u003e \u003cspan\u003eHeight: 20.5cm Width: 10cm x 9.5cm\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eSame box Height: 25.5cm Width: 15.0cm×15.0cm\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch3\u003e Tanba Flower Vase \"Made by Ichino Motowa\" - A masterpiece that combines the beauty of nature and exceptional craftsmanship\u003c\/h3\u003e\n\n\u003ch4\u003e \u003cstrong\u003eThe beauty of green created by natural glaze\u003c\/strong\u003e\n\u003c\/h4\u003e\n\n \u003cp\u003eThe \"Tamba Flower Vase by Ichino Motokazu\" is a work that highlights the beauty of the natural glaze created by the Tamba ware kiln-changing technique. The pale, shining green color shows various expressions depending on the angle and intensity of the light, further enhancing the flowers displayed. The delicate changes and depth of this natural glaze are brought out to the fullest by Ichino Motokazu's outstanding technique, and the more you look at it, the more you will be captivated.\u003c\/p\u003e\n\n\u003ch4\u003e \u003cstrong\u003eA fusion of tradition and innovation\u003c\/strong\u003e\n\u003c\/h4\u003e\n\n\u003cp\u003e Ichino Motowa's vase combines traditional Tamba ware techniques with a modern design sensibility. Its simple and refined form harmonizes with any flower, highlighting its beauty. The attention to detail and exquisite sense of balance are unique to Ichino, who preserves tradition while incorporating new sensibilities. This vase possesses a timeless beauty that will be loved for generations to come.\u003c\/p\u003e\n\n \u003ch4\u003e\u003cstrong\u003eVersatile design that brightens up any space\u003c\/strong\u003e\u003c\/h4\u003e\n\n\u003cp\u003e The Tamba Flower Vase is not only suitable for use as a tea ceremony implement, but also exudes a striking presence as interior décor. It not only adds a subtle elegance to everyday spaces, but also possesses an elegance befitting special occasions and formal occasions. Arranging flowers in it will further enhance their beauty, transforming the entire space into one that is rich and harmonious.\u003c\/p\u003e\n\n\u003ch4\u003e \u003cstrong\u003eMotokazu Ichino - Profile of a Master\u003c\/strong\u003e\n\u003c\/h4\u003e\n\n \u003cp\u003eIchino Motokazu is a renowned ceramic artist who is a full member of the Japan Crafts Council and a professor at Kobe Design University. Born in 1956, Ichino graduated from Kwansei Gakuin University and is a leading figure in the world of traditional crafts, having received numerous awards. In particular, he won the Takamatsunomiya Memorial Award at the Japan Traditional Crafts Exhibition in 1991, a masterpiece that was purchased by the Agency for Cultural Affairs. His works continue to receive high praise at exhibitions both in Japan and abroad, and play an important role in passing on the tradition of Tamba ware to future generations.\u003c\/p\u003e\n\n\u003ch3\u003e \u003cstrong\u003eTamba flower vase to create a special moment\u003c\/strong\u003e\n\u003c\/h3\u003e\n\n\u003cp\u003e \"Tamba Vase by Ichinomoto Kazusaku\" is a masterpiece that combines the beauty of natural glazes with the charm of traditional techniques. Holding this vase in your hands will transform your everyday life into a special moment. The harmony between the flowers and the vase will add color to your space and enrich your soul.\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003eBe sure to get your hands on this Tamba flower vase - enjoy the beauty of nature and craftsmanship in your daily life.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eMajor awards\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Received the Takamatsunomiya Memorial Award at the Japan Traditional Crafts Exhibition\u003c\/li\u003e\n\n\u003cli\u003e Japanese Ceramic Art Exhibition\u003c\/li\u003e\n\n\u003cli\u003e China-Japan International Ceramics Exhibition\u003c\/li\u003e\n\n\u003cli\u003e Tanabe Museum of Art \"Tea Ceremony Art Exhibition\" Encouragement Award\u003c\/li\u003e\n\n\u003cli\u003e Nissin Foods \"Menbachi Exhibition\" Excellence Award\u003c\/li\u003e\n\n\u003cli\u003e Grand Prize at the Hyogo Prefecture Crafts Artists Association Exhibition\u003c\/li\u003e\n\n\u003cli\u003e Prefectural Exhibition Ito Cultural Foundation Award\u003c\/li\u003e\n\n\u003cli\u003e Japan Foundation World Exhibition Selection\u003c\/li\u003e\n\n\u003cli\u003e Hyogo Prefecture Art Encouragement Award\u003c\/li\u003e\n\n\u003cli\u003e Audit Committee Member, Japan Traditional Crafts Kinki Exhibition\u003c\/li\u003e\n\n\u003cli\u003e Selected for the 50th Anniversary Exhibition of Japanese Traditional Crafts \"The Beauty of Craftsmanship\"\u003c\/li\u003e\n\n\u003cli\u003e 2007 Grand Prize at the Tanabe Museum of Art \"Tea Ceremony Art Exhibition\"\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003c!----\u003e","brand":"陶器の専門店【甘木道】","offers":[{"title":"Default Title","offer_id":48443645755672,"sku":"","price":77000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0668\/2332\/3928\/files\/IMG_0272a.jpg?v=1728793632"},{"product_id":"吹泥白丹波プラチナ彩瓶-清水一二","title":"Platinum colored vase by Ichiji Shimizu","description":"\u003cp\u003e \u003cspan\u003eHeight: 13.3cm Width: 10.7cm\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch3\u003e Blown mud white Tamba platinum colored vase - A supreme work of art by Shimizu Ichiji\u003c\/h3\u003e\n\n\u003ch4\u003e Unique beauty created by sophisticated design\u003c\/h4\u003e\n\n \u003cp\u003eThis white-based, glittering platinum-painted fukido white tanba porcelain vase is a masterpiece that perfectly harmonizes simplicity and luxury. Shimizu Ichiji's outstanding technique is evident in every detail, and the texture created by the high-quality materials and unique fukido technique creates a unique charm. It is a piece of interior art that will truly elevate any space.\u003c\/p\u003e\n\n\u003ch4\u003e A work of art born from the skill of a master craftsman\u003c\/h4\u003e\n\n\u003cp\u003e Shimizu Ichiji has used his many years of experience and delicate techniques to create this platinum colored vase. The smooth, warm texture of the mud-blowing technique and the exquisite luster of the platinum coloring captivate the viewer. No matter what angle you look at it from, you will discover new beauty and be captivated by its charm. The warmth and dignity that can only be achieved through handcrafting are elevated by the hands of a master craftsman.\u003c\/p\u003e\n\n\u003ch4\u003e A sophisticated presence that stands out in any space\u003c\/h4\u003e\n\n \u003cp\u003eThis Platinum Irodori Vase blends in with any space, such as a living room, study, or entrance, and instantly transforms the space into one filled with luxury. Despite its minimalist design, it has a solid presence and shines as the centerpiece of any interior. It is also a perfect gift for loved ones, such as for weddings or housewarmings.\u003c\/p\u003e\n\n\u003ch4\u003e Lasting beauty and value\u003c\/h4\u003e\n\n\u003cp\u003e The Blown Doro White Tanba Platinum Saitai is a work of art with eternal value that continues to retain its beauty even over time. Shimizu Ichiji's works are timeless works of art that you will never tire of, as you will discover new charms every time you use or look at them. We promise that you will treasure them for a lifetime and that they will be treasured and handed down to the next generation.\u003c\/p\u003e\n\n\u003ch3\u003e Biography\u003c\/h3\u003e\n\n\u003cp\u003e Born in Tachikui, Hyogo Prefecture in 1961\u003cbr\u003e 1984-1988: Studied in Tamba, Seto, and Bizen \u003cbr\u003e1989 Selected for the Japan Traditional Crafts Kinki Exhibition (also selected in 1991-1994 and 2004)\u003cbr\u003e 1990: Won the Kobe Mayor's Award at the Hyogo Prefectural Crafts and Arts Exhibition\u003cbr\u003e 1993 Selected for the Japan Ceramic Art Exhibition (also selected in 2007, 2011, 2013, 2015, 2017, and 2019)\u003cbr\u003e Received the Kobe Shimbun Prize at the Hyogo Prefectural Crafts and Arts Exhibition Received the Issuikai Prize at the 55th Issuikai Ceramic Art Exhibition\u003cbr\u003e 1994: Selected for the Tanko Biennale Tea Ceremony Art Exhibition\u003cbr\u003e 1995 Selected for the Ceramic Art Biennale Received the Saga Goryu Award at the Flower Ceramic Exhibition Selected for the Japan Craft Exhibition Ceramic art demonstration at Europe Japan Week (Salzburg, Austria)\u003cbr\u003e 1996: Won the Jury Prize at the Flower Ceramics Exhibition (also won the same prize in 1997 and 1998)\u003cbr\u003e 1999 Japan Foundation Traveling Exhibition “Japanese Pottery – The Rising Generation from Traditional Japanese Kilns”\u003cbr\u003e 2000 Contemporary Tea Ceremony Exhibition TOKI Oribe Silver Award Winner Selected for the Mashiko Ceramic Art Exhibition (also selected in 2002, 2004, and 2008) \u003cbr\u003e2001: Selected for the World Craft Competition in Kanazawa Held a workshop in Walla Walla, Washington, USA\u003cbr\u003e 2002: Won the Excellence Award at the BONSAI Pottery Exhibition (Takagi Bonsai Museum) Selected for the Vallauris Ceramic Biennale (France)\u003cbr\u003e 2003 Selected for the Japan Traditional Crafts Exhibition (also selected in 2004, 2005, 2006, 2008-2023)\u003cbr\u003e Selected for the Chosansho Ceramic Art Exhibition (also selected in 2005, 2007, 2009, and 2015)\u003cbr\u003e 2004: Opened Hakuyo Kiln. Selected for the 19th Japan Ceramic Art Exhibition (Part 1, Traditional Category Award Nominee).\u003cbr\u003e Winner of the runner-up prize at the 1st Contemporary Ceramics Hagi Grand Prize Exhibition\u003cbr\u003e 2008: 70th Issuikai Ceramic Art Exhibition, Issuikai Honorable Mention Award\u003cbr\u003e 2009: Received the Ibaraki Prefectural Ceramic Art Museum Award at the 20th Japan Ceramic Art Exhibition; received the Shiga Prefectural Board of Education Superintendent Award at the 38th Japan Traditional Crafts Kinki Exhibition; received the Japan Crafts Association Award at the 37th Traditional Crafts Ceramic Art Division Exhibition; received the Issuikai Award at the 71st Issuikai Ceramic Art Division Open Exhibition; received the Kinoshita Memorial Award at the 72nd Issuikai Ceramic Art Division Open Exhibition \u003cbr\u003e2011: Selected for the Kobe Biennale 2011 Contemporary Ceramic Art Competition. Donated a large tea bowl to Saidaiji Temple in Nara.\u003cbr\u003e Selected for the 1st Toubi Exhibition in 2013 (also selected in 2015, 2016, and 2018)\u003cbr\u003e 2014: Won the Excellence Award at the Hagi Grand Prize Exhibition III: Contemporary Ceramics; Won the Encouragement Award at the 2nd Ceramic Art Exhibition: \"Identity and Originality\" (The Museum of Ceramic Art, Hyogo)\u003cbr\u003e \"Contemporary Ceramic Phenomena\" (Ibaraki Ceramic Art Museum)\u003cbr\u003e 2015 TAMBA NOW+ (The Museum of Ceramic Art, Hyogo)\u003cbr\u003e 2016 \"Contemporary Ceramics Guide\" (Ibaraki Ceramic Art Museum)\u003cbr\u003e 2017: Won the Kobe Shimbun Grand Prize at the 55th Hyogo Crafts Exhibition\u003cbr\u003e 2018: Donated a tea bowl to Jonan-gu Shrine (Fushimi, Kyoto)\u003cbr\u003e 2019: Winner of the Encouragement Award at the 36th Tanabe Museum of Art Grand Prize \"Chanoyu Art Exhibition\"\u003cbr\u003e 2020 TAMBA NOW＋2020 (The Museum of Ceramic Art, Hyogo)\u003cbr\u003e 2022: Japan Crafts Association Ceramics Division 50th Anniversary Exhibition \"Ceramics Connecting to the Future - The Power of Traditional Crafts\" (Panasonic Shiodome Museum of Art, National Crafts Museum, Hyogo Ceramic Art Museum, etc.)\u003c\/p\u003e\n\n\u003c!----\u003e","brand":"陶器の専門店【甘木道】","offers":[{"title":"Default Title","offer_id":48472804196632,"sku":"","price":38500.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0668\/2332\/3928\/files\/IMG_7701bb.jpg?v=1715948363"},{"product_id":"白釉盌-清水一二","title":"Kabuki bowl by Ichiji Shimizu","description":"\u003cp\u003e \u003cspan\u003eHeight: 9.7cm Width: 12.4cm x 12.2cm\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch3\u003e Sophisticated design\u003c\/h3\u003e\n\n \u003cp\u003eThis white-glazed bowl features an elegant design painted in ink on a white background. The delicate ink pattern flows across the pure white background, highlighting its pure beauty. Furthermore, when viewed from above, its hexagonal shape is eye-catching, and its unique form gives it a sophisticated impression.\u003c\/p\u003e\n\n\u003ch3\u003e Craftsmanship and artistry\u003c\/h3\u003e\n\n\u003cp\u003e Shimizu Kazuji has used his many years of experience and outstanding skills to create this matcha bowl. The beautiful finish of the white glaze and the exquisite balance of the ink strokes further enhance the charm of this piece. The moment you pick it up, you will be impressed by its light feel and powerful presence.\u003c\/p\u003e\n\n\u003ch3\u003e Creating a special moment\u003c\/h3\u003e\n\n \u003cp\u003eThis matcha bowl will make your tea ceremony even more special. Its high-quality craftsmanship and beautiful design will elevate your tea ceremony and bring you a sense of comfort and satisfaction. You will be captivated by its beauty and functionality every time you use it.\u003c\/p\u003e\n\n\u003ch3\u003e Lasting Value\u003c\/h3\u003e\n\n\u003cp\u003e Shimizu Kazuji's works retain their beauty over time. This white-glazed bowl is also a masterpiece that can be used for a long time and will become a lifelong treasure. The more you use it, the more its texture will improve, and you will gradually grow to love it more.\u003c\/p\u003e\n\n\u003ch3\u003e Biography\u003c\/h3\u003e\n\n\u003cp\u003e Born in Tachikui, Hyogo Prefecture in 1961\u003cbr\u003e 1984-1988: Studied in Tamba, Seto, and Bizen\u003cbr\u003e 1989 Selected for the Japan Traditional Crafts Kinki Exhibition (also selected from 1991 to 1994 and in 2004)\u003cbr\u003e 1990: Received the Kobe Mayor's Award at the Hyogo Prefectural Crafts and Arts Exhibition\u003cbr\u003e 1993 Selected for the Japan Ceramic Art Exhibition (also selected in 2007, 2011, 2013, 2015, 2017, and 2019) \u003cbr\u003eReceived the Kobe Shimbun Prize at the Hyogo Prefectural Crafts and Arts Exhibition Received the Issuikai Prize at the 55th Issuikai Ceramics Exhibition\u003cbr\u003e 1994 Selected for the Tanko Biennale Tea Ceremony Art Exhibition\u003cbr\u003e 1995 Selected for the Ceramic Art Biennale Received the Saga Goryu Award at the Flower Ceramic Exhibition Selected for the Japan Craft Exhibition Demonstrated ceramics at the European Japan Week (Salzburg, Austria)\u003cbr\u003e 1996: Won the Jury Prize at the Flower Ceramics Exhibition (also won the same prize in 1997 and 1998)\u003cbr\u003e 1999 Japan Foundation traveling exhibition “Japanese Pottery – The Rising Generation from Traditional Japanese Kilns”\u003cbr\u003e 2000 Contemporary Tea Ceremony Exhibition TOKI Oribe Silver Award Winner Selected for Mashiko Ceramic Art Exhibition (also selected in 2002, 2004, and 2008)\u003cbr\u003e 2001: Selected for the World Craft Competition in Kanazawa Held a workshop in Walla Walla, Washington, USA\u003cbr\u003e 2002 BONSAI Container Exhibition (Takagi Bonsai Museum) Excellence Award Winner Selected for the Vallauris Ceramic Art Biennale (France) \u003cbr\u003e2003 Selected for the Japan Traditional Crafts Exhibition (also selected in 2004, 2005, 2006, 2008-2023)\u003cbr\u003e Selected for the Choza Award Ceramic Art Exhibition (also selected in 2005, 2007, 2009, and 2015)\u003cbr\u003e 2004: Opened Hakuyo Kiln. Selected for the 19th Japan Ceramic Art Exhibition (Part 1, Traditional Category, Award Nominee).\u003cbr\u003e 1st Contemporary Ceramics Hagi Grand Prize Exhibition, Second Prize\u003cbr\u003e 2008: 70th Issuikai Ceramics Exhibition, Issuikai Honorable Mention Award\u003cbr\u003e 2009: Received the Ibaraki Prefectural Ceramic Art Museum Award at the 20th Japan Ceramic Art Exhibition; received the Shiga Prefectural Board of Education Superintendent's Award at the 38th Japan Traditional Crafts Kinki Exhibition; received the Japan Crafts Association Award at the 37th Traditional Crafts Ceramic Art Division Exhibition; received the Issuikai Award at the 71st Issuikai Ceramic Art Division Open Exhibition; received the Kinoshita Memorial Award at the 72nd Issuikai Ceramic Art Division Open Exhibition\u003cbr\u003e 2011 Kobe Biennale 2011 Contemporary Ceramic Art Competition Selection Donated a large tea bowl for the tea ceremony to Saidaiji Temple in Nara\u003cbr\u003e Selected for the 1st Toubi Exhibition in 2013 (also selected in 2015, 2016, and 2018) \u003cbr\u003e2014: Received the Excellence Award at the Hagi Grand Prize Exhibition III, Contemporary Ceramics; Received the Encouragement Award at the 2nd Ceramic Art Exhibition, \"Identity and Originality\" (The Museum of Ceramic Art, Hyogo)\u003cbr\u003e \"Contemporary Ceramic Phenomena\" (Ibaraki Ceramic Art Museum)\u003cbr\u003e 2015 TAMBA NOW+ (The Museum of Ceramic Art, Hyogo)\u003cbr\u003e 2016 \"Contemporary Ceramics Guide\" (Ibaraki Ceramic Art Museum)\u003cbr\u003e 2017: 55th Hyogo Crafts Exhibition, Kobe Shimbun Grand Prize\u003cbr\u003e 2018: Donated a tea bowl to Jonan-gu Shrine (Fushimi, Kyoto)\u003cbr\u003e 2019: Received the Encouragement Award at the 36th Tanabe Museum of Art Grand Prize \"Tea Ceremony Art Exhibition\"\u003cbr\u003e 2020 TAMBA NOW+2020 (The Museum of Ceramic Art, Hyogo)\u003cbr\u003e 2022: Japan Crafts Association Ceramics Division 50th Anniversary Exhibition \"Panasonic Shiodome Museum of Art, National Crafts Museum, Hyogo Ceramic Art Museum, etc.\"\u003c\/p\u003e\n\n\u003c!----\u003e","brand":"陶器の専門店【甘木道】","offers":[{"title":"Default Title","offer_id":48472807309592,"sku":"","price":220000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0668\/2332\/3928\/files\/IMG_7800bb.jpg?v=1715948694"},{"product_id":"白釉壷-清水一二","title":"Ukiyoe Jar by Ichiji Shimizu","description":"\u003cp\u003e \u003cspan\u003eHeight: 18.9cm Width: 15.9cm\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch3\u003e Zen-inspired design\u003c\/h3\u003e\n\n \u003cp\u003eThis white-glazed jar features a simple yet elegant design with ink strokes on a white background. The pure white background is accentuated by the flowing, delicate ink strokes. From any angle, the ink strokes that spread across the entire jar are a delight to the eye. The dripping ink is meditative and beautiful.\u003c\/p\u003e\n\n\u003ch3\u003e Craftsmanship and artistry\u003c\/h3\u003e\n\n\u003cp\u003e Shimizu Kazuji has used his many years of experience and outstanding skills to create this vase. The beautiful finish of the white glaze and the exquisite balance of the ink painting further enhance the charm of this piece. The moment you hold it in your hands, you will be impressed by its intricate craftsmanship and high-quality finish.\u003c\/p\u003e\n\n\u003ch3\u003e Harmonizes with any space\u003c\/h3\u003e\n\n \u003cp\u003eThis vase blends naturally into any space, enhancing it even more. Whether placed in a living room, entryway, or study, it will create a sense of luxury and tranquility. It can also be enjoyed as an art piece without arranging flowers in it.\u003c\/p\u003e\n\n\u003ch3\u003e Lasting Value\u003c\/h3\u003e\n\n\u003cp\u003e Shimizu Ichiji's works retain their beauty over time. This white-glazed vase is also a masterpiece that can be used for a long time and will become a lifelong treasure. The more you use it, the more its texture will improve, and you will gradually grow to love it more and more.\u003c\/p\u003e\n\n\u003cp class=\"profile\"\u003e \u003cspan\u003eHakuyo Kiln Shimizu Ichiji\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cdl\u003e\n\n\u003cdt\u003e Born in Tachikui, Hyogo Prefecture in 1961\u003cbr\u003e 1984-1988: Studied in Tamba, Seto, and Bizen\u003cbr\u003e 1989 Selected for the Japan Traditional Crafts Kinki Exhibition (also selected from 1991 to 1994 and in 2004)\u003cbr\u003e 1990: Received the Kobe Mayor's Award at the Hyogo Prefectural Crafts and Arts Exhibition\u003cbr\u003e 1993 Selected for the Japan Ceramic Art Exhibition (also selected in 2007, 2011, 2013, 2015, 2017, and 2019) \u003cbr\u003eReceived the Kobe Shimbun Prize at the Hyogo Prefectural Crafts and Arts Exhibition Received the Issuikai Prize at the 55th Issuikai Ceramics Exhibition\u003cbr\u003e 1994 Selected for the Tanko Biennale Tea Ceremony Art Exhibition\u003cbr\u003e 1995 Selected for the Ceramic Art Biennale Received the Saga Goryu Award at the Flower Ceramic Exhibition Selected for the Japan Craft Exhibition Demonstrated ceramics at the European Japan Week (Salzburg, Austria)\u003cbr\u003e 1996: Won the Jury Prize at the Flower Ceramics Exhibition (also won the same prize in 1997 and 1998)\u003cbr\u003e 1999 Japan Foundation traveling exhibition “Japanese Pottery – The Rising Generation from Traditional Japanese Kilns”\u003cbr\u003e 2000 Contemporary Tea Ceremony Exhibition TOKI Oribe Silver Award Winner Selected for Mashiko Ceramic Art Exhibition (also selected in 2002, 2004, and 2008)\u003cbr\u003e 2001: Selected for the World Craft Competition in Kanazawa Held a workshop in Walla Walla, Washington, USA\u003cbr\u003e 2002 BONSAI Container Exhibition (Takagi Bonsai Museum) Excellence Award Winner Selected for the Vallauris Ceramic Art Biennale (France) \u003cbr\u003e2003 Selected for the Japan Traditional Crafts Exhibition (also selected in 2004, 2005, 2006, 2008-2023)\u003cbr\u003e Selected for the Choza Award Ceramic Art Exhibition (also selected in 2005, 2007, 2009, and 2015)\u003cbr\u003e 2004: Opened Hakuyo Kiln. Selected for the 19th Japan Ceramic Art Exhibition (Part 1, Traditional Category, Award Nominee).\u003cbr\u003e 1st Contemporary Ceramics Hagi Grand Prize Exhibition, Second Prize\u003cbr\u003e 2008: 70th Issuikai Ceramics Exhibition, Issuikai Honorable Mention Award\u003cbr\u003e 2009: Received the Ibaraki Prefectural Ceramic Art Museum Award at the 20th Japan Ceramic Art Exhibition; received the Shiga Prefectural Board of Education Superintendent's Award at the 38th Japan Traditional Crafts Kinki Exhibition; received the Japan Crafts Association Award at the 37th Traditional Crafts Ceramic Art Division Exhibition; received the Issuikai Award at the 71st Issuikai Ceramic Art Division Open Exhibition; received the Kinoshita Memorial Award at the 72nd Issuikai Ceramic Art Division Open Exhibition\u003cbr\u003e 2011 Kobe Biennale 2011 Contemporary Ceramic Art Competition Selection Donated a large tea bowl for the tea ceremony to Saidaiji Temple in Nara\u003cbr\u003e Selected for the 1st Toubi Exhibition in 2013 (also selected in 2015, 2016, and 2018) \u003cbr\u003e2014: Received the Excellence Award at the Hagi Grand Prize Exhibition III, Contemporary Ceramics; Received the Encouragement Award at the 2nd Ceramic Art Exhibition, \"Identity and Originality\" (The Museum of Ceramic Art, Hyogo)\u003cbr\u003e \"Contemporary Ceramic Phenomena\" (Ibaraki Ceramic Art Museum)\u003cbr\u003e 2015 TAMBA NOW+ (The Museum of Ceramic Art, Hyogo)\u003cbr\u003e 2016 \"Contemporary Ceramics Guide\" (Ibaraki Ceramic Art Museum)\u003cbr\u003e 2017: 55th Hyogo Crafts Exhibition, Kobe Shimbun Grand Prize\u003cbr\u003e 2018: Donated a tea bowl to Jonan-gu Shrine (Fushimi, Kyoto)\u003cbr\u003e 2019: Received the Encouragement Award at the 36th Tanabe Museum of Art Grand Prize \"Tea Ceremony Art Exhibition\"\u003cbr\u003e 2020 TAMBA NOW+2020 (The Museum of Ceramic Art, Hyogo)\u003cbr\u003e 2022: Japan Crafts Association Ceramics Division 50th Anniversary Exhibition \"Panasonic Shiodome Museum of Art, National Crafts Museum, Hyogo Ceramic Art Museum, etc.\" \u003c\/dt\u003e\n\n\n\u003c\/dl\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003c!----\u003e","brand":"陶器の専門店【甘木道】","offers":[{"title":"Default Title","offer_id":48472811602200,"sku":"","price":132000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0668\/2332\/3928\/files\/IMG_8076_bb.jpg?v=1715948881"},{"product_id":"吹泥白丹波鶴首花入-清水一二","title":"White Blown Crane Head Vase by Ichiji Shimizu","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003eHeight: 27.9\u003c\/span\u003e \u003cspan\u003ecm Width: 12.0 cm\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch4\u003e 1. Elegant design\u003c\/h4\u003e\n\n \u003cp\u003eThis \"Fukidoro Shiro Tanba Crane Neck Vase\" is characterized by its long, slender shape resembling a crane's neck, just as its name suggests. Its elegant and beautiful silhouette adds a touch of elegance to your flower arrangements.\u003c\/p\u003e\n\n\u003ch4\u003e 2. Blowing mud technique\u003c\/h4\u003e\n\n\u003cp\u003e \"Fukidoro\" is a technique in which mud is sprayed onto the surface of pottery to create unique patterns. This technique allows delicate and beautiful patterns to emerge on the surface of the white tanba, giving each piece a unique look. This vase, which took time and effort to make, is truly a masterpiece that brings together the best of craftsmanship.\u003c\/p\u003e\n\n\u003ch4\u003e 3. The charm of Shiratanba\u003c\/h4\u003e\n\n\u003cp\u003e Shiratanba is a technique that was developed in the late Edo period, and is fired using white clay, giving it an elegant and sophisticated impression. This vase also stands out with its beautiful white color that is unique to Shiratanba, bringing a sense of cleanliness and luxury to the space.\u003c\/p\u003e\n\n\u003ch4\u003e 4. High temperature firing\u003c\/h4\u003e\n\n \u003cp\u003eThis white Tanba vase is extremely strong and durable because it is fired at high temperatures. Firing at high temperatures enhances the transparency and luster of the glaze, resulting in an even more beautiful finish.\u003c\/p\u003e\n\n\u003ch4\u003e 5. Profile of Shimizu Kazuji\u003c\/h4\u003e\n\n\u003cp\u003e Shimizu Ichiji is an artist who continues the tradition of Tamba ware into the modern era. His work fuses tradition with innovation and is highly acclaimed for its outstanding technique and aesthetic sense. His works are beloved by ceramic art enthusiasts both in Japan and abroad, and have won awards at numerous exhibitions.\u003c\/p\u003e\n\n\u003ch4\u003e 6. Usability and practicality\u003c\/h4\u003e\n\n\u003cp\u003e This crane-necked vase is not only beautiful to look at, but also practical. Its slender shape makes it easy to arrange flowers and beautifully accentuates any floral arrangement. It blends in with any space, such as the entrance, living room, or Japanese-style room, and can be enjoyed as part of the interior.\u003c\/p\u003e\n\n\u003ch4\u003e 7. Lasting Value\u003c\/h4\u003e\n\n \u003cp\u003eShimizu Ichiji's works continue to retain their beauty and functionality over time. This blown clay white Tanba crane-neck vase is also a masterpiece that can be used for a long time and will become a lifelong treasure. The more you use it, the more its texture will improve, and you will gradually grow to love it more and more.\u003c\/p\u003e\n\n\u003ch3\u003e Biography\u003c\/h3\u003e\n\n\u003cp\u003e Born in Tachikui, Hyogo Prefecture in 1961\u003cbr\u003e 1984-1988: Studied in Tamba, Seto, and Bizen\u003cbr\u003e 1989 Selected for the Japan Traditional Crafts Kinki Exhibition (also selected from 1991 to 1994 and in 2004)\u003cbr\u003e 1990: Received the Kobe Mayor's Award at the Hyogo Prefectural Crafts and Arts Exhibition\u003cbr\u003e 1993 Selected for the Japan Ceramic Art Exhibition (also selected in 2007, 2011, 2013, 2015, 2017, and 2019)\u003cbr\u003e Received the Kobe Shimbun Prize at the Hyogo Prefectural Crafts and Arts Exhibition Received the Issuikai Prize at the 55th Issuikai Ceramics Exhibition\u003cbr\u003e 1994 Selected for the Tanko Biennale Tea Ceremony Art Exhibition \u003cbr\u003e1995 Selected for the Ceramic Art Biennale Received the Saga Goryu Award at the Flower Ceramic Exhibition Selected for the Japan Craft Exhibition Demonstrated ceramics at the European Japan Week (Salzburg, Austria)\u003cbr\u003e 1996: Won the Jury Prize at the Flower Ceramics Exhibition (also won the same prize in 1997 and 1998)\u003cbr\u003e 1999 Japan Foundation traveling exhibition “Japanese Pottery – The Rising Generation from Traditional Japanese Kilns”\u003cbr\u003e 2000 Contemporary Tea Ceremony Exhibition TOKI Oribe Silver Award Winner Selected for Mashiko Ceramic Art Exhibition (also selected in 2002, 2004, and 2008)\u003cbr\u003e 2001: Selected for the World Craft Competition in Kanazawa Held a workshop in Walla Walla, Washington, USA\u003cbr\u003e 2002 BONSAI Container Exhibition (Takagi Bonsai Museum) Excellence Award Winner Selected for the Vallauris Ceramic Art Biennale (France)\u003cbr\u003e 2003 Selected for the Japan Traditional Crafts Exhibition (also selected in 2004, 2005, 2006, 2008-2023)\u003cbr\u003e Selected for the Choza Award Ceramic Art Exhibition (also selected in 2005, 2007, 2009, and 2015) \u003cbr\u003e2004: Opened Hakuyo Kiln. Selected for the 19th Japan Ceramic Art Exhibition (Part 1, Traditional Category, Award Nominee).\u003cbr\u003e 1st Contemporary Ceramics Hagi Grand Prize Exhibition, Second Prize\u003cbr\u003e 2008: 70th Issuikai Ceramics Exhibition, Issuikai Honorable Mention Award\u003cbr\u003e 2009: Received the Ibaraki Prefectural Ceramic Art Museum Award at the 20th Japan Ceramic Art Exhibition; received the Shiga Prefectural Board of Education Superintendent's Award at the 38th Japan Traditional Crafts Kinki Exhibition; received the Japan Crafts Association Award at the 37th Traditional Crafts Ceramic Art Division Exhibition; received the Issuikai Award at the 71st Issuikai Ceramic Art Division Open Exhibition; received the Kinoshita Memorial Award at the 72nd Issuikai Ceramic Art Division Open Exhibition\u003cbr\u003e 2011 Kobe Biennale 2011 Contemporary Ceramic Art Competition Selection Donated a large tea bowl for the tea ceremony to Saidaiji Temple in Nara\u003cbr\u003e Selected for the 1st Toubi Exhibition in 2013 (also selected in 2015, 2016, and 2018)\u003cbr\u003e 2014: Received the Excellence Award at the Hagi Grand Prize Exhibition III, Contemporary Ceramics; Received the Encouragement Award at the 2nd Ceramic Art Exhibition, \"Identity and Originality\" (The Museum of Ceramic Art, Hyogo)\u003cbr\u003e \"Contemporary Ceramic Phenomena\" (Ibaraki Ceramic Art Museum) \u003cbr\u003e2015 TAMBA NOW+ (The Museum of Ceramic Art, Hyogo)\u003cbr\u003e 2016 \"Contemporary Ceramics Guide\" (Ibaraki Ceramic Art Museum)\u003cbr\u003e 2017: 55th Hyogo Crafts Exhibition, Kobe Shimbun Grand Prize\u003cbr\u003e 2018: Donated a tea bowl to Jonan-gu Shrine (Fushimi, Kyoto)\u003cbr\u003e 2019: Received the Encouragement Award at the 36th Tanabe Museum of Art Grand Prize \"Tea Ceremony Art Exhibition\"\u003cbr\u003e 2020 TAMBA NOW+2020 (The Museum of Ceramic Art, Hyogo)\u003cbr\u003e 2022: Japan Crafts Association Ceramics Division 50th Anniversary Exhibition \"Panasonic Shiodome Museum of Art, National Crafts Museum, Hyogo Ceramic Art Museum, etc.\"\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e","brand":"陶器の専門店【甘木道】","offers":[{"title":"Default Title","offer_id":48472817369368,"sku":"","price":132000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0668\/2332\/3928\/files\/IMG_8202bb.jpg?v=1715949282"},{"product_id":"吹泥白丹波盌-清水一二","title":"Blown matcha bowl by Ichiji Shimizu","description":"\u003cp\u003e\u003cspan\u003eHeight: 9.8cm Width: 12.4cm\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch3\u003e Blown mud white Tamba bowl - The supreme beauty and craftsmanship of Shimizu Ichiji\u003c\/h3\u003e\n\n\u003ch4\u003e Elegant design brings healing to the soul\u003c\/h4\u003e\n\n\u003cp\u003e The Fumedo Shirotanba bowl is a work of art that combines the pure beauty of a white base with a unique pattern created by the Fumedo technique. Although it appears simple at first glance, the depth and elegance that lies within will captivate the viewer. Shimizu Kazuji's skilled craftsmanship is evident in every detail, and through this bowl you will be able to feel peace and abundance in your heart.\u003c\/p\u003e\n\n\u003ch4\u003e A masterpiece created by a master craftsman using outstanding techniques\u003c\/h4\u003e\n\n \u003cp\u003eShimizu Ichiji's blown mud white Tamba bowls are works that, while adhering to traditional techniques, also feature original ingenuity. The patterns and textures unique to the blown mud technique are the result of meticulous manual work by skilled craftsmen. The weight and smooth feel you get the moment you pick it up gives you a unique impression that you can't get from mass-produced products. The harmony between the feel and design is truly a miracle born from the skill of a master craftsman.\u003c\/p\u003e\n\n\u003ch4\u003e Versatility for any occasion\u003c\/h4\u003e\n\n \u003cp\u003eThis bowl is not only useful for tea ceremonies and at the dinner table, but also highly valuable as interior decoration. The simple yet sophisticated design blends naturally into any space and creates a sense of luxury. It is especially recommended as an accent to decorate the dinner table on special occasions or in a Japanese-style space. It also makes a great gift, and will be a memorable piece for the recipient.\u003c\/p\u003e\n\n\u003ch4\u003e Timeless beauty and lasting value\u003c\/h4\u003e\n\n\u003cp\u003e The blown mud white Tamba bowl is a piece of art with eternal value that will not lose its beauty even with the passage of time. The texture and flavor that increase with use will increase the joy of owning it many times over. Shimizu Ichiji's works are more than just vessels; they provide special moments in your daily life. They are truly masterpieces that you can use for a lifetime.\u003c\/p\u003e\n\n\u003cdiv class=\"Section0\"\u003e\n\n\u003cp class=\"p0\"\u003e \u003cspan\u003eBiography\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp class=\"p0\"\u003eBorn in Tachikui, Hyogo Prefecture in 1961\u003cbr\u003e 1984-1988: Studied in Tamba, Seto, and Bizen\u003cbr\u003e 1989 Selected for the Japan Traditional Crafts Kinki Exhibition (also selected in 1991-1994 and 2004)\u003cbr\u003e 1990: Won the Kobe Mayor's Award at the Hyogo Prefectural Crafts and Arts Exhibition\u003cbr\u003e 1993 Selected for the Japan Ceramic Art Exhibition (also selected in 2007, 2011, 2013, 2015, 2017, and 2019)\u003cbr\u003e Received the Kobe Shimbun Prize at the Hyogo Prefectural Crafts and Arts Exhibition Received the Issuikai Prize at the 55th Issuikai Ceramic Art Exhibition\u003cbr\u003e 1994: Selected for the Tanko Biennale Tea Ceremony Art Exhibition\u003cbr\u003e 1995 Selected for the Ceramic Art Biennale Received the Saga Goryu Award at the Flower Ceramic Exhibition Selected for the Japan Craft Exhibition Ceramic art demonstration at Europe Japan Week (Salzburg, Austria)\u003cbr\u003e 1996: Won the Jury Prize at the Flower Ceramics Exhibition (also won the same prize in 1997 and 1998)\u003cbr\u003e 1999 Japan Foundation traveling exhibition “Japanese Pottery – The Rising Generation from Traditional Japanese Kilns”\u003cbr\u003e 2000 Contemporary Tea Ceremony Exhibition TOKI Oribe Silver Award Winner Selected for the Mashiko Ceramic Art Exhibition (also selected in 2002, 2004, and 2008) \u003cbr\u003e2001: Selected for the World Craft Competition in Kanazawa Held a workshop in Walla Walla, Washington, USA\u003cbr\u003e 2002: Won the Excellence Award at the BONSAI Pottery Exhibition (Takagi Bonsai Museum) Selected for the Vallauris Ceramic Biennale (France)\u003cbr\u003e 2003 Selected for the Japan Traditional Crafts Exhibition (also selected in 2004, 2005, 2006, 2008-2023)\u003cbr\u003e Selected for the Chosansho Ceramic Art Exhibition (also selected in 2005, 2007, 2009, and 2015)\u003cbr\u003e 2004: Opened Hakuyo Kiln. Selected for the 19th Japan Ceramic Art Exhibition (Part 1, Traditional Category Award Nominee).\u003cbr\u003e Winner of the runner-up prize at the 1st Contemporary Ceramics Hagi Grand Prize Exhibition\u003cbr\u003e 2008: 70th Issuikai Ceramic Art Exhibition, Issuikai Honorable Mention Award\u003cbr\u003e 2009: Received the Ibaraki Prefectural Ceramic Art Museum Award at the 20th Japan Ceramic Art Exhibition; received the Shiga Prefectural Board of Education Superintendent Award at the 38th Japan Traditional Crafts Kinki Exhibition; received the Japan Crafts Association Award at the 37th Traditional Crafts Ceramic Art Division Exhibition; received the Issuikai Award at the 71st Issuikai Ceramic Art Division Open Exhibition; received the Kinoshita Memorial Award at the 72nd Issuikai Ceramic Art Division Open Exhibition \u003cbr\u003e2011: Selected for the Kobe Biennale 2011 Contemporary Ceramic Art Competition. Donated a large tea bowl to Saidaiji Temple in Nara.\u003cbr\u003e Selected for the 1st Toubi Exhibition in 2013 (also selected in 2015, 2016, and 2018)\u003cbr\u003e 2014: Won the Excellence Award at the Hagi Grand Prize Exhibition III: Contemporary Ceramics; Won the Encouragement Award at the 2nd Ceramic Art Exhibition: \"Identity and Originality\" (The Museum of Ceramic Art, Hyogo)\u003cbr\u003e \"Contemporary Ceramic Phenomena\" (Ibaraki Ceramic Art Museum)\u003cbr\u003e 2015 TAMBA NOW+ (The Museum of Ceramic Art, Hyogo)\u003cbr\u003e 2016 \"Contemporary Ceramics Guide\" (Ibaraki Ceramic Art Museum)\u003cbr\u003e 2017: Won the Kobe Shimbun Grand Prize at the 55th Hyogo Crafts Exhibition\u003cbr\u003e 2018: Donated a tea bowl to Jonan-gu Shrine (Fushimi, Kyoto)\u003cbr\u003e 2019: Winner of the Encouragement Award at the 36th Tanabe Museum of Art Grand Prize \"Chanoyu Art Exhibition\"\u003cbr\u003e 2020 TAMBA NOW＋2020 (The Museum of Ceramic Art, Hyogo)\u003cbr\u003e 2022: Japan Crafts Association Ceramics Division 50th Anniversary Exhibition \"Ceramics Connecting to the Future - The Power of Traditional Crafts\" (Panasonic Shiodome Museum of Art, National Crafts Museum, Hyogo Ceramic Art Museum, etc.)\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\u003c!----\u003e","brand":"陶器の専門店【甘木道】","offers":[{"title":"Default Title","offer_id":48472822743320,"sku":"","price":165000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0668\/2332\/3928\/files\/IMG_8325bb.jpg?v=1715949541"},{"product_id":"吹泥白丹波金彩鶴首花入-清水一二","title":"Blown mud gold painted crane neck vase by Ichiji Shimizu","description":"\u003cp\u003e\u003cspan\u003eHeight: 27.5cm Width: 11.5cm\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch3\u003e Blown-mud white tamba gold-painted crane-neck vase - the supreme art of Ichiji Shimizu\u003c\/h3\u003e\n\n\u003ch4\u003e Unique beauty with elegant design\u003c\/h4\u003e\n\n\u003cp\u003e The Fukidoro Shirotanba Kinsai Tsuru-Neck Vase is a masterpiece that features a sophisticated design with a white base and graceful swirls of gold paint. As the name \"Tsuru-Neck\" suggests, the beautiful curves of the gracefully extended neck captivate the viewer, and it exudes breathtaking elegance from any angle. The unique pattern created by the Fukidoro technique and the swirls of gold paint are in perfect harmony, making this vase not just a flower vase, but a work of art.\u003c\/p\u003e\n\n\u003ch4\u003e Outstanding artistry born from master craftsmanship\u003c\/h4\u003e\n\n \u003cp\u003eThis crane-neck vase by Shimizu Ichiji is the culmination of years of skilled techniques. The balance between the delicate patterns created by the mud-blowing technique and the gorgeous swirls created by the gold leaf creates a unique beauty that is unlike any other. The moment you hold it in your hands, you cannot help but be amazed by the meticulous workmanship down to the smallest details and the high-quality finish. The craftsmanship is truly worthy of the name of a master craftsman.\u003c\/p\u003e\n\n\u003ch4\u003e The joy of arranging and displaying flowers\u003c\/h4\u003e\n\n\u003cp\u003e This vase will bring out the beauty of any flower you put in it. It will blend naturally into any space, such as the living room, entrance, or study, and create a sense of luxury. Not only can you put flowers in it, but it will also have a presence as an art piece just by displaying it. Even if you leave it without any decorations, it has the power to elevate the space and is an exceptional item that will enrich the sensibilities of the user.\u003c\/p\u003e\n\n\u003ch4\u003e Lasting beauty and value\u003c\/h4\u003e\n\n \u003cp\u003eShimizu Ichiji's works have eternal value, and their beauty will not fade over time. This crane-necked vase also gains more character and a deeper texture the more it is used, making the owner even more attached to it. It is a special piece worthy of being handed down to the next generation as a lifelong treasure.\u003c\/p\u003e\n\n\u003cp class=\"profile\"\u003e \u003cspan\u003eHakuyo Kiln Shimizu Ichiji\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cdl\u003e\n\n\u003cdt\u003e Born in Tachikui, Hyogo Prefecture in 1961\u003cbr\u003e 1984-1988: Studied in Tamba, Seto, and Bizen\u003cbr\u003e 1989 Selected for the Japan Traditional Crafts Kinki Exhibition (also selected in 1991-1994 and 2004)\u003cbr\u003e 1990: Won the Kobe Mayor's Award at the Hyogo Prefectural Crafts and Arts Exhibition\u003cbr\u003e 1993 Selected for the Japan Ceramic Art Exhibition (also selected in 2007, 2011, 2013, 2015, 2017, and 2019)\u003cbr\u003e Received the Kobe Shimbun Prize at the Hyogo Prefectural Crafts and Arts Exhibition Received the Issuikai Prize at the 55th Issuikai Ceramic Art Exhibition\u003cbr\u003e 1994: Selected for the Tanko Biennale Tea Ceremony Art Exhibition \u003cbr\u003e1995 Selected for the Ceramic Art Biennale Received the Saga Goryu Award at the Flower Ceramic Exhibition Selected for the Japan Craft Exhibition Ceramic art demonstration at Europe Japan Week (Salzburg, Austria)\u003cbr\u003e 1996: Won the Jury Prize at the Flower Ceramics Exhibition (also won the same prize in 1997 and 1998)\u003cbr\u003e 1999 Japan Foundation traveling exhibition “Japanese Pottery – The Rising Generation from Traditional Japanese Kilns”\u003cbr\u003e 2000 Contemporary Tea Ceremony Exhibition TOKI Oribe Silver Award Winner Selected for the Mashiko Ceramic Art Exhibition (also selected in 2002, 2004, and 2008)\u003cbr\u003e 2001: Selected for the World Craft Competition in Kanazawa Held a workshop in Walla Walla, Washington, USA\u003cbr\u003e 2002: Won the Excellence Award at the BONSAI Pottery Exhibition (Takagi Bonsai Museum) Selected for the Vallauris Ceramic Biennale (France)\u003cbr\u003e 2003 Selected for the Japan Traditional Crafts Exhibition (also selected in 2004, 2005, 2006, 2008-2023)\u003cbr\u003e Selected for the Chosansho Ceramic Art Exhibition (also selected in 2005, 2007, 2009, and 2015) \u003cbr\u003e2004: Opened Hakuyo Kiln. Selected for the 19th Japan Ceramic Art Exhibition (Part 1, Traditional Category Award Nominee).\u003cbr\u003e Winner of the runner-up prize at the 1st Contemporary Ceramics Hagi Grand Prize Exhibition\u003cbr\u003e 2008: 70th Issuikai Ceramic Art Exhibition, Issuikai Honorable Mention Award\u003cbr\u003e 2009: Received the Ibaraki Prefectural Ceramic Art Museum Award at the 20th Japan Ceramic Art Exhibition; received the Shiga Prefectural Board of Education Superintendent Award at the 38th Japan Traditional Crafts Kinki Exhibition; received the Japan Crafts Association Award at the 37th Traditional Crafts Ceramic Art Division Exhibition; received the Issuikai Award at the 71st Issuikai Ceramic Art Division Open Exhibition; received the Kinoshita Memorial Award at the 72nd Issuikai Ceramic Art Division Open Exhibition\u003cbr\u003e 2011: Selected for the Kobe Biennale 2011 Contemporary Ceramic Art Competition. Donated a large tea bowl to Saidaiji Temple in Nara.\u003cbr\u003e Selected for the 1st Toubi Exhibition in 2013 (also selected in 2015, 2016, and 2018)\u003cbr\u003e 2014: Won the Excellence Award at the Hagi Grand Prize Exhibition III: Contemporary Ceramics; Won the Encouragement Award at the 2nd Ceramic Art Exhibition: \"Identity and Originality\" (The Museum of Ceramic Art, Hyogo)\u003cbr\u003e \"Contemporary Ceramic Phenomena\" (Ibaraki Ceramic Art Museum) \u003cbr\u003e2015 TAMBA NOW+ (The Museum of Ceramic Art, Hyogo)\u003cbr\u003e 2016 \"Contemporary Ceramics Guide\" (Ibaraki Ceramic Art Museum)\u003cbr\u003e 2017: Won the Kobe Shimbun Grand Prize at the 55th Hyogo Crafts Exhibition\u003cbr\u003e 2018: Donated a tea bowl to Jonan-gu Shrine (Fushimi, Kyoto)\u003cbr\u003e 2019: Winner of the Encouragement Award at the 36th Tanabe Museum of Art Grand Prize \"Chanoyu Art Exhibition\"\u003cbr\u003e 2020 TAMBA NOW＋2020 (The Museum of Ceramic Art, Hyogo)\u003cbr\u003e 2022: Japan Crafts Association Ceramics Division 50th Anniversary Exhibition \"Ceramics Connecting to the Future - The Power of Traditional Crafts\" (Panasonic Shiodome Museum of Art, National Crafts Museum, Hyogo Ceramic Art Museum, etc.)\u003c\/dt\u003e\n\n\n\u003c\/dl\u003e\n\n\u003c!----\u003e","brand":"陶器の専門店【甘木道】","offers":[{"title":"Default Title","offer_id":48472834474264,"sku":"","price":154000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0668\/2332\/3928\/files\/IMG_8568bb.jpg?v=1715950201"},{"product_id":"白釉壷-清水一二-1","title":"Haiku Jar by Ichiji Shimizu","description":"\u003cp\u003e\u003cspan\u003eHeight: 27.9cm Width: 12cm\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch3\u003e Zen-inspired design\u003c\/h3\u003e\n\n\u003cp\u003e This white-glazed jar features a simple yet elegant design with ink strokes on a white background. The pure white background is accentuated by the flowing, delicate ink strokes. From any angle, the ink strokes that spread across the entire jar are a delight to the eye. The dripping ink is meditative and beautiful.\u003c\/p\u003e\n\n\u003ch3\u003e Craftsmanship and artistry\u003c\/h3\u003e\n\n\u003cp\u003e Shimizu Kazuji has used his many years of experience and outstanding skills to create this vase. The beautiful finish of the white glaze and the exquisite balance of the ink painting further enhance the charm of this piece. The moment you hold it in your hands, you will be impressed by its intricate craftsmanship and high-quality finish.\u003c\/p\u003e\n\n\u003ch3\u003e Harmonizes with any space\u003c\/h3\u003e\n\n \u003cp\u003eThis vase blends naturally into any space, enhancing it even more. Whether placed in a living room, entryway, or study, it will create a sense of luxury and tranquility. It can also be enjoyed as an art piece without arranging flowers in it.\u003c\/p\u003e\n\n\u003ch3\u003e Lasting Value\u003c\/h3\u003e\n\n\u003cp\u003e Shimizu Ichiji's works retain their beauty over time. This white-glazed vase is also a masterpiece that can be used for a long time and will become a lifelong treasure. The more you use it, the more its texture will improve, and you will gradually grow to love it more and more.\u003c\/p\u003e\n\n\u003ch3\u003e Biography\u003c\/h3\u003e\n\n\u003cp\u003e Born in Tachikui, Hyogo Prefecture in 1961\u003cbr\u003e 1984-1988: Studied in Tamba, Seto, and Bizen\u003cbr\u003e 1989 Selected for the Japan Traditional Crafts Kinki Exhibition (also selected from 1991 to 1994 and in 2004)\u003cbr\u003e 1990: Received the Kobe Mayor's Award at the Hyogo Prefectural Crafts and Arts Exhibition\u003cbr\u003e 1993 Selected for the Japan Ceramic Art Exhibition (also selected in 2007, 2011, 2013, 2015, 2017, and 2019) \u003cbr\u003eReceived the Kobe Shimbun Prize at the Hyogo Prefectural Crafts and Arts Exhibition Received the Issuikai Prize at the 55th Issuikai Ceramics Exhibition\u003cbr\u003e 1994 Selected for the Tanko Biennale Tea Ceremony Art Exhibition\u003cbr\u003e 1995 Selected for the Ceramic Art Biennale Received the Saga Goryu Award at the Flower Ceramic Exhibition Selected for the Japan Craft Exhibition Demonstrated ceramics at the European Japan Week (Salzburg, Austria)\u003cbr\u003e 1996: Won the Jury Prize at the Flower Ceramics Exhibition (also won the same prize in 1997 and 1998)\u003cbr\u003e 1999 Japan Foundation traveling exhibition “Japanese Pottery – The Rising Generation from Traditional Japanese Kilns”\u003cbr\u003e 2000 Contemporary Tea Ceremony Exhibition TOKI Oribe Silver Award Winner Selected for Mashiko Ceramic Art Exhibition (also selected in 2002, 2004, and 2008)\u003cbr\u003e 2001: Selected for the World Craft Competition in Kanazawa Held a workshop in Walla Walla, Washington, USA\u003cbr\u003e 2002 BONSAI Container Exhibition (Takagi Bonsai Museum) Excellence Award Winner Selected for the Vallauris Ceramic Art Biennale (France) \u003cbr\u003e2003 Selected for the Japan Traditional Crafts Exhibition (also selected in 2004, 2005, 2006, 2008-2023)\u003cbr\u003e Selected for the Choza Award Ceramic Art Exhibition (also selected in 2005, 2007, 2009, and 2015)\u003cbr\u003e 2004: Opened Hakuyo Kiln. Selected for the 19th Japan Ceramic Art Exhibition (Part 1, Traditional Category, Award Nominee).\u003cbr\u003e 1st Contemporary Ceramics Hagi Grand Prize Exhibition, Second Prize\u003cbr\u003e 2008: 70th Issuikai Ceramics Exhibition, Issuikai Honorable Mention Award\u003cbr\u003e 2009: Received the Ibaraki Prefectural Ceramic Art Museum Award at the 20th Japan Ceramic Art Exhibition; received the Shiga Prefectural Board of Education Superintendent's Award at the 38th Japan Traditional Crafts Kinki Exhibition; received the Japan Crafts Association Award at the 37th Traditional Crafts Ceramic Art Division Exhibition; received the Issuikai Award at the 71st Issuikai Ceramic Art Division Open Exhibition; received the Kinoshita Memorial Award at the 72nd Issuikai Ceramic Art Division Open Exhibition\u003cbr\u003e 2011 Kobe Biennale 2011 Contemporary Ceramic Art Competition Selection Donated a large tea bowl for the tea ceremony to Saidaiji Temple in Nara\u003cbr\u003e Selected for the 1st Toubi Exhibition in 2013 (also selected in 2015, 2016, and 2018) \u003cbr\u003e2014: Received the Excellence Award at the Hagi Grand Prize Exhibition III, Contemporary Ceramics; Received the Encouragement Award at the 2nd Ceramic Art Exhibition, \"Identity and Originality\" (The Museum of Ceramic Art, Hyogo)\u003cbr\u003e \"Contemporary Ceramic Phenomena\" (Ibaraki Ceramic Art Museum)\u003cbr\u003e 2015 TAMBA NOW+ (The Museum of Ceramic Art, Hyogo)\u003cbr\u003e 2016 \"Contemporary Ceramics Guide\" (Ibaraki Ceramic Art Museum)\u003cbr\u003e 2017: 55th Hyogo Crafts Exhibition, Kobe Shimbun Grand Prize\u003cbr\u003e 2018: Donated a tea bowl to Jonan-gu Shrine (Fushimi, Kyoto)\u003cbr\u003e 2019: Received the Encouragement Award at the 36th Tanabe Museum of Art Grand Prize \"Tea Ceremony Art Exhibition\"\u003cbr\u003e 2020 TAMBA NOW+2020 (The Museum of Ceramic Art, Hyogo)\u003cbr\u003e 2022: Japan Crafts Association Ceramics Division 50th Anniversary Exhibition \"Panasonic Shiodome Museum of Art, National Crafts Museum, Hyogo Ceramic Art Museum, etc.\"\u003c\/p\u003e\n\n\u003c!----\u003e","brand":"陶器の専門店【甘木道】","offers":[{"title":"Default Title","offer_id":48472835621144,"sku":"","price":132000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0668\/2332\/3928\/files\/IMG_8625bb.jpg?v=1715950359"},{"product_id":"白釉酒呑-清水一二","title":"White glaze sake cup by Ichiji Shimizu","description":"\u003cp\u003e \u003cspan\u003eHeight: 4.5cm Width: 6.9cm\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch3\u003e Superior technology and design\u003c\/h3\u003e\n\n \u003cp\u003eThis white-glazed sake cup features a beautiful design with a pattern resembling ink drips painted on a white background, contrasting vividly with a pale blue. The simple yet striking pattern gives the entire sake cup a unique elegance, captivating its beauty. The pale blue color blends exquisitely with the ink pattern, pleasing to the eye.\u003c\/p\u003e\n\n\u003ch3\u003e Craftsmanship and artistry\u003c\/h3\u003e\n\n\u003cp\u003e Shimizu Kazuji has used his many years of experience and outstanding skills to create this sake cup. The beautiful finish of the white glaze and the delicate ink-like pattern enhance the piece's appeal. The moment you pick it up, you will be impressed by its intricate craftsmanship and high-quality finish.\u003c\/p\u003e\n\n\u003ch3\u003e Creating a special moment\u003c\/h3\u003e\n\n \u003cp\u003eThis sake cup will make your time enjoying sake even more special. Its high-quality craftsmanship and beautiful design will bring a special atmosphere to your evening drinks or celebratory occasions, providing a pleasant and satisfying feeling. You will be captivated by its beauty and functionality every time you use it.\u003c\/p\u003e\n\n\u003ch3\u003e Lasting Value\u003c\/h3\u003e\n\n\u003cp\u003e Shimizu Ichiji's works retain their beauty even over time. This white-glazed sake cup is also a masterpiece that can be used for a long time and will become a lifelong treasure. The more you use it, the more its texture will improve, and you will gradually grow to love it more and more.\u003c\/p\u003e\n\n\u003ch3\u003e Biography\u003c\/h3\u003e\n\n\u003cp\u003e Born in Tachikui, Hyogo Prefecture in 1961\u003cbr\u003e 1984-1988: Studied in Tamba, Seto, and Bizen\u003cbr\u003e 1989 Selected for the Japan Traditional Crafts Kinki Exhibition (also selected from 1991 to 1994 and in 2004)\u003cbr\u003e 1990: Received the Kobe Mayor's Award at the Hyogo Prefectural Crafts and Arts Exhibition\u003cbr\u003e 1993 Selected for the Japan Ceramic Art Exhibition (also selected in 2007, 2011, 2013, 2015, 2017, and 2019) \u003cbr\u003eReceived the Kobe Shimbun Prize at the Hyogo Prefectural Crafts and Arts Exhibition Received the Issuikai Prize at the 55th Issuikai Ceramics Exhibition\u003cbr\u003e 1994 Selected for the Tanko Biennale Tea Ceremony Art Exhibition\u003cbr\u003e 1995 Selected for the Ceramic Art Biennale Received the Saga Goryu Award at the Flower Ceramic Exhibition Selected for the Japan Craft Exhibition Demonstrated ceramics at the European Japan Week (Salzburg, Austria)\u003cbr\u003e 1996: Won the Jury Prize at the Flower Ceramics Exhibition (also won the same prize in 1997 and 1998)\u003cbr\u003e 1999 Japan Foundation traveling exhibition “Japanese Pottery – The Rising Generation from Traditional Japanese Kilns”\u003cbr\u003e 2000 Contemporary Tea Ceremony Exhibition TOKI Oribe Silver Award Winner Selected for Mashiko Ceramic Art Exhibition (also selected in 2002, 2004, and 2008)\u003cbr\u003e 2001: Selected for the World Craft Competition in Kanazawa Held a workshop in Walla Walla, Washington, USA\u003cbr\u003e 2002 BONSAI Container Exhibition (Takagi Bonsai Museum) Excellence Award Winner Selected for the Vallauris Ceramic Art Biennale (France) \u003cbr\u003e2003 Selected for the Japan Traditional Crafts Exhibition (also selected in 2004, 2005, 2006, 2008-2023)\u003cbr\u003e Selected for the Choza Award Ceramic Art Exhibition (also selected in 2005, 2007, 2009, and 2015)\u003cbr\u003e 2004: Opened Hakuyo Kiln. Selected for the 19th Japan Ceramic Art Exhibition (Part 1, Traditional Category, Award Nominee).\u003cbr\u003e 1st Contemporary Ceramics Hagi Grand Prize Exhibition, Second Prize\u003cbr\u003e 2008: 70th Issuikai Ceramics Exhibition, Issuikai Honorable Mention Award\u003cbr\u003e 2009: Received the Ibaraki Prefectural Ceramic Art Museum Award at the 20th Japan Ceramic Art Exhibition; received the Shiga Prefectural Board of Education Superintendent's Award at the 38th Japan Traditional Crafts Kinki Exhibition; received the Japan Crafts Association Award at the 37th Traditional Crafts Ceramic Art Division Exhibition; received the Issuikai Award at the 71st Issuikai Ceramic Art Division Open Exhibition; received the Kinoshita Memorial Award at the 72nd Issuikai Ceramic Art Division Open Exhibition\u003cbr\u003e 2011 Kobe Biennale 2011 Contemporary Ceramic Art Competition Selection Donated a large tea bowl for the tea ceremony to Saidaiji Temple in Nara\u003cbr\u003e Selected for the 1st Toubi Exhibition in 2013 (also selected in 2015, 2016, and 2018) \u003cbr\u003e2014: Received the Excellence Award at the Hagi Grand Prize Exhibition III, Contemporary Ceramics; Received the Encouragement Award at the 2nd Ceramic Art Exhibition, \"Identity and Originality\" (The Museum of Ceramic Art, Hyogo)\u003cbr\u003e \"Contemporary Ceramic Phenomena\" (Ibaraki Ceramic Art Museum)\u003cbr\u003e 2015 TAMBA NOW+ (The Museum of Ceramic Art, Hyogo)\u003cbr\u003e 2016 \"Contemporary Ceramics Guide\" (Ibaraki Ceramic Art Museum)\u003cbr\u003e 2017: 55th Hyogo Crafts Exhibition, Kobe Shimbun Grand Prize\u003cbr\u003e 2018: Donated a tea bowl to Jonan-gu Shrine (Fushimi, Kyoto)\u003cbr\u003e 2019: Received the Encouragement Award at the 36th Tanabe Museum of Art Grand Prize \"Tea Ceremony Art Exhibition\"\u003cbr\u003e 2020 TAMBA NOW+2020 (The Museum of Ceramic Art, Hyogo)\u003cbr\u003e 2022: Japan Crafts Association Ceramics Division 50th Anniversary Exhibition \"Panasonic Shiodome Museum of Art, National Crafts Museum, Hyogo Ceramic Art Museum, etc.\"\u003c\/p\u003e\n\n\u003c!----\u003e","brand":"陶器の専門店【甘木道】","offers":[{"title":"Default Title","offer_id":48472836604184,"sku":"","price":25300.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0668\/2332\/3928\/files\/IMG_8697bb.jpg?v=1715950527"}],"url":"https:\/\/amakido.art\/en\/collections\/all.oembed?page=37","provider":"高級陶器の専門店【甘木道】","version":"1.0","type":"link"}